logo
Chaos at Rogers Stadium in Toronto has fans fuming after Coldplay shows: 'Nobody thought this through'

Chaos at Rogers Stadium in Toronto has fans fuming after Coldplay shows: 'Nobody thought this through'

Yahoo3 days ago
Just weeks after opening its doors, Toronto's new temporary 50,000-seat Rogers Stadium is already under fire. And yes, that's Rogers Stadium — not the pre-existing Rogers Centre or Rogers Arena.
Billed as a game-changer for the city's entertainment scene, the massive venue has instead drawn criticism from concertgoers who say it was woefully unprepared to host events of its size. Which perhaps isn't altogether a surprise as it was built rather hastily, in an unheard-of nine-month span.
Complaints came to a head after consecutive shows by K-pop supergroup Stray Kids on June 29 and British stadium rockers Coldplay, in Toronto for four shows between July 8 and 12, both of which ended in logistical mayhem.
'I just don't think anyone thought this through,' said Shannon Spencer, a local resident who attended both concerts. 'It was clear to me after the Stray Kids show that transit capacity — stations, subway, GO Train — wasn't considered when planning and building this place.'
Spencer's concerns echo those of many attendees who documented their frustration online, sharing photos of crowd surges, shaky seats that many described as 'bleachers,' overwhelmed station platforms, limited signage and a shocking lack of access to basics like water and food. The result was not just inconvenience, but real safety concerns. Forget accessibility standards. Many said it took them at least two hours to exit the venue at Downsview Park.
Rogers stadium is by far the worst music venue ever constructed. DO NOT BUY TICKETS TO A CONCERT HERE EVER! Worst traffic I've ever seen. Just sat in traffic for 2 hours to go .5 miles, and missed all the opening acts and now might miss Coldplay.No signage just a nightmare
— Rick outkalt (@RickOutkalt) July 7, 2025
Still can't believe THIS is the Rogers Stadium. Walking to my seat was so damn scary and you could feel the structure swaying during the show 😬💀 pic.twitter.com/uSE1oi42D6
— Daphne 🐿️ • ILY reunion 🤟🐿️🤍🌠 (@ArthurNoIro) July 1, 2025
.@Rogers_Stadium this is not safe. Not enough security to check to checking tickets I guess. Major choke point pic.twitter.com/jTe6l05Jso
— Joey Doster (@joeydoster) July 7, 2025
'After the Stray Kids concert, the venue staff let us out in slow-moving groups to prevent station overcrowding, leading to some people missing the last GO Train and connections. Despite them using this strategy, there was still overcrowding,' Spencer said. 'The issue was compounded by the fact that there wasn't enough communication between staff and concert-goers, leaving a lot of confusion, pushing and irritability.'
The heat didn't help.
'There was a lack of water stations and food,' she added. 'So many people were fainting. We had to call for medical assistance multiple times.'
Live Nation Canada, which operates Rogers Stadium, said in a statement that it was 'making adjustments' ahead of Coldplay's four-night stint following Stray Kids. That included more signage, lighting, staff and water stations, but it seems the larger issues remained.
Even frontman Chris Martin took notice. At the band's first show on Monday, calling the venue a 'weird stadium in the middle of nowhere.' Later, at Tuesday's show, he addressed it again, telling the crowd, 'Thank you for being here, and especially thank you for travelling on the strange quest that you had to travel on to get to this very bizarre stadium, a million miles from Earth.'
Chris Martin greets Toronto on night 2 👋🏼#Coldplay #ColdplayToronto pic.twitter.com/8wJil4obxW
— MuchMusic (@Much) July 9, 2025
Leaders Bang Chan of Stray Kids and Chris Martin of Coldplay on the new Rogers Stadium in Toronto😭 pic.twitter.com/7OweS7WtU5
— MuchMusic (@Much) July 9, 2025
While attending the Coldplay show later in the week, knowing what she might face, Spencer said she initially considered leaving early but ultimately chose to stay for the full experience in hopes of getting her money's worth, opting to skip the convoluted transit system entirely.
'I took a Hopp ride-share home,' she shared. 'I am aware that not everyone has the privilege to do that, especially out-of-city folks. [Still,] more signs are needed at and around the venue, especially for drivers. My Hopp driver was totally confused. There was also a lot of traffic since most of the routes to the stadium were closed.'
She's not alone in wondering why Toronto's largest venue was greenlit without better infrastructure to support it.
'I wish there had been real coordination between the developers, the City, TTC, GO Transit during the planning and development stages of the stadium,' Spencer said.
The TTC has since said it will add more staff to its Downsview Park and Wilson stations and Metrolinx will 'closely monitor' GO train ridership levels on concert nights.
In a statement on Wednesday, Councillor James Pasternak said noise levels and neighbourhood disruptions in Downsview on concert nights are being taken 'very seriously,' and that all bylaws are being followed. In addition, he said, 'We continue to be concerned about the partial street closures, the noise levels, community safety and traffic management. If many of these issues are not resolved, we will bring them to City Council. … We understand the frustration.'
Still, no formal statement has been issued about what went wrong, or what major steps are being taken to fix the many structural and logistical issues plaguing the stadium. All of which also raises broader questions about whether Toronto's transit network is even capable of supporting mega-events like this without significant upgrades. (And free transit is certainly not enough to assuage the chaos.)
Whatever the case, the pressure is on; Coldplay is set to perform two more shows this week, on Friday and Saturday. If the stadium doesn't address the transit, accessibility and crowd-control concerns, it could lose public trust and putting concertgoers at real risk. Rogers Stadium is hosting two highly anticipated shows by band Oasis on August 24 and 25, the group's first tour in 16 years. K-pop group Blackpink and R&B singer Chris Brown also headline two shows each at the Rogers Stadium this summer.
As for Spencer, she's still hoping for better: 'I wish for more transparency and communication with the surrounding community. It seems [everyone] was excluded from consultation and planning processes.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Justin Baldoni Says Blake Lively is Trying to Use 'Celebrity Status' to Dictate Deposition Locale
Justin Baldoni Says Blake Lively is Trying to Use 'Celebrity Status' to Dictate Deposition Locale

