
Abba legend Bjorn teases secret new band project after Voyage success
Turning 80 may slow most people down, but not Bjorn Ulvaeus - as he speaks to the Mirror about ABBA'S new project, while also toasting the continued success of the ABBA Voyage
Not many people are seen as innovators when they hit 80. Fewer still can claim the title of musical genius - at any age.
But, after helping his band sell more than 400 million records, as he celebrates the third anniversary of the ground breaking ABBA Voyage avatar show, 80-year-old Bjorn Ulvaeus is still seen as both.
For this irrepressible man, becoming an octogenarian simply means gathering more wisdom and experience.
Excitedly hinting at a new, secret ABBA project, Bjorn tells The Mirror: 'There will be something. It is just not crystalised yet exactly what that is. Something new. Yes, I am 80 - but I wake up curious every morning."
Bjorn spoke frankly about his life in music as two of his bandmates, Benny Andersson, 78, and Anni-Frid Lyngstad, 79, joined him in the UK to toast the continued success of ABBA Voyage, which has contributed more than £1billion to the UK economy since opening in May, 2022.
More than two million fans have enjoyed the 90-minute shows at the immersive ABBA Arena, which features the group - including Agnetha Faltskog, 75 - as lifelike holographic images, churning out hits including Waterloo, Mamma Mia, Dancing Queen and Take A Chance on Me.
And, like their 1976 smash hit Money, Money, Money, it is an absolute goldmine.
More thrilled by its creative success, Bjorn says: "When I first went to Voyage I saw myself as a young man on stage. But the strangest thing is how emotional it is.
"It is amazing how people so quickly forget that they are looking at screens. I was amazed and we had no idea that it would happen. It is almost a spiritual feeling. There is something strange in the room which is amazing.'
The digital avatar show is produced by Pophouse Entertainment, a music investment firm and production company founded by Bjorn and Swedish billionaire businessman Conni Jonsson.
The company is currently looking to use the same cutting edge Voyage technology to bring other avatar shows to life, including the work of US singer Cyndi Lauper and the flamboyant American rockers Kiss.
And Bjorn, who is close friends with Sir Elton John, says other musical avatar extravaganzas are on the horizon.
He says: "I like to work. Working is fun. Our company Pophouse Entertainment has happened out of curiosity and wanting to try new things.
"I like to create new things like the avatars. The ABBA-tars. It was like a playground and to be able to help other people. I see Pophouse as a creative hub with fun attached to it, so you can do fun things.
'We are working with Cyndi Lauper, she has a very diverse catalogue. We are also working with Kiss. We believe it could be a very interesting avatar experience in the trans Marvel universe.
"They wanted cartoons and now they have ascended into the digital world. So that is very exciting for what they stand for. Cyndi is something completely different.
"There are lots of things we could do, too. We could work on documentaries, but there is so much else to do like the gaming world - and who knows what happens around the corner? We are at the forefront. I am so grateful."
Rumours are already circulating that David Bowie could be brought back to life as an avatar and that The Rolling Stones could soon be launching their own avatar shows.
But Bjorn won't name any more names.
He says: 'It is very exciting. We are looking for a story to tell. We have not seen anything yet...but it is coming. Our show Mamma Mia at the O2 in London took four or five years and Voyage the same, to opening night. These things take time. I want to help people's legacies."
Since winning the Eurovision Song Contest in 1974 with their breakout hit Waterloo, ABBA have won countless awards and were inducted into the Rock and Roll Hall of Fame back in 2010.
Bjorn says the secret to the Swedish sensations' success is having great songs.
'What advice can I give younger artists other than to write better songs?' he says. 'It is still true. This industry starts with a song.
"Whatever it is, it is a song that does it. I say just write a song and record it. If it is good enough then it will work. But you have to be prepared to have people say no to you 10 times, then one will say yes. You have to be prepared to wait and not lose hope. I remember rejection."
Growing up in Gothenburg, Sweden, Bjorn says it was The Beatles who inspired him to write, but admits he was always jealous of natural storytellers like The Bee Gees.
He says: "I used to listen to The Beatles and that is the reason why Benny and I started writing. Before then, the song writing had been very anonymous, like the people behind Elvis Presley.
"The Beatles were a big inspiration and The Beach Boys as well. But during the 1970s I used to envy people who could write commercial pop lyrics like The Bee Gees. I could not write commercial lyrics. Whatever you are doing you have to tell the story."
