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Beyoncé and Miley Cyrus Go for Gold (And Sequins, and Sparkles) on the Cowboy Carter Tour

Beyoncé and Miley Cyrus Go for Gold (And Sequins, and Sparkles) on the Cowboy Carter Tour

Vogue4 hours ago

Two pop icons of a generation have been oscillating through Paris for the last few days: Beyoncé, on her mammoth Cowboy Carter tour, and Miley Cyrus, as she continues to promote her latest album, Something Beautiful. (All while offering the City of Light streets a succession of vintage looks). And last night, Beyoncé and Miley Cyrus shut Paris down with a surprise joining of forces—with gold and gilded matching looks to boot.
Last night (June 19), and more than a few songs deep into Bey's show at the Stade de France, the artist introduced Cyrus to the stage. 'I love y'all so much. I'm super excited because I wanted to do something very special for your guys,' Beyoncé said. 'Give it up—I'm so grateful to sing with you, Ms. Miley Cyrus.' The duo then performed 'II Most Wanted' from 2024's Cowboy Carter, which won them the Grammy for best country duo or group performance. Crowd, of course, went wild.
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Both Bey and Miley wore sparkling, sequin gold looks: Bey wore a fringed golden bodysuit with a bauble-studded scoop neck and embellished buckle belt, with matching heeled golden cowboy boots. Cyrus chose a similarly shimmering crystal and rhinestone-studded catsuit with stiletto boots. The mega artists's shared style memo? Go glitzy, glam, as gold as you can.
The Cowboy Carter tour has been alight with big brands putting their spin on Bey's glamorous cowgirl aesthetic. The tour's Western couture, as styled by Shiona Turini, Ty Hunter, and Karen Langley, has seen Bey in a bright white Mugler bodysuit and fringed chaps (with an added diamond bolo die), and Burberry with a twist on their iconic plaid with sequins, also in chaps form. Turning to Roberto Cavalli, Bey went for an all denim-printed catsuit with a giant gold belt and fringed sleeves, and with custom Schiaparelli, she slipped into some leather pants adorned with rows and rows of Western buckles. Blue Ivy, a dancer for the show, has also been styled in stage-ready rodeo wear and more glam dresses: One draped golden gown with a caped top and flowing maxi skirt, and a custom green Burberry Check bodysuit and green zip trousers with Swarovski crystal-embellishments to match her mom's.
In Mugler
Photo: Backgrid
Photo: Backgrid
Photo: Backgrid
While it may not be immediately apparent, Beyoncé and Miley Cyrus's sartorial formulas hit much of the same rhythms. Glamorous, Western-coded, gilded and maximal. While Bey looks to Mugler, Ferragamo, and Burberry, Cyrus often opts for Alaia, Valentino, and Versace. Both find a stylish meeting point with Schiaparelli and Roberto Cavalli.
Photo: Backgrid
Photo: Backgrid
Beyoncé has now reached over the halfway mark of the massive world tour. After Paris, she's back in the United States for shows in her hometown of Houston, Washington D.C., Atlanta, and Las Vegas, wrapping things up on July 26. After Miley's appearance as the tour's first ever guest performer, we may have more to hop for when Bey hits stateside again—with more matching glitzy fashions incoming.

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Billie Eilish Offers A Rare Look At Her Vacation Style With A Red String Bikini in Barcelona
Billie Eilish Offers A Rare Look At Her Vacation Style With A Red String Bikini in Barcelona

Yahoo

timean hour ago

  • Yahoo

Billie Eilish Offers A Rare Look At Her Vacation Style With A Red String Bikini in Barcelona

THE RUNDOWN Billie Eilish was filmed on the beach with friends in Barcelona, giving the world a rare look at her bikini style. Although she's known for her signature oversize looks, Eilish has a history of wearing string bikinis and shared a photo of herself in a pink set last year. Eilish is currently on the European leg of her Hit Me Hard and Soft Tour and will resume shows in July. Billie Eilish is currently on the European leg of her Hit Me Hard and Soft Tour and took a little vacation in Barcelona ahead of her U.K. shows this July. She spent a night on the beach with friends—and gave a rare look at her vacation style in the process. The singer was filmed in the Mediterranean Sea, wearing a red string bikini. See footage here on TMZ. This isn't the first time Eilish has been seen in this style of swimwear. Last July, she shared a photo of herself in a pink string two-piece: View this post on Instagram A post shared by BILLIE EILISH (@billieeilish) And in June 2023, she appeared in a print string bikini top in her friend Annabel Zimmer's Instagram. View this post on Instagram A post shared by AB (@annabelzimmer) This April, Eilish answered questions from celebrities for British Vogue. Nicki Minaj asked Eilish about how she views herself, prompting Eilish to reflect candidly on her appearance. 'This may be an odd question, but you seem to be a bit uncomfortable with how beautiful you are at times,' Minaj said. 'I could be wrong. Many women from all walks of life have felt that their work was overshadowed by their beauty or their physical attributes. Was there ever a time in your career, or before you made it, when you wished people couldn't see you and that they could only hear the music, and really get a chance to just listen to the written words?' 'Nicki, this question made me tear up a little,' Eilish admitted. 'Well…like you said at the beginning of that question, I've never really felt very beautiful or seen myself in that way, so I definitely never struggled with the idea that it would overshadow anything, since I didn't even really see it myself. I've had to really convince myself that I am beautiful. Being a woman is hard.' She also spoke about how she unwinds while answering a question from Ariana Grande. 'I realized recently that I think my favorite thing in the world is to hangout,' she said with a laugh. 'Like, I just love being around people that I love, people that make me laugh and make me feel whole. You know: kindred souls. That's the stuff that keeps me sane. Laughing really is my cure.' ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today Might Also Like Pyjamas You Can Wear All Day 10 Hand Soaps To Make Your Bathroom Feel Like A Fancy Hotel 8 Of The Best Natural Deodorants

Lukas Nelson Is Ready to Make a Name for Himself
Lukas Nelson Is Ready to Make a Name for Himself

Time​ Magazine

timean hour ago

  • Time​ Magazine

Lukas Nelson Is Ready to Make a Name for Himself

Even if you can't name one song by Lukas Nelson, chances are you've already heard his music. The 36-year-old singer-songwriter (and son of country music mainstay Willie Nelson) has not only been releasing country-roots albums with his band the Promise of the Real since 2010, he and his band have been touring and recording with Neil Young since 2016. Nelson has also written for the screen: In 2020, he won a Grammy for his work on a little film called A Star Is Born, for which he wrote and co-produced several songs, as well as appeared on screen as a member of Bradley Cooper's band. Despite all of these accolades and accomplishments, Nelson has a grander vision for himself. He'd love to graduate from behind-the-scenes player—let's say your favorite country artist's favorite country artist—into a top-billed superstar in his own right. There's no reason to think that he won't meet the moment. Nelson's debut solo album, American Romance (produced by Shooter Jennings, son of Waylon), is brimming with universal observations about love, loss, family, perseverance, and the cycle of birth and death. It's all set against a classic American backdrop of diner counters and truck stops, East Coast turnpike exits and snow-tipped Montana mountains. Led by Nelson's acoustic fingerpicking and aching, reedy vocals, American Romance goes down with the familiar ease of a time-worn Townes Van Zandt record while distinguishing itself enough to stand on its own in the modern-country landscape. Ahead of his album's release on June 20, Nelson spoke to TIME about the long road to American Romance, finding the right way to discuss his lineage, and why he's a 'disciple of Dolly Parton' when it comes to politics. Nelson: Well, Promise of the Real was a band that I started when I was 19. I was always the songwriter, and those guys traveled with me through thick and thin. We became Neil Young's backing band for five years. Then we're trying to do both my songs and Neil's songs and straddle that line. But a lot of the fans that we got were fans of Neil and, of course, my father. Eventually I realized, if I don't establish myself as an artist right now, then I won't be able to. So I just decided to go out and play for my own fans and my own generation and figure out who I am. I had to just become Lukas Nelson. I stopped smoking weed, I became sober. I faced my fear of flying by becoming a pilot. And I sort of let go of a lot of the legacy ideals that I had grown up with and felt pressured by. There's a song on the album—it's the first song I ever wrote, when I was 11, called 'You Were It.' I wrote that before I started telling myself a story of who I was meant to be. That song came to me on a school bus. My dad liked it so much that he recorded it. Then Kris Kristofferson said, "I love that song. Are you going to be a songwriter?" I said, "I don't know." He said, "Well, you don't have a choice." That inspired me to become a musician. But now I'm trying to ask myself: What do I mean musically? How do you feel American Romance might begin to answer that question? I'm working with some of my favorite musicians of our time: Stephen Wilson Jr., Sierra Ferrell, Anderson East. 'God Ain't Done,' I wrote with Aaron Raitiere, who just had a hit with 'You Look Like You Love Me' with Ella Langley and Riley Green. I'm writing a lot with Ernest [Keith Smith], who's written all the number one hits on Morgan Wallen's recent album. I've always believed that I could stand toe-to-toe with anyone as a songwriter. I am a songwriter first and foremost—I play good guitar, and I sing well, and I perform well, but the songs are the most important thing, what brought me to A Star is Born and what really, I think, caused Neil [Young] to take notice. You have artists like Kacey Musgraves, Zach Bryan, Chris Stapleton, Tyler Childers—these are the artists that I respect, and I want to be part of that conversation and musical landscape. I want to have a career that lasts as long as my father's. And when my father played, he played for his generation, and they followed him now up into his nineties. So in order to have that longevity, I have to be smart and play to my own people. I've always known and respected [Shooter] for his musicality. I'd always wanted to work with him. I think now was the perfect moment, because he's established himself separate from his legacy, as an incredible producer. Now I feel like the conversation is less about, 'Oh, isn't it cool that these kids are doing it and their fathers were friends?' That becomes a little bit of icing on the cake. Those who don't know us will probably still look at it that way. And that's something I deal with my whole life. [But] we've gotten past the idea that we are only just the sons of [ Willie Nelson and Waylon Jennings]. We have our own careers that we've built. I respect [Shooter's] work ethic. When I started playing with the band, we did 250 shows a year for a good part of 10 years, just in order to prove to myself. I knew I was going to have to work twice as hard. People who don't know me are always going to have an opinion on whether I got anything handed to me, but I know how hard I worked, and so at the moment of my death, that's what I'm going to look at. I can see that Shooter has the same approach. I can imagine you having so many different internal conversations with yourself. Like on one hand, when Kris Kristofferson tells you that you were born to be a songwriter, that's amazing. At the same time, like with any family business, did you feel like there was ever even a choice? I'm so grateful that he gave me that inspiration because it lit a fire. And I had the confidence to say, 'OK, put my head down, ignore everything anyone else is saying and just work, and I think I have some sort of innate understanding of this songwriting thing that I can actually nurture.' I'm really grateful to that 11-year-old boy who understood that the time that he put in then would pay off now. And it has. It was about just closing my ears to any of the chatter and playing guitar eight hours a day and through the night, much to the chagrin of my mother, and just obsessing over songwriting, not giving a crap about parties in high school. I never had one sip of a beer until I was in college. I just focused. The greatest part about being the son of my father, and of my mother [Annie D'Angelo] too, was the inspiration and support. Like Colonel Tom Parker seeing Elvis and saying, "I'm going to focus all of my efforts on that man," he invested and made him a star. So somebody has to champion you, and I was lucky to have that growing up. Yeah, it's a double-edged sword. Say you have no industry connections and want to make it as an artist, you're going to need someone to take a chance on you. Meanwhile, as you've described, say you do come from a family with every connection—someone will still have to personally vouch for you, because people will make assumptions. Now I've gotten to this place where I think I'm clear-headed enough to understand how to talk about it. I didn't really know how to describe what I was feeling. I was in my Beatles Hamburg days—just playing show after show after show. And when people would ask me [about my father], I'd be like, 'I don't even have time to answer that. Ask me about my record.' You know what I mean? I love my dad and he's a good man, and I love my mom and she's a good woman. And my brother and sisters. It's a good family. I'm lucky. Not because he's a successful musician, because he's a good person and a kind person and is in touch with his empathy. That's what I'm most grateful for. How did you end up settling on the album name American Romance? The title came from the song, [which is] like a portrait. This whole album is a bunch of different chapters, kind of in a John Steinbeck Travels With Charley, memoir-like [way] about different moments that shaped me growing up in this country that raised me. The loves and the losses and the heartache, and then the elation. There were moments where I've spent Thanksgiving dinners at a truck stop having the turkey special, and then having the kindly waitress feel bad for me, although she was working too. It's the Walmart parking lots. It's the sirens at night, the rendezvous in the night. There's a thousand different stories I have in hundreds of hours of travel, but I tried to just put it into an album of 13 songs. At the same time, it's an album about the future. I've got a song called 'Pretty Much' that talks about how I envision the hour of my death and what I hope is in store for me in terms of love and relationships. I'd love to be surrounded by my family and them desperately wanting all the information about how I met the love of my life, who's right there beside me, and telling all the different stories about when I fell in love. It's about the future and the past and the present. You split your time between Nashville and Hawaii now, and between Hawaii and Texas when you were growing up. When people ask, where do you say you're from? I was raised by America, by the United States. The roads raised me. I may have been born in Texas, and I spent some time there. I spent some time in Hawaii. But most of my life was spent on the road growing up from Walmart parking lot to motel, to hotel to diner to stage. It's easier almost to say the greater United States than it is to say anywhere in specific. Country music has such a legacy of storytelling about America, encapsulating the good, the bad, the mundane. But 2025 is such a unique time to release a body of work about the country, seeing as the country itself has rarely been more divided. As someone who has traveled it so extensively, what are some commonalities that you think everybody living in the U.S. still shares? That's a great question. I believe that we all share the heart. There's a song I have called 'Turn Off the News (Build a Garden).' 'I believe that every heart is kind, some are just a little underused' is the first line. I think that when we can connect with our hearts, we can open up empathy inside of ourselves. Now, there are exceptions to the rule. Obviously some people are sociopathic. So barring that, I feel like music has the power to cut through the mind and reach the heart. What we can all relate to is suffering in love and relationships and heartbreak. Those things are really universal. My belief is that I can change people's minds more by doing what I do than by standing and making statements. I can put it in my music. I believe that strongly, and I've seen it work. There's a guy named Daryl Davis who is a Black musician, and he has converted over 200 Klansmen, to the point where they give him their hoods because he sat there and talked to them. This guy has some balls. He somehow reached their hearts. I think the only way to change people's minds, if they have hatred, is to try and reach their hearts. I don't think calling them a monster will do it. Some people are beyond changing, I understand that. But music has the power to open up hearts. I know I'm good at one thing, and I do it. I am not a politician. I have friends that span the aisles, as they say. But kindness and compassion are where I try to live from. I look at someone who's suffering, and I always believe in helping that person out. I'm a disciple of Dolly Parton, let's just say.

'We need to protect our trans siblings and be a community more than ever'
'We need to protect our trans siblings and be a community more than ever'

Yahoo

time2 hours ago

  • Yahoo

'We need to protect our trans siblings and be a community more than ever'

Lucy Spraggan rose to fame as a contestant on The X Factor in 2012, she has since become a successful musician in her own right. She joins Yahoo's Queer Voices to discuss her experience as a queer singer in the music industry, why Pride should be a protest again, and her affinity with the transgender community. Her new album Other Sides of the Moon is out now. I think it's important for us to be a community now more than ever. We all practise authenticity and love and being ourselves, and I genuinely think being there for our trans brothers and sisters now — like they have always been there for us — it's about allyship and it's about protecting each other. And I don't think that fight is finished yet. I think it's very important to still be fighting that fight. I do believe Pride should always be a protest that I feel like there's so much — as a community, we have so much to do for trans rights across the board. Pride should always be in protest. I have had real issues locally recently trying to drive the message through to people that trans people are all individuals. They're all different, we're all different, we're all authentic, so maybe we should just let people be themselves. But it's really hard, it's hard to push a message through to somebody who's ignorant and I just feel all I can do is support my trans friends and trans people I've never met as much as I can. Sometimes that feels like it's about literally, physically standing in front of them at protests. When I was on X Factor, I'd already been out for years. I came out and I was really young, so I remember one of the producers or press teams saying: 'Are you gonna like, come out?' And I was like, 'everybody already knows I'm gay'. And one week on The X Factor, we did the covers, I did a Gold Digger cover and everybody had backing dancers and I said 'Can mine be female backing dancers?' And they were all twerking up against me and it was absolutely amazing, and I remember feeling quite confident in being my queer self then. Things are so much more different about being queer now than when I was on X Factor. There's so many more people to see, there's so many more platforms to see queer people on. I love that about social media, it's one of the few things I love about social media — that you can see so many of your people. All of my music is inspired by my real life experiences. My new album is called Other Sides of the Moon, which is a song about my wife and how we fell in love with each other. So I guess there's intrinsic queerness throughout my entire album, but it's all about things I've felt or observed. I can't wait for it to come out, there's a collection of older songs on there that have been reborn in some ways and it's kind of a message to people: Think about the past or something they can change. And I looked at a lot of songs from the past and actually thought I'd like to give them new life. My favourite thing about being a musician is the culture and the community that there is at my shows. There's just so much diversity and my favourite thing is that music has brought all those people together and just being a part of it, I don't feel like a leader of it or anything like that, I just feel immersed in this community, and I love it. Whenever I think of Pride I think of being a 15-year-old living just outside of Manchester and going to Manchester Pride and just looking around and seeing so many people that just felt like family. And I remember that so vividly, walking around with my mouth open the whole weekend just thinking this is life. And I still feel that at Pride events now. My advice to young queer people is do your thing. Live your best life and protect each other and the whole phrase of 'blood is thicker than water' is actually the blood of the covenant is thicker than the water of the womb, and that means that the the bond between nuns is actually thicker than the bond of those in in family situations. So if you need to create a new family, if you need to look for other people, go for it because that bond is thicker than it. I always go back to the storyline that I loved most on television, which was Coronation Street with Hayley Cropper, the trans character. It was so long ago, and it was so left field for that that time, and I went into school and they were asking what we wanted to be when we were older and loads of people were saying, 'firefighter', 'I wanna be a policeman' or actor and I said I wanna be a transsexual. I just thought it was such an amazing story, they used transsexual then on television because it was so dated, I think it was 2008. But I spent from age well late toddler to about 10 being called Max, I was a boy until puberty and so I didn't realise that [transitioning] was really possible until I saw it on television and I was like, 'Oh my God'. And now you get to see transgender people so much more, and I wonder if I'd have had access to the world in the same way that we do now if my choices would be different growing up. There's so many shows I wish I had. I remember watching Queer as Folk growing up, my mum was obsessed with Queer as Folk, and there's so much more now on offer. Before being gay was kind of like it was about how being gay meant you had to be part of this scene, and now there's so many things that represent being gay or being queer. You can just be a normal person and be that, and I like any shows that has that in it. In terms of my queer role models, growing up my mum's best friend Kathy is a trans woman and I remember just always feeling so empowered by her. Not just Kathy, but actually my mum was such a pioneer, she always surrounded us with artists and creatives and queer people — she's a real pioneer. I feel like there's room to improve when it comes to the platforms for queer people, I think there's always more to be done. I think within our community the amount of creativity and just fabulousness, it's always pouring out of the community, and I always feel like there could be more places for that art to be distributed. Not even necessarily in terms of more celebrating, but more more areas of industries that hone in on queer people and whatever that means for that. There's more avenues and more funding for people, especially young queer people, to express themselves. I think the future of queer storytelling is gonna be how it always has been. From Oscar Wilde right up until now, everyone's always gonna tell their story and it's going to be remembered because there's been so much adversity in this community for thousands of years.

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