Making MrBeast: How Jimmy Donaldson went from shy kid to YouTube's top creator and built a business worth billions
MrBeast, whose real name is Jimmy Donaldson, is the biggest YouTuber on earth. For an influencer, the 26-year-old keeps some personal details close to the vest.
Donaldson's unlikely rise started in Greenville, North Carolina — the small city where he still resides, and where his burgeoning company, Beast Industries, is headquartered.
Beyond online stardom, Donaldson has taken Hollywood by storm with his hit streaming show, " Beast Games." He's also building a slew of consumer brands and plans to proliferate his IP in the vein of Disney.
Donaldson has also made charity work a key part of his career and personal mission, and has de-emphasized his own personal wealth despite his vast ambitions.
Here's everything you need to know about who MrBeast is and how he's built his career.
Early life and background
MrBeast was born James Stephen Donaldson on May 7, 1998, and grew up in Greenville, North Carolina. After Donaldson's parents separated, his mother, Sue, raised Donaldson and his older brother CJ as a single parent, he said on "The Diary of a CEO" podcast. Donaldson has said he prefers not to speak about his dad.
Donaldson was an extremely quiet child growing up and didn't have many friends, he said on the "Dhar & Jay Show."
From an early age, Donaldson was obsessed with YouTube and uploaded his first video under the username MrBeast6000. Initially, Donaldson tried to game the YouTube algorithm with different types of videos — from "let's play" gaming streams to commentary videos about other YouTubers. At the time, he was mostly off-camera.
In 2016, Donaldson briefly enrolled at East Carolina University but dropped out within weeks to pursue a YouTube career, he said on Instagram.
Unlike some other creators who are an open book, Donaldson keeps mum about many personal details, including his political beliefs.
That said, he frequently discusses living with Crohn's disease, an inflammatory bowel disease.
On the relationships front, Donaldson proposed to his fiancée Thea Booysen, the content creator and novelist, on Christmas in 2024.
MrBeast's rise on YouTube
After experimenting with different kinds of videos, Donaldson went viral in 2017 for a video in which he counted from zero to 100,000, a feat he said took more than 40 hours. That year, he surpassed 1 million subscribers.
Other early stunts included reading every word in the dictionary and spinning a fidget spinner for 24 hours. Endurance and last-person-to-leave challenges are still his bread and butter, even as the productions have grown in budget and scope.
In 2020, the average MrBeast video cost $300,000 to make, Bloomberg reported. By 2024, that figure was roughly $3.5 million, he told the creators of "The Colin and Samir Show."
Over time, Donaldson started enacting big-budget stunts with an altruistic bent, such as tipping thousands of dollars to lesser-known Twitch streamers, waitresses, and Uber drivers. By 2018, he said he'd given away $1 million.
Donaldson is also known for fastidiously fine-tuning his thumbnails and video titles to maximize engagement.
Donaldson surpassed the Indian production company T-Series as the most-subscribed-to YouTube channel in June 2024. His main MrBeast channel is approaching 400 million subscribers. His most popular video, "$456,000 Squid Game In Real Life!" has over 780 million views.
He's also the third most-followed creator on TikTok, with over 115 million followers.
As his channel grew, Donaldson worked on videos with several of his childhood friends, such as Ava Kris Tyson, Chandler Hallow, and Jake Franklin — though Tyson and Franklin are no longer associated with the company.
MrBeast's business ventures
While brand deals helped fuel Donaldson's ambitious early videos, over time, he came to build his own brands.
His company, Beast Industries, generated $473 million in revenue in 2024, according to a pitch deck obtained by Business Insider. The company expects that figure to roughly double in 2025.
Still, Donaldson said in February 2025 that he had less than $1 million in his bank account, as he prefers to reinvest profits back into the company. Because of this, Donaldson's net worth is largely comprised of his stake in Beast Industries.
Some of Beast Industries' businesses include the candy brand Feastables, packaged food brand Lunchly, a collectible action figure line dubbed MrBeast Lab, and Viewstats, an analytics platform for creators.
Donaldson is embroiled in a legal battle with Virtual Dining Concepts, his former partner in the ghost kitchen business, MrBeast Burger. He sued the company for making "terrible quality" burgers under his name, and Virtual Dining Concepts fired back with a breach-of-contract suit.
On the media front, Donaldson has grown his content operation beyond YouTube. He had a $100 million deal for the Amazon Prime show, "Beast Games." While it drove record viewership for Amazon, Donaldson said he lost tens of millions on the first season.