Today, Bjorn says not enough emphasis is put on crafting a song which can go on and help sustain a career for generations.
He says: "Once we won Eurovision we could say no to things. During that process we learned. We only wrote like 14 songs a year.
"People now say they have written 200 songs a year, but I don't think they have. I would keep 10%. We could go for weeks writing full time and had very little to show for it.
"We would spend a long time in the studio and there is a very special satisfaction when you can listen to something and you think 'Yeah, this is just how it should be' It happened many times with ABBA. That is very special. A lot of people walk away thinking it is good enough but it is not. You have to add a few more inches."
Bjorn's current project is a secret musical he is writing with the help of AI, which he says helps him to come up with ideas when he gets stuck.
And although working with the International Confederation of Songwriters and Composers, which seeks to protect songwriters from having their works copied by AI technology, Bjorn says AI is a tool that should be embraced for the future.
He says: "Pop music has always been very tech driven. I remember when Benny and I started writing together, we always wanted the latest thing. You would hear a sound and ask how that was done.
"Benny had the first Mini Moog, which was the first synth. When we built our own studio we had digital machines. Tech and music go hand in hand and that is how it continues.'
Laughing at how working with AI is faster than writing with human beings like his co-writer Benny, he adds: "It is quicker writing with a machine, as you get an instant reply and it does exactly what you tell it.
"AI is fantastic and such a great tool. It can give you ideas to go in various different directions.
"There are songwriters using it all around the world as we speak.
'The music industry will come to some sort of agreement with the tech industry to work together, as these AI bots would not exist without the song that we wrote."
But Bjorn believes AI should not be feared, as when it comes to writing ABBA hits, he says: "When you prompt AI with ABBA it says 'No, it can't do that.' There is a misconception that AI can write a whole song. It is lousy at that. Thank God it is very bad at lyrics as well, but it can give you ideas.'
So, ABBA looks set to be made-up of human members, merely enhanced by innovative technology, for the foreseeable future.
Looking back on his extensive back catalogue, he merely smiles and says: "What is the key to longevity? You have to have that curiosity that I talked about and something that drives you.
"Once you are a songwriter and have an experience of what it is like and see how people react to something you have written, that never goes away.
'I think you can do that your whole life. I enjoy it just as much today as I did before."
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Daily Mirror
2 hours ago
- Daily Mirror
'David Beckham deserves a knighthood but ordinary people should be honoured too'
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One user penned: "There are lots of other ordinary people who do not have famous personas, influence and money to start up a charity or input to other charities that for me deserve knighthoods or damehoods than these pair. "Unfortunately, we live in a celebrity world and the ordinary man, woman and child who do so much for charities, hardly get noticed let alone a thought for a knighthood or damehood. I recognise and think much more of those who deserve the recognition or a recognition than a very wealthy footballer and his wife." Another echoed: "Where are the knighthoods for the people who fought to save lives during Covid ? Or the war heroes who lost limbs in Afghanistan and Falklands ? 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All you have to do to join is click on this link, select 'Join Chat' and you're in! We may also send you stories from other titles across the Reach group. We will also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose Exit group. If you're curious, you can read our Privacy Notice. A second added: "I think he has done more good than bad. He's certainly more deserving than those senior public 'servants' and judges who do more bad than good but receive titles automatically," while a third agreed: "He has done a lot more for this country than most of them who get these knighthoods." "I am in the camp that thinks Beckham should be knighted. He was special, he has done lots for charity and has been an ambassador for his country. Yes I think he should become a Sir," concluded another. 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Daily Mirror
3 hours ago
- Daily Mirror
Death-wish doll locked in glass case 'causes horror car smash' amid grim warning
