‘Emerald Hill's' Chantalle Ng on lessons learnt playing the villainous character Zhang An Na, her next project and more
Above Behind the scenes of 'Emerald Hill'
This prompted her to reach out for support. 'I'm so grateful for the friends who became my guiding lights through that period,' she shares, crediting her co-star Tasha Low and executive producer Loh Woon Woon for helping her navigate these challenges.
'Their steady support was a beacon when I needed it the most.'
Along with getting help from her loved ones, she also looked to exercise to help her mental health. 'After filming, I'd often go for a run, as it became my passageway between reel and real,' she says, highlighting the importance of eating well and surrounding herself with good people.
For Ng, stepping into her mother's formidable shoes has been both a professional milestone and a deeply personal journey. In an interview with Tatler Singapore, the rising star shares her experiences on set, lessons learnt playing Zhang and what's next for her.
Above Ng plays Zhang An Na in 'Emerald Hill'
Why did you decide to venture into the entertainment industry?
I grew up watching my mother on TV. She's my biggest role model and I've always been so proud of her. I wanted to step onto the screen myself and continue the path she's paved.
What was the dynamic like between you, Ferlyn Wong and Tasha Low both on and off the Emerald Hill set?
Tasha and I couldn't help but giggle whenever we had scenes together—I even had to beg her to leave the set just so I could finish a take without bursting into laughter. Ferlyn, on the other hand, was our steady anchor. She grounded us and really helped us dive into character.
How did your interactions with Peranakan experts influence your performance?
We had the opportunity to work with Peranakan experts during the filming of the show. They taught me how to walk, talk and even cook like a true Peranakan. I'm so grateful for their guidance and for the glimpse they gave me into what life was like in that era.
Above Ng and her mother, Lin Meijiao, a veteran actress in Singapore
Has playing An Na changed your perspective on villainous characters or the way you approach roles in general?
Definitely. There's a Chinese saying '可恨之人必有可悲之处' which means behind every villain is a broken person craving love. Playing Anna was such a ride, digging into her fears and insecurities, then presenting her as someone so calculated and fearless. I loved the complexity of the role. Anna was also very counterintuitive. As an actress, you're often taught that being well-liked is the ultimate goal. But this time, that belief was shattered. I realised that my craft could speak louder than likeability. This journey has been humbling, reflective and full of growth.
The series quickly became a hit. Why do you think the show resonated so strongly with viewers?
There's a deep nostalgia to this project and every single person on the production gave it their all to bring that legacy to life. And to me, a drama may start and end, but the legacy of Yamamoto Yueniang is #forever.
What motivates you to keep going?
Something in me still wants to keep going. Because I love this craft deeply. Because I love the people who make it all worth it.
Above While Ng was excited about the role, she quickly learnt the mental strain it would have on her
Above To prepare for Zhang's complex character, Ng delved deep into the character's emotional world
If you could switch roles with any character on Emerald Hill , who would it be and why?
When I auditioned for Anna, Anya, and Xinniang, I was asked if there was any role I especially wanted—or didn't want. I said I didn't think I could portray Anya. Her backstory is so heavy—forced into prostitution, dealt a life of cruelty by fate. But if I ever get the chance again, I'd love to challenge that role. To prove to myself that if I allow myself to be vulnerable enough, I can step into anyone's world.
What's next?
My new drama is The Gift Of Time . I'm acting alongside Xie Shao Guang—his first show after leaving the industry 16 years ago. Being cast as his daughter and being able to work with him feels like a dream. I've also been given another once-in-a-lifetime opportunity on the variety side—something I can't reveal just yet, but it's been keeping me up at night with excitement.
Outside of work, what's next for me is to look at the world with starry eyes and to love every moment I'm given on this earth, especially with the amazing people around me.
