
Syracuse professor shows how bygone pop culture references can bridge generations
'That to me, is a medium and an art form different from any other art form in its own unique ways,' the Syracuse professor says.
On a Tuesday 18 years ago, Thompson hosted an informal get-together to watch unedited TV broadcasts — beginning with the Kennedy assassination news breaks, but later transitioning into lighter content.
In the following Tuesdays, Thompson would introduce episodes of 'Howdy Doody' ('ran for president … didn't win'), 'Mr. Ed' ('about a talking horse!'), and 'The Flying Nun' ('about a nun who flies!'). Other days have featured viewings of 'MASH,' 'The Twilight Zone' and the early days of YouTube.
His joy in the class comes from the intergenerational sharing of pop culture. In its current form, 'Tuesdays with Bleier,' a reference to Thompson's dedicated university program on TV, sparks conversation among students and faculty of all ages and backgrounds — including janitorial staff.
'To be able to connect with people who are much older than you about stuff that they watched when they were a kid, and see them light up about it. It's really beautiful,' said Yasmin Tiana Goring, a Syracuse graduate student. Goring is also Thompson's teaching assistant.
His students have left his classes with new cultural reference points, helping them at times connect with their parents.
'Out of context, I would text my mom and be like, have you seen 'Mork & Mindy' before, or ALF,'' said Sam Turin, a sophomore who brought his parents to the spring semester's final Tuesday showing.
Thompson recalls that the 'Howdy Doody' class inspired one student to talk about it with his grandmother, who was in the latter stages of dementia. She began to sing the song from the show.
Often, the lectures are less about the shows than the context they were originally made and viewed in. For Thompson, the class serves as a 'Trojan horse,' one where attendees watch TV for fun, but learn something about pop culture — and the world at large — along the way.
'If you want to understand the country we live in, you have to understand its presidencies, the wars that if it's fought, its political parties. But you also have to understand its lawn ornaments, its love songs and its sitcoms,' Thompson says.
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BBC News
2 days ago
- BBC News
Croatian ultra-nationalist mega-gig exposes divided society
A "neo-fascist Croatian Woodstock" or patriotic, anti-establishment fun?Last month's mega-gig by the ultra-nationalist singer Thompson – the stage name of Marko Perkovic – has dramatically exposed the polarised divisions deep within Croatian shone a spotlight on wildly differing interpretations of both the country's struggle for independence in the 1990s, and the history of the Independent State of Croatia (NDH), a World War Two-era Nazi puppet would argue that the concert was anything other than huge. Thompson's management claimed that more than half a million tickets for the show at Zagreb Hippodrome were sold. The actual attendance was considerably lower – but still in the hundreds of enormous crowd enthusiastically joined in when Thompson launched into his opening number, Čavoglave Battalion. To his cry of "Za dom" ("for homeland"), the audience roared back "Spremni!" ("ready!"). MPs from the governing HDZ party were among those chanting along. This chant has outraged opposition parties and organisations working for human rights and ethnic and regional reconciliation. They point out that "Za dom, spremni" originated with the anti-Semitic, Nazi-allied Ustasha organization during World War Two – and that Croatia's Constitutional Court has ruled that the phrase "is an Ustasha salute of the Independent State of Croatia [which is] not in accordance with the Constitution of the Republic of Croatia"."This has opened Pandora's box," says Tena Banjeglav of Documenta – Centre for Dealing with the Past, an organisation which focuses on reconciliation by taking a factual approach to both World War Two and the more recent war of independence."You've now got politicians in parliament screaming 'Za dom, spremni'. On the streets, kids are singing not only that song, but other songs Thompson used to sing which glorify mass crimes in World War Two," she says."The government is creating an atmosphere when this is a positive thing. It is creating a wave of nationalism which could explode into physical violence."The government has in fact downplayed the chanting at the concert. Prime Minister Andrej Plenkovic described it as "part of Thompson's repertoire" and posed for a photo with the singer the day before the Zagreb gig. Conservative commentator Matija Štahan believes that Thompson's time serving as a soldier during the war of independence gives him the right to use "Za dom, spremni" in his work."It is an authentic outcry for freedom against aggression," he says."Many journalists in the West say it's the Croatian version of 'Heil Hitler' – but it would be best to describe it as the Croatian version of [the Ukrainian national salute] 'Slava Ukraini'. "Both rose to prominence in the context of World War Two – which was