logo
Foo Fighters, Smashing Pumpkins, CL, Alan Walker and more to perform at Singapore Grand Prix

Foo Fighters, Smashing Pumpkins, CL, Alan Walker and more to perform at Singapore Grand Prix

Straits Times14-05-2025
Foo Fighters, Smashing Pumpkins, CL, Alan Walker and more to perform at Singapore Grand Prix
SINGAPORE - American rock bands Foo Fighters and Smashing Pumpkins, as well as Norwegian DJ-producer Alan Walker and South Korean rapper-singer CL, have been added as headlining music acts at the Formula One (F1) Singapore Airlines Singapore Grand Prix (Singapore GP) 2025.
Foo Fighters and Walker will perform on Oct 4 at the Padang Stage in Zone 4, while CL will take the stage on the first night, Oct 3, on the same stage.
They join the other Padang acts announced earlier: K-pop star G-Dragon on Oct 3 and British music icon Elton John, who is the race weekend's closing act, on Oct 5.
Acts performing at Wharf Stage at Zone 1 include Smashing Pumpkins, Australian and New Zealand rock band Crowded House and English indie rock band The Wombats.
The performers at the Downtown Stage in Zone 4 will be Japanese girl group Babymetal, South Korean DJ Hanna, English indie rock band The Lathums, London-based singer-songwriter Tom Grennan and Singapore-based band Oake.
Other acts include Indonesian pop singer-songwriter Putri Ariani and New York-based collective Indo Warehouse at the Esplanade Outdoor Theatre in Zone 4, and Mexico-based DJ duo Le Twins at a venue to be announced.
The F1 shows, which take place at several venues across the Marina Bay Street Circuit, have been some of the biggest concerts held in Singapore. The Padang stage, in previous years, saw crowds of around 60,000.
Grammy winners Foo Fighters, led by frontman Dave Grohl, last performed in Singapore at the National Stadium in 2017, and also did a show at the now defunct Harbour Pavilion in 1996. Walker was last in town for a gig at Singapore Expo in 2024. CL, the leader of girl group 2NE1, last performed here at the Singapore Indoor Stadium with her fellow members in 2024.
According to Singapore GP, ticket sales have been 'phenomenal', with only a limited number remaining across selected general and hospitality categories. Prices start at $148 for a Friday Zone 4 Walkabout ticket.
All tickets grant access to the performances in Zone 4, which include those held at the Padang Stage and Downtown Stage. Shows at the Wharf Stage and Sunset Stage require Zone 1 tickets.
Formula One Singapore Airlines Singapore Grand Prix 2025
Where: Marina Bay Street Circuit
When: Oct 3 to 5, various timings
Admission: From $148, go to www.singaporegp.sg
Join ST's Telegram channel and get the latest breaking news delivered to you.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gucci presents its Fall Winter 2025 campaign with a Portrait Series featuring 42 individuals and their stories
Gucci presents its Fall Winter 2025 campaign with a Portrait Series featuring 42 individuals and their stories

Nylon

time20 minutes ago

  • Nylon

Gucci presents its Fall Winter 2025 campaign with a Portrait Series featuring 42 individuals and their stories

Photographed by American photographer Catherine Opie, the Gucci Portrait Series is part of the Italian fashion house's Fall Winter 2025 campaign that brings 42 individuals together, each with their own story and perspective, for a collective portrait woven through the diversity of generations and backgrounds. Image courtesy of Gucci. Image courtesy of Gucci. Image courtesy of Gucci. Image courtesy of Gucci. Focused on intimate and human-centred portraiture, Catherine's lens reveal that authentic relationship between a person and the garment in moments both composed and spontaneous. From the way a jacket folds, or a bag is held, to how a scarf moves; the body's rhythm becomes a subtle language of identity. In this campaign, clothing is more than fabric and form. It is a frame where individuality emerges, not constructed through performance, but revealed through posture, ease, and attitude. Image courtesy of Gucci. Image courtesy of Gucci. Image courtesy of Gucci. Image courtesy of Gucci. Image courtesy of Gucci. Aside from photos, the campaign extends into a series of intimate videos directed by filmmaker Lisa Rovner, where cast members respond candidly to open-ended questions, offering moments of humour, reflection, and memory. Set against the backdrop of Gucci's enduring codes — a spirit of sprezzatura — the essence of studied effortlessness permeates the Gucci Portrait Series, offering a living continuity of the House's past, present and future. Here's a look at the campaign video below. Looks from the Gucci Fall Winter 2025 collection will be available at boutiques and online at from 28 August.