Credits

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tatler Asia
27-05-2025
- Tatler Asia
Home tour: Inside Bar Leone boss Lorenzo Antinori's new Hong Kong home
The layout is unusual—'basically a massive living room', as he describes it—with plenty of space to host friends. 'For the first time, I can have a communal dining table [at home] and invite friends over; the space definitely has this very liveable sort of vibe,' he says. Everywhere you turn, there are treasures to be spotted. Posters of Wong Kar-wai's seminal 2000 film In the Mood For Love ('my favourite Hong Kong movie') and the 1968 sci-fi classic 2001: A Space Odyssey ('Stanley Kubrick is one of my favourite directors') are part of a collection of framed prints in the living area. A shelf acts as a divider between the space and the bedroom. It houses both books—one volume is an Italian translation of The Art of War by Sun Tzu, the Chinese military text dating back to the 5th century BC that Antinori says offers advice applicable for modern-day business—and paintings by family members; several relatives on his mother's side of the family are artists. By his bed are photos of his parents and a frame depicting a religious icon, a gift from his mother, who's a devout Catholic. 'I'm very close to my family—wherever I have lived, in Hong Kong or South Korea, I always have [these items].' Don't miss: Home tour: Inside an Italian farmhouse-inspired retreat in Happy Valley, Hong Kong Above Antinori with 'The Savoy Cocktail Book'—he worked at the famed London hotel's American Bar—and 'The South American Gentleman's Companion', a cocktail guide originally published in 1951 (Photo: Zed Leets/Tatler Hong Kong) Above A close-up of knick-knacks in the home (Photo: Zed Leets/Tatler Hong Kong) Antinori wanted to give the home what he calls a vintage, nostalgic edge. Some of his favourite things—art, film, music—come from the Seventies. His favourite movie, the 1997 indie flick Boogie Nights, is set in the era, and its aesthetics strongly inspired his decorating choices. 'I love the Seventies—they were a cool time because pop culture was extremely loud and visually impactful,' he says. 'There are a lot of elements from that period that I tried to bring into this space.' That influence is evident in the palette: think burnt orange, forest green and acrylic accents. Above Lorenzo Antinori (Photo: Zed Leets/Tatler Hong Kong) Above A view of the coffee in the dining room (Photo: Zed Leets/Tatler Hong Kong) A neon sign that reads 'Bar Leone' lights up the space with a bright tangerine hue; the sofas are in the same shade; a Tiffany-style stained glass lamp, an emulation of the prized originals produced by the American artist and designer Louis Comfort Tiffany in the late 19th and early 20th centuries, with green, orange and yellow glass, glows softly in the corner. Now read: Step inside 3 Hong Kong chefs' and restaurateurs' kitchens at home Above Photo: Zed Leets/Tatler Hong Kong Above A close-up of books in the home (Photo: Zed Leets/Tatler Hong Kong) Antinori has applied the same design philosophy behind his bar to his home. 'We wanted Bar Leone to be a nostalgic space, almost like a trip back to a time in the past. We got a lot of references from the Seventies and Eighties. That's why some people feel like it has been there for a while. When I was thinking about this space, it was the same idea.' He wanted the home to feel 'a little bit chaotic', he adds, 'almost like it's coming out of a movie by [ Boogie Nights ' director] Paul Thomas Anderson or Wes Anderson.' To bring this vision to life, he enlisted Tiffany Kwan, founder of the interior design firm Studio TK, who also worked with him on Bar Leone. Above Photo: Zed Leets/Tatler Hong Kong Above Photo: Zed Leets/Tatler Hong Kong We wanted Bar Leone to be almost like a trip back to a time in the past. When I was thinking about this space, it was the same idea - Lorenzo Antinori - Above Photo: Zed Leets/Tatler Hong Kong After finally settling in, there are still 'a few other pieces that I need to put up'. A home is a place where one never stands still, he says. 'It's almost a dynamic place. I will always think of new elements that I want to introduce.' Much like the bar, the home has become a reflection of Antinori's personality. 'Bar Leone is a very personal project. I managed to fill it with things that I love, the things that remind me of home, the things that are connected to my roots. It's the same here; there are certain pieces that I have had in my apartment in Rome with my family, like the religious icon by my bed, the books, frames and prints. 'I think it's important to preserve this element of heritage that showcases our background and who we are. Otherwise, we just live in an empty box.'


