Sly Stone, leader of funk revolutionaries Sly and the Family Stone, dies at 82
NEW YORK (AP) — Sly Stone, the revolutionary musician and dynamic showman whose Sly and the Family Stone transformed popular music in the 1960s and '70s and beyond with such hits as 'Everyday People,' 'Stand!' and 'Family Affair,' has died. He was 82
Stone, born Sylvester Stewart, had been in poor health in recent years. His publicist Carleen Donovan said Monday that Stone died surrounded by family after contending with chronic obstructive pulmonary disease and other ailments.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Toronto Sun
31 minutes ago
- Toronto Sun
Diddy's ex says he was violent, forced sex encounter before 2024 public apology
Published Jun 09, 2025 • 4 minute read FILE - Sean "Diddy" Combs appears at the premiere of "Can't Stop, Won't Stop: A Bad Boy Story" on June 21, 2017, in Beverly Hills, Calif. Photo by Chris Pizzello / Chris Pizzello/Invision/AP Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account NEW YORK — Sean 'Diddy' Combs forced his ex-girlfriend to have a 'freak-off'-style sexual encounter with a male sex worker last year after chasing her around her California home, putting her in a chokehold, punching her in the face and kicking down doors, the woman testified Monday. Testifying for a third day under the pseudonym 'Jane,' the woman said Combs erupted after she accused him of cheating on her. After beating her, Jane said, Combs invited a sex worker over, gave her an ecstasy pill and told her: 'You're not going to ruin my night like this.' Jane, whose injuries included a black eye and welts on her forehead, said she'd planned June 18, 2024, as as a romantic night with Combs, but now remembers it 'a very terrible day.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. It's also one of the more recent examples of Combs acting violently toward a woman while seeking to fulfil his sexual desires – happening amid the federal investigation that led to his arrest last September. Combs has pleaded not guilty to sex trafficking and racketeering charges that could put him in prison for life. As Jane left the witness stand Monday, she told jurors: 'I just pray for his continued healing.' The couple broke up after Combs' arrest, but she said he still pays her rent. Read More Just a few weeks after Jane alleges Combs beat her, he publicly stated that he was 'committed to being a better man every day' after video leaked of him attacking his former longtime girlfriend Cassie, the R&B singer whose real name is Casandra Ventura, at a Los Angeles hotel in 2016. This advertisement has not loaded yet, but your article continues below. The Associated Press doesn't name alleged victims of sexual abuse without their consent unless they have shared their identities publicly, as Cassie has. Jane's testimony is expected to fill the bulk of the trial's fifth week, as prosecutors move closer to the end of their presentation before the defence gets its turn. Jane, who faces questioning Tuesday from Combs' lawyers, said the rapper and entrepreneur followed her to a bathroom and kicked the door 'literally off the hinges' after she shoved his head into a countertop, hurled glasses and candles at him and screamed, 'I hate you.' After moving to a locked closet, Jane said she tried to run away, but Combs kicked her in the thigh and knocked her to the ground. He then lifted her up by the neck and put her in a chokehold, she said, telling jurors: 'I couldn't breathe.' This advertisement has not loaded yet, but your article continues below. Jane said she then ran about six blocks and hid behind a wall for what she estimated was about two hours. When she figured things had calmed down, she said, she walked back to the home — but Combs was still around, walking toward her in the street. Jane said she retreated to a guest bedroom and then ran into the backyard, curling into a ball on the ground as she implored Combs to leave. He refused, she said, and 'started punching my head, he started kicking me.' Eventually, she said, 'he grabs me by my arm or my hair and starts dragging me back to the house.' RECOMMENDED VIDEO Combs then followed her to the shower, she said, and smacked her in the face so hard she lost her balance and fell to the floor. Jane said she was exhausted, but Combs insisted on inviting over a male sex worker and told her to put some makeup on and adjust her hair to hide her injuries. This advertisement has not loaded yet, but your article continues below. 'I don't want to, I don't want to,' Jane recalled saying, to which she said Combs forcefully replied: 'Then is this coercion?' Also Monday, Jane said she told Combs that she cried for three days and felt nauseated after reading Cassie's November 2023 lawsuit against him, which described having hundreds of drug-fueled 'freak-off' sex marathons with Combs and male sex workers. Jane, who referred to similar encounters with Combs as 'debauchery' and 'hotel nights,' said she felt like she was 'reading my own sexual trauma' as she read the lawsuit, which Combs settled within a day for $20 million. She said it followed her experience with the Bad Boy Records founder 'word for word, exactly my experience.' Cassie dated Combs for more than a decade and testified that she engaged in weekly 'freak-offs,' many lasting several for days. She said Combs often watched or filmed the sessions. This advertisement has not loaded yet, but your article continues below. Jane read aloud for the jury hundreds of text messages, including some in which she complained that Combs seemed to be forcing her into sex marathons by threatening to take away her home. She pleaded with him to recognize the damage the encounters were doing, writing: 'I am not an animal.' EDITOR'S NOTE: This story includes discussion of sexual violence. If you or someone you know needs help, please call 1-800-656-4673 in the U.S. Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances! Toronto Blue Jays Olympics Columnists Ontario Canada