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As detailed in the 2014 movie, Annabelle, the student and her roommate, reached out to Ed and Lorraine Warren for assistance—the husband-and-wife duo famed for delving into some of the most chilling paranormal cases ever recorded, from the Amityville haunting to the Enfield poltergeist. After deeming Annabelle to be demonically possessed, Ed and Lorraine had the doll locked up in their now-closed occult 'museum' filled with artefacts from their various investigations. This collection, kept at the Warrens' former home in Monroe, Connecticut, included a purported vampire coffin as well as a child's gravestone, which had allegedly been used for satanic purposes. Out of all these objects, however, there is none that sparks a shudder quite like Annabelle. Kept in a glass case bearing the warning 'positively do not open', young members of the Warren family were taught from an early age that Annabelle was not a toy. In a recent interview with the Mirror, the Warrens' grandson, Chris McKinnell, recalled how, in his youth, he was taught to respect the artefacts in his grandparents' museum, reflecting, "Annabelle is more like a cobra". Chris "grew up in" the Warrens' museum, which was never open to the public, and which he views as more of a "prison" than a place of curiosity. He can still remember one chilling instance when his then two-year-old sister locked him inside at night—an instance reminiscent of a shudder-inducing scene involving a child in the third Conjuring film. Looking back on this traumatising incident, Chris shared: "My grandfather, luckily, was in his office and heard me screaming bloody murder and he came out and got me, but after that I was so afraid of the dark I couldn't sleep without a light on." Ultimately, Chris was able to face his fears and overcome his terror of the dark in a highly unusual way—by accompanying Ed and Lorraine in their spine-tingling line of work. He joined Ed on his first case at the age of just 16 and claims to have heard wall-shaking poundings, clawings, and growls during this intense initiation. Inspired by his war veteran grandfather's bravery, however, the teenage Chris stood firm. He went on to help out his grandparents on some of their best-known cases, including the possession of Maurice Theriault, who inspired the character of Frenchy in the Nun movies. Now 60, Chris is on a mission to encourage others not to be frightened when it comes to activity from the other side of the veil, so to speak. Having reportedly inherited several of his grandmother's psychic gifts, although apparently not all, Chris upholds Ed and Lorraine's legacy through the Warren Legacy Foundation, through which he continues their work on a worldwide scale. Chris explained: "My goal is to educate people and let them not be afraid. When you hear the footsteps in the hallway in the middle of the night, it's not the devil, for God's sake; it's probably your grandmother or the old man that used to live there." However, when it comes to Annabelle, Chris believes caution is absolutely necessary, as family members and those close to them have learned the hard way. Chris recounted the story of family friend Father Bill Charboneau, who reportedly ended up in severe peril following an encounter with Annabelle. Back in 1975, Father Bill, whom he remembers as "one of these hip young 70s priests", drove over to the Warren home, located, fittingly, Chris believes, on a dead end, to show off his brand new car and call upon devout Catholics, Ed and Lorraine. Chris, who remembers attending Father Bill's Christmas Eve mass with his grandmother, said: "Afterwards, he said to my grandfather, 'Ed, I hear you've got a doll that attacks people', and he says, 'Yes, Father, it's downstairs, would you like to see it?' "Now, at this point, it wasn't in a box; it was still sitting in a rocking chair. And so they go downstairs, Father Bill looks at it, picks it up, throws it across from him and says, 'God is stronger than the devil'. And my grandfather looked at him and said, 'Yes, Father, God is stronger than the devil, but no man is'. "That night, and this is according to Father Bill, he was driving home that night on Route 8 in Connecticut, and he saw this white light coming out of the sky directly at him. And just before he veered off the road, in the halo of the light, he swore he saw Annabelle. He went into the median, the car was ripped in half, and his leg was broken. "Now, my grandfather used to talk about that until I think Father Bill asked him to stop, at which point my grandfather changed the story. He still tried to warn the public not to mess with Annabelle, but changed this to a boy on a motorcycle with his girlfriend. Not true, never happened. That's the Father Bill story that he changed. He wasn't doing it to be dishonest; he was doing it to warn the public of the dangers." On another, separate occasion, Ed and Lorraine were driving along Route 84 in Pennsylvania, a "pretty lonely road". There weren't really any other cars around, but there was a truck about a quarter mile back. As they drove, the religious couple couldn't help but notice the abundance of biblical-sounding place names along the way, communities such as Lords Valley, Bethlehem, and Paradise. Chris revealed: "My grandfather made an offhand joke, and said, 'Not even Annabelle or Amityville can bother us here because of all of the biblical influences'. "And they said that it felt like something had smacked the back of their car, like they'd been hit by another car, and their car spun and went into a ditch. This was a big black beauty. I had the licence plate GHOST. My grandparents gave me the car many years later. The truck stopped, obviously, to help, and he said that he swore they'd gotten in a car accident like another car had hit them, but there was nobody there." He added: "My grandfather said, 'I learned then never to joke around about Annabelle'." Annabelle