Yahoo

time42 minutes ago

  • Yahoo

Justin Baldoni Says Blake Lively is Trying to Use 'Celebrity Status' to Dictate Deposition Locale

Justin Baldoni says a judge shouldn't let Blake Lively dictate the terms of her deposition just 'cause she's super famous ... fighting back against her request to hold her depo in her own lawyer's office. The actor's attorneys filed a response to Lively's Friday request that her upcoming deposition happen at her lawyer's office ... claiming she feared paparazzi would ambush her outside Baldoni's attorney's office. In this new filing, he's calling BS ... arguing Lively hasn't given any evidence to back her point -- adding it's not an issue of cost since the two offices are only about a mile from one another. Baldoni's team says allowing the depo at the other office puts them at a disadvantage ... since they'll need to consult with hundreds of pages of notes -- and may need a conference room of their own mid-depo to chat in private. They say it's just easier, therefore, if they hold the deposition at their office ... which they add the law says they have a right to do. Baldoni finishes off the response by telling the judge, "Although Lively's foot-stomping and use of her celebrity status may have enabled her to seize control of the film, which is the crux of this dispute, her counsel's tantrum has no place in this Court. Lively is bound by the Federal Rules of Civil Procedure like every litigant..." As you know ... Baldoni's lawyer Bryan Freedman has offered to hold Lively's deposition in Madison Square Garden so the whole world can see it. He even offered to donate the proceeds to a domestic violence charity. After her filing Friday, Lively's rep told us this is a very serious matter and deserves due consideration from the other side ... mentioning the MSG offer as an upsetting example of the way Baldoni's side is treating the case. We've reached out to Lively about this new filing ... so far, no word back.

How Sega's surprise Saturn launch backfired—and changed gaming forever
How Sega's surprise Saturn launch backfired—and changed gaming forever