Winnipeg Free Press
31 minutes ago
- Winnipeg Free Press
K-pop stars RM and V of BTS complete their mandatory service in South Korean military
CHUNCHEON, South Korea (AP) — K-pop superstars RM and V are the latest members of BTS to be discharged from South Korea's military after fulfilling their mandatory service. They each saluted upon their release Tuesday in Chuncheon City as fans cheered. The pair began their service in December 2023, while three other BTS members — Jin, J-Hope and Suga — were already months into their conscription. Jin, the oldest member of the K-pop supergroup, was discharged from the army in June 2024. J-Hope was discharged in October. Jimin and JungKook are scheduled to be discharged Wednesday. The seventh member, Suga, is fulfilling his duty as a social service agent, an alternative to military service. He is to be released later this month. The seven BTS members plan to reunite as a group sometime in 2025. In South Korea, all able-bodied men aged 18 to 28 are required by law to perform 18-21 months of military service under a conscription system meant to deter aggression from rival North Korea. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. The law gives special exemptions to athletes, classical and traditional musicians, and ballet and other dancers if they have obtained top prizes in certain competitions and are assessed to have enhanced national prestige. K-pop stars and other entertainers aren't subject to such privileges. The BTS members were able to postpone their service, however, after the National Assembly revised the Military Service Act, allowing K-pop stars to delay their enlistment until age 30. There was heated public debate over whether to offer special exemptions for BTS members, until the group's management agency announced in 2022 that all seven members would fulfill their duties. ___ Sherman reported from New York.
Toronto Sun
4 hours ago
- Toronto Sun
Sly Stone, leader of funk revolutionaries Sly and the Family Stone, dies at 82
Published Jun 09, 2025 • 7 minute read This image released by the Sundance Institute shows Sly Stone in "SLY LIVES! (aka The Burden of Black Genius)" by Ahmir "Questlove" Thompson, an official selection of the 2025 Sundance Film Festival. Photo by Stephen Paley / THE ASSOCIATED PRESS NEW YORK (AP) — Sly Stone, the revolutionary musician and dynamic showman whose Sly and the Family Stone transformed popular music in the 1960s and '70s and beyond with such hits as 'Everyday People,' 'Stand!' and 'Family Affair,' died Monday at age 82 This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Stone, born Sylvester Stewart, had been in poor health in recent years. His publicist Carleen Donovan said Stone died in Los Angeles surrounded by family after contending with chronic obstructive pulmonary disease and other ailments. Founded in 1966-67, Sly and the Family Stone was the first major group to include Black and white men and women, and well embodied a time when anything seemed possible — riots and assassinations, communes and love-ins. The singers screeched, chanted, crooned and hollered. The music was a blowout of frantic horns, rapid-fire guitar and locomotive rhythms, a melting pot of jazz, psychedelic rock, doo-wop, soul and the early grooves of funk. Sly's time on top was brief, roughly from 1968-1971, but profound. No band better captured the gravity-defying euphoria of the Woodstock era or more bravely addressed the crash which followed. From early songs as rousing as their titles — 'I Want To Take You Higher,' 'Stand!' — to the sober aftermath of 'Family Affair' and 'Runnin' Away,' Sly and the Family Stone spoke for a generation whether or not it liked what they had to say. This advertisement has not loaded yet, but your article continues below. Stone's group began as a Bay Area sextet featuring Sly on keyboards, Larry Graham on bass; Sly's brother, Freddie, on guitar; sister Rose on vocals; Cynthia Robinson and Jerry Martini horns and Greg Errico on drums. They debuted with the album 'A Whole New Thing' and earned the title with their breakthrough single, 'Dance to the Music.' It hit the top 10 in April 1968, the week the Rev. Martin Luther King was murdered, and helped launch an era when the polish of Motown and the understatement of Stax suddenly seemed of another time. Led by Sly Stone, with his leather jumpsuits and goggle shades, mile-wide grin and mile-high Afro, the band dazzled in 1969 at the Woodstock festival and set a new pace on the radio. 'Everyday People,' 'I Wanna Take You Higher' and other songs were anthems of community, non-conformity and a brash and hopeful spirit, built around such catchphrases as 'different strokes for different folks.' The group released five top 10 singles, three of them hitting No. 1, and three million-selling albums: 'Stand!', 'There's a Riot Goin' On' and 'Greatest Hits.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five's breakthrough hit, 'I Want You Back,' and the Temptations' 'I Can't Get Next to You' were among the many songs from the late 1960s that mimicked Sly's vocal and instrumental arrangements. Miles Davis' landmark blend of jazz, rock and funk, 'Bitches Brew,' was inspired in part by Sly, while fellow jazz artist Herbie Hancock even named a song after him. 'He had a way of talking, moving from playful to earnest at will. He had a look, belts, and hats and jewelry,' Questlove wrote in the foreword to Stone's memoir, 'Thank You (Falettinme Be Mice Elf Agin),' named for one of his biggest hits and published through Questlove's imprint in 2023. 'He was a special case, cooler than everything around him by a factor of infinity.' This advertisement has not loaded yet, but your article continues below. In 2025, Questlove released the documentary 'Sly Lives! (aka The Burden of Black Genius).' Sly's influence has endured for decades. The top funk artist of the 1970s, Parliament-Funkadelic creator George Clinton, was a Stone disciple. Prince, Rick James and the Black Eyed Peas were among the many performers from the 1980s and after shaped in part by Sly, and countless hip-hop artists have sampled his riffs, from the Beastie Boys to Dr. Dre and Snoop Dogg. A 2005 tribute record included Maroon 5, John Legend and the Roots. 'Sly did so many things so well that he turned my head all the way around,' Clinton once wrote. 'He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band.' This advertisement has not loaded yet, but your article continues below. A dream dies, a career burns away By the early '70s, Stone himself was beginning a descent from which he never recovered, driven by the pressures of fame and the added burden of Black fame. His record company was anxious for more hits, while the Black Panthers were pressing him to drop the white members from his group. After moving from the Bay Area to Los Angeles in 1970, he became increasingly hooked on cocaine and erratic in his behavior. A promised album, 'The Incredible and Unpredictable Sly and the Family Stone' ('The most optimistic of all,' Rolling Stone reported) never appeared. He became notorious for being late to concerts or not showing up at all, often leaving 'other band members waiting backstage for hours wondering whether he was going to show up or not,' according to Stone biographer Joel Selvin. This advertisement has not loaded yet, but your article continues below. Around the country, separatism and paranoia were setting in. As a turn of the calendar, and as a state of mind, the '60s were over. 'The possibility of possibility was leaking out,' Stone later explained in his memoir. On 'Thank You (Falettinme Be Mice Elf Agin),' Stone had warned: 'Dying young is hard to take/selling out is harder.' Late in 1971, he released 'There's a Riot Going On,' one of the grimmest, most uncompromising records ever to top the album charts. The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective ('Family Affair'), fearful ('Runnin' Away') and despairing: 'Time, they say, is the answer _ but I don't believe it,' Sly sings on 'Time.' The fast, funky pace of the original 'Thank You (Falettinme Be Mice Elf Agin)' was slowed, stretched and retitled 'Thank You For Talkin' to Me, Africa.' This advertisement has not loaded yet, but your article continues below. The running time of the title track was 0:00. 'It is Muzak with its finger on the trigger,' critic Greil Marcus called the album. 'Riot' highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single 'Superstition' to Marvin Gaye's 'What's Going On' album, to which 'Riot' was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from 'Riot' in concert and softened the mood on the acclaimed 1973 album 'Fresh,' which did feature a cover of 'Que Sera Sera,' the wistful Doris Day song reworked into a rueful testament to fate's upper hand. By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as 'Heard You Missed Me, Well I'm Back' and 'Back On the Right Track.' Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. Sly and the Family Stone was inducted into the Rock & Roll of Fame in 1993 and honored in 2006 at the Grammy Awards, but Sly released just one album after the early '80s, 'I'm Back! Family & Friends,' much of it updated recordings of his old hits. This advertisement has not loaded yet, but your article continues below. He would allege he had hundreds of unreleased songs and did collaborate on occasion with Clinton, who would recall how Stone 'could just be sitting there doing nothing and then open his eyes and shock you with a lyric so brilliant that it was obvious no one had ever thought of it before.' Sly Stone had three children, including a daughter with Cynthia Robinson, and was married once — briefly and very publicly. In 1974, he and actor Kathy Silva wed on stage at Madison Square Garden, an event that inspired an 11,000-word story in The New Yorker. Sly and Silva soon divorced. A born musician, a born uniter He was born Sylvester Stewart in Denton, Texas, and raised in Vallejo, California, the second of five children in a close, religious family. Sylvester became 'Sly' by accident, when a teacher mistakenly spelled his name 'Slyvester.' This advertisement has not loaded yet, but your article continues below. He loved performing so much that his mother alleged he would cry if the congregation in church didn't respond when he sang before it. He was so gifted and ambitious that by age 4 he had sung on stage at a Sam Cooke show and by age 11 had mastered several instruments and recorded a gospel song with his siblings. He was so committed to the races working together that in his teens and early 20s he was playing in local bands that included Black and white members and was becoming known around the Bay Area as a deejay equally willing to play the Beatles and rhythm and blues acts. Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick's group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom 'Big Daddy' Donahue, he worked on rhythm and blues hits (Bobby Freeman's 'C'mon and Swim') and the Beau Brummels' Beatle-esque 'Laugh, Laugh.' Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone. This advertisement has not loaded yet, but your article continues below. 'A Whole New Thing' came out in 1967, soon followed by the single 'Dance to the Music,' in which each member was granted a moment of introduction as the song rightly proclaimed a 'brand new beat.' In December 1968, the group appeared on 'The Ed Sullivan Show' and performed a medley that included 'Dance to the Music' and 'Everyday People.' Before the set began, Sly turned to the audience and recited a brief passage from his song 'Are You Ready': 'Don't hate the Black, don't hate the white, if you get bitten, just hate the bite.' Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances! Toronto Blue Jays Olympics Columnists Toronto & GTA Olympics
