logo
The TV Academy is getting into the festival biz. What to expect from Televerse

The TV Academy is getting into the festival biz. What to expect from Televerse

The Television Academy's goal for its new festival is right in its name: Televerse.
Set for Aug. 14-16 at L.A. Live's JW Marriott — across from the Peacock Theater, where the organization will host the 77th Emmy Awards ceremony a month later — the convention-style event aims to be all things to all TV lovers.
'As the medium continues to grow in scope, impact, and global reach, we saw an opportunity to create something new: a space that brings together our members, the makers behind the work, and the audiences who love it,' Television Academy Chair Cris Abrego said in a statement to The Times about the event's genesis.
'There are a number of television festivals out there,' adds President and CEO Maury McIntyre. 'But we feel we are uniquely positioned because our 30,000 members are the ones who are making this television. It makes sense for us to be the ones to curate something like this because we are the experts in this business.'
Composed of some 26 academy-generated panels, an equal number of 'For Your Consideration' presentations for Emmy-nominated shows, sneak-peek screenings and an exhibit floor for activations and vendors, hopes are this initial Televerse draws enough industry pros and fans to make it an annual must-attend.
'We bring a different angle to how television is made,' says the academy's public relations branch governor, Christina Lee, who co-chairs the committee that's organizing Televerse programming. 'It's an even deeper peek behind the curtain than you would find at any other festival.'
While nostalgia will play a part — in the form of 'Bones' and 'Queer as Folk' reunions — the festival will highlight below- and above-the-line crafts, along with developments in business and technology.
An opening-night conversation with NBC/Peacock executive Pearlena Igbokwe, FX's John Landgraf and Netflix's Brandon Riegg will be moderated by Abrego. The festival climaxes with the 27th induction ceremony for the organization's Hall of Fame; this year's class includes Viola Davis, Don Mischer, Ryan Murphy, Conan O'Brien, Don Post and Henry Winkler.
The 'Happy Days' icon will also conduct an acting class at Televerse. Winkler assures attendees he'll do better than Gene Cousineau, the 'Barry' acting coach he won an Emmy for playing.
'He didn't care about his students,' Winkler says during a phone interview. 'I had to teach Cousineau what the love lesson was!
'Anytime that young professionals who are working out their struggle to make a career get to mingle with those people you love to watch, only good can come from that,' Winkler says of his hopes for the event.
Other sessions open to the public (starting at $30) and academy members ($20, with some free programming) include a story breaking/writers' room simulation with 'House of Cards' showrunner, 'Andor' writer and 'Severance' executive producer Beau Willimon; a scene-by-scene directing panel by nine-time Emmy winner Thomas Schlamme, who perfected 'The West Wing's' 'walk-and-talk' technique; live noise creation by Foley wizard Sanaa Kelley ('Shōgun,' 'Ted Lasso'), whose sound effects-making demonstrations have earned her more than 588,000 Instagram followers; and 'Game On: Inside the Booth With the Los Angeles Dodgers,' which explores how coverage of the World Series winners' games is coordinated with announcer Joe Davis, pitching legend Orel Hershiser and others on hand.
'We don't think any festival has focused on live sports yet, and it's a huge part of television,' McIntyre enthuses about the Dodgers panel. 'It's about our hometown too.'
Other panels will cover everything from music supervision and casting to artificial intelligence.
'We want Televerse to start being the preeminent place where you can find all things television,' says producer Sabrina Wind ('Desperate Housewives'), Lee's co-chair. She added that enough ideas have been pitched by academy members to program years of future festivals.
That's not even counting FYC presentations. Studios, networks and platforms have hosted such events around town for years, but this is the first time the TV Academy has sanctioned post-nominations FYC shindigs. Final-round voting for the Emmy Awards begins Aug. 18.
'Televerse allows us to do a second round of FYCs where everyone is on the same footing,' McIntyre says. 'They're all going to get about an hour, can bring in whatever talent they want, we're going to have a core focused group of members down there.'
While they're pitched at Emmy voters, limited tickets to FYC panels will be available to the public. Academy members can attend two per day for free and buy tickets to more.
Along with charging the FYC presenters what McIntyre characterized as nominal, administrative fees, Televerse is also selling exhibit floor space and seeking sponsorships.
'It is intended to provide another means of revenue for the academy, as we look to make sure that we are set up for the future of whatever comes for this industry,' McIntyre says.
First discussed before COVID-19 and further delayed by the guild strikes of 2023, Televerse arrives with more than just finance and electioneering on its organizers' minds.
'We engage with our audiences every year for the Emmy Awards,' Lee notes. 'Televerse is giving us a chance to engage with our audiences outside of the Emmys.'
'People who do television love talking about great television,' Wind adds. 'I mean, who doesn't want to do this?'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Seth Rogen pulled double duty with ‘The Studio' and ‘Platonic': ‘Hard work pays off'
How Seth Rogen pulled double duty with ‘The Studio' and ‘Platonic': ‘Hard work pays off'

