
'Petrified,' by Joshua Wodak: Facing a global climate rupture
Petrified. Living During a Rupture of Life on Earth, by Joshua Wodak, a lecturer on ecology at several Australian universities, is not one of those books. It summarily bypasses the idea that we can now somehow salvage what we have put in motion and also assumes that our future desperate attempts to save ourselves will not engender any fundamental changes to the anthropocentric attitudes that got us here in the first place. Instead, it asks us a simple question: How, as sentient humans, do we want to live here at the end of life on earth as we know it? How can we come to terms with both our collective guilt and our individual remorse? How can we face down the imminent collapse of the ecosystems that support us and every other lifeform on the planet and remain humane, sane, optimistic and kind? What useful, compassionate posture can any human being adopt now that we are already this deep into the rupture? And why, in fact, does our posture matter?
Culture pop
Petrified is a highly unusual meditation, part science, part philosophy, part pop-culture acid trip, on how we as humans might choose to live during the current rupture. It almost entirely ignores both the academic and popular vocabularies we have become accustomed to when discussing the Anthropocene, rather taking the reader on a sometimes disorienting and sometimes exhilarating rollercoaster ride that swerves from traditional and pop-cultural foreshadowing of this and other ends-of-the-world to hard science and philosophy and back again to our real, lived experience of the rupture as it unfolds.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

LeMonde
2 days ago
- LeMonde
On an Indonesian island, traces of human presence over one million years old have been discovered
After the discovery in 2003 of the so-called Flores Man on the Indonesian island of Flores, and the subsequent unearthing of human remains on the Philippine island of Luzon – which also lent its name to a distinct species – researchers turned their curiosity to another Indonesian island: Sulawesi (also known as Celebes). This vast landmass, spanning several hundred thousand square kilometers, had already yielded some prehistoric secrets, including tools at least 194,000 years old. However, these finds could not compete with the artifacts from Flores, dated at 1.02 million years old, or those from Luzon, around 700,000 years old. "We have searched for many years for evidence of the earliest humans of Sulawesi, so it is a great relief to finally find it," said Adam Brumm, an archaeologist and co-author of the study published on August 6 in the journal Nature. Together with colleagues from Australian and Indonesian universities, the team excavated the sediment layers at the Calio site, progressing 10 centimeters at a time. This meticulous approach paid off, allowing them to unearth seven flint tools.


France 24
24-07-2025
- France 24
Cook Islands wages war on 'plague' of hungry starfish
These makeshift tools are their best weapons in the war against crown-of-thorns starfish, a coral-munching species eating through tropical reefs already weakened by climate change. The Cook Islands, a South Pacific nation of about 17,000 people, is in the grips of a years-long outbreak, says marine biologist Teina Rongo. "It can completely kill off the entire reef, right around the island," said Rongo, who organises volunteers protecting the reefs fringing the isle of Rarotonga. "I think there seems to be a Pacific-wide outbreak at the moment, because we're hearing other countries are facing similar challenges." A single crown-of-thorns adult can eat more than 10 square metres (110 square feet) of reef each year, squeezing its stomach through its mouth to coat coral in digestive juices. They pose a major threat to Australia's Great Barrier Reef, where scientists have developed robots that hunt down the prickly invertebrates and inject them with poison. "At the moment, you basically kill them by injection," said researcher Sven Uthicke, from the Australian Institute of Marine Science. "It could be vinegar, it could be lime juice or ox bile. "Others are building chemical attraction traps. It's all very promising -- but it's in the development stage." Rongo finds it quickest to pry the feasting starfish loose using a wooden stick cut from the dense timber of the Pacific Ironwood tree. "Basically, we use a stick with a hook at the end," he said. "We've made some modifications over time because we were getting pricked by these starfish. It's painful." Named for their hundreds of venomous spikes, crown-of-thorns starfish have as many as 21 fleshy arms and can grow larger than a car tyre. They are typically found in such low numbers that they are not considered a problem. But sporadically populations explode in a feeding frenzy that rapidly strips the life from reefs. 'Plague proportions ' They spawn in "plague proportions", according to the Australian Institute of Marine Science, and are a major driver of coral loss. From the Red Sea to the Pacific Ocean, crown-of-thorns outbreaks appear to be becoming both more frequent and more severe. "Some argue that the crown-of-thorns has become chronic in the last few decades," said Rongo, talking about the reefs of the South Pacific. Scientists suspect these outbreaks are triggered by a mix of factors, including nutrients leached into the sea from agriculture and fluctuations in natural predators. But the damage they can cause is getting worse as reefs are weakened by climate change-fuelled coral bleaching and ocean acidification. "This is why it's important for us to help the reef," says Rongo. Scuba divers scour the Cook Islands' reefs for hard-to-spot starfish wedged into dimly lit crevices. Once peeled off the coral, the starfish are pierced with a thick rope so they can be dragged back up to a waiting boat. The day's haul is dumped into a plastic chest before the starfish are lugged ashore to be counted, measured and mulched for garden fertiliser. They are known as "taramea" in Cook Islands Maori, which loosely translates to "spiky thing". The volunteer divers working with Rongo and his environmental group Korero O Te Orau -- or Knowledge of the Land, Sky and Sea -- remove thousands of starfish every year. Rongo is spurred by the devastation from the nation's last major infestation in the 1990s. "I was part of that eradication effort. © 2025 AFP

LeMonde
06-07-2025
- LeMonde
Nice's Contemporary Art Biennale explores the city's unique relationship to the sea
The first United Nations conference on the need to protect oceans took place in New York in 2017. The third and most recent was just held in Nice, on June 13. But for nearly 75 years, it has been common knowledge that humans' horrible habit of polluting the seas that surround and sustain them could lead to disaster. This was revealed in 1951 by The Sea Around Us, a groundbreaking book by Rachel Carson (1907-1964). A marine biologist, Carson was also the author of S ilent Spring (1962), which, for the first time, linked the rise in cancer cases to the widespread use of pesticides. For this contribution, Carson was considered a trailblazing environmentalist and is credited with the ban on DDT. These themes are at the heart of the sixth Nice Contemporary Art Biennale, organized by Jean-Jacques Aillagon and Hélène Guenin. The artists and organizers have spared no effort, with 11 different exhibitions linked to the event, all spread across the city. Though uncommon for a biennale, these exhibitions are not limited to contemporary art but also tell the unique story of the city's millennia-old connection to the sea. For example, did you know that the Baie des Anges (the Bay of Angels) owes its name to a strange fish − a half-ray, half-shark − that once thrived there? The angel shark (Squatina squatina) has now been decimated, notably because of trawling, and is currently listed among the 100 most endangered species worldwide. A (very small) taxidermied example can be found at the Villa Masséna at the exhibition "Nice, du rivage à la mer" ("Nice, From Shore to Sea"). If allowed to grow, the animal can exceed 2 meters in length.