Exclusive: Watch the sweet trailer for 'Everything's Going to Be Great'
There's no business like show business.
Take it from Bryan Cranston, who pulls back the curtain on the life of a working actor in 'Everything's Going to Be Great' (in theaters June 20). The 'Breaking Bad' Emmy winner stars as Buddy Smart, a lifelong thespian who uproots his wife (Oscar winner Allison Janney) and sons (Jack Champion and Benjamin Evan Ainsworth) to New Jersey to run a regional theater.
The feel-good dramedy follows Buddy as he tries to keep his family afloat while they pursue their respective dreams in a new town. The film is rounded out by an all-star cast that includes Simon Rex ('Red Rocket') and Chris Cooper ('Adaptation').
The trailer premieres exclusively at usatoday.com, along with the first look at the movie's poster.
Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox
Audiences 'are going to recognize elements of these characters in their own life because it encompasses adventure, sorrow, joy, aspiration,' Cranston said in a statement to USA TODAY, praising screenwriter Steven Rogers' 'beautiful' script and the 'imaginative creative mind' of director Jon S. Baird. 'I couldn't be happier. I'm very proud of this movie.'
For Baird, who last directed 'Tetris' in 2023, 'this film restored my faith in the creative process,' he wrote in his own statement. 'This movie, at its core, is about the importance of family. We were so lucky we found such a supportive group to help us achieve even a little bit of hope in the darkest of times.'
This article originally appeared on USA TODAY: Exclusive trailer: Bryan Cranston's 'Everything's Going to Be Great'
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Time Magazine
29 minutes ago
- Time Magazine
How D-Day: The Camera Soldier Preserves Important History Using Immersive Tech
Friday marks 81 years since D-Day, the largest naval, air and land operation in history on June 6, 1944, in Normandy, France. Now, a new documentary will immerse viewers into the action of that pivotal day. Co-produced by TIME Studios's immersive division and the Emmy-nominated immersive documentary team Targo, D-Day: The Camera Soldier— available on the headset Apple Vision Pro —puts users into footage taken by photographer Richard Taylor, a soldier who filmed the landing on Omaha Beach in northwestern France, which saw the most casualties of all of the five beaches that the Allies targeted. It profiles Taylor's daughter Jennifer Taylor-Rossel, 67, who always struggled to relate to her short-tempered father and only saw her father's D-Day footage after his death. Researching her father's past—and venturing to Normandy from Connecticut—made her feel like she was close to him for once. 'Well, I'm crying,' Taylor-Rossel said after viewing the experience for the first time at TIME's Manhattan office on May 30. She had come armed with his Purple Heart, Silver Star, dog tags, and a folder full of letters he wrote about D-Day and photos from his time at war, even a picture of him eating ice cream in Paris. During the 20-minute immersive experience, she smiled when she saw footage of her trip to Normandy and gasped loudly when she watched her father get shot in the arm. The first thing she said when she took off the headset was, 'I hope we don't get into another war.' The immersive experience comes at a time when there are fewer and fewer D-Day veterans alive to talk about what it was like on that fateful day. Immersive media is one key way to preserve stories of people who lived through D-Day for future generations. Here's a look at the man behind the camera on Omaha Beach and what to expect when you're watching D-Day: The Camera Soldier. Who was Richard Taylor? Richard Taylor was born in Iowa in 1907 and left school at the age of 15 to take an apprenticeship at a photography studio. After working as a photographer in New York for several years, he enlisted, at 35, into the Signal Corps in the U.S. Army, charged with documenting World War II. He covered the Battle of the Bulge, Malmedy massacre, and the Battle of Hürtgen Forest. 'Remember we are essentially reporters,' the manual for Signal Corps members says, 'and the job is to get front line news and action…There is little time when in combat for the niceties of photography. Concentrate on good subjects and good basic camera performance, and telling a coherent story. Then you will have done your job.' In a July 1944, roundup of newsreel footage of D-Day broadcast in U.S. theaters, TIME called Taylor's footage from a landing barge under fire on Omaha Beach 'The finest shot of all.' When Taylor had Jennifer, he was in his early 50s and had been married twice before. He'd often complain about pain in his feet from too many nights sitting in cold water in foxholes throughout the war. He didn't really talk about D-Day, though she remembers the first time she saw a big scar on his arm, and when she asked him what happened, he stated very matter of factly that he got shot on D-Day. It's thought that he got hit with a piece of shrapnel. After he died in 2002, Taylor-Rossel found a box of his letters and paraphernalia from the war, but wasn't sure what to do with the items. A decade later, in 2022, a military history expert named Joey van Meesen contacted her, interested in researching Taylor's life and asked her if she saw the footage he shot on D-Day. When she said she had not, he sent it to her. She went out to meet him in Normandy. Taylor-Rossel describes her father as difficult, remote, and hard to have a relationship with. But 'Normandy was the place where I felt connected with him because I had done all of this research on him.' A product of that research is D-Day: The Camera Soldier. What it's like to experience D-Day: The Camera Soldier The Apple Vision Pro projects D-Day: The Camera Soldier onto a big screen, wherever you are viewing it. Users will hear Taylor's biography as they flip through an album of family photos, literally turning the pages themselves. Then, viewers are plopped down in the middle of Normandy American Cemetery with Joey van Meesen. Taylor-Rossel said she felt tears welling up in her eyes when she was surrounded by the D-Day grave-markers while wearing the headset, 'knowing that my dad was there and survived it, but then you look at all these men that didn't survive it.' There's one foreshadowing letter written by Taylor in cursive that users can pick up with their hands and move closer to their headset, in which he says he's 'anxious' about D-Day and 'if I live through it, it's going to be rather rough.' Then there's a box of objects that viewers can pick up themselves, like his dog tags, a thermos, a rations box, and a photo of Taylor holding his camera. Users will find it hard to get a grip on this replica of the camera he used on D-Day. That's intentional, says director Chloé Rochereuil: 'What struck me the most when I held it in real life was how heavy it was. It's a very big object, it's very hard to use. It made me just realize how incredibly difficult it must have been for him to carry this equipment while documenting a battlefield. And that makes the work even more significant.' The experience zooms in on the faces of soldiers, which are colorized. 'They're all like my son's age,' Taylor-Rossel says, marveling at how young the D-Day soldiers were after viewing the experience. As the barge lands on Omaha Beach, viewers begin to hear a male narrator who is supposed to be Richard Taylor, speaking straight from letters that Taylor wrote to family around the time of D-Day. 'In the next six or seven hours, hell would break loose,' he wrote in one. In another, reflecting on the moment when he got hit in the arm by a piece of shrapnel, he wrote, 'Thank God, I made it to the beach without getting more' and described having a hole in his arm 'large enough to insert an egg.' Rochereuil says she was not trying to do a play-by-play historical reenactment or make a video game. D-Day: The Camera Soldier not only provides a glimpse at what it was like to be on Omaha Beach that day, but it also might appeal to viewers who, like Taylor-Rossel, may have had a hard time getting a loved one who served in World War II to open up about their experience. 'Parents are the closest people to us, but often we don't fully know who they were before we existed—like, what were their dreams? What were their fears?' Rochereuil says. 'Her story touches on something universal, which is a relationship that we can have with one parent.' 'The only way to connect people to history is by making it personal. It's no longer abstract. My hope is that immersive media will make history feel alive and relevant again'
USA Today
an hour ago
- USA Today
Michelle Obama to publish new book 'The Look' this fall and 'reclaim' fashion story
Michelle Obama to publish new book 'The Look' this fall and 'reclaim' fashion story Michelle Obama is adding another book to her author byline, this time with photos of some of her most iconic fashion moments over the years. 'The Look' will feature over 200 never-before-published images of Obama, accompanied by writing about her style evolution. Obama is also the author of memoirs "Becoming" and 'The Light We Carry,' both of which topped USA TODAY's Best-selling Booklist. 'The Look,' out Nov. 4 from Penguin Random House, is Obama's opportunity to 'reclaim' her fashion story after years of criticism over her appearance during her time in the White House. Penguin Random House Audio will simultaneously release an audiobook edition, read by Obama herself. 'This book is a celebration of fashion, but more importantly, I hope it is a celebration of confidence, identity, and authenticity, and an inspiration to think deeply about how we choose to define style and beauty,' Obama writes in the introduction. Michelle Obama's new book 'The Look' to publish in November 'The Look' will also include perspectives from Obama's stylist, makeup artist, hairstylists and longtime designers to bring readers a peek behind the curtain at how her most memorable looks were crafted. First ladies' fashion choices capture public attention, but criticism of Obama was often racially charged. In 2022, Obama shared that she wanted to wear braids during her tenure but decided not to because Americans were 'not ready' and she preferred the focus be on the Obama administration's policies, not her hairstyle. Obama was also ridiculed for wearing a sleeveless dress for her first official portrait, though Jacqueline Kennedy sported the same look during her time in the White House without backlash. 'I'm grateful that I've reached the stage in my life where I feel empowered and free to do what I want and wear what I want,' Obama writes in 'The Look,' according to a press release from the publisher. 'During our years in the White House, people were constantly commenting on my looks and dissecting my clothing choices. That's part of why I decided to write this book now: it's time for me to reclaim my story – what fashion and beauty mean to me – in my own words.' Bill Clinton talks new thriller: Key White House details in murderous new book Clare Mulroy is USA TODAY's Books Reporter, where she covers buzzy releases, chats with authors and dives into the culture of reading. Find her on Instagram, subscribe to our weekly Books newsletter or tell her what you're reading at cmulroy@
USA Today
an hour ago
- USA Today
Clive Davis remembers Whitney Houston as he receives Apollo Theater's Legacy Award