New York Post

timean hour ago

  • New York Post

How Seth Rogen pulled double duty with ‘The Studio' and ‘Platonic': ‘Hard work pays off'

Seth Rogen doesn't take his job lightly. The star, 43, was so invested in both of his Apple TV+ shows that he pulled double duty while filming. Rogen currently stars as Matt Remick in the Emmy-nominated dark comedy, 'The Studio,' and also portrays Will on the dramedy series, 'Platonic.' 11 Luke Macfarlane attends the season two premiere of 'Platonic.' Apple TV+ via Getty Images His 'Platonic' co-star, Luke Macfarlane, revealed how the actor was able to pull it off. 'Going into season two, you know, Seth had just finished filming 'The Studio,'' he exclusively told The Post. 'So we were very curious what 'The Studio' was going to turn into. And now, of course, we know what 'The Studio' turned into.' Macfarlane, 45, added, 'It is this incredible, brilliant, beautiful show. That he was, by the way, working on while he was filming Season 1 of 'Platonic.' Which is also, just as an actor, an incredible sort of reminder that hard work can pay off.' 11 Luke Macfarlane talks to Alexandra Bellusci of the Post. 11 Seth Rogen in 'The Studio.' The Hallmark star reminisced about how Rogen would juggle both roles at the same time. 'He was literally finishing scenes on 'Platonic' and going in his trailer and typing away,' continued Macfarlane. 'So it's delightful to come back and do a second season of the show. I think we all had a tremendous amount of time. It also feels like a lot of people that enjoy working together, and getting to work together again.' Looking back at filming the second season, one memory in particular has stuck with the 'Bros' vet. 11 Seth Rogen as Matt Remick in 'The Studio.' Apple+ 'Seth really respects what everyone does,' Macfarlane said. 'You know, Seth did an amazing thing once, actually. Somebody on set who kind of shouldn't have said this told me to do something.' He explained, 'I was wearing a lav, a microphone, and I brought my hand to my lav, and I covered the lav in the scene. And somebody said something to me like, 'Oh, don't do that with your hand, you'll cover your lav.'' Rogen made sure that was the end of stepping in where you shouldn't. 11 Luke Macfarlane in 'Platonic.' 'And Seth actually said to that person, 'Don't tell an actor what to do. That's not your job,'' Macfarlane shared. 'Just watching somebody look out for his fellow actors – that's what he does.' 'He's got integrity,' Macfarlane gushed. 'He knows how to look out for his actors. He really cares about an actor feeling comfortable.' Rogen also made sure to keep the laughs coming. 11 Seth Rogen and Rose Byrne in 'Platonic.' 'Seth is very famous for a lot of things. I think he's really famous for that laugh, you know?' Macfarlane mused. 'And I will say, working with Seth, you always want to get him to do that laugh. It makes you very happy when you make Seth laugh. So I will say the most Seth Rogen thing you can get him to do is laugh.' Rogen wasn't the only one who hit Macfarlane's funny bone. 'Rose makes me laugh a lot,' he dished about his on-screen wife. 'I think we're filming a scene where I was, like, popping in and out of a doorway, and of course, the timing was hilarious. So we were just making each other laugh because I felt like I kept on missing the entrance.' 11 Luke Macfarlane, Rose Byrne, and Seth Rogen speak at Apple's 'Platonic' Los Angeles event. Getty Images for Today at Apple 'It's something early in the season where I'm sort of like, you know, doing the sticking my head [in], and I just kept on sticking my head in at the wrong time. So that made us both laugh quite a bit.' These days, the Canadian hunk is focused on bringing Season 2 to the masses. 'Platonic' follows former best friends, Sylvia (Byrne) and Will (Rogen), who reconnect after a years-long rift. The second season drops on Wednesday, August 6, with Macfarlane describing what fans are in store for. 11 Carla Gallo, Luke Macfarlane, Rose Byrne and Seth Rogen. Getty Images 'Friendship, chaos, and comedy,' he stated. Macfarlane's Charlie, meanwhile, is trying to navigate his partner's reignited friendship. 'This second season is different for my character, because in the first season, my character is the rock,' he detailed. 'This season, he's definitely the character that is, oof, a little bit sort of lost. Lost in the weeds. So it was fun to kind of explore this other side of him where he's a little bit more sort of floundering in the universe.' 11 Seth Rogan in a scene from 'The Studio.' Apple+ But Macfarlane is happy to step back into Charlie's shoes for such a hilarious and sweet series. After all, he is 'most comfortable [in] comedy.' 'I get to wear sort of the most normal clothes,' elaborated Macfarlane. 'I like doing comedy. That's what I feel the most comfortable in.' 11 Seth Rogan looks upset in a scene from 'The Studio.' Apple+ Rogen is serving all sorts of comedy playing Remick – the newly appointed head of Continental Studios. He is juggling corporate demands, talent, and his own ambitions, all while trying to keep movies relevant. In June, Rogen opened up about what he wanted to portray with the show, which many people in the industry have related to in a very real way. 'I mean, I don't know if our specific goal was to trigger a trauma in people,' he told The Playlist, 'but it was meant to capture our own experiences with it as viscerally as possible. And that was a word we used a lot.' 11 A still from the 2025 drama 'The Studio.' 'So yeah,' he went on. 'I think the idea that people who have experienced similar things have a visceral reaction to it, I think it does mean that it is a good expression of our experience and what we were trying to put out there.' Rogen noted: 'But yeah, it's based on a lot of traumatic things I've experienced, so…'

‘Wednesday' Season 2, Part 1 is out. But when does Part 2 drop?
‘Wednesday' Season 2, Part 1 is out. But when does Part 2 drop?

USA Today

time5 hours ago

  • USA Today

‘Wednesday' Season 2, Part 1 is out. But when does Part 2 drop?

"Here we woe again," 'Wednesday' fans. Season 2 of the Emmy-award-winning Netflix series starring black-pigged tailed, emotionally reserved high-school student Wednesday Addams (played by Jenna Ortega) dropped on Wednesday, Aug. 6. The second season includes eight episodes split into Part 1 and Part 2, and comes nearly three years after Season 1 of the spooky series about the teenager and her family premiered on Nov. 23, 2022. The series, which also received two Golden Globe nominations, follows Wednesday as she works (sometimes with friends) to solve a dark mystery hidden at fictitious Nevermore Academy. But when do new episodes of 'Wednesday' Season 2 come out? Here's what to know about the new season. More 'Wednesday' news: 'Wednesday'-themed Meal of Misfortune available at Wendy's: See what's in it How to watch 'Wednesday' Season 2 Viewers may now stream 'Wednesday' Season 2 on Netflix. When did 'Wednesday' Season 2 drop? Season 2, Episode 1, titled "Here we woe again," debuted at 3 a.m. ET on Aug. 6. 'Wednesday' Season 2, Part 2 air date The final four episodes of Part 2 will debut at 3 a.m. ET on Sept. 3, according to Netflix. 'The Daily Show' is on hiatus: Here's when it'll return. Cast of 'Wednesday' Season 2 Returning 'Wednesday' cast members include: New cast members (we won't give all surprise guest appearances names away right now) include: Natalie Neysa Alund is a senior reporter for USA TODAY. Reach her at nalund@ and follow her on X @nataliealund.

