
Jess Walter's 'So Far Gone' sets a redemption story in fractured, modern America
Consider "So Far Gone," the new novel by Jess Walter. Set in present day America, it opens with two kids wearing backpacks knocking on a cabin door. "What are you fine young capitalists selling?" asks Rhys Kinnick, before realizing the kids are his grandchildren. They carry with them a note from Kinnick's daughter, describing dad as a "recluse who cut off contact with our family and now lives in squalor in a cabin north of Spokane."
It's a great hook that draws you in and doesn't really let up for the next 256 pages. We learn why Kinnick pulled a Thoreau and went to the woods seven years ago (Hint: It has a lot to do with the intolerance exhibited by no small percentage of Americans and embodied by a certain occupant of the White House), as well as the whereabouts of Kinnick's daughter, Bethany, and why her messy marriage to a guy named Shane led to Kinnick's grandchildren being dropped off at his cabin.
In a neat narrative gimmick, the chapters are entitled "What Happened to ___" and fill in the main strokes of each character's backstory, as well as what happens to them in the present timeline. Told with an omniscient third-person sense of humor, the book's themes are nonetheless serious. On the demise of journalism in the chapter "What Happened to Lucy," one of Kinnick's old flames and colleagues at the Spokesman-Review: She "hated that reporters were expected to constantly post on social media… before knowing what their stories even meant." Or Kinnick's thoughts as he holds a .22 Glock given to him just in case by a retired police officer who is helping him get his grandkids back from the local militia: "The shiver that went through his arm! The power!… The weight of this gun was the exact weight of his anger and his fear and his sense of displacement… That's where its incredible balance lay."
As Kinnick links up with various characters and drives across the Northwest in search of his daughter and grandchildren, the plot unfolds quickly. Most readers won't need more than a day or two to reach the final page, which satisfies the Thoreau quote Walter uses in the story's preface: "Not till we are lost… 'till we have lost the world, do we begin to find ourselves."
Associated Press
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gulf Today
4 days ago
- Gulf Today
Tuning for tomorrow: Malaysia's first violin maker carves out a rare craft
Hunched over his workbench, Tan Chin Seng shaves the wooden top plate of a violin, removing thin layers with slow, deliberate strokes. The work is meditative, out of the public eye. For Tan, transforming raw wood into a violin is a labor of artistry and love. The 45-year-old is Malaysia's first professional violin luthier, or maker of string instruments like violins, cellos and guitars. Over the past decade, he has earned international accolades. Now he mentors a new generation of makers in a field still little-known in Southeast Asia. Traditionally, violin luthiers are associated with Europe, where masters like Antonio Stradivari and Giuseppe Guarneri shaped the modern violin. The craft has spread globally, with thriving communities now in China, Japan, South Korea and Taiwan. Malaysian luthier Tan Chin Sang checks a handcrafted violin at his workshop. Associated Press Tan's path to violin-making was unconventional. A computer science graduate who doesn't play the violin, he was helping in his family's food business and co-owned a music school. In 2010, a trip to China to restore an aging violin sparked a deeper fascination with the instrument's construction. Curiosity led him to apprentice with Chinese luthier Han Zhao Sheng, and he built his first violin. 'After completing the first violin, I knew this craft was for me,' Tan said. 'There's woodworking, carpentry, artistic design. There's chemistry, acoustics, physics - everything about violin-making, I like it. Turning wood into music is just amazing.' What followed was, in Tan's words, a 'crazy' devotion. He flew back and forth to Beijing for more training, then traveled to Italy to study under other luthiers. In the early days, he would spend up to 16 hours a day hunched over wood, perfecting every curve and contour. In 2015, he committed to violin-making full time. The process is painstaking, often taking hundreds of hours to create a single violin and requiring intense focus. His studio, Deciso, located in a suburb near Kuala Lumpur, is cluttered with chunks of aged wood, chisels and jars of hand-mixed varnishes. Malaysian luthier Tan Chin Sang works on a violin at his workshop. Associated Press Tan crafts up to 10 instruments a year, using spruce for the top plate — the wood is prized for its resonance — and maple for the back, sides and neck. Sourced from Europe and at an annual wood fair in Shanghai, they are aged for years to ensure tonal quality and prevent warping and cracking. Each violin begins with carving and smoothing the wooden boards to precise dimensions. Tan said the top and back plates are shaped to exact thicknesses that affect resonance. The ribs are bent and assembled, and the scroll is hand-carved at the neck. Varnish - often a luthier's secret blend - is applied in thin layers for protection and tonal influence. The last steps include cutting the bridge and stringing the instrument. Tan's early years were challenging. Some Malaysian clients compared his handmade work to mass-produced instruments. But business grew after he won international awards in Italy and beyond. Today, he builds violins — and occasionally violas and cellos — mainly on commission. Half of his clients come from abroad including France, Germany and Hong Kong. Each violin sells for 12,000 euros ($14,000). Tan's journey has inspired others. While most of his students are musicians and young people, few pursue it as a trade due to the demands of the craft. Still, some have followed in his footsteps including Chan Song Jie, Malaysia's first female violin luthier. Malaysian luthier Tan Chin Sang examines a handcrafted violin at his workshop. Associated Press Today, there are two other full-time violin luthiers in the country, both trained by him. Tan notes that the domestic market is still too small to support many more. 'I would say passion is not enough,' Tan said. 'We're all crazy. Everyone in this workshop — you see — they're all crazy. We just love the work too much.' Over the years, Malaysia's first professional violin maker has earned many international accolades. Now, Tan Chin Seng, whose studio is located in a suburb near Kuala Lumpur, is mentoring a new generation of makers in a field still little-known in Southeast Asia. Meanwhile, Malaysia has recorded 16.9 million international tourist arrivals from January to May of this year, a 20% increase from the same period of 2024, the tourism ministry said. About half of Malaysia's total international tourist arrivals during the first five months of the year were from neighbouring Singapore with 8.34 million visitors, followed by Indonesia at 1.82 million, China at 1.81 million, and Thailand at 1.06 million, the tourism ministry said in a written parliamentary reply on Monday. A handcrafted violin made by Malaysian luthier Tan Chin Sang is seen at his workshop in the outskirt of Kuala Lumpur, Malaysia. Associated Press Arrivals from 'long-haul markets' such as Australia and the United Kingdom also saw increases of 16.6% and 8.7% respectively, compared to the same period in 2024, the ministry added. 'This increase in foreign visitor numbers clearly reflects the effectiveness of various initiatives implemented by the government through strategic approaches, progressive policies such as the visa liberalisation plan, and support and incentives given to industry players,' the ministry said. The Southeast Asian country recorded just over 25 million international tourist arrivals in 2024, falling short of its 27.3 million target. Malaysia is targeting 47 million international tourist arrivals in 2026, with a focus on key markets such as Central Asia, the Middle East, Southeast Asia, Europe, and Oceania, the tourism ministry said. Agencies


Gulf Today
26-07-2025
- Gulf Today
Singer Cleo Laine, regarded as Britain's greatest jazz voice, dies at 97
Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain's greatest contribution to the quintessentially American music, has died. She was 97. The Stables, a charity and venue Laine founded with her late jazz musician husband John Dankworth, said Friday it was "greatly saddened' by the news that "one of its founders and Life President, Dame Cleo Laine has passed away." Monica Ferguson, artistic director of The Stables, said Laine "will be greatly missed, but her unique talent will always be remembered.' Laine's career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten's "Noye's Fludde." Laine's life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82. In 1997, Laine became the first British jazz artist to be made a dame, the female equivalent of a knight. "It is British jazz that should have received the accolade for its service to me," she said when the honor was announced. "It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do." Associated Press


Gulf Today
20-07-2025
- Gulf Today
Paris unveils mural of Josephine Baker to honour her legacy
Paris is reviving the spirit of U.S.-French entertainer and civil rights activist Josephine Baker with a new mural. Fifty years after her death, Baker now gazes out over a diverse neighborhood of northeast Paris, thanks to urban artist FKDL and a street art festival aimed at promoting community spirit. Born in St. Louis, Missouri, Baker became a megastar in the 1930s, especially in France, where she moved in 1925 as she sought to flee racism and segregation in the United States. In addition to her stage fame, Baker also spied on the Nazis for the French Resistance and marched alongside Martin Luther King Jr. in Washington. She died in Paris in 1975. Josephine Baker in 1940, photograph by Studio Harcourt. ''I feel moved and I feel happy, because this is part of a memory of my mother," her son Brian Baker told the Associated Press at the unveiling of the mural Saturday. He was one of 12 children Josephine Baker adopted from around the world that she called her ″rainbow tribe″ and what her son called ''a little United Nations.″ The mural of Baker, meant to symbolize freedom and resistance, is among several painted in recent days in the neighborhood and organized by the association Paris Colors Ourq. The artist FKDL said he focuses on ''bringing women back into the urban landscape." Brian Baker, son of US-French entertainer and civil rights activist Josephine Baker, stands in front of a new mural of his mother painted by artist Franck Duval, aka FKDL, in Paris, on Saturday. AP "Josephine Baker has always been, for me, a somewhat iconic figure of that era. Both wild and free-spirited, but also deeply connected to music, musicals, and dance,″ he said. ''She was an extraordinary character, an incredible woman." Baker was the first Black woman inducted into France's Pantheon, joining such luminaries as philosopher Voltaire, scientist Marie Curie and writer Victor Hugo. ''My mother wouldn't have liked words like iconic, star, or celebrity. She would have said, no, no let's keep it simple,″ her son said. Associated Press