a war for many small nations who wanted their own independent states," Mr Štahan says."Symbols change their meaning – and just like 'Slava Ukraini', 'Za dom, spremni' also means something different. Today, it's an anti-establishment nationalist slogan. It's against the Croatian politically-correct post-communist political elite. Young people want to shout it as something that's subversive."This interpretation cuts no ice with the Youth Initiative for Human Rights (YIHR), a regional organisation which works for reconciliation among the younger generations in the Western Balkans."It is clearly a fascist slogan," says YIHR's director in Croatia, Mario Mažić."As an EU member state, Croatia should be an example for the rest of the region, but it has not dealt with the past. It identifies with the losing side in World War Two, doesn't recognise it waged an unjust war in Bosnia and refuses to acknowledge systematic crimes against Serbs." Thompson staged another huge show at the start of August in Krajina, the stronghold of Croatian Serbs during the war of independence. That performance was part of the celebrations for the 30th anniversary of Operation Storm – the military battle which ended Croatia's war of independence from Yugoslavia in the 1990s, but which also displaced hundreds of thousands of recent years, the government had started to include commemorations for Serb victims. But reconciliation now appears to have a lower priority than promoting nationalist sentiment, with a military parade in Zagreb the showpiece of this year's events."All these things became more visible since the UK left the European Union – because when it comes to anti-fascist values, it can't be only up to Germany to protect them," says historian Tvrtko Jakovina believes this is convenient for a government which seems to have no answers to the numerous challenges facing contemporary Croatia."In the summer of 2025, we don't talk about the problems with our tourism, climate change, non-existent industry, higher education – or the demographic catastrophe that's looming," he says."Instead, we're talking about the military parade and two Thompson concerts."


Metro
09-08-2025
- Metro
'I hid behind a chair': Your favourite TV thrillers that scared you stiff
While most associate the realm of horror with films, TV has proven it's more than capable of giving us the heebie jeebies too. Plus, with endless episodes, shows can keep the scares coming even after the credits roll on the small screen. There are certain scary shows that obviously come to mind – The Twilight Zone, Twin Peaks – but we've tried to find some offbeat picks that might not make the top of people's all-out scary lists, but deliver bumps and jumps nonetheless. We asked Metro readers – as well as us here at the TV team – to share the shows that have scared them stiff and these are the ones that they recommended… Among the shows that have come highly recommended by Metro readers is Quartermass, which David Nicholls said forced him to 'hide behind a chair to watch it'. We also have I Know What You Did Last Summer, from Alex Alysson's recommendation and Julie T Potter suggesting Wolf Creek, writing: 'Can't wait for the next one,' alongside a hiding emoji. Cheryl Bucchi recommended the true crime drama/docu-series Helter Skleter, writing: 'Just as it ended the ceiling light 'shade' fell down with a crash……scared the crap out of me!!!!!' Paul Armer added: 'A toss up between The Acolyte and the Willow series. I think Willow just won. Major car crash TV.' Metro TV Editor Sabrina Barr shares her pick… I've been obsessed with Stranger Things ever since it premiered in 2016. It combined several of my favourite things – the 80s, the supernatural, a group of go-getter kids teaming up to save the day. But season four horrified me beyond my wildest imagination when it aired in 2022. As soon as we all set eyes on Vecna (Jamie Campbell Bower), he was gruesome to behold just from his appearance alone… but when he murdered his first victim Chrissy (Grace Van Dien), I was as gripped as I was mentally scarred. Witnessing Chrissy slam into the ceiling above her as every single one of her bones began to break, and then witnessing her brain explode as Eddie (Joseph Quinn) screams in terror, will be etched in my mind for all of eternity. If that's how Stranger Things launched season four, I can't wait to find out how Netflix is going to wrap up the masterpiece series this year with the fifth and final outing. This is one from the archives, specifically the 1970s, but is actually available to stream over on ITVX if you have a subscription to its premium service. With only four episodes, Quartermass packed a fairly quick punch and has since earned a cult TV status. That might have something to do with the subject matter. Set in a near future where everyone is jumping on the bandwagon of a cult (get it) called Planet People, the series follows one Professor Bernard Quatermass, of show title fame. He travels to London looking for his granddaughter, only to be savagely attacked there. He's saved by one Dr Joe Kapp, who he tells of his search for his granddaughter. But with no leads on the horizon, they leave the city only to encounter Planet People. As weird as it sounds. Deputy TV Editor Tom Percival shares his pick… A misspent youth watching horror movies means it's pretty hard to get under my skin, yet the little known BBC 1 thriller Apparitions managed to hit a nerve. The show follows Father Jacob Myers (Martin Shaw) a Catholic priest and exorcist who finds himself on the trail of a demon with a penchant for skinning its victims. Apparitions is a compelling series about faith in the face of pure evil featuring a demon less interested in projectile vomit and far more intrigued by the sound of screams. As shocking as the gore and violence is, though, what makes Apparitions truly terrifying is its unflinching depiction of Hell as a place so foul and fetid even Satan's infinite legions of the damned are desperate to escape the stench of brimstone and wails of agony. This one definitely has a more out-and-out fear factor, based on the cult 90s film that scared an entire generation senseless as a group of friends were terrorised by a mystery stalker. The 2021 TV show adaptation offered a modern update on the film, but those familiar with the original will still recognise the premise. A group of teenagers are a year on from graduating high school and a fatal accident that happened that night, when they start to be picked off one by one – Final Destination-style – by a mysterious killer. This was a standalone season, with eight episodes, all of which are now available for a weekend binge over on Amazon Prime Video. Senior TV Reporter Rebecca Cook shares her pick… This decision is largely down to one unbeatable episode, which I am willing to throw down the gauntlet here and say is the scariest episode of television there is (caveat: of the episodes of television I have in fact seen). You might have guessed it, but it is indeed season four's standalone, standout masterpiece Hush. An episode which is almost entirely absent of dialogue and one which introduces all-timer creepy villains. Once you've seen them, it's hard to forget about them. (Particularly when the lights go out at night.) They are the Gentlemen. A horrifying cohort of floating bald men in suits. On paper it doesn't sound like much, but seek out the nightmarish episode and see the well-dressed demons for yourself. Of course, there are other scary episodes of Buffy out there – Same Time, Same Place with its very-real depiction of what being flayed might look like, immediately comes to mind – but this one takes the creepy cake. Even if you're not planning on watching Buffy as a whole, I urge you, watch Hush! This one might be the most frightening of all the suggestions, because it's rooted in the real life events around Charles Manson. The 2020 docu-series Helter Skelter: An American Myth focused on the Manson family murders, with new interviews and images, as well as archival footage to tell the story of the heinous Tate–LaBianca murders. The series scored a 70% rating on Rotten Tomatoes and is available through Apple TV Plus. The Metro reader may also be referring to a similarly named 1976 series on the cult leader, which was a true crime dramatisation. Starring George DiCenzo as prosecutor Vincent Bugliosi and Steve Railsback as Manson, this miniseries was based on Bugliosi's bestseller of the same name and fed the continued fascination with these gory crimes. For extra context: 'Helter Skelter' refers to The Beatles song, which is said to have inspired Manson's crazed delusions of a pending 'race war' – or at least inspired him to use this as a fear-mongering tactic to control his followers. TV Reporter Asyia Iftikhar shares her pick… The first season of BBC drama The Fall has everything going for it with its star-studded cast including Gillian Anderson as DS Stella Gibson and Jamie Dornan as serial killer Paul Spector, who proves almost impossible to track down. Although it sounds like your run-of-the-mill British crime thriller, it ended up being such horrifying viewing that I have never forgotten how wretched I felt first watching it (there's one scene that lives rent free in my mind due to its excruciating tension). Nevertheless, I found myself determined to finish the show and see the killer put to justice. I was completely reeled me in – hook, line and sinker. It is a difficult watch, on many levels, but the quality of the writing, acting and plot still surpasses many of the thrillers we see today, in my opinion. Inspired by the 2005 film of the same name, which also has a decent fear-factor claim, Wolf Creek sees a visit Down Under take a terrible turn. A vicious serial killer called Mick Taylor is targeting tourists and when he attacks a family in the Outback, 19-year-old American Eve (Lucy Fry) is the only survivor. Eve goes full John Wick to avenge her the deaths of her loved ones and sets out to hunt down the killer. On Google, viewers have hailed the horror as 'phenomenal' but warned it was 'not for the faint-hearted.' The six-parter is all on Channel 4 for you to go binge right this moment (after you've finished reading this, of course). TV Reporter Milo Pope shares his pick… The thriller/horror genre and I enjoy a complex, if not twisted and slightly demented relationship. Whenever those moments arrive, where the main protagonist always decides to walk down the abandoned alleyway or enter the haunted, grungy, dark basement despite the fact that they should very much not be doing so, a bizarre, paradoxical chemical reaction happens inside me where everything is telling me to walk out of the room, but my eyes cannot be peeled from the screen. The Last of Us season one, bar that truly magical third episode (if you know, you know), pretty much evoked that feeling out of me in I'd say every scene possible. Despite the fact that I adored the series, I found myself pleading with the show's creators: 'Why can't Pedro Pascal and Bella Ramsay just spend an episode inside a safe, protected room?' 'Why are they having to constantly fight for their lives and escape by the skin of their teeth every time?' 'And why do they have to take the most dangerous routes imaginable on their journey'. I don't know! But I'm not complaining either. A reboot of Ron Howard's magical quest film of 1988, which also starred Warwick Davis, you might remember this because it was quite dramatically cancelled in 2023. More Trending Dramatic in that Davis – who played titular sorcerer Willow Ufgood – was not happy about it, and made that known after the axe had fallen on the Disney+ show and they pulled it from the service. But what was the show all about? Described as an 'epic period fantasy series' by Disney, you might not expect this to be the thing that keeps you on the edge of your seat, but this is a magical world where mystical creatures of every fear-level can flourish. View More » So when an unlikely group embarks on a dangerous quest to places farflung from their home, they have to face inner and outer demons alike. Which show do you most want to watch? I Know What You Did Last Summer Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Cancel your weekend plans and binge this 'creepy' supernatural drama for free MORE: Why was Gina Carano fired as Mandalorian actress settles lawsuit? MORE: Netflix fans can still watch 'most harrowing film ever made' that inspired walkouts


Time Out
06-08-2025
- Time Out
Review: This Chinatown-adjacent bistro serves California cuisine out of a beautifully restored Victorian bungalow
In spite of the mythos surrounding chefs and the intangibles of hospitality, the success of a restaurant often boils down to a few smart real estate decisions, and the three-month-old Baby Bistro is no exception. The buzzy, self-described 'bistro of sorts' is the final piece of the puzzle completing Alpine Courtyard, located in Victor Heights. As of writing, the trendy commercial complex is single-handedly gentrifying the tiny, oft-forgotten neighborhood at the border of Chinatown and Echo Park, just north of the 110 freeway. The place's vintage charm is obvious before you even spot Baby Bistro, which you'll find tucked away towards the back of the complex. Owned and painstakingly developed over several years by preservation-minded architect-developer Jingbo Lou, it consists of six converted buildings, including a 1908 Craftsman house and three Victorian era homes (one of which houses Baby Bistro), arranged around a brick-lined central courtyard with a lush, carefully maintained garden full of banana trees, bougainvillea and plenty of herbs and vegetables. In a city of sun-bleached asphalt, minimal shade cover and other hostile urban features, it feels downright heavenly to step into Alpine Courtyard. By day, Angelenos pick up plant-based pastries at Bakers Bench, specialty caffeinated drinks from Heavy Water Coffee and gourmet banchan from Perilla LA. After 4:30pm, when Perilla closes up shop, the only eatery left standing is a satellite outpost of Cassell's Hamburgers, which operates out of the same space as Bakers Bench. Finally, at 5:30pm, Baby Bistro opens its doors, offering veteran chef Miles Thompson's wonderfully unorthodox approach to farm-to-table cooking, a reasonably priced natural wine list by Lolo Wine Bar alum Andy Schwartz, and one of the most delightful restaurant back patios in all of Los Angeles. The narrow, sparsely decorated 35-seat space still feels like the house it once was. (In fact, Schwartz told me an elderly former resident visited Baby Bistro in its first weeks in business, just to see what they'd done with his old living space.) From the get-go, there's the warm hospitality offered the minute you check in with the host—wait too long for your reservation, and you'll likely be offered a free glass of wine while killing time outside—and pint-sized open kitchen, where Thompson can be found working most nights of service. Though Baby Bistro's six-item menu is ostensibly offered à la carte, the menu is designed to be ordered in its entirety and split between two people (yes, like a tasting menu), which ends up costing somewhere in the neighborhood of about $100 per head before drinks, tax and tip. Personally, I consider that a little on the pricey side for what is, at the end of the day, mere seasonal wine bar fare, but the endearing bungalow atmosphere more than compensates, and the chef's culinary talent translates into some of the most deliciously irreverent California cuisine in the city. This is, after all, Thompson, the same child actor -turned-culinary wunderkind who opened Echo Park's short-lived but critically acclaimed Allummette in 2013 (throwback!) and oversaw pioneering California cuisine spot Michael's in Santa Monica from 2016 to 2018. At first blush, the cooking at Baby Bistro is almost as understated as the space and scene itself. Almost every night, stylishly dressed couples and groups of friends hang out sipping glasses of wine, aperitifs and for the non-drinking set, cold barley tea—a refreshing non-alcoholic option perfect for sipping on a balmy summer evening. But as with Baby Bistro's small back patio, where the banana tree grove and pink foliage make you feel like you're on a reality TV show set on a tropical island, the small menu conceals another unexpected surprise: a level of technical brilliance and creative ambition mildly constrained by its modest footprint and menu scope. Like an above-average A24 film that shines in a sea of nostalgia reboots and live-action remakes, Baby Bistro scores major brownie points just for trying In 2023, Schwartz and Thompson first made a splash in the L.A. dining scene when they debuted Baby Bistro as a summer pop-up inside Koreatown's Hotel Normandie (home to the original Cassell's, which is also owned by Lou) and changed the menu essentially every other week. Thus far, the permanent version of Baby Bistro has offered far more culinary stability, which might be a boon for some diners and a bore for others. I'd be remiss not to mention the housemade cheesy onion bread, piled high with funky, bright orange Liptauer, which has become such a crowd favorite it seems unlikely to leave the menu entirely. The same bread can be ordered plain and à la carte for sopping up sauce from the main-like plates, including the recently added prawns in puttanesca sauce. When available, add on the housemade terrine, served with charred broccolini, a dish so wonderful and complete in its own right that I don't even recommend ordering bread on the side. There's also the cucumber and squid salad, dressed with white tamari, yuzukosho, lemon zest and resplendent flecks of dried red shiso, and the pleasantly crunchy salad made of, among other ingredients, turnips, locally made tofu (from Gardena's Meiji Tofu), raspberries and crushed pistachios. The succinct menu downplays the complexity contained in each dish; each item is listed as its main two ingredients, e.g. 'cucumber, squid' and 'turnip, tofu' for the salads I just described. At meal's end, Thompson turns heads (and some stomachs, from what I've heard from friends) with his trendy vegetable dessert course: a pine nut cookie topped with cucumber cremeux, poached rhubarb, fennel fronds and white wine vinegar. In general, the chef enjoys mixing sweet and savory, and is mostly successful with this. In my experience, the newer menu additions have been a little hit-or-miss, including the middling buckwheat-topped chicken sausages, which have replaced an earlier coulotte steak served with wood ear mushrooms. Nevertheless, a handful of strong staples and the undeniably quaint ambience have contributed to Baby Bistro's current status as my pick for L.A.'s best new restaurant. Another major factor? The city's industrywide slowdown that's has led to dozens of restaurant closures since January and relatively few buzzy openings this summer. Naturally, this has pointed the media's collective attention toward places that may have, in other years or seasons of the L.A. dining scene, fallen into 'beloved neighborhood restaurant' or 'excellent spot for the next time you're in the area' territory. After a second visit in early July, I can say that Baby Bistro belongs in both of these (still quite respectable!) categories, unless you are an absolute fiend for all things California cuisine. Like an above-average A24 film that shines in a sea of nostalgia reboots and live-action remakes, Baby Bistro scores major brownie points just fo trying at a time when everyone else seems to have all but given up on remotely affordable, chef-driven dining. In many ways, the restaurant is similar to Tomat in Westchester and Vin Folk in the South Bay; all three eateries serve a more accessible version of chef-driven cuisine at a price point more palatable for weekly date nights and group special-occasion dinners. 'If you were in Europe, you would stumble into it, have an incredible meal and never remember what it's called and try to figure it out for the rest of your life. That's the idea of this restaurant,' Thompson told the Los Angeles Times in 2023, describing the concept behind Baby Bistro. Sure, I find that romantic, but the reality is that Baby Bistro isn't located in Europe. It's in one of the most car-centric cities in the United States, where 'stumbling' (or, for many, driving to a more walkable part of town) is largely premeditated and a semblance of social media and marketing strategy is essential to a new restaurant's success. Given the cute atmosphere, however, I'm happy to overlook a few shortcomings and circle the block for parking.