MrBeast's philanthropy and social impact
Over the years, Donaldson has incorporated his knack for virality into various charity efforts, including a 2019 campaign to plant 20 million trees, which Elon Musk contributed to.
Donaldson's philanthropic work includes his own charity organization, Beast Philanthropy. However, at times, some of this work has backfired, such as when he was accused of gifting eye surgeries for clout. Donaldson has shrugged off the criticism and said he plans to give away "every penny" he makes to help people before he dies.
Despite his success, Donaldson has often discussed how he prefers to eschew the finer things in life.
"No matter how big I get I'll never own a mansion, yacht, Lamborghini etc," he tweeted in 2022. "All I want is to make the best videos possible and help as many people as I can while doing it."
MrBeast allegations, criticism, controversy, and lawsuits
With great visibility comes great scrutiny. Donaldson has been no stranger to controversy over the years. In 2024, he was involved in multiple scandals.
In July 2024, Donaldson's childhood friend and coworker Ava Kris Tyson was accused of inappropriately messaging a 13-year-old. Tyson apologized for "bad edgy jokes" on X but said she'd never groomed anyone. She said that she and Donaldson had "mutually decided" to cut ties.
Donaldson said on X that he was "disgusted" by the allegations and had hired a third party to investigate. The investigation into various issues at the company ultimately concluded that claims of sexual misconduct between employees and minors were "without basis." The alleged victim also said on X that the grooming claims were false.
Donaldson's "Beast Games" series was also beset by controversies.
Contestants on the show alleged a number of safety concerns, including a lack of access to food and medical care, and injuries during a preliminary shoot. News of the allegations was first reported by The New York Times.
A rep for MrBeast previously told BI that the shoot "was unfortunately complicated by the CrowdStrike incident, extreme weather, and other unexpected logistical and communications issues."
One former "Beast Games" crew member also told BI he was nearly crushed by a concrete-like structure on set in Toronto. After BI contacted Donaldson's team for comment, the crew member said a production rep had contacted him, saying they were "here to support me and provided me some things I can't share."
Five of the contestants on the show filed a class-action lawsuit in September 2024, alleging sexual harassment and dangerous conditions.
In November, Donaldson addressed some of the allegations around the show on X, saying they were "blown out of proportion."
Around the same time as the "Beast Games" controversy, Donaldson also acknowledged an old clip that resurfaced on social media in which he could be seen making homophobic and racist comments. A spokesperson said in a statement to multiple outlets at the time that Donaldson "repeatedly apologized and has learned that increasing influence comes with increased responsibility."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
21 minutes ago
- Yahoo
Disney and Universal sue AI company over use of copyrighted characters: 'Piracy is piracy'
Disney and NBCUniversal have accused AI company Midjourney of copyright infringement. The plaintiffs accuse the company of using its characters, such as Spider-Man, Star Wars' Darth Vader and Yoda, Disney's Princess Elsa from Frozen, the Minions, Homer Simpson, Deadpool and Wolverine, and more via an online service that allows users to create images, according to lawsuit, filed Wednesday in the U.S. District Court in the Central District of California in Los Angeles. "For more than 100 years, Disney and Universal have delighted audiences around the world by investing in and fostering American creative innovation and producing some of the greatest motion pictures and fictional characters of all time," the lawsuit states. "Midjourney, however, seeks to reap the rewards of Plaintiffs' creative investment by selling an artificial intelligence ("AI") image-generating service ("Image Service") that functions as a virtual vending machine, generating endless unauthorized copies of Disney's and Universal's copyrighted works." The suit continues, "By helping itself to Plaintiffs' copyrighted works, and then distributing images mages (and soon videos) that blatantly incorporate and copy Disney's and Universal's famous characters—without investing a penny in their creation—Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing." According to the lawsuit, the startup reportedly made $300 million in revenue last year. Its 21 million users, as of September, paid for subscriptions of $10 to $120 monthly in order to, according to the lawsuit, "view and download copies and derivatives of Plaintiffs' valuable copyrighted characters." They called it "textbook copyright infringement." The lawsuit states that the company had almost 21 million users as of September 2024. It launched its image service in 2022 and reportedly made $300 million in revenue last year. Disney and NBCU said they asked the company to stop using their work, but the company has not and has released new versions of its Image Service. In a statement, Horacio Gutierrez, the senior executive vice president, chief legal and compliance officer of the Walt Disney Company, said: "Our world-class IP is built on decades of financial investment, creativity and innovation—investments only made possible by the incentives embodied in copyright law that give creators the exclusive