Carleton University launches new program aimed at training Indigenous journalists
Three educational institutions in Ontario have teamed up to offer journalism training to Indigenous learners in remote communities who may have faced roadblocks to education in the past.
Carleton University in Ottawa, in partnership with Kenjgewin Teg in M'Chigeeng First Nation on Mnidoo Mnising/Manitoulin Island and the First Nations Technical Institute based in Tyendinaga Mohawk Territory, announced in January the launch of the Certificate in Journalism in Indigenous Communities, funded by $3.2 million from the Mastercard Foundation.
"I hope that not only will we be producing a new crop of Indigenous journalists, but also that we will be sending a message to other journalism schools… to start patterning programs that suit Indigenous learners' needs," said Duncan McCue, the director of the program.
McCue and several of the program's administrators and instructors are either current or former employees of CBC News.
The nine-month, eight-course program will begin in September, with four of the courses offered completely online.
The courses will be led by Indigenous instructors working in the field and an advisory committee including elders and industry experts will oversee the program.
McCue said he hopes allowing students to study from home will address some of the social, cultural and financial barriers Indigenous learners have when they have to move away from their communities for school.
According to 2016 Census data from Statistics Canada, First Nations students living on reserve are 20 per cent less likely to complete post-secondary education than those living off reserve.
"We know that one of the major barriers for all Indigenous learners in many different fields is leaving home," said McCue.
"It's hard leaving family. They may be leaving behind ceremony or language or being out on the land. All those kinds of things make it difficult for Indigenous students to come down to the cities."
Three of the courses will be offered as in-person intensives — one in Ottawa, one on Manitoulin Island and the third yet to be determined — to foster community within the program and train hands-on skills, said McCue. The cost of travel, accommodation and food for these will be covered.
The tuition fee structure will follow that of Carleton's Bachelor of Journalism program.
"We can take back the mic," McCue said.
"People have been telling our stories for a really long time… what we're offering is just a little bit of training and kind of the foundations of media work."
The program will also have a student success facilitator to support students that may need help with funding applications or liaising with teachers, as well as a dedicated cultural advisor to help support students along their learning journey.
Francine Compton, head of the Indigenous Journalists Association and the program's internship co-ordinator, said the use of Indigenous pedagogy — a holistic approach to learning that takes into account Indigenous world views — will make the program one of a kind.
"I think it's going to change the game," Compton said.
"Storytelling in our cultures and our communities is not anything new. We've been sharing our stories since time immemorial. Our oral histories have been passed down through generations. So that's the importance of the craft, which is storytelling and journalism."
McCue said the program also includes a $3,000 graduation incentive award upon certificate completion to assist with financial barriers. Graduates of the program would be able to enter the second year of Carleton's Bachelor of Journalism or Bachelor of Arts programs.
A spokesperson for The Mastercard Foundation said in a written statement to CBC Indigenous that it is proud to partner on a program that will help all Canadians better understand Indigenous peoples' perspectives, priorities and realities.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Boston overdose deaths decreased by double digit percentage in 2024; lowest in 10 years
Overdose deaths in Boston decreased by a notable 38% last year, according to a new data analysis released by the city's Public Health Commission. It was the lowest number of related deaths since 2015, reflecting 'the continuation of an encouraging downward trend,' the commission said, that has also played out nationally. Drug overdose deaths nationwide fell by nearly 27% during 2024, provisional data from the Centers for Disease Control and Prevention shows — welcome relief from the crisis that at its worst claimed more than 107,000 lives in 2022. Read more: More and more Mass. children were being harmed by overdoses. That changed last year Many public health officials and those working in substance use have attributed the decrease to the increased availability of harm reduction tools, such as naloxone and fentanyl test strips, as well as the ever-changing illicit drug supply itself. Last month, the U.S. Drug Enforcement Administration released its annual threat assessment showing average fentanyl purity is falling. Meanwhile, drug traffickers are introducing new contaminants into the street supply, often unknown to people who use the drugs. An especially promising sign within Boston's 2024 overdose data is the significant drop in deaths of Black and Latino residents, specifically men, who in recent years were disproportionately impacted by the opioid crisis. Read more: There's a new opioid antidote. But Mass. health officials are hesitant to endorse it While overdose death rates for white people were dropping, they increased for people of color. For example, in 2023, Black and Indigenous men across Massachusetts had the highest opioid-related death rates, compared to a 16% drop in the death rates among white men. But 2024 in Boston told a different story: opioid-related mortality in the city fell by 59% for Black men and 52% for Latino men. Overall, Black and Latino residents experienced an overall 58% and 48% decrease, respectively. The city called the numbers 'an encouraging sign.' Dr. Bisola Ojikutu, Boston's public health commissioner, said the new data reinforces the city's commitment to 'eliminating racial and ethnic disparities and to ensuring equitable access to services for people with substance use disorders.' 'While we are encouraged by these data, we still have work to do,' she said. Last year, the city of Boston distributed over 23,000 doses of naloxone — the overdose reversal medication — via street outreach, public health vending machines, kiosks and community grants. Read MassLive's series on deadly pill press machines The Boston Public Health Commission conducted over 25,000 engagements with people and made over 2,000 treatment placements, often driving patients directly to a detox or treatment facility, the city said. In a statement, Mayor Michelle Wu said the new data represents 'the impact of our collective efforts to combat the opioid crisis, but emphasizes our continued support to communities who are disproportionately affected.' RFK Jr. says US ending COVID shot recommendation for healthy children, pregnant women Dangerous allergen triggers nationwide chicken soup public health alert Biden's cancer renews debate about prostate screenings for older men Listeria alert: Premade wraps at Big Y, Price Chopper trigger health warning Read the original article on MassLive.