Fast Company

timean hour ago

  • Fast Company

How Sega's surprise Saturn launch backfired—and changed gaming forever

In May of 1995, the video game industry hosted its first major trade show. Electronic Entertainment Expo (E3) was designed to shine a spotlight on games, and every major player wanted to stand in it. Sega believed it had figured out how to command that spotlight. Riding high on the success of the Sega Genesis, the company unveiled the Sega Saturn at its press conference. After a quirky segment that resembled one of Sega's off-the-wall commercials, Tom Kalinske, CEO of Sega of America, delivered a bombshell announcement. 'Since I began my remarks with an announcement, I might as well finish with another: We started our rollout of the Sega Saturn yesterday,' he said. 'We're at retail today in 1,800 Toys 'R' Us, Software Etc., and Electronics Boutique stores around the U.S. and Canada.' Sega hoped it would be a mic drop moment. Instead, it marked the beginning of the end for the company's hardware business. What the press conference audience didn't know was that Kalinske had strongly opposed the early launch. He had argued fiercely with Sega's Japanese leadership, pointing to his past success with the Genesis in the U.S. and warning that a surprise launch without a proper marketing ramp-up wouldn't work. But his objections were overruled. This story is part of 1995 Week, where we'll revisit some of the most interesting, unexpected, and confounding developments in tech 30 years ago. '[I] didn't understand why this was occurring,' he told TimeExtension in 2022. 'I was forced to introduce it. We didn't have enough hardware. We didn't have enough software. And then, to make matters worse, we were forced to introduce it five months earlier than we wanted.' Sega's announcement turned heads—but they quickly turned again when Sony held its own press conference later that day. After showcasing the PlayStation and a long list of development partners, Olaf Olafsson, head of Sony America, invited Steve Race (formerly Sega's own marketing chief) to the stage. Race approached the podium, put down his notes, and simply said: '299,' then walked away. That one number undercut the Saturn and every other console on the market by $100. By the time Sega abandoned the Saturn just three years later, it had sold fewer than 2 million units in the U.S. The company would release one final system—the Dreamcast —in 1998 in Japan and 1999 in the U.S. But the Saturn's mishandled launch had already altered Sega's trajectory forever. A Doomed Launch 'The Saturn was dead before it came out because of the poor decision-making Sega had made,' says Chris Kohler, a video game historian and editorial director at Digital Eclipse Entertainment Partners. 'When it came out in Japan, Sega was also launching 32X, an add-on for the Sega Genesis. . . . All it ended up doing was completely confusing consumers. They had no idea what to buy.' Despite that confusion, the Saturn had a decent launch in Japan. Its game lineup appealed to local tastes, especially with a home version of Virtua Fighter, a massive arcade hit. But American gamers were harder to win over. While titles like Panzer Dragoon and Clockwork Knight have dedicated fanbases today, they weren't enough to justify a $399 console (about $842 in today's dollars). 'I tried and tried to get the launch pushed back so that we had some actual software to support it,' Kalinske told TimeExtension. 'I was not successful. I had four glorious years where Sega Japan pretty much let me do whatever I felt was right, and then that stopped.' One of the Saturn's most glaring missteps was the lack of a Sonic the Hedgehog game—not just at launch, but throughout its entire lifespan. At the time, Sonic was at the height of his popularity. Sonic the Hedgehog 3 had sold 4 million copies the year prior. He also starred in a Saturday morning cartoon and the CGI-animated series Sonic Boom on Cartoon Network. Launching a Sega console without Sonic was like launching a Nintendo console without Mario. The surprise launch strategy also backfired on Sega in another way. 'Essentially, they kneecapped themselves,' says Kohler. 'They can only ship it to certain retailers, so the retailers that don't get those early shipments get burned and they don't want to stock Sega products anymore. . . . Consumers didn't have the ability to get excited or put down preorders. It hit the market without any buildup.' An Unexpected Fight Sega knew Sony would bring the PlayStation to the U.S., but didn't initially view it as a serious threat. By the mid-1990s, lots of big, non-gaming focused companies had tried to step into the videogame world. Magnavox had released several versions of the Odyssey in the 1970s. Philips had released the CD-i a few years prior to the Saturn's introduction. The Neo Geo was already on the market and the TurboGrafx-16 had just been discontinued. But Sony was different. Aggressive and well-prepared, its $299 price point stunned the industry. 'We didn't know they were going to do it, and when they did, we were like: 'We are screwed here,'' said Kalinske. 'We weren't making money at $399, so we had a problem.' Consumers responded immediately. Retailers increased orders, and developers rushed to work with the PlayStation. 'All of these big hardware makers were coming into the video game industry and falling on their face,' says Kohler. 'Sony, of all of them, comes in and is not only successful but outrageously successful.' Executive Departures Kalinske's frustrations continued after the Saturn launch, and in July of the following year, he resigned—though he remained on the board. Bernard Stolar, who had been instrumental in launching the PlayStation, took over at Sega. His first move was to abandon the Saturn. 'When I got to Sega I immediately said, 'We have to kill Saturn. We have to stop Saturn and start building the new technology.' That's what I did. I brought in a new team of people and cleaned house. . . . I took the company down to 90 employees to start rebuilding,' Stolar, who died in 2022, once told GamesBeat. That team created the Dreamcast, which performed well in the U.S. but not well enough to restore Sega's dominance—especially as Microsoft prepared to enter the market. Lacking the resources to compete with Sony, Microsoft, and Nintendo, Sega exited the hardware business. Today, Sega is part of Sammy Corp. and focuses solely on software, with franchises ranging from Angry Birds to Total War —and of course, Sonic, who now stars in a successful film series. Still, it's hard not to ask, 'What if?' What if Sega had waited until September to launch the Saturn, as originally planned? What if it had a stronger launch lineup for the U.S. market? There are no answers, only the reality that the Saturn's missteps reshaped the industry. 'In a lot of ways, it was Sega's to lose and they just fumbled it,' says Kohler.