Tatler Asia
26-05-2025
- Tatler Asia
Exclusive: Meet Jess Khan-Lee, the actress making Hong Kong shine in the latest ‘Mission: Impossible' movie
Above Official Trailer of 'Mission: Impossible–The Final Reckoning' How did it feel to be part of such an iconic franchise? Surreal. I'm not sure it will ever truly hit me. I've pinched myself every day since I got the offer. Mission: Impossible is cinematic history that has spanned 30 years. It draws audiences into cinemas. It's thrilling, emotional and spectacular. Mission: Impossible 2 was the first one I ever saw, and I watched it every weekend for two months. What can I say, I'm a fan. Everyone who works on Mission: Impossible puts so much passion, heart and dedication into making the best movie they can. Audiences can feel that. And to be part of The Final Reckoning is a gift. Sports play a pivotal role in your life—how have they been empowering you, and in what ways do they differentiate you in today's film industry? I started dancing when I was two, competing by the age of seven and working professionally by fifteen. It's a part of my identity. It taught me perseverance, work ethic, artistry and a strong connection to my body. These are essential life lessons. From there, I got into martial arts, mainly Muay Thai and wing chun. I'm also an avid rock climber. The skills have definitely helped to set me apart and open up opportunities and roles. I have a TV series coming out this year, and my dance and martial arts skills caught the director's eye and gave me an edge. I booked a musical because I had climbing and acrobatic tricks in addition to my dance. Anything you can add to your arsenal—anything that makes you more uniquely you—might be exactly what someone is looking for. Above Jess Khan-Lee has been practising Muay Thai for years (Photo: Instagram / @jesskhanlee) Above Jess Khan-Lee started dancing at age two (Photo: Instagram / @jesskhanlee) Above Dance taught Jess Khan-Lee perseverance, work ethic, artistry and how to connect with her body (Photo: Instagram / @jesskhanlee) Above Jess Khan-Lee is also an avid rock climber (Photo: Instagram / @jesskhanlee) As a Hong Kong-Canadian actress, how do you infuse your Asian heritage into your performances, especially within the mainstream film landscape? I don't feel I've yet had the opportunity to infuse my Asian heritage into a role as such. But I have a deep longing to. My Chinese heritage means so much to me. In whatever roles I get next, I'm really hoping to be able to incorporate that. That being said, I am proud to be part of the representation on screen. And in the latest video game I have coming out this year, Directive 8020 , I did the motion capture for an Asian character named Cooper. Have you encountered specific challenges related to your identity as an Asian woman in the acting world? How have you navigated and addressed these obstacles? Being Eurasian, I often audition for roles that are specifically marked as Chinese but am passed over because my appearance isn't perceived as 'Asian enough.' There are very few roles for mixed race, which is a representation I'd love to see more of on screen because it's a true reflection of the world. We're seeing more progress and open-mindedness with diverse casting, which is encouraging—but we still have a way to go. You've been dancing for Canto-pop idols, from G.E.M. to Hins Cheung. How was your experience working with them, and how did it shape your career trajectory? G.E.M. was my first world tour and one of my first jobs in Hong Kong. Over eight months, we toured across China, Canada, the US and the UK. When I joined, I had just two days to learn the choreography for the 2.5-hour show. It was a real test of my focus and work ethic. G.E.M. was giving 100 per cent every night to her fans, and as dancers, we held the same privilege and responsibility. And she had incredible fans! The atmosphere at every show was electric. Shortly after, I was featured dancing in Hins Cheung's You music video. He is genuinely such a lovely person and the video was beautiful. With your work in video games like Apex Legends , how do you perceive the convergence of voice acting and traditional performance? What aspects of this duality do you find most rewarding? My first experience of doing full performance capture—voicing the character, doing the motion capture (mocap) and having my likeness used (my face)—was for Fort Solis . Previously, I had only done mocap, which is just the body movement for the character, while someone else handled the voice. There are different technical aspects to consider in performance capture compared to screen acting—the mocap suit and the head camera to capture facial expressions require adjustments. Also, the energy needed when you're just standing at a microphone recording your voice is different. I realised I had to give it more vocal variety and heightened emotion than I initially anticipated. The fun thing about performance capture is that you have to use your imagination to the fullest—there are no sets or costumes to help you. You're essentially on an empty 'volume' (stage) and imagining everything that will be computer-generated around you later. It's like being a kid again. What are your favourite things to do when you're back in Hong Kong? I used to live in Shek O Village, so it holds a very special place in my heart. The beach barbeque, the noodle shop, the temple, the winding alleyways and Dragon's Back. I also love just walking through the streets, taking in the sights and people that make Hong Kong iconic and why so many of us call it 'Home Kong.' And—I'm serious—the MTR! Now living in London, I desperately miss the MTR.