Clive Davis remembers Whitney Houston as he receives Apollo Theater's Legacy Award Show Caption Hide Caption Megan Thee Stallion, Serena Williams, more arrive at Pre-Grammy party Watch the stars arrive at the Clive Davis Pre-Grammy Gala in Beverly Hills. USA TODAY's Ralphie Aversa also speaks with Gayle King about the evening. NEW YORK – Clive Davis has been associated with the some of the biggest names in music, from Bruce Springsteen and Barry Manilow to Dionne Warwick and Aretha Franklin. But the music producer/executive may have no greater association than that with Whitney Houston, from Davis discovering the singer at 19 to her death in 2012 at age 48 on the night of his Pre-Grammy Gala at the Beverly Hilton. The relationship between the two was on display Wednesday night in Harlem's Apollo Theater, where Davis received both a lifetime achievement award and a spot on the theater's walk of fame. Davis was honored with the Legacy Award at the Apollo's annual spring benefit, which raised over $5 million that will go to both renovating the theater and expanding its footprint in Harlem. "After 91 years, anyone, especially this great theater, deserves a modernization," Davis, 92, tells USA TODAY before a star-studded event June 4 that included performances from Method Man, Deborah Cox, Shoshana Bean and Busta Rhymes. "I can't wait to see the new Apollo Theater." The theater's facelift will include new seats, an expanded lobby and a retooling of its iconic marquee. Since 1914, the Apollo has served as both an anchor of the Harlem community and a beacon of Black culture. Performances from Ella Fitzgerald, James Brown and Michael Jackson along with comedians such as Richard Pryor and Redd Foxx have all contributed to the venue's legacy. The Essentials: Clive Davis gets candid about new artists, music essentials and Whitney Houston Clive Davis' colleague reveals Whitney Houston story Like Houston, record executive Larry Jackson linked up with Davis when he was 19. Jackson, who co-founded the media company Gamma, introduced Davis ahead of his Walk of Fame ceremony and revealed that Davis has helped artists both publicly and behind the scenes. "When Whitney post-divorce fell on a bit of hard times, (Davis) was there with huge financial and consistent support for her," Jackson said, noting that Davis' goal was to help her "pick up the pieces and put them back together" following Houston's 2006 divorce from Bobby Brown. Jackson also revealed that after a performance in 2001 where Houston looked "skeletal," he stayed "up until 2 in the morning with Clive on the phone that night talking about what we should do to intervene." Pat Houston, Whitney's sister-in-law, also spoke at the ceremony. "I could never speak about Clive and not mention Whitney, and I can never speak about Whitney without speaking of Clive," she said. "The only thing I wish for tonight is Whitney were here to speak instead of me, because I know how proud she would be of you at this moment." Teyana Taylor receives innovator award Teyana Taylor was born in Harlem and performed on the Apollo stage when she was 8 years old: She's now the recipient of the theater's inaugural Innovator Award. The honor was presented to her by fellow Harlem native and fashion designer Dapper Dan along with TV host Sherri Shepherd, who stars with Taylor in the new Netflix film "Straw." Prior to the introduction, rapper Method Man performed a medley of hits and joked that it was worth the "three hours of traffic" he hit en route to the venue to honor Taylor. Taylor's acceptance speech was filled with gratitude. She thanked Shepherd for her sisterhood, Dan for his mentorship and Method Man for believing in her. She also thanked God with a prayer she wrote before acknowledging her family and colleagues. "This little innovative little Harlem girl you see being honored tonight has a tribe that helps me be the greatest that I can be," Taylor, 34, said. "Thank you for having my back, my front (and) both sides." Teyana Taylor, Aaron Pierre go Instagram official with swanky Oscars photoshoot Diddy's presence looms at Apollo Theater event The spring benefit was a celebration of the Apollo and Harlem, but without one of the neighborhood's embattled luminaries. Sean "Diddy" Combs co-founded Bad Boy Records with Davis, but the music mogul is jailed while standing trial on federal sex-crimes in lower Manhattan. Still, his presence at the event was felt. Method Man's set included the single, "I'll Be There for You/You're All I Need to Get By," which was mixed for radio airplay by Combs. Later in the evening, Rhymes performed "Pass the Courvoisier, Part II" which features Pharrell Williams and Combs. He also credited Davis with helping that song and others become radio hits. Dapper Dan, Busta Rhymes sound the alarm on the Apollo's future Last year, the Kennedy Center bestowed special honors on the Apollo to recognize its status as an iconic American institution. But on day one of President Donald Trump's second term, he issued an executive order to crack down on what he referred to as "illegal and radical' diversity, equity and inclusion practices. Trump later appointed himself chair of the Kennedy Center and took aim at the Smithsonian Institute, complaining that it has "come under the influence of a divisive, race-centered ideology." The Smithsonian opened a Black history museum in 2016. Busta Rhymes, who performed a medley of hits to honor Davis, said before the event that he liked the renovation of the theater "so long as establishment's narrative doesn't change and the history doesn't get erased or removed." "I hope they keep people from the community like myself involved in it," Dapper Dan, born Daniel R. Day, says of the theater's expansion. "I'm deeply concerned about the way culture is being held back by those people in power. So our hope that the liberty that we have to express our culture is not curtailed by people in power."
