logo
Peppa Pig's pregnant mum reveals unborn baby's gender at Battersea Power Station

Peppa Pig's pregnant mum reveals unborn baby's gender at Battersea Power Station

Daily Mirror25-04-2025

Peppa Pig's pregnant mum has announced her gender reveal at London's Battersea Power Station after sharing that she is expecting her third child
The gender of the new baby on Peppa Pig has been revealed, ahead of a cinema experience showing preparations for the new arrival.
The animated show, which has told the story of Peppa, who lives with Daddy Pig, Mummy Pig, and her little brother George for more than two decades, announced the pregnancy in February.

On Friday, the Battersea Power Station chimneys in London will be lit up in pink to show that Mummy Pig is expecting a baby girl. A third child in the series was already covered in a pregnancy-themed episode, coinciding with Mother's Day in March.

Viewers can expect to see the new baby on screen in the autumn, but some could be in for a treat before then. The animated show announced that Peppa Meets The Baby, an hour-long format will come out on May 30.
The song-filled screening features 10 brand-new episodes, as Peppa and George prepare for the arrival of their baby sister. The Peppa Pig store at the power station, turned shopping mall and accommodation complex, is fundraising in support of NCT (National Children's Trust) the UK's leading charity for pregnancy and parents on Friday.
The charity is partnered with Peppa Pig in the UK. The gender reveal episode will air on YouTube on May 3 as part of the Peppa Pig Tales series.
Peppa Pig began in 2004 on Channel 5 Milkshake and Nick Jr, and has been a global success with theme parks in the UK and elsewhere. The show has been broadcast in over 40 languages and is available in more than 180 territories.

Co-created by Neville Astley and Mark Baker, from animation studio Astley Baker Davies, the series has has also featured on collectable Royal Mail stamps.
It was acquired by toy company Hasbro in 2019 as part of its purchase of Entertainment One's brands.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Channel 4's Beth is a sad glimpse into the future of terrestrial TV
Channel 4's Beth is a sad glimpse into the future of terrestrial TV

