Fox News Entertainment Newsletter: Lauren Daigle's Super Bowl 'vindication,' Elton John's 'nightmare' tantrum
Welcome to the Fox News Entertainment Newsletter.
TOP 3:
- Christian singer says Super Bowl performance is 'vindication' after being canceled by New Orleans mayor
- Elton John throws 'nightmare' tantrum, breaks down in tears while recording new album
- Blake Lively and Justin Baldoni lawsuit: messages expose alleged lies, threats and intimate secrets
'SHOT IN THE DARK' - AC/DC fans just learning the origin of the band's name after decades in the spotlight
'SHE'S CANCELED' - Blake Lively skewered on social media for promoting new movie amid Justin Baldoni legal drama
'I CAN'T WALK' - Ozzy Osbourne says, 'I can't walk … but I'm still alive,' ahead of final Black Sabbath performance
RISKY BUSINESS - Johnny Depp's attorney warns Blake Lively, Justin Baldoni face 'real danger' in upcoming trial
'DAMAGED' - 'Price is Right' host Drew Carey reveals former fiancée's murder 'destroyed' him, says he still doesn't date
TAKING A 'BRUISING' - Blake Lively, Justin Baldoni legal battle tarnishes Ryan Reynolds' Hollywood image: expert
'RETALIATION' - Blake Lively, Justin Baldoni war escalates with new defamation lawsuit
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Business Insider
29 minutes ago
- Business Insider
The best red-carpet looks of 2025 so far
Aside from a few misses, celebrity fashion has been strong in 2025. Stars like Lauren Sánchez and Blake Lively have embraced glamour for dramatic red-carpet moments. Billionaire athletes, including LeBron James, have also stood out in designer fashion. Now that we're halfway through 2025, it's time to reflect on what celebrity fashion has looked like this year. Aside from a few outfits that missed the mark, most celebrities have stunned at movie premieres, awards shows, and other red-carpet events. Lauren Sánchez, LeBron James, and Miley Cyrus are just a few of those who have done the latter. Here's a look at their best ensembles and other standouts worn by celebrities this year. Halle Berry was effortlessly chic at the closing ceremony of the Cannes Film Festival. She walked the red carpet in a cream-colored lace gown from Dior. It had a mock neckline, puffed short sleeves, and a thin black belt tied into a bow around her waist. The dress was glamorous on its own, but Berry accessorized to perfection with Chopard diamonds. Also in France, Lauren Sánchez stunned in black at the Global Gift Gala. Dolce & Gabbana designed her strapless gown. It was covered in sparkles across its structured bodice and wrapped with a ruched fabric around the hips to enhance its floor-length skirt. Sánchez also wore an updo hairstyle and a diamond necklace from Messika to complement the statement dress. Elaine Zhong wore one of the best ball gowns of the year at the "Dossier 137" premiere. The Elie Saab gown made her one of the best-dressed stars at the 2025 Cannes Film Festival. It was strapless, with floral appliqués extending across its bodice and the top of its full skirt. Zhong wore the white gown with a thick diamond necklace, a matching bracelet, stud earrings, and a few sparkling rings. LeBron and Savannah James subtly coordinated their looks for the 2025 Hammer Museum Gala, and it paid off. The billionaire basketball star arrived at the event in black trousers, $1,690 Louis Vuitton sneakers, and the designer brand's $3,800 Damier jacket in tan, which is now sold out. Savannah James, on the other hand, wore a dramatic pleated dress from Issey Miyake and $1,795 Giuseppe Zanotti heels with gold snake detailing. Kylie Jenner and Timothée Chalamet matched in black ensembles at the 2025 David di Donatello Awards. Jenner posed in a sleeveless Schiaparelli design that featured form-fitting textured fabric, a deeply scooped neckline, and a floor-length skirt. Chalamet opted for a velvet Tom Ford suit in the same dark shade with a white rose pinned to his jacket. Not only were the stars' outfits sharp on their own, but they also strongly suited each other. Blake Lively had her best fashion moment of the year at the Time100 Gala. She wore a red Zuhair Murad gown and an assortment of jade jewelry. The former had a corseted top with ruched off-the-shoulder sleeves, a form-fitted skirt, and extra fabric attached at the hips. It was one of the best looks on the Time100 red carpet and one of the strongest outfits Lively has worn throughout her career. Sergey Brin dazzled with crystals at the Breakthrough Prize ceremony. As the billionaire cofounder of Google, you might not expect Brin to be overly fashionable. However, he proved those assumptions wrong with straight-legged trousers, a satin button-down top, and a suit jacket encrusted with pearls, crystals, and beads in leaf patterns. Miley Cyrus showed just how stylish she is at the 2025 Oscars. She wore a custom Alexander McQueen gown made from a mix of sparkling fabric and semi-sheer mesh. It also had a halter neckline, a long skirt with a short train, and a row of velvet below her hips. Her accessories and makeup were arguably even better than the standout dress. She wore lace gloves, a silver watch, diamond earrings, a wavy hairstyle, and bleached eyebrows. The look was unique and true to Cyrus' style. Selena Gomez brought the glamour to the EE BAFTA Film Awards. She arrived on the red carpet in a custom Schiaparelli gown that was impossible to miss. Its top layer was sleeveless, sparkling, and decorated from top to bottom with thick crystals. The latter piece also had a scooped neckline so deep that it sat below her chest and revealed a black velvet top with off-the-shoulder sleeves. At the Grammy Awards, Taylor Swift made a fun nod to her 11th studio album and her boyfriend. She wore a ruby-colored minidress designed by Vivienne Westwood. It had a corset top with a single shoulder strap, fabric that wrapped around her hips to create a miniskirt, and all-over sparkles. Most fun, though, was her leg chain, which Swift co-designed with Lorraine Schwartz, People reported. It had multiple rubies in a line that led to a charm of the letter T, seemingly referencing both her boyfriend Travis Kelce and a line Swift sings in her song "Guilty as Sin?" off her 11th studio album, "The Tortured Poets Department." No one has pulled off theme dressing quite like Jennifer Lopez this year. Lopez promoted her film "Kiss of the Spider Woman" at the 2025 Sundance Film Festival, where she wore a dress with spider-inspired details from Valdrin Sahiti. The long-sleeved design was made from lace and embellished with crystals in the shape of a web. It also had long sleeves, a mock neckline, and a slit in the back of its long skirt. Shaboozey looked cool and comfortable on the Louis Vuitton carpet at Paris Fashion Week. He wore a full ensemble from the designer brand that included light-wash blue jeans, a brown tweed coat, and a printed silk scarf over a white T-shirt. Zendaya looked like a princess in January at the 2025 Golden Globes. She was one of the best-dressed stars of the event thanks to her Louis Vuitton gown. The strapless design fit Zendaya like a glove, though extra fabric was attached at the back to create the illusion of a full skirt.
Chicago Tribune
an hour ago
- Chicago Tribune
Meet the former Chicago ‘theater kid' who stages Kendrick Lamar
Mike Carson made the backdrops for school plays. Mountains, villages, flat and colorful, that sort of thing. He also ran the lights. He was a tech guy in school theater. He played football at Plainfield North High School, but at heart, he was a theater kid. Even now, living in Los Angeles, he heads to the theater whenever he can. As a child, his parents often took him to Chicago theater. That stuck in surprising ways. So much so, you are familiar with Mike Carson's work even if you don't know him by name, or thought of that work as theatrical. Carson, now the creative director at pgLang in Los Angeles, is one of Kendrick Lamar's longtime production designers and creative partners. If you're headed to Solider Field this week to see 'The Grand National Tour' featuring Lamar and SZA, know this: a lot of what you'll see is Mike Carson's ongoing collaboration with Lamar and Dave Free, childhood friends who cofounded pgLang in 2020 as an arts incubator that, according to its mission statement, speaks in music, podcasts, film, theater, books, TV, visual arts — 'because sometimes we have to use different languages to get the point of our stories across.' Next spring, they have a movie co-starring Lamar, made with Matt Stone and Trey Parker of 'South Park,' about a Black intern who plays a slave in a living history museum. But so far, their best-known production is the Super Bowl halftime show from February, the most watched halftime show in NFL history, a furious, petty, startling satire of American dreams, joys and contradictions. If its stage kind of looked like a PlayStation controller to you — that was the idea. Nothing about a Lamar performance is phoned in. Carson thinks of them as quasi-theatrical musicals. 'The music becomes the script and gives us an intention of how the show will flow the way it does,' he says. 