logo
Concert postponed over India-Pakistan tensions

Concert postponed over India-Pakistan tensions

Yahoo08-05-2025

A launch event for a three-day festival celebrating the spiritual and artistic richness of Sufi culture has been postponed due to tensions between India and Pakistan.
The three-day Sufi Music Heritage Festival in Bradford is the culmination of a wider 16-month project which has included workshops with community groups and schools.
The sold-out launch event was due to feature a Qawwali performance by acclaimed artist Hamid Ali Naqeebi at Mind the Gap Studios.
He was unable to travel back to the UK from Pakistan due to restrictions on international flights because of the ongoing tensions between India and Pakistan, organisers said.
The Sufi Music Heritage Project was launched by Bradford's WomenZone community centre with support from the National Lottery Heritage Fund.
Organisers said given the ongoing uncertainty they did not see "airspace restrictions being lifted in the immediate future".
"As a result, we have made the difficult decision to reschedule the event to a later date, once we are confident that Hamid will be able to return to the UK and perform."
Festival co-ordinator Aamta Tul Waheed said planned events due to take place on Saturday and Sunday would still go ahead.
Sufi music is rooted in a mystical branch of Islam, and often uses soaring singing of classical poetry, traditional instruments and rhythmic clapping to induce a spiritual state in audiences.
Qawwali is a devotional Sufi music form from South Asia, featuring powerful vocals and rhythmic drumming. It was popularised in the Western world by legendary singer Nusrat Fateh Ali Khan and has many fans outside of the Indian subcontinent and its global diaspora.
Singer, poet and lyricist Kauser Mukhtar, who is performing as part of the festival over the weekend, said Sufism's "global" messages of community, connection and seeking inner peace "apply to everyone".
"People practise it differently and in the South Asian culture it is particularly related to Qawwali singing, to a very strong culture of poetry, but there are also things like Rumi or the whirling dervishes in Turkey."
She said it could be "very emotional" to sing literature or poetry written 500 years ago that was still as important and "impactful" as when it was written.
Saturday and Sunday's events, held at WomenZone's Hubert Street base, include a youth-led performance, children's crafts, mosaic making, and yoga sessions for families.
An open mic event on Sunday invites local voices to share stories and poetry inspired by their cultural roots.
Listen to highlights from West Yorkshire on BBC Sounds, catch up with the latest episode of Look North.
India says it hit Pakistan air defences and accuses Islamabad of drone strikes
WomenZone

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Ghost Trail' Review: A Cat and Mouse Thriller
‘Ghost Trail' Review: A Cat and Mouse Thriller

New York Times

time29-05-2025

  • New York Times

‘Ghost Trail' Review: A Cat and Mouse Thriller

The fuzzy line between justice-seeking and vengeful vigilantism is by now a common staple of the crime thriller, casting a dark shadow of moral ambiguity over even the most righteous crusades. Jonathan Millet's 'Ghost Trail' takes a mostly conventional approach to this blueprint, in which a protagonist loses their head (and their humanity), but it offers a novel context: the Syrian refugee crisis. Hamid (a hypnotizing Adam Bessa), a former literature professor, was imprisoned and tortured under the authoritarian Assad regime — which was toppled in 2024, with the end of the 13-year presidency of Bashar al-Assad. We meet the somber Hamid in Strasbourg — at the border of France and Germany — scouring refugee centers and questioning other Syrian refugