
Influential German 'nail artist' Günther Uecker dies aged 95
Günther Uecker, one of the most iconic and influential figures in post-war German art, has died at the age of 95.
He was known around the world for his hypnotic nail reliefs - extraordinary textured surfaces created by hammering thousands of carpenter's nails into everyday objects like chairs, pianos, tree trunks, sewing machines, and canvases.
His family confirmed he died at the university hospital in his hometown of Düsseldorf in western Germany on Tuesday night. They did not give a cause of death.
Born in 1930 in the small Baltic village of Wendorf, the son of a farmer, Uecker rose to international fame from humble beginnings. After relocating to Düsseldorf in the 1950s, he studied and later taught at the city's revered art academy. He soon became part of the ZERO group, a radical post-war collective focused on light, movement, and purity in art.
In 1956, inspired by Russian revolutionary poet Vladimir Mayakovsky's belief that 'poetry is made with a hammer,' Uecker began hammering nails into canvases, chairs, and spinning disks. His early kinetic pieces created clattering soundscapes and optical effects that blurred the line between painting, sculpture, and performance.
Uecker once rode a camel through the hallowed halls of the Düsseldorf Academy in a surreal 1978 art intervention, and in 1968, alongside fellow artist Gerhard Richter, famously "occupied" the Kunsthalle Baden-Baden, their protest culminating in a kiss in front of the press.
But beneath the playfulness ran a deep moral current. Uecker traveled the world with messages of peace, often creating works in countries under dictatorship or censorship. After the Chernobyl disaster, he painted using ash. He exhibited banners bearing messages of human rights in Beijing, and in a haunting series, painted words of violence -Verletzungswörter - in languages from around the globe.
Despite international fame (his works now command over €1 million and appear at top galleries and fairs), Uecker retained an anti-establishment spirit. 'Don't join the establishment,' he told Apollo magazine in a late interview.
In recent years, renewed global interest in the ZERO group, including a major retrospective at the Guggenheim Museum in 2014, brought his work to new audiences.
Two households, both alike in dignity, in fair Spain, where we lay our scene...
A bastardised Shakespeare opening that suits the ongoing 'rivalry' between two family-owned taverns, who both claim to be the world's oldest establishments.
There's Madrid's Sobrino de Botín, which holds the coveted Guinness World Record as the world's oldest restaurant.
Founded in 1725 and located a stone's throw from the famed Plaza Mayor, it is famed for its wood-fire oven and has attracted patrons like Truman Capote, F. Scott Fitzgerald and was immortalised by Ernest Hemingway in his book 'The Sun Also Rises' - in which the author described Botín as 'one of the best restaurants in the world."
It was awarded the Guinness accolade in 1987 and celebrated its 300 years of continuous service earlier this year.
Then there's Casa Pedro, located on the outskirts of Madrid. The rustic tavern has boldly claimed that they have a shot at the title.
The establishment has hosted Spanish King Juan Carlos I and current Spanish monarch King Felipe VI, and the owners assert their establishment endured the War of Spanish Succession at the start of the 18th century - therefore making Casa Pedro older than Botín.
'It's really frustrating when you say, 'Yes, we've been around since 1702,' but... you can't prove it,' says manager and eighth-generation proprietor Irene Guiñales. 'If you look at the restaurant's logo, it says 'Casa Pedro, since 1702,' so we said, 'Damn it, let's try to prove it.''
Guiñales' family has hired a historian and has so far turned up documents dating the restaurant's operations to at least 1750. She continues to hunt for records proving that Casa Pedro dates back to 1702.
The question remains: How can either restaurant claim the title?
Guinness provides its specific guidelines only to applicants, according to spokesperson Kylie Galloway, who notes that it entails 'substantial evidence and documentation of the restaurant's operation over the years."
Antonio González, a third-generation proprietor of Botín, states that Guinness required Botín show that it has continuously operated in the same location with the same name. The only time the restaurant closed was during the pandemic – much like Casa Pedro.
That criteria would mean that restaurants that are even older, like Paris' Le Procope, which says it was founded in 1686, aren't eligible for the Guinness designation.
To make matters dicier, an Italian trattoria located in Rome's historic center, may pip both Sobrino de Botín and Casa Pedro to the post and steal the cake.
Nestled on Vicolo della Campana, La Campana claims 'a taste of authentic Roman cuisine with a side of history' and more than 500 years of operation, citing documents on its menu and a self-published history. Its owners have said they have compiled the requisite paperwork and plan to submit it to Guinness.
The battle of tasty households continues... Let's hope that chef blood won't make chef hands unclean.
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Euronews
a day ago
- Euronews
Influential German 'nail artist' Günther Uecker dies aged 95
Günther Uecker, one of the most iconic and influential figures in post-war German art, has died at the age of 95. He was known around the world for his hypnotic nail reliefs - extraordinary textured surfaces created by hammering thousands of carpenter's nails into everyday objects like chairs, pianos, tree trunks, sewing machines, and canvases. His family confirmed he died at the university hospital in his hometown of Düsseldorf in western Germany on Tuesday night. They did not give a cause of death. Born in 1930 in the small Baltic village of Wendorf, the son of a farmer, Uecker rose to international fame from humble beginnings. After relocating to Düsseldorf in the 1950s, he studied and later taught at the city's revered art academy. He soon became part of the ZERO group, a radical post-war collective focused on light, movement, and purity in art. In 1956, inspired by Russian revolutionary poet Vladimir Mayakovsky's belief that 'poetry is made with a hammer,' Uecker began hammering nails into canvases, chairs, and spinning disks. His early kinetic pieces created clattering soundscapes and optical effects that blurred the line between painting, sculpture, and performance. Uecker once rode a camel through the hallowed halls of the Düsseldorf Academy in a surreal 1978 art intervention, and in 1968, alongside fellow artist Gerhard Richter, famously "occupied" the Kunsthalle Baden-Baden, their protest culminating in a kiss in front of the press. But beneath the playfulness ran a deep moral current. Uecker traveled the world with messages of peace, often creating works in countries under dictatorship or censorship. After the Chernobyl disaster, he painted using ash. He exhibited banners bearing messages of human rights in Beijing, and in a haunting series, painted words of violence -Verletzungswörter - in languages from around the globe. Despite international fame (his works now command over €1 million and appear at top galleries and fairs), Uecker retained an anti-establishment spirit. 'Don't join the establishment,' he told Apollo magazine in a late interview. In recent years, renewed global interest in the ZERO group, including a major retrospective at the Guggenheim Museum in 2014, brought his work to new audiences. Two households, both alike in dignity, in fair Spain, where we lay our scene... A bastardised Shakespeare opening that suits the ongoing 'rivalry' between two family-owned taverns, who both claim to be the world's oldest establishments. There's Madrid's Sobrino de Botín, which holds the coveted Guinness World Record as the world's oldest restaurant. Founded in 1725 and located a stone's throw from the famed Plaza Mayor, it is famed for its wood-fire oven and has attracted patrons like Truman Capote, F. Scott Fitzgerald and was immortalised by Ernest Hemingway in his book 'The Sun Also Rises' - in which the author described Botín as 'one of the best restaurants in the world." It was awarded the Guinness accolade in 1987 and celebrated its 300 years of continuous service earlier this year. Then there's Casa Pedro, located on the outskirts of Madrid. The rustic tavern has boldly claimed that they have a shot at the title. The establishment has hosted Spanish King Juan Carlos I and current Spanish monarch King Felipe VI, and the owners assert their establishment endured the War of Spanish Succession at the start of the 18th century - therefore making Casa Pedro older than Botín. 'It's really frustrating when you say, 'Yes, we've been around since 1702,' but... you can't prove it,' says manager and eighth-generation proprietor Irene Guiñales. 'If you look at the restaurant's logo, it says 'Casa Pedro, since 1702,' so we said, 'Damn it, let's try to prove it.'' Guiñales' family has hired a historian and has so far turned up documents dating the restaurant's operations to at least 1750. She continues to hunt for records proving that Casa Pedro dates back to 1702. The question remains: How can either restaurant claim the title? Guinness provides its specific guidelines only to applicants, according to spokesperson Kylie Galloway, who notes that it entails 'substantial evidence and documentation of the restaurant's operation over the years." Antonio González, a third-generation proprietor of Botín, states that Guinness required Botín show that it has continuously operated in the same location with the same name. The only time the restaurant closed was during the pandemic – much like Casa Pedro. That criteria would mean that restaurants that are even older, like Paris' Le Procope, which says it was founded in 1686, aren't eligible for the Guinness designation. To make matters dicier, an Italian trattoria located in Rome's historic center, may pip both Sobrino de Botín and Casa Pedro to the post and steal the cake. Nestled on Vicolo della Campana, La Campana claims 'a taste of authentic Roman cuisine with a side of history' and more than 500 years of operation, citing documents on its menu and a self-published history. Its owners have said they have compiled the requisite paperwork and plan to submit it to Guinness. The battle of tasty households continues... Let's hope that chef blood won't make chef hands unclean.


France 24
2 days ago
- France 24
German artist who 'painted with nails', Guenther Uecker, dead at 95
His works, created from the 1950s saw him hammer nails into furniture, TV sets, canvases and a tree trunk, creating undulating patterns, the illusion of movement and intricate shadow plays. While he became famous for using a hammer instead of a brush to "paint with nails", Uecker, considered one of Germany's most influential artists, later also used other materials, from sand to stones and ash. Uecker was born on March 13, 1930, in Wendorf in what is now the eastern state of Mecklenburg-Western Pomerania. He grew up on Wustrow, a peninsula north of the Baltic Sea port of Wismar, experiencing the horrors of World War II. A few days before the German surrender, the ship "Cap Arcona" sank near his hometown, with 4,500 concentration camp prisoners on board. Uecker helped bury the dead who washed up on shore, a traumatic experience he addressed decades later in his work "New Wustrow Cloths". Fearing the advance of the Russian Red Army, a young Uecker nailed shut the door of his family home from the inside to protect his mother and sisters. Uecker remembered that "panicked, instinctive act" in a 2015 TV documentary with public broadcaster Hessischer Rundfunk. "That had a profound impact on me and was perhaps a key experience for my later artistic work." 'Intrusiveness and aggression' Even as a child, Uecker was constantly drawing. This displeased his father, a farmer, who thought his son was "a failure and not quite normal", Uecker recalled in a 2010 interview with the Rheinische Post daily. As a young man in East Germany, Uecker in 1949 began an apprenticeship as a painter and advertising designer, then studied fine art. But Uecker, who wanted to study under his artistic idol Otto Pankok, fled East Germany in 1953 and transferred to the University of Dusseldorf. Uecker, who created his first nail paintings in the late 1950s, later said that the nail attracted him for its "intrusiveness, coupled with a strong potential for aggression", something he said he also carried within himself. In 1961, he joined the art group Zero of Otto Piene and Heinz Mack, who sought to counter the devastation of World War II with a spirit of optimism and lightness. Zero aimed to return art to its absolute basics, they wrote in their manifesto: "Zero is the beginning." Uecker's work often addressed contemporary issues. His ash paintings, for example, were a response to the 1986 Chernobyl nuclear accident. After xenophobic riots targeted migrants in a suburb of Rostock in 1992, he created a series called "The Tortured Man" which was exhibited in 57 countries. Uecker's works are exhibited in museums and galleries, but he also designed cathedral church windows and the prayer room of Berlin's Reichstag building housing the lower house of parliament. Asked once whether he was bothered by being known simply as the nail artist, he said he wasn't. "Something like that is necessary for identification ... People need a symbol, an emblem."


Euronews
3 days ago
- Euronews
Fire breaks out on ship after explosion, Indian coastguard says
An explosion and subsequent fire were reported onboard a Singapore-flagged container ship off the coast of Kerala in southern India on Monday, a spokesperson for the Indian Coastguard said. Of the 22 crew members onboard the MV Wan Hai 503, 18 abandoned the vessel with assistance from the Indian Navy and coastguard while four are missing, Commandant Amit Uniyal said in a statement. One of the rescued crew members sustained serious injuries. Two of the four missing are nationals of Taiwan, one is from Indonesia and one from Myanmar, Uniyal said. The navy and coastguard have launched a search operation for the missing, aided by a Dornier aircraft. The navy uses Dornier aircraft primarily for maritime surveillance, search and rescue operations. A number of ships have also been sent to help put out the fire some 88 nautical miles (162 km) from the coast of Beypore in Kerala. "The vessel is presently adrift, and firefighting efforts have commenced to bring the situation under control," said Uniyal. "Saving lives of the crew in distress, firefighting and mitigating environment hazard remains the priority for coastguard." He said they were working to establish the details of the ship's cargo and any potential risks it could cause. The 271-metre vessel left the Sri Lankan port of Colombo on 7 June and was set to arrive in Mumbai on Monday. The coastguard received a distress alert from the ship Monday morning reporting an explosion and subsequent fire inside one of the containers onboard. The fire later spread to other containers. The coastguard has not yet given the cause of the explosion and fire. The vessel is managed by Singapore-based Wan Hai Lines, according to a statement from Singaporean authorities. Late last month, a Liberia-flagged container ship sailing between the Indian ports of Vizinjam and Kochi sank off Kerala. The state government issued a high alert in its coastal areas and asked fishermen not to venture near the site where the container ship, which carried hazardous cargo, had sunk. Ukraine and Russia have started a new prisoner of war exchange, following the agreement reached at the second round of direct talks in Istanbul last Monday. "Ukrainians are coming home from Russian captivity," President Volodymyr Zelenskyy said in a statement. "Today the exchange began and will continue in several stages over the coming days. Among those being returned now are wounded and severely wounded prisoners, as well as those under 25," Zelenskyy added. Russia's Defence Ministry confirmed the return of the first group of Russian POWs as well, without providing details on the swapped soldiers. Ukraine's Coordination Headquarters for the Treatment of Prisoners of War said that the first group of released prisoners includes personnel from Ukraine's navy, ground forces, air force, national guard, border guard service, territorial defence, and special transport service. Among those returned on Monday are the defenders of Mariupol, who have spent over three years in Russian captivity. "Most of those returned were captured in the first days of Russia's full-scale invasion in 2022," Ukraine's ombudsman Dmytro Lubinets said. "We warmly welcome all who can now breathe the air of their homeland after years of captivity," Lubinets added. "Our team shares in the joy of the families who received that precious and long-awaited call." Kyiv didn't disclose the total number of POWs returned on Monday, citing security reasons. A few days ago, Zelenskyy said that Ukraine wanted to bring home 500 prisoners in the POW swap on Saturday and Sunday, which ultimately did not take place. Kyiv and Moscow agreed that the exchange would include young soldiers under 25 years old, the severely wounded and the seriously ill. The sides have also agreed to exchange the bodies of the fallen servicepeople. On Sunday, Russia accused Ukraine of postponing the swap and failing to respect the agreement. Moscow said that the trains carrying the bodies of Ukrainian soldiers were due to depart towards the Ukrainian border, accusing Kyiv of "not collecting them". Russia's Lieutenant General Aleksandr Zorin told the state-run TASS news agency the transfer of 'more than 6,000 (Ukrainian) bodies' had been agreed during the talks in Turkey. Kyiv categorically denied the accusations. Kyrylo Budanov, the head of Ukrainian Defenсe Intelligence, said that Ukraine was strictly adhering to the agreements reached at the second round of talks in Istanbul. Budanov stated that the start of "repatriation measures" was scheduled to take place next week, which he claims the Russian side informed him of a few days ago. In his Sunday address, Zelenskyy accused Russia of "playing a dirty political and information game" on the agreed POW exchange. Kyiv says it has brought back over 5,000 prisoners of war in a series of exchanges since March. Ukraine continues to offer Russia an "all-for-all" swap — a proposal Moscow has so far rejected.