Robert D. Dean Announces Release of First Children's Book Who Colored the Leaves
Robert D. Dean Announces Release of First Children's Book Who Colored the Leaves

Associated Press

timean hour ago

  • Associated Press

Robert D. Dean Announces Release of First Children's Book Who Colored the Leaves

Robert D. Dean, known for Echoes of Andersonville and Faith & Funnies, unveils his debut children's book Who Colored the Leaves, blending humor for all ages. United States, July 14, 2025 -- A New Author with a Unique Vision Robert D. Dean, a well-established author known for his Civil War novel Echoes of Andersonville and his witty collection Faith & Funnies, is pleased to announce the release of his debut children's book Who Colored the Leaves? The book has garnered attention for its dual appeal, offering a delightful bedtime story for children with subtle humor that adults will also enjoy. Dean's approach to writing children's literature brings an added layer of sophistication to a genre that traditionally caters only to younger readers. The inspiration for Who Colored the Leaves? came to Dean during a sleepless autumn night when the rustling of the leaves outside triggered the question: 'Why do leaves change color in the Fall?' This simple curiosity quickly transformed into a charming narrative that would engage both children and adults. The book offers a fun, engaging way to introduce kids to the changing seasons, while also making the experience enjoyable for the adults reading it aloud. A Story Crafted in Just Two Hours One of the most remarkable aspects of Who Colored the Leaves? is the speed at which it was written. Dean shared that the entire story came together in just two hours. He explains, 'It was a quiet, restless night, and I just couldn't sleep. As I listened to the leaves rustling, I thought, 'Why do they change colors?' From there, everything just flowed. It was almost as if the story was waiting for me to write it.' Despite its rapid creation, the book has already made a significant impact. Within a short period, Who Colored the Leaves? has gained recognition, including a Winner award at the 2025 International Impact Book Awards and a First Place award in the Children's Bedtime & Dreams category at the 2025 BookFest Awards. These accolades speak to the quality of the work and the emotional resonance it has with readers, highlighting Dean's ability to craft a story that appeals to both children and adults alike. A Book with Dual Appeal What truly sets Who Colored the Leaves? apart is its ability to entertain not only young readers but also the adults who share the story with them. While the children will enjoy the narrative's simplicity and the colorful illustrations, adults will appreciate the lighthearted, yet clever, humor embedded in the story. Dean wanted to create a book that offered something for everyone, ensuring that parents, grandparents, and caregivers would find enjoyment in the reading experience as much as the children. In crafting the story, Dean added humor that would resonate with the adult reader—without detracting from the story's primary goal of entertaining and educating young children. By doing so, Who Colored the Leaves? becomes more than just another bedtime book. It becomes a shared experience, where families can laugh together and enjoy the rhythm of the changing seasons, all while learning about nature. Perfect for Parents and Grandparents Who Colored the Leaves? has been praised for its suitability as a gift for parents and grandparents to share with children. The story's charm lies in its whimsical exploration of autumn and its unique way of answering the simple question about the color change in leaves. However, it's the additional layer of adult humor that has resonated with caregivers, making it a fun and rewarding experience for the entire family. In addition to the humor, the book also carries an educational component. Young readers are introduced to the wonders of nature, specifically the changing of leaves in the fall. This approach encourages children to appreciate the beauty of the natural world, while subtly introducing them to science and the cycles of nature. It's a wonderful way to spark curiosity and foster a sense of wonder about the environment. The Book's Early Success Who Colored the Leaves? has already made a mark in the literary world, winning awards and receiving positive feedback. Its unique blend of humor, education, and charm has made it a standout in the children's book market. Early reviews have praised the book for its ability to entertain both children and adults, which sets it apart from many other titles that primarily target one audience. Dean's success with Who Colored the Leaves? serves as a testament to his talent for writing stories that resonate across age groups. His background as a seasoned author has equipped him with the tools to create a work that is both enjoyable and meaningful. The book has already gained attention from teachers and librarians who appreciate its educational value and its ability to connect with young readers on a deeper level. About Robert D. Dean: Robert D. Dean is an established author with a diverse range of works. His previous books, Echoes of Andersonville, a historical novel set during the Civil War, and Faith & Funnies: Wit and Wisdom From the Porch Swing, a collection of humorous reflections, demonstrate his ability to craft engaging stories. Who Colored the Leaves? marks his debut in the children's literature genre, showcasing his talent for blending education with humor. Dean's writing resonates with readers of all ages, making his works accessible and enjoyable for everyone. Media Contact: Robert D. Dean Author Email: [email protected] Amazon Page Contact Info: Name: Robert D. Dean Email: Send Email Organization: Robert D. Dean Website: Release ID: 89164608 In case of encountering any inaccuracies, problems, or queries arising from the content shared in this press release that necessitate action, or if you require assistance with a press release takedown, we urge you to notify us at [email protected] (it is important to note that this email is the authorized channel for such matters, sending multiple emails to multiple addresses does not necessarily help expedite your request). Our responsive team will be readily available to promptly address your concerns within 8 hours, resolving any identified issues diligently or guiding you through the necessary steps for removal. The provision of accurate and dependable information is our primary focus.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store