Theatre review: Despite forgettable songs, Lord Of The Rings musical immerses fans with stagecraft
Theatre review: Despite forgettable songs, Lord Of The Rings musical immerses fans with stagecraft

Straits Times

time10 hours ago

  • Straits Times

Theatre review: Despite forgettable songs, Lord Of The Rings musical immerses fans with stagecraft

Sign up now: Get ST's newsletters delivered to your inbox Actor Rarmian Newton (playing Frodo, front) in The Lord Of The Rings – A Musical Tale stage production. The Lord Of The Rings – A Musical Tale Base Entertainment Asia Sands Theatre Aug 13 Fans of the Lord Of The Rings (LOTR) media franchise of books, films, television series and video games now have another avenue to indulge their love for all things Middle-earth – the theatre. And like the fictional setting populated with fantastical wizards, elves, orcs and dwarves, the stage wields its own magic too, allowing audiences to feel like they are part of the enchanting world. The Lord Of The Rings – A Musical Tale, which plays at Sands Theatre until Aug 31, is adapted from English writer J.R.R. Tolkien's trilogy of novels (1954 to 1955), but also shares similarities with the film series (2001 to 2003) directed by New Zealand film-maker Peter Jackson. It made its debut in Toronto, Canada, in 2006 and has come to town for its Asia premiere, reimagining the story from the perspective of hobbits Frodo, Sam, Merry and Pippin, and focusing on their quest to destroy the One Ring. What differentiates this production, which runs for about 175 minutes with an intermission, is its immersive quality. For one thing, the action is extended beyond Sands Theatre's stage to its aisles and walkways. Top stories Swipe. Select. Stay informed. Singapore Jalan Bukit Merah fire: PMD battery could have started fatal blaze, says SCDF Singapore 4 housebreaking suspects taken to Bukit Timah crime scene under police escort Asia AirAsia flight from KL to Incheon lands at the wrong airport in South Korea Asia Strong India-Singapore ties key to economic growth amid 'volatile landscape': DPM Gan Singapore Reformative training for teen who cheated man of $47k Rolex watch on former stepdad's instructions Asia Malaysian MP Rafizi says his son was jabbed with syringe in planned attack, threatened with Aids Asia Citizenship for foreign talent: How this footballer from Brazil became Vietnam's favourite 'Son' Singapore From quiet introvert to self-confident student: How this vulnerable, shy teen gets help to develop and discover her strength Cast members deliver lines, strut off in a huff or rush to one another's rescue from these areas, enveloping the audience in the action. Prior to the show starting, actors are already greeting and mingling with guests, and inviting them to partake in the celebration of hobbit Bilbo Baggins' 111th birthday, the first scene of the musical. Talk about breaking the fourth wall. This artistic choice also accentuates the venue's cavernous quality, reminiscent of some of the film's epic settings such as beautiful elven realm Lothlorien and Barad-dur, the formidable fortress of the dark lord Sauron. A set largely featuring wood carvings captures the simple charm of the hobbits, while stunning projections bring to life many of the books' familiar scenes, from the tranquillity of elven sanctuary Rivendell to the dark chaos of Moria's dwarven mines. Wonder what happens when someone puts on the One Ring, which allows bearers to enslave all forever? That is also answered through clever staging. And puppets are used to depict many of the more sinister elements from the forces of evil. Puppets are used to depict many of the more sinister elements from the forces of evil. PHOTO: DANIEL BOUD From voiceovers to lighting to shadows, every theatrical trick is used to bring this battle of good and evil from page to stage. Lighting and shadows are used to bring the battle of good and evil from page to stage. PHOTO: DANIEL BOUD And for the most part, it works. The temptations and inner struggles faced by the characters are deftly captured by actors Terence Crawford (Gandalf), Laurence Boxhall (Gollum) and Jemma Rix (Galadriel). One actor who deftly captures his character's inner struggles is Terence Crawford (left, playing Gandalf), seen here with actor Rarmian Newton (right, playing Frodo). PHOTO: DANIEL BOUD Hobbits are a merry, fun-loving bunch, and this is played out with the production's use of music, all performed live by the cast members. For example, Jeremi Campese (Merry) pulls double duty on the cello, while actress Hannah Buckley (Pippin) tackles the violin. However, what disappoints is the overall original music, co-composed by Oscar-winning Indian maestro A.R. Rahman (Slumdog Millionaire, 2008). The 19 songs, which include folksy Celtic numbers and crowd-rallying anthems, are mostly forgettable, and seemingly serve to only express the emotions of the moment or impress on a character's grand entrance, without really moving the plot forward. It is almost as if these numbers are shoehorned into a perfectly fine play just so it can be called a musical, regardless if the source material meshes well with traditional musical theatre elements. Most of the songs in The Lord Of The Rings – A Musical Tale stage production are forgettable. PHOTO: DANIEL BOUD Nonetheless, LOTR fans will likely delight at being able to come so close to memorable characters and scenes, and having music add another dimension to the experience. The comforting duet Now And For Always, delivered by Rarmian Newton and Wern Mak (playing Frodo and Sam respectively), celebrates their enduring bond in the face of the conflict and turmoil. But for the most part, casual theatregoers may puzzle over why characters are singing in the first place. Thankfully, there is enough stagecraft to keep them entertained. Actors Wern Mak (left, playing Sam) and Ruby Clarke (right, playing Rosie) in The Lord Of The Rings – A Musical Tale stage production. PHOTO: DANIEL BOUD Book It/The Lord Of The Rings – A Musical Tale Where: Sands Theatre, Marina Bay Sands, 10 Bayfront Avenue When: Until Aug 31, 8pm (Tuesdays to Saturdays), 2pm (Saturdays), 1 and 6.30pm (Sundays) Admission: $68 to $238 via Marina Bay Sands ( ), Sistic (call 6348-5555 or go to ) and Klook ( )