Spectator

time7 hours ago

  • Spectator

Channel 4's Beth is a sad glimpse into the future of terrestrial TV

On the face of it, Beth seemed that most old-fashioned of TV genres: the single play. In fact, Monday's programme was the complete version of a three-parter made for YouTube and excitedly announced as Channel 4's first-ever digital commission. A less excited interpretation, however, might be that it was Channel 4's first sign of surrender to the hostile forces of streaming now threatening all of Britain's terrestrial networks. Either way, it was a peculiar watch that, over the course of its 36 minutes, felt less like a fully fledged drama than notes towards one. In a nervous bid to ensure YouTube viewers were gripped before they could search for something else, it began with a good-looking couple having sex. But not for long. Within 50 seconds, the man, Joe, noticed blood on the sheets and the woman, Molly, realised she'd had the latest in a series of miscarriages. Seconds after that, the pair were visiting their hunky private doctor who advised them to knock off the IVF, in favour of 'lots of sex': advice he bestowed with a distinct leer in Molly's direction. Following the consultation, Joe and Molly (Nicholas Pinnock and Abbey Lee) wondered about adoption or fostering, but as an interracial couple, decided they wanted 'our kid to look like both of us'. In one of these 'notes towards' moments, it also appeared that Joe himself had been unhappily fostered. But of course there wasn't time to get into that and instead the first 12-minute section ended with Molly suddenly pregnant. Once she was, there were some more hints at a theme the show would clearly have liked to explore in more depth, in this case Joe's class unease about having a much posher partner. Yet, no sooner was this suggested than we cut to the delivery room, where Molly gave birth to a white baby – moments later, a white primary-school girl whom Joe, now separated from Molly, was picking up from a party. Despite his (and our) suspicions, the reason for the child's colour wasn't the pervy doctor, but something wholly unguessable which relied on a lurch into the supernatural that I'd better not spoil, but that, once again, the show didn't have time either to prepare us for or to reflect on, and so simply plonked in front of us. Beth was by no means a disaster. The two leads did their considerable best with what they had to work on – as did the script, which often managed to be intriguing before the time constraints rendered it merely frustrating. Nonetheless, you couldn't help thinking how much more could have been done with the material in a mini-series that wasn't quite so mini. If this was a glimpse of the terrestrial-TV future, the best you can say is that its programmes certainly won't overstay their welcome; the worst is that they'll be badly lacking in the swagger and storytelling confidence of the pre-streaming era. Still, if it's old-fashioned you want, there's always Not Going Out – the longest-running sitcom now on British television and by some distance the most traditional. There remains something almost heroic about Mack's determination to keep the British-sitcom faith Defending his chosen form, its creator Lee Mack said recently: 'The thing you always hear people say about studio sitcoms is: 'They're so 1970s.' But then you ask people to name their favourite British sitcoms and they're all from the 1970s: Fawlty Towers, Dad's Army, Steptoe and Son.' Sadly, I'm not convinced that many of these 'people' would be under 50. But there remains something almost heroic about Mack's determination to keep the British-sitcom faith, especially as he can get at least as many laughs from his lightning ad-libs on Would I Lie to You? without any of the hard writing yards required here. Even so, it's not quite true, despite those references, that the show's influences are all British – because it's too full of wisecracks for that. Captain Mainwaring, Basil Fawlty and the Steptoes would be wildly indignant if they knew we were laughing at them, whereas the characters in Not Going Out (like those in say Cheers and Frasier) constantly make remarks that are intended to be funny. So it was that the 14th series started with the fictional Lee and his wife Lucy (Sally Bretton) being shown round a property by a seller who doubled as a straight man setting up Lee and Lucy's stream of one-liners – which carried on just as relentlessly once the episode developed into a full-blown, well-plotted farce based, naturally, on implausible lies, implausibly believed. I can't claim that Not Going Out is among my weekly unmissables (unlike Would I Lie to You?). But I'm definitely delighted that Mack continues to fly the flag for a sitcom that has no desire to throw in some dark drama to provide an edifying moral lesson – or indeed to do anything much beyond making us laugh.

Singer and TikTok star Addison Rae changes her stage name
Singer and TikTok star Addison Rae changes her stage name

NBC News

time9 hours ago

  • NBC News

Singer and TikTok star Addison Rae changes her stage name

Addison Rae is now going by a new stage name. The singer and TikTok star, who just released her self-titled debut album on June 6, has dropped the name 'Rae' from her professional moniker and is now known simply as Addison. 'I said it in an interview, I was just like, 'Oh, I think I've grown past being called Addison Rae,'' Addison told host Quenlin Blackwell during a June 8 appearance on Blackwell's 'Feeding Starving Celebrities' YouTube series. 'Then the album being named 'Addison' kind of was a tie-in for that,' she added. The 'Diet Pepsi' singer, 24, said there is also a more practical reason behind her decision. 'I just am tired of also signing Addison Rae. It's really long. I just would rather sign Addison,' she said, laughing. 'And then I was like, 'Yeah, it just makes more sense because, like, it's going back to the roots really.'' Still, Addison, who was born Addison Rae Easterling, said she won't be upset if longtime friends and fans still think of her as Addison Rae. 'Whoever knows me as Addison Rae and knew me as Addison Rae will always know me as that,' she said. Addison joins a growing list of celebrities who have opted to tweak their professional names during the past year. Just last month, Angelina Jolie's 19-year-old daughter Shiloh Jolie — who'd already dropped her father Brad Pitt's surname from her own in 2024 — choreographed an original dance piece under the name Shi Joli. Former 'Teen Mom 2' star Kailyn Lowry's 15-year-old son, who was formerly known as Isaac Elliott Rivera, announced last week on his mom's 'Barely Famous' podcast that he was now going by his middle name, Elliott. Meanwhile, Malia Obama, the 27-year-old daughter of former President Barack Obama and first lady Michelle Obama, has been using the professional name Malia Ann as a writer and director in Hollywood. Michelle Obama opened up about her older daughter dropping the Obama name professionally when she recently appeared on Kate and Oliver Hudson's 'Sibling Revelry' podcast. The former first lady said it was natural for young adults — especially those from famous families — to want to 'push away' from their family name at some point. 'You're trying to distinguish yourself,' she explained, adding, 'It is very important for my kids to feel like they've earned what they are getting in the world, and they don't want people to assume that they don't work hard, that they're just naturally handed things,' she added. ' 'They're very sensitive to that. They want to be their own people.' 'Malia, who started in film, and it being her first project, she took off her last name, and we were like, 'They're still going to know it's you, Malia,'' she added with a laugh. 'But we respected the fact that she's trying to make her way.'