Yahoo
an hour ago
- Yahoo
Indigenous lawyer Aguilar leads race to head Mexico's Supreme Court
MEXICO CITY (Reuters) -Indigenous rights defender Hugo Aguilar is leading in the race to head Mexico's highest court following the country's first popular election to appoint judges and magistrates, according to electoral authority data on Tuesday. With 87% of votes counted from Sunday's election, Aguilar had some 4.94 million votes - 5.2% of the total. Lenia Batres, who is close to the ruling Morena party, was behind him at 4.69 million votes, or 4.9%. President Claudia Sheinbaum celebrated Aguilar's lead in the vote count, saying the court had not had an Indigenous leader since Benito Juarez, a Zapotec Oaxacan who led the court during the mid-19th century before becoming Mexico's first Indigenous president. "He is a very recognized lawyer, he has the credentials to join the court," she told a press conference. "This is the goal: equal access to justice for all Mexicans. How would this have happened under the previous process?" Aguilar, a Mixtec lawyer from the southern state of Oaxaca, is currently lead rights coordinator for the National Institute of Indigenous Peoples (INPI), having been appointed in 2018 by former President Andres Manuel Lopez Obrador. He studied constitutional law and has worked in various government offices as a coordinator and advisor for Indigenous rights, as well as land and agrarian affairs. Voting on Sunday, for some 2,600 judges and magistrates, attracted an estimated 13% turnout. Critics denounced the process as too complex and said the vote could undermine the independence of the country's judicial system.
Yahoo
3 hours ago
- Yahoo
2025 Sobey Art Award shortlist revealed
Six finalists announced for Canada's most established contemporary visual arts prize OTTAWA, ON, June 3, 2025 /CNW/ - Six of Canada's most compelling contemporary visual artists have been shortlisted for the 2025 Sobey Art Award, Canada's most established contemporary visual arts prize since 2002. Today, the National Gallery of Canada (NGC) and the Sobey Art Foundation (SAF) are excited to unveil their names. They are: Tarralik Duffy for the Circumpolar region. A multidisciplinary artist and designer from Salliq, Nunavut, Duffy uses various mediums like drawing, photography, sculpture, textiles, printmaking, and salvaged materials to explore contemporary Inuit culture and pop culture. Tania Willard for the Pacific region. Willard, a mixed Secwépemc and settler artist, uses land-based art to promote Indigenous resurgence through collaborative projects like BUSH Gallery and language revitalization in Secwépemc communities. Chukwudubem Ukaigwe for the Prairies region. Born in Nigeria, Ukaigwe is an artist, curator, and writer influenced by experimental music, literature, history, and futurism. His work aims to create immersive audiovisual environments, examining subject-object divides and fracturing time and relativity. Sandra Brewster for the Ontario region. The child of Guyanese parents, Brewster is a Toronto-based Canadian artist. Her practice reflects a multilayered sense of identity, born of a collision between place and time. Swapnaa Tamhane for the Quebec region. Tamhane's practice is dedicated to materials such as cotton and jute, leading to the making of handmade paper, archival research, and textile installations. She also collaborates closely with artisans in Gujarat, India, in a skill-sharing process. Hangama Amiri for the Atlantic region. Amiri works predominantly in textiles, examining notions of home, and how gender, social norms, and geopolitical conflict affect the daily lives of women in Afghanistan and the diaspora. The figurative tendency in her work reflects her interest in the power of representation, especially through everyday objects such as passports, vases, and celebrity postcards. "On behalf of the Sobey Art Foundation, I extend our warmest congratulations to the six exceptional artists who have been named to this year's Sobey Art Award shortlist. We are incredibly proud to support their remarkable achievements and look forward to celebrating their ongoing contributions to the Canadian contemporary visual arts landscape in the months ahead," said Rob Sobey, Chair, Sobey Art Foundation. "Congratulations to the