Review: Cyndi Lauper, the most eccentric of pop's powerhouses, says farewell on her ‘Girls Just Wanna Have Fun' tour
Review: Cyndi Lauper, the most eccentric of pop's powerhouses, says farewell on her ‘Girls Just Wanna Have Fun' tour

Chicago Tribune

time5 hours ago

  • Chicago Tribune

Review: Cyndi Lauper, the most eccentric of pop's powerhouses, says farewell on her ‘Girls Just Wanna Have Fun' tour

Follow the sequins, technicolor tutu skirts and bewigged heads lining up outside of Tinley Park's Credit Union 1 Amphitheatre, and you've found the gates welcoming you to firebrand Cyndi Lauper's 'Girls Just Wanna Have Fun Farewell Tour.' With over 50 years in the industry — collecting Grammy, Emmy and Tony awards and a 2025 induction into the Rock & Roll Hall of Fame — and just beyond the 40 years since the release of her debut album, 1983's 'She's So Unusual,' the most eccentric of pop's powerhouses gave a final bow on the second leg of her last arena tour for a packed house Tuesday night. She reveled in her biggest hits, funniest stories, and a grand production that she said has been decades of dreams and persistence in the making. Ahead of this tour, which resumed in July after kicking off in October 2024, Lauper assured fans she's not entirely retiring, but wanted to experience saying goodbye while she was still strong and healthy enough to travel and deal with all the 'planes, trains and automobiles' that come with touring the world. 'No matter how big the chapter that came before was, you gotta keep going,' she told the crowd of her views on this next phase. 'There's so many chapters of your life.' Backed by a seven-piece band, Lauper's distinctive style and vocals transported thousands of all ages and gender expressions during her 15-song set. From the opening rush of synthesizers on 'She Bop,' she proved she's the girl still having the best time. For fans and friends Kimber Watkins, Jason Hill and Danny Beagles, those classic songs and quintessential, Brooklyn-bred gumption were exactly what they wanted. 'I saw her in the '80s… probably around 'She's So Unusual,'' recalled Watkins, 57, who was attending in part as an early birthday celebration. '[That concert] was one of the first times that we camped out to get the tickets and all that, back in the day when that was a thing. It was neat. I had the original outfit,' she said, displaying her 'updated' '80s-inspired look, complete with lime green, fingerless, fishnet gloves and full skirt. 'I love 'Time After Time.' I loved her videos, I learned all the motions,' she laughed. The show marked the first time Beagles, 40, was seeing Lauper, but he noted her song from cult film 'The Goonies' was what he was most looking forward to. 'I'm really excited. I'm with a couple veterans here, so they can tell me what to look forward to, but it's an honor to be here to help her celebrate the last time,' he said. ''The Goonies' song was such a formidable part of my childhood. Every time I watch that movie, it's something special.' Hill, a teacher (along with Watkins) who was using the concert as a final summer fling before the new school year starts next week, shared that he'll miss Lauper's longtime human rights advocacy. 'She's a gay icon. She helped me come out of the closet,' Hill shared. 'It's very inspiring to see the Human Rights Campaign here, and Planned Parenthood, and the League of Women Voters. I'm really going to miss Cyndi Lauper. I'm sad to see her go, but I'm so glad to be here. The attitude, the aesthetic. 'Girls Just Wanna Have Fun' — it's absolutely become a rallying cry.' As attendees took their seats, they were greeted by DJ Tracy Young ahead of tour opener (and 'America's Got Talent' season seven contestant) Jake Wesley Rogers, whose cheeky, glam-rock cabaret included lots of twirling and a devastating cover of The Pretenders' 'I'll Stand By You' dedicated to his mother. Approaching the nine o'clock hour, Blondie's 'One Way or Another' shot from the speakers. Taking the stage to a brief sizzle reel of her memorable career moments, Lauper wasted no time getting right into the thick of it. With three, mega numbers in a row — 'She Bop' (which was ahead of its time sonically and lyrically), the much-beloved 'The Goonies 'R' Good Enough,' and her nu-wave rendition of 'I Drove All Night' (originally popularized by the late Roy Orbison and after Lauper, Celine Dion) — emotions on and off stage were high. Though inextricably linked to her iconic heyday — during which Cyndi Lauper became the first female artist to achieve four top-five hits on the Billboard Hot 100 with her debut release — her raw talent and accolades don't go as highly remarked upon as those of her peers beyond the end of the neon decade. She continued collecting Grammy awards for rock and dance recordings throughout the 1990s. In 2010, her album 'Memphis Blues' became Billboard's most successful blues album of the year, remaining at number one on the Billboard Blues Albums chart for 13 consecutive weeks. In 2013, she won the Tony Award for 'Best Original Score' for composing the Broadway musical 'Kinky Boots,' making her the first woman to win the category by herself. She was welcomed into the Songwriters Hall of Fame in 2015. While she became a bona fide (albeit can't-miss) opener for the likes of Cher and Rod Stewart for a few years, this international farewell tour marks her first headlining run in a decade. And she left it all on stage. At-times meandering storytelling aside, it's the mix of Lauper's fierce, unpolished personality (which she often attributed to being Italian, 'half Sicilian,' she corrected herself, and 'working' on her people skills) and evocative music that left fans hanging on her every word. Through tales of growing up within an immigrant family, significant impact on bringing the WWE mainstream, hilarious observations on tour fashion, and affirmations of perseverance and embracing the unknown, each song became much more than a song but a living snapshot of her survival. One that has always been politically-minded. The show was unapologetically charged with feminism, justice and liberty for all. 'I always thought about injustices and what didn't seem fair,' Lauper said before introducing the track 'Sally's Pigeons.' 'I've always just wanted the same civil liberties as any man.' During a musical break in 'True Colors,' she stood above a fan waving the LGBTQIA+ flag high above her head. Slight vocal cracking challenged her throughout the night, which Lauper attributed to a lingering cold, but it was nothing a little throat spray couldn't help mask to tackle such octave-jumping songs like 'Who Let in the Rain,' the electroclash club banger 'Into the Nightlife,' dancey 'Change of Heart,' and eternal ballad 'Time After Time,' which left the amphitheater aglow with cellphone light. Where it made sense, she embraced the bit of grit, letting it rip during a duet with Rogers on 'Money Changes Everything.' By the time the three-song encore neared its end and the anticipation for her signature 'Girls Just Want to Have Fun' reached its peak, it was hard not to feel… a lot. Originally written and performed by singer-songwriter Robert Hazard in 1979, the never-officially-released demo depicted a man enjoying casual sex, with lyrics celebrating the freedom of a male lifestyle. With Hazard's permission, Lauper dramatically rewrote the track, transforming it into a feminist statement emphasizing female desire, exuberance and assertiveness. In 2017, after seeing international protests in response to the first election of Donald Trump, Lauper told 'Late Show' host Stephen Colbert she began seeing women carrying signs that read 'Girls Just Want to Have Fundamental Rights,' adopting the track as a protest anthem. Lauper released a limited run of t-shirts decorated with the slogan, donating proceeds to Planned Parenthood and True Colors United. In response to the overturning of Roev. Wade in 2022, she launched the Girls Just Want to Have Fundamental Rights Fund to 'financially support women's issues in an inclusive way,' housed at the Tides Foundation. 'Some boys take a beautiful girl and hide her away from the rest of the world,' Lauper belted as her audience joined along. 'I want to be the one to walk in the sun,' she sang before handing hook duties over to the fans. Despite this goodbye, the sun is far from setting on the undeniable uniqueness and spirit that is Cyndi Lauper.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store