Twix advert banned after complaints it promoted dangerous driving
Twix advert banned after complaints it promoted dangerous driving

Wales Online

time12 hours ago

  • Wales Online

Twix advert banned after complaints it promoted dangerous driving

Twix advert banned after complaints it promoted dangerous driving The advert shows a man in a car embarking on a high-speed chase with a pursuer, before swerving off the road and tumbling down a hill Twix TV advert banned after complaints it encouraged dangerous driving (Image: Twix/YouTube ) A TV advert for the popular chocolate bar, Twix, has been banned following objections that it promotes reckless driving. The advert, titled Two is More Than One, showcases a 70s-inspired car chase featuring a long-haired man in a caramel-coloured vehicle navigating through a rugged terrain with winding roads. After noticing another driver tailing him via his rear view mirror, he accelerates before yanking the handbrake, veering off to the right side of the road and rolling sideways through a metal barrier. Despite the dramatic tumble down the hill, the driver remains unfazed as the car comes to a halt, landing on an identical vehicle at the bottom of the hill. The two cars are depicted stacked roof-to-roof, with the same man seemingly occupying both vehicles. For the latest TV and showbiz gossip sign up to our newsletter The Twix bar from the top driver falls through the sunroof into the hands of the driver below, and they both shift the gear stick on the ground level car and drive off. Two cars end up roof to roof, and drive away together. (Image: Twix/YouTube ) The Advertising Standards Agency (ASA) received five complaints alleging that the advert was irresponsible and encouraged dangerous driving, reports the Express. Article continues below Mars-Wrigley, the confectionery giant that owns Twix, defended the advert by stating it "was set in a separate world that was absurd, fantastical and removed from reality," and they ensured that the acts depicted in the sequence "would be impossible to recreate", according to Sky News. The firm, which also owns brands such as Maltesers and M&Ms, stated that the cars "were shot driving at lawful speeds and any emulation would only reflect the legal and safe driving presented". Mars-Wrigley also pointed out that the advert embodied the playful and absurd humour that the Twix brand is renowned for. Clearcast, the non-profit organisation that approves adverts before they are broadcast in the UK, informed the watchdog that the style of the video made it clear to viewers that the actions depicted were not intended to be replicated, and said the ad did not suggest "safe driving was boring," according to BBC News. However, despite acknowledging that the video featured "some clearly fantastical elements," the watchdog decided to uphold the complaints, stating in its ruling that the ads "must not appear again in their current form". "We considered the road was clearly realistic," the ASA stated. "The scenes were depicted as a chase with the emphasis on speed. In addition, the first man was then shown putting the handbrake on and the car swerved off the road leaving visible skid marks. "We considered the emphasis on a chase, and the speed inherent to that, and the driving manoeuvres featured would be dangerous and irresponsible if emulated in real life on a public highway." In its ruling, the ASA instructed Mars-Wrigley "not to condone or encourage irresponsible driving that was likely to breach the legal requirements of the Highway Code in their ads." A spokesperson for Mars Wrigley UK stated: "We always take pride in maintaining high standards across all our communications and every advert we produce is submitted for approval through the appropriate review channels. Article continues below "In our view, this particular advert adopts a fantastical tone that is neither realistic nor intended to be imitated. "Nonetheless, we take our responsibility as an advertiser seriously and never intended to cause any offence or concern, so we are reviewing the ruling carefully in order to work collaboratively towards a resolution."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store