right to profit from their works. We are bullish on the promise of AI technology and optimistic about how it can be used responsibly as a tool to further human creativity. But piracy is piracy, and the fact that it's done by an AI company does not make it any less infringing."Kim Harris, executive vice president and general counsel of NBCUniversal, also provided a statement. "Creativity is the cornerstone of our business," Harris said. "We are bringing this action today to protect the hard work of all the artists whose work entertains and inspires us and the significant investment we make in our content. Theft is theft regardless of the technology used, and this action involves blatant infringement of our copyrights." The lawsuit seeks unspecified monetary damages and "permanent injunctive relief" to halt the use of the characters. EW has reached out to Midjourney for comment. Read the original article on Entertainment Weekly
Yahoo
36 minutes ago
- Yahoo
"Piracy Is Piracy": Disney Sues Midjourney for Massive Copyright Violation
Disney and NBCUniversal — a pair of media behemoths behind franchises ranging from "Star Wars" and "Toy Story" to "Minions" and "Shrek" — are suing AI company Midjourney, accusing it of enabling copyright infringement on a massive scale through its AI image generator tech. In the lawsuit, which was filed in a California district court today, the two Hollywood juggernauts accused the firm of ignoring its previous requests to stop violating their intellectual property rights. "Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism," the scathing complaint reads, as quoted by the Wall Street Journal. It's a major escalation in the fight between copyright holders and AI firms, a battle that has been brewing for years. Per Axios, it's the "first legal action that major Hollywood studios have taken against a generative AI company." And it's not just the use of image generators; generative AI writ large has triggered a barrage of lawsuits, with media companies accusing the likes of OpenAI and Google of training their large language models on their materials without fair compensation. Those disputes have turned into a major pain point for the AI industry, despite surging enthusiasm for the tech. Considering the sheer size of both Disney and Universal — Disney is the third largest media company by market cap in the world — Midjourney could soon be in a world of hurt. Disney, in particular, has a long track record of closely guarding its enormous cache of intellectual property. "Our world-class IP is built on decades of financial investment, creativity and innovation—investments only made possible by the incentives embodied in copyright law that give creators the exclusive right to profit from their works," said Disney's chief legal compliance officer, Horacio Gutierrez, in a statement. "We are bullish on the promise of AI technology and optimistic about how it can be used responsibly as a tool to further human creativity," he added. "But piracy is piracy, and the fact that it's done by an AI company does not make it any less infringing." The lawsuit explained in an example how Midjourney users could easily request a picture of the Disney-owned "Star Wars" character Darth Vader in a "particular setting or doing a particular action," and the AI "obliges by generating and displaying a high-quality, downloadable image." That kind of loose approach to copyright has been an open secret for quite some time. In January 2024, noted AI critic Gary Marcus and film industry concept artist Reid Southen warned in a piece for IEEE Spectrum that tools like Midjourney and OpenAI's DALL-E3 could land them in a "copyright minefield." The pair found that it was "easy to generate many plagiaristic outputs, with brief prompts related to commercial films," including well-known Marvel superheroes, Nintendo's Super Mario, and Disney's Darth Vader. Disney and Universal are framing their legal action as a way to "protect the hard work of all the artists whose work entertains and inspires us," said NBCU executive VP and general of counsel Kim Harris in the statement. Given the lack of a clear legal precedent, it'll be fascinating to watch the lawsuit unfold over what's likely to turn into a years-long courtroom battle. More on Midjourney: Self-Styled "AI Artist" Furious That People Are "Blatantly Stealing My Work"
Yahoo
3 hours ago
- Yahoo
Sky Sports News' golden age at an end as rival platforms turn up the volume
A constant in pubs, gyms and hotel breakfast rooms, almost always with the sound down. Perhaps not since cinema's silent age have faces been so familiar without the general public knowing their voices. The vibe is more casual than in previous times, shirt sleeves rather than business suits, but the formula remains the same: a carousel of news, clips, quotes, quips, centred around highlights, all framed within a constant flow of results, fixtures and league tables. Sky Sports News hits 27 years of broadcasting in August, having been launched for the 1998-99 football season by BSkyB. As the domestic football season concluded, news came of changes within the Osterley-based newsroom. Seven members of the broadcast talent team would be leaving, including the long-serving Rob Wotton and the senior football reporter Melissa Reddy, within a process of voluntary redundancies. Advertisement Sky sources – not those Sky sources – are keen to state the changes are not a cost-cutting exercise, instead a redress of SSN's place within a changing media environment. Ronan Kemp, the One Show presenter and Celebrity Goggleboxer, is understood