Tatler Asia
26-05-2025
- Tatler Asia
Make learning Chinese fun: Cheryl Mainland's Dragon Academy uses storytelling and technology to revolutionise Mandarin education
Language as a superpower Above Cheryl Lee Mainland used to be the translator between her two grandmothers (Photo: courtesy of Cheryl Lee Mainland) Above On her first day at school in Taiwan, Cheryl Lee Mainland introduced herself in Chinese and felt that she belonged (Photo: courtesy of Cheryl Lee Mainland) Indeed, it's no coincidence that Mainland decided to dedicate her life to making Chinese more accessible. From a very young age, she understood that language wasn't just a tool for communication—it was her ultimate connector. Born in Taiwan to a Chinese mother and an American father, she vividly recalls realising early on that Mandarin would be her secret superpower—something she discovered on her very first day at school. 'Even at that age, I was aware I looked different from everyone else—all other kids were 100 per cent Chinese,' she says. 'But I remember introducing myself in Chinese, and immediately felt that I belonged. All my insecurities disappeared. It didn't matter what I looked like because language was my way in.' That sense of belonging stayed with her through some of her most important and emotional moments. Whether acting as a translator between her two grandmothers—one in Mandarin, the other in English—or sitting across from her father at business meetings, Mainland saw firsthand how language could bridge worlds. The most defining moment came when she was able to conduct her Harvard interview in Chinese—a clear reminder of the tremendous power of language to unlock opportunities and connect different facets of identity. 'I owe so much to my parents,' Mainland says. 'At home, multiculturalism was celebrated—there was an understanding that language is more than words. It's a bridge. I carried that belief with me everywhere.' Personal challenges to a new mission of purpose Above Cheryl Lee Mainland and her children on the Pearls shoot in Bali (Photo: courtesy of Archie Geotina) Above Cheryl Lee Mainland and her children in Bali (Photo: courtesy of Cheryl Lee Mainland) Throughout her life, Mainland has leveraged her ability to act as a translator—not just between languages and generations, but also between 'consumers and businesses'. 'I am good at identifying a market that is huge, but underserved,' she says. Over two decades, Mainland has launched multiple successful online brands—including women's workwear, prom dresses and swimwear—while travelling the world with her family. Their moves took them to London, New York, Chicago and beyond, until they finally settled in Melbourne, where life's unexpected challenges took centre stage. During the Covid-19 lockdown, Mainland experienced a period most families hope to never face: her young daughter was diagnosed with kidney cancer and an extremely rare congenital heart defect. Fortunately, her daughter survived (and is 'Aurora', one of the Dragon Academy story characters), but her marriage of 17 years did not. 'It was a really challenging time,' she recalls. 'I was at my lowest.' But rather than let these hardships define her, Mainland saw an opportunity for reflection. As her daughter began to recover, she took a step back to reevaluate what truly mattered. The answer, she says, emerged through her children. Above The nine characters of the Dragon Academy (Photo: courtesy of Dragon Academy) 'During the lockdown, my daughters were learning Korean on Duolingo because it was 'cool' despite the thousands of dollars I spent on Chinese tutoring,' she says, laughing. 'That's when I knew I had to make learning Chinese as cool as Korean or Japanese.' Even without the influence of K-pop or manga, the world's hunger for Chinese speakers is growing rapidly. Experts predict the global Chinese language learning market will hit $13.1 billion by 2027, with an annual growth rate of nearly 12 per cent. As Dragon Academy gets ready to kick off its first round of outside funding, Mainland hopes the platform will play a major role in shaping this exciting and fast-changing industry.