
In the Sahara, a friendly dance competition carries on an ancient festival tradition
They're performing the rituals of the 3,000-year-old annual Sebeiba festival of Djanet, a southeastern Algerian oasis town deep in the Sahara, just over 200 kilometers (about 125 miles) from the Libyan border.
Sebeiba is a core tradition of the Tuareg people, native to the Sahara and parts of West Africa. The Tuareg are Muslim, and their native language is Tamasheq, though many speak some combination of French, Modern Standard Arabic, Algerian Arabic (Darija) and English.
The festival lasts 10 days, and ends with a daylong dance competition between two neighborhoods in Djanet — Zelouaz, or Tsagit, and El Mihan, or Taghorfit. The winner is decided by judges from a third neighborhood, Adjahil, by selecting the group with the most beautiful costumes, dances, jewelry, poetry and songs.
Significance of the festival
The Tuaregs in Djanet say there are two legends explaining the significance of Sebeiba, though oral traditions vary. The first says the festival was put on to celebrate peace and joy after Moses defeated the Pharaoh in the Exodus story.
'In commemoration of this great historical event, when God saved Moses and his people from the tyranny of the oppressive Pharaoh, the people of Djanet came out and celebrated through dance,' said Ahmed Benhaoued, a Tuareg guide at his family's tourism agency, Admer Voyages. He has lived in Djanet all his life.
The second legend says the festival commemorates the resolution of a historic rivalry between Zelouaz and El Mihan.
'The festival is a proud tradition of the Tuareg in Djanet,' Benhaoued said. 'Some call it 'the Sebeiba celebration,' or 'the war dance without bloodshed' or 'the dance of peace.''
Today, Sebeiba is also a point of cultural pride. Recognized by UNESCO since 2014 as an Intangible Cultural Heritage of Humanity, Sebeiba coincides with Ashoura, a day marking the 10th day of Muharram, or the first month of the Islamic year. Some in Djanet fast for up to three days before Sebeiba.
This year, Ashoura and Sebeiba fell on July 6, when temperatures in Djanet reached about 38 C (100 F). Still, more than 1,000 people gathered to watch Sebeiba at a sandy square marking the center point between the two neighborhoods, where the festival is held each year.
Each group starts at one end of the square — Zelouaz to the north and El Mihan to the south.
The dancers are young men from the neighborhoods dressed in dark robes accented by bright yellow, red and blue accessories and tall, maroon hats called Tkoumbout adorned with silver jewelry.
The men's dances and women's chants have been passed down through generations. Children participate in the festivities by mimicking the older performers. Boys brandish miniature swords and scarves in their small hands and girls stand with the female drummers.
A friendly dance competition
This year, El Mihan won the dance competition. But Cheikh Hassani, director of Indigenous Institutional Dance of Sebeiba, emphasized that despite the naming of a winner, the festival remains a friendly celebration — meant above all to honor their ancestors in a spirit of unity.
'Sebeiba is not just a dance,' Hassani said. 'People used to think you just come, you dance — no, it represents so much more. For the people of Djanet, it's a sort of sacred day.'
While the most widely known part of Sebeiba is the dance competition on the last day, the nine days leading up to it are also full of celebration. Tuareg from Libya and from other cities in the Algerian Sahara come to gatherings each night, when the temperature has cooled, to watch the performers rehearse.
Hassani said the generational inheritance of the festival's customs helps them keep the spirits of their ancestors alive.
'We can't let it go,' he said. 'This is our heritage, and today it's become a heritage of all humanity, an international heritage.'
According to legend, Benhaoued said, there will be winds and storms if Sebeiba is not held.
'It is said that this actually happened once when the festival was not held, so a woman went out into the streets with her drum, beating it until the storm calmed down,' the Tuareg guide added.
About 50 foreign tourists joined the people of Djanet for the final dance competition, hailing mostly from European countries such as France, Poland and Germany. Several also came from the neighboring countries of Libya and Niger.
Djanet is one of many Algerian cities experiencing an increase in tourism over the past two years thanks to government efforts to boost the number of foreign visitors, especially to scenic sites like the Sahara which makes up 83% of the North African country's surface area.
The government introduced a new visa-on-arrival program in January 2023 for all nonexempt foreign tourists traveling to the Sahara. Additionally, the national airline, Air Algerie, launched a flight between Paris and Djanet in December 2024 during the winter season, when tourists from across the world travel to Djanet for camping excursions deep into the Sahara.
'The Sebeiba isn't just something for the people of Djanet,' Hassani said. 'We have the honor of preserving this heritage of humanity. That's an honor for us.'
___
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fox News
an hour ago
- Fox News
Filmmaker alleges ‘censorship' after Toronto Film Festival drops Oct. 7 Hamas attack documentary
The Toronto International Film Festival (TIFF) removed a documentary about the 2023 Hamas attack against Israel, citing legal issues with the footage. The film, "The Road Between Us: The Ultimate Rescue," by Canadian filmmaker Barry Avrich, details the account of retired Israeli Gen. Noam Tibon, who rescued his son, daughter-in-law and grandchildren on October 7. TIFF said the documentary was removed "because general requirements for inclusion in the festival, and conditions that were requested when the film was initially invited, were not met, including legal clearance of all footage," the Associated Press (AP) reported. The filmmakers alleged "censorship," according to the AP. "We are shocked and saddened that a venerable film festival has defied its mission and censored its own programming by refusing this film," the filmmakers said in a statement. "Ultimately, film is an art form that stimulates debate from every perspective that can both entertain us and make us uncomfortable." Cameron Bailey, the CEO of TIFF, pushed back on the censorship allegations in a statement on Wednesday. "My intention was to screen The Road Between Us: The Ultimate Rescue, which is why I extended the invitation for the film to participate in this year's festival. Given the sensitive and significant nature of the film's subject, I believe that it tells an important story and contributes to the rich tapestry of perspectives in our lineup — stories that resonate both here at home and around the world," Bailey said. "I want to be clear: claims that the film was rejected due to censorship are unequivocally false. I remain committed to working with the filmmaker to meet TIFF's screening requirements to allow the film to be screened at this year's festival. I have asked our legal team to work with the filmmaker on considering all options available," the statement continued. According to a report in Deadline, "Filmmakers were told they had to make editorial changes specifically identifying horrific footage that was livestreamed by Hamas on October 7, 2023, footage that had already been seen publicly. The festival claims it requested that the filmmakers not make changes, rather identify the source of the footage and confirmation of legal clearance." At the 2024 festival, TIFF pulled a film titled "Russians at War," the AP reported. The documentary covers Russian soldiers in their war against Ukraine. Protesters have called the film Russian propaganda, according to the AP.


New York Post
3 hours ago
- New York Post
Denzel Washington gives his brutally honest take on Oscars after ‘Gladiator II' snub
Denzel Washington doesn't care about those shiny gold trophies. The 'Fences' actor, 70, recently explained why winning an Oscar isn't important to him in his career. 'I don't do it for Oscars. I don't care about that kind of stuff,' he stated on 'Jake's Takes' while promoting his new film, 'Highest 2 Lowest.' 8 Denzel Washington accepts his Oscar for Best Actor for 'Training Day' in 2002. AP 'I've been at this a long time, and there's time when I won and shouldn't have won and then didn't win and should've won,' Washington continued. 'Man gives the award. God gives the reward.' Despite being nominated nine times and taking home two wins at the award ceremony, Washington declared: 'I'm not that interested in Oscars.' 8 Denzel Washington on 'Jake's Takes.' Jake's Takes/Youtube 8 Denzel Washington in 'Highest 2 Lowest.' AP 'People ask me, 'Where do I keep it?' Well, next to the other one. I'm not bragging! Just telling you how I feel about it,' he shared. 'On my last day, [Oscars] aren't going to do me a bit of good.' Washington won Oscars in 1990 for 'Glory' and in 2002 for 'Training Day.' 8 Denzel Washington with his Best Supporting Actor Oscar for 'Glory' in 1990. Sygma via Getty Images 8 Halle Berry and Denzel Washington with their Oscars at the 2002 Academy Awards. REUTERS He was also nominated for his performances in 'Cry Freedom,' 'Malcolm X,' 'The Hurricane,' 'Flight,' 'Fences,' 'Roman J. Israel, Esq.' and 'The Tragedy of Macbeth.' Earlier this year, Washington was snubbed by the Academy for his performance in 'Gladiator II.' He was expected to get into the Best Supporting Actor race, especially after scoring nominations at the 2025 Golden Globes and 2025 Critics Choice Awards. 8 Denzel Washington in 'Gladiator 2.' ©Paramount/Courtesy Everett Collection When asked how he felt about the snub in Feb., Washington sarcastically told the New York Times: 'Are you kidding me? Awww. Oh, I'm so upset.' 'Listen, I've been around too long. I've got — I don't wanna say other fish to fry, but there's a reality at this age,' he explained. 'The beginning of wisdom is understanding. I'm getting wiser, working on talking less and learning to understand more — and that's exciting.' 8 Paul Mescal, Denzel Washington in 'Gladiator 2.' ©Paramount/Courtesy Everett Collection 8 Denzel Washington in 'Gladiator II.' ©Paramount/Courtesy Everett Collection Three months after the Oscars snub, Washington failed to get nominated for a Tony Award for his performance in 'Othello,' which generated controversy for its high ticket costs. Last year, Washington made headlines for saying he plans to retire after his slew of upcoming acting projects, including 'Black Panther 3.' 'I don't know how many more films I'm going to make. Probably not that many,' he admitted during an interview with Australia's Today. 'I want to do things I haven't done,' Washington added.


San Francisco Chronicle
9 hours ago
- San Francisco Chronicle
South Korean Supreme Court dismisses US composer's 'Baby Shark' copyright claim
SEOUL, South Korea (AP) — South Korea's Supreme Court rejected a 30 million won ($21,600) damage claim Thursday by an American composer who accused a South Korean kids content company of plagiarizing his version of ' Baby Shark,' ending a six-year legal battle over the globally popular tune known for its catchy ' doo doo doo doo doo doo ' hook. The top court upheld lower court rulings dating back to 2021 and 2023 that found no sufficient grounds to conclude Pinkfong infringed on Jonathan Wright's copyright. Wright, also known as Johnny Only, had recorded his version in 2011, four years before Pinkfong's, but both were based on a traditional melody popular for years at children's summer camps in the United States. The courts ruled that Wright's version did not differ enough from the original melody to qualify as an original creative work eligible for copyright protection, and that Pinkfong's song had clear differences from Wright's. The Supreme Court said its ruling reaffirms the established legal principle on existing folk tunes as derivative work. 'The Supreme Court accepts the lower court's finding that the plaintiff's song did not involve substantial modifications to the folk tune related to the case to the extent that it could be regarded, by common social standards, as a separate work,' it said in a statement. Wright's South Korean attorney and Pinkfong didn't immediately respond to requests for comment. Pinkfong's 'Baby Shark' became a global phenomenon after it was released on YouTube in 2015, with the original 'Baby Shark Dance' video now exceeding 16 billion views and peaking at No. 32 on the Billboard Hot 100. Baby Shark remains a crucial product for Pinkfong, which earned 45.1 billion won ($32.6 million) in revenue in the first half of 2025, according to its regulatory filing. The company has turned the five-member shark family — Baby Shark, Mama Shark, Papa Shark, Grandma Shark, and Grandpa Shark — into TV and Netflix shows, movies, smartphone apps and globally-touring musicals.