is reportedly now travelling around the US, as part of The Devils on the Run Tour, and those who've long followed Warren's adventures can now get right up close to America's most feared doll. Fascinated crowds have turned up in droves. However, there are those who are more concerned than excited, with some even believing Annabelle's presence has sparked everything from fires to jailbreaks. Chris does not believe Annabelle is demonically possessed and also does not think she's capable of causing catastrophe on such a colossal scale. However, he does believe she contains a certain energy that could be dangerous, especially to those who are particularly vulnerable. According to Chris, "My grandfather would have told you the same thing. When you go into the museum, he always told us, he told everybody he invited in: 'Do not touch anything'. "If your energy interacts with its energy, you can be hurt if you're the wrong person, if you are that susceptible person. I believe there are enough people who are terrified of Annabelle that even if this were not the actual doll itself, if they're using a stand-in, which I don't know. It would still be dangerous because there are people who are psychologically vulnerable. They can easily believe that they're being influenced by this thing, and they could cause harm to themselves or others." In recent years, Chris says he's "constantly" getting requests for help from people who believe Annabelle has appeared to them - something that didn't happen before she exploded onto multiplex cinema screens. Although it's purported that Annabelle hasn't actually harmed a human being since 1975, the psychological hold she has over modern believers in the paranormal remains undeniable. As for Chris, he views Annabelle as an egregore, an entity "created through human energy" that has reacted over the years to the fears of others. The innocent-looking doll's seriously creepy backstory gives it shape, identity, and ultimately power over those who roll up to stare at it. He said: "I'm not afraid of this thing, but that's because it's like a snake handler learning how to handle snakes. I know what this thing is, I know how to deal with it, and I'm not going to be afraid of it, but I do respect it and its power. I don't believe it's a demon. But I do believe it has energy. I don't believe it has tremendous intelligence or anything of the sort. I think it's reactive, not active. So why doesn't it break out of its case? It's reactive, not active." Ed died in 2006 at the age of 79, seven years before the first The Conjuring movie had cinema goers shrieking in their seats. Lorraine died in 2019 at the age of 92, having lived long enough to see their work immortalised in Hollywood blockbusters. This pop culture phenomenon has certainly been strange for Chris to witness. Chris remembers his maternal grandparents as "just good people" and far more ordinary than the "pedestal" of "Hollywood fantasy" would suggest. They were open to changing with the times and admitting they were wrong when needed. Chris recalled: "Even my grandmother said the best psychic in the world is only right 60 per cent of the time, which is a terrible average to change your life." While the couple did both enjoy painting spooky pictures, Ed wasn't a keen singer or guitar player, as was depicted in the blockbuster franchise. Chris doesn't see too much of his grandparents in the portrayals, however, he admits to having felt emotional during a scene in The Conjuring 3, when Ed presents Lorraine with a gazebo - an event which actually occurred in real life. Grandma Lorraine was soft on her grandson and sweetly fond of keeping chickens when she wasn't tackling otherworldly mysteries, but also wasn't one to be crossed. Grandad Ed could be a "joker" when it came to the spooky nature of their work, especially when it came to his "Halloween room" in the basement, which connected to the museum. Chris laughed: "Oh, he could be a pain sometimes. I was already afraid. And he'd have me going down the stairs to the basement and have rubber bats dropping on my head and things like that." As for his own experiences with the museum, Chris has only encountered one inexplicable occurrence, which occurred when he invited a friend to see the eerie display. This was after the death of his grandfather, and Chris and his friend stopped by Union Cemetery. In life, Ed had been "fascinated" by Union Cemetery, a spot said to be haunted by the spectral 'White Lady'. They stopped by his grandparents' home and museum on the way to visit Ed's grave in Stepney. And what at first seemed like an ordinary trip turned extraordinary once they looked back at the photos they'd taken. Chris told us, "We took photos there first. Then we went to the museum, my grandmother told us, 'Go right ahead'. I took pictures of her at my grandfather's desk. I took a picture of her with Annabelle and everywhere else. Then we went and visited my grandfather's grave and took pictures there. She's looking at all these photos, and there's no problem. But the next morning, when we go to look at the photos again, Union Cemetery is there. My grandfather's grave is there, but everything that we took in the museum was gone."


Daily Mirror
8 hours ago
- Daily Mirror
No EuroMillions winner means biggest lottery prize in UK rolls over yet again
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