South Korean top court rules 'Baby Shark' not plagiarised
South Korean top court rules 'Baby Shark' not plagiarised

Straits Times

time13 hours ago

  • Straits Times

South Korean top court rules 'Baby Shark' not plagiarised

Sign up now: Get ST's newsletters delivered to your inbox SmartStudy, now known as The Pinkfong Company, argued that its version was an adaptation of a classic North American children's tune that is not protected by copyright. Seoul - South Korea's top court ruled on Aug 14 that the globally popular South Korean children's song 'Baby Shark' was not plagiarised, rejecting a copyright claim filed by a US-based composer. With its catchy lyrics, the 'Baby Shark Dance' video is the most viewed on YouTube, with more than 16 billion views, roughly double those of the runner-up, 'Despacito', and third-place 'Wheels on the Bus'. In 2019, New York composer Johnny Only, whose legal name is Jonathan Wright, filed a lawsuit in Seoul, alleging that the 2015 hit 'Baby Shark' by South Korean education startup SmartStudy copied a song he had released in 2011. Only demanded 30 million won (S$27,750) in compensation, accusing the firm of copying elements of his work, including its bassline and rhythm. SmartStudy, now known as The Pinkfong Company, argued that its version was an adaptation of a classic North American children's tune that is not protected by copyright. A South Korean lower court initially cleared the company of the charges at a trial in 2021, finding that there was insufficient evidence of copyright infringement. That ruling was upheld by an appeal court in 2023. Top stories Swipe. Select. Stay informed. Singapore Jalan Bukit Merah fire: SCDF says PMD battery could have started fatal blaze Singapore 4 housebreaking suspects taken to Bukit Timah crime scene under police escort Asia India, Singapore ministers discuss deeper tie-ups in digitalisation, skills, industrial parks Business More seniors remain employed after retirement and re-employment ages raised in 2022: MOM study Asia From Brazil to Vietnam: How footballer Rafaelson became Vietnam's favourite 'Son' Singapore To Vers or not to Vers: How will this scheme affect HDB prices? Asia Malaysian MP Rafizi says his son was jabbed with syringe in planned attack, threatened with Aids Singapore From quiet introvert to self-confident student: How this vulnerable, shy teen gets help to develop and discover her strength Only then challenged the 2023 decision, but South Korea's Supreme Court affirmed the lower court rulings on Aug 14. 'All appeals were dismissed and the lower court's rulings were upheld,' according to court documents seen by AFP. The Pinkfong Company said in a statement on Aug 14 that the Supreme Court's decision confirmed 'Baby Shark' was 'based on a traditional singalong chant that has entered the public domain'. The company said it had given 'a fresh twist to the chant by adding an upbeat rhythm and catchy melody, turning it into the pop culture icon it is today'. Only did not immediately reply to an AFP request for comment. He told Canadian public broadcaster CBC in 2019 that he had created a toddler-friendly version of 'Baby Shark' in 2011, revising the original song, which was about a gory shark attack. 'I was the first one that did that (rewriting the song), you know? And basically Pinkfong's version does the same thing,' he said in the interview. AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store