'When we're conceptualizing, you might imagine us just throwing songs onto a board or images up on a board, then going from there, but there's a reason, or a narrative, or something underlying everything on that stage. Myself, I like some tension in there, but everything gets crafted, from the setlist to the color of the lights at one moment to why there are (dancers) on stage another moment. I definitely took that approach from going to plays.' Take the backdrops. Your average stadium concert is going to blow up the performer's image to Godzilla proportions, blending in bits of video and a lot of CGI surrealism — the DNA comes directly from the churning swirls of late 1960s concert psychedelia. With Lamar, not so much. Yes, he's gargantuan on those video screens; it is a stadium. But he also mingles with images reminiscent of 'The Last Supper' and sculptor Augusta Savage, Los Angeles car culture and the great contemporary collagist Lauren Halsey; the tour uses seven of her assemblages of Black archival images, street advertising and neon colors, blowing them up big enough to stretch across Soldier Field and superimposing Lamar into the mix. A few years ago, when Lamar headlined Lollapalooza, he performed against large lo-fi backdrops of Black friends and family, made by the contemporary painter Henry Taylor. Lamar's shows are big on motifs. For this tour, it's a 1987 Buick Grand National GNX, the same one that was the focus of the half-time performance. 'We've been rolling with that car since the Super Bowl,' Carson said, 'only now its retooled from that, where it was basically a clown car.' Car collectors may flinch. The GNX, counted as one of the last American muscle cars, was so limited edition that only 547 were manufactured by General Motors; each of the top 500 Buick dealers in the nation received just one or two to sell. After a countrywide search, Carson and Co. landed one — then gutted it for the Super Bowl, allowing an improbable number of dancers to appear to stream out of it. The Grand National Tour opens with laser-drawn interpretations of Latino-inspired car window fonts, backed by a swooning serenade from Mexican American mariachi Deyra Barrera. Then the GNX rises out of the stage with Lamar in the driver's seat. Lamar's previous 'Big Steppers' tour was even more outwardly theatrical: It opened with Lamar at a piano, playing to a puppet of Lamar. Dancers moved mechanically, separated out exactly. At one point in the show, when Lamar bent over, his shadow was cast huge against a backdrop, except on the backdrop, a row of arrows appeared to be stuck in his back. 'Doing that kind of thing in arenas is a little easier,' Carson said. 'You can get more abstract, or you can be a little more theatrical. In a stadium, the expectation is for a spectacle and you think in terms of how three corners of a stadium are getting the same thing. But we can be subtle, we can — Kendrick's always willing to push things past a normal show.' One of the tour's indelible images involves Lamar simply sitting on steps, tens of thousands before him. Carson knows pop ambitions. He grew up in the western suburbs of Berkeley and Bellwood, then later moved to the Chicago neighborhood of Pilsen. He attended Columbia College for a time until meeting legendary Chicago fashion designer and Kanye West collaborator Virgil Abloh, who died in 2021. 'I basically dropped out after my first semester sophomore year and began working with Virgil and went on the whole 'Watch the Throne' thing with Kanye and Jay-Z, the album and the tour. I was documenting Kanye and Jay-Z. Virgil took a chance on me. For a few years, that was my college experience.' He remembers Abloh, no matter how any assistants were around him, often doing the work himself. Indeed, you could argue that Abloh's creative spirit is in 'The Grand National Tour,' in the blend of street clothing and stark minimalist staging, and in the way Lamar, Carson and Free make the familiar feel fresh, and how they somehow come off bold without forgetting to remain accessible. 'You want to be always forging a new way of doing this,' Carson said. 'That could mean our version of what concert choreography could look like. Or our version of what stage design can look like. Or Kendrick's interpretation of what a stadium concert could look like right now. How do you get your own distinctive visual language out? And how do you do it at the scale of a football stadium?'
New York Post
an hour ago
- New York Post
Darryl Strawberry on Juan Soto's adjustment, Pete Alonso's power and the side of his life you don't see
Access the Mets beat like never before Don't miss Mike Puma's text messages from Queens and beyond — he's giving Sports+ subscribers the inside buzz on the Mets. Sign up Now Darryl Strawberry has lived two different existences. There was Strawberry the major league baseball star who won four World Series rings with the Mets and Yankees, but never reached his full Hall of Fame potential in part because of a cocaine addiction. That part of Strawberry's story has been well-told over the years in various formats, including books authored by the former outfielder, whose No. 18 was retired by the Mets last year. Now Strawberry is collaborating on a project that will focus on his new existence leading a Christian ministry. The book, 'Another Life,' co-written by Jerome Preisler, is scheduled for publication in 2026.