to be in discussions to join Sky and despite Wotton's departure, Ref Watch will still be serving those who get their kicks from re-refereeing matches and VAR calls. Rolling news, which became common currency around the time of the initial Gulf war with Iraq is no longer the go-to information environment. Sky News, SSN's sister organisation, is going through similar changes, including the loss of the veteran anchor Kay Burley. The smartphone, where news alerts supplant even social media, takes the strain of keeping the world informed of Micky van de Ven's latest hamstring injury. Desperate to hear even more from Jamie Carragher and Gary Neville? There are podcasts and YouTube channels available at a swipe. In the US, ESPN's SportsCenter and its accompanying ESPNews channel were the progenitors of a medium copied globally and by Sky in launching SSN. SportsCenter is a flagship in marked decline from a golden 1990s era that made American household names of presenters such as Stuart Scott, Keith Olbermann and Dan Patrick. ESPN, an organisation in the process of taking itself to digital platforms as cable TV gets mothballed, closed SportsCenter's Los Angeles studio in March. Linear TV's death will be slow, but it is dying nonetheless as streaming, all bundles and consumer choice, takes hold. Meanwhile, YouTube channels, with production values way below industry standard, amass huge audiences for fan-owned, independent media. Advertisement The time of viewers tuning in for 10pm highlights voiced over by presenters' catchphrases – Scott's 'boo yah!' being the prime example – has long passed. Social media and YouTube have killed the demand. Though live sports remain the foundation of broadcasting contracts, highlights and analysis can be watched at the time of the viewers' choice. Digital is where the eyeballs go, and what the advertising dollar is attracted to, despite the ubiquity of Go Compare et al. Viewing figures remain healthy but the game is now about far more than ratings. SSN's imperial period was the early millennium days of Dave Clark and Kirsty Gallacher's toothsome double act, to a time when the yellow ticker of breaking news held great sway, though not always delivering on its promise of earthquake journalism (news of Nicky Shorey's Reading contract extension, anyone?). Millie Clode, Di Stewart, Charlotte Jackson, Kelly Cates: a nation turned its lonely eyes to them. Then there was transfer deadline day, more important than the football itself. Long, frantic hours spent hearing Jim White's Glaswegian whine declare anything could happen on this day of days. In the early years it often did, from Peter Odemwingie's mercy dash to Loftus Road to the brandishing of a sex toy in the earhole of reporter Alan Irwin outside Everton's training ground. Another reporter, Andy 'four phones' Burton, labelled the night the 2008 window closed: 'The best day of my life, apart from when my son was born.' Eventually, though, it became too knowing. Not even White's yellow tie, as garish as his hype, accompanied by Natalie Sawyer's yellow dress, could stop the event from becoming desperate hours chasing diminishing returns. Live television is a challenging environment, especially with nothing to feed off. Advertisement Though many presenters have been lampooned – abused in the more carrion social media age – the difficulty of 'going live' with an earpiece full of instructions and timings should never be underestimated. How does Mike Wedderburn, the channel's first presenter, make it look so easy? When, in a broadcasting-carriage dispute between Virgin and Sky, Setanta Sports News was given brief life in 2007 – 22 months as the Dagmar to Sky's Queen Vic – it was made apparent how hard, and costly, the business can be. Over-exposure to SSN – as happens when someone works in a newspaper sports department, say – can lead to contempt. The joins can be seen, too. Haven't they done that same gag for the past six hours and each time pretended it was an ad lib? Just what is Gary Cotterill up to this time? Why did Bryan Swanson always use such portentous tones? From morning till night, it would be ever-present. On weekend evenings, when you caught the skilled veteran duo of Julian Waters and the late David Bobin running through the day's events, you knew it was time to leave the office, down that late drink, question your life choices, the pair's clipped tones taking on the effect of a lonely late-night cab ride. SSN is forced to move with the times. As is the case across the industry, journalists have often been supplanted by influencers, as the mythical, perhaps unreachable, 'younger audience' is chased. That is not to say the channel is short of decent reporting. In the aftermath of the 2022 Champions League final in Paris, chief reporter Kaveh Solhekol produced a superb account of the ensuing chaos and danger while others floundered for detail. Advertisement SSN, like SportsCenter across the Atlantic, is now more a production factory for content being sent across the internet, published to multiple platforms, than it is a rolling news channel. Within press statements around the redundancies there was the word 'agile', a term repurposed – and overused – in the business world, but meaning doing more with less. Next season, as heavily trailed on SSN right now, Sky will have 215 Premier League live matches to show, including every game played on Sundays. That requires the company's shift in focus, for Sky Sports News in particular. Though look up wherever you are and it will still be on in the corner, almost certainly with the sound down.