six outstanding artists shortlisted for the 2025 Sobey Art Award," said Jonathan Shaughnessy, Director, Curatorial Initiatives, National Gallery of Canada; and Chair, 2025 Sobey Award Jury. "Through paintings, drawings, textiles, video, sculpture and multidisciplinary installations, their works capture the vitality of artmaking in this country today while touching on subjects pertinent to contemporary Canadian identity. We're excited to work with each of these artists and bring their richly diverse material practices together this fall for the always highly anticipated Sobey Award exhibition." A total of $465,000, in prize money will be awarded, including the $100,000 grand prize. Each of the shortlisted artists receives $25,000 and each of the remaining longlisted artists receives $10,000. The winner of the award will be announced at a special celebration on November 8, 2025. An exhibition featuring works by the six shortlisted artists will be held at the Gallery, opening on October 3, 2025, and running until February 8, 2026. The jury This year's independent jury overseeing the longlist selection process and shortlist deliberations is made up of contemporary arts curators and a past winner of the Sobey Art Award, with representation from each of the regions, as well as an international juror. They are: Laakkuluk Williamson Bathory, winner of the 2021 Sobey Art Award, for the Circumpolar region; Zoë Chan, curator, Richmond Art Gallery, Pacific region; Alyssa Fearon, Director/Curator, Dunlop Art Gallery, Prairies; Betty Julian; Senior Curator, McMaster Museum of Art, Ontario; Anne-Marie St-Jean Aubre, Curator of Quebec and Canadian Contemporary Art, Gail and Stephen A. Jarislowsky Chair, Montreal Museum of Fine Arts, Quebec; Rose Bouthillier, contemporary art curator and writer based in Maberly, Newfoundland and Labrador, Atlantic; and Carla Acevedo-Yates, curator, writer and researcher working across the Americas, international juror. For more information on the 2025 shortlisted and longlisted artists, please visit: About the Sobey Art AwardThe Sobey Art Award (SAA) is Canada's preeminent prize for Canadian contemporary visual artists. Created in 2002 with funding from the Sobey Art Foundation (SAF), the SAA has helped to propel the careers of artists through financial support and recognition in Canada and beyond. The SAA has been jointly administered by the National Gallery of Canada (NGC) and SAF since 2016. The past SAA winners are: Brian Jungen (2002), Jean-Pierre Gauthier (2004), Annie Pootoogook (2006), Michel de Broin (2007), Tim Lee (2008), David Altmejd (2009), Daniel Barrow (2010), Daniel Young and Christian Giroux (2011), Raphaëlle de Groot (2012), Duane Linklater (2013), Nadia Myre (2014), Abbas Akhavan (2015), Jeremy Shaw (2016), Ursula Johnson (2017), Kapwani Kiwanga (2018), Stephanie Comilang (2019), Laakkuluk Williamson Bathory (2021), Divya Mehra (2022), Kablusiak (2023) and Nico Williams (2024). About the Sobey Art FoundationThe Sobey Art Foundation was established in 1981 by the late Frank H. Sobey who was a dedicated collector of Canadian art. The Sobey Art Award was founded in 2002 as privately funded prizes for Canadian contemporary visual artists. The award aims to promote new developments in contemporary visual art and attract national and international attention to Canadian artists. About the National Gallery of Canada Founded in 1880, the National Gallery of Canada is among the world's most respected art institutions. As a national museum, we exist to serve all Canadians, no matter where they live. We do this by sharing our collection, exhibitions and public programming widely. We create dynamic experiences that allow for new ways of seeing ourselves and each other through the visual arts, while centering Indigenous ways of knowing and being. Our mandate is to develop, preserve and present a collection for the learning and enjoyment of all – now and for generations to come. We are home to more than 90,000 works, including one of the finest collections of Indigenous and Canadian art, major works from the 14th to the 21st century and extensive library and archival holdings. Ankosé – Everything is connected – Tout est relié SOURCE National Gallery of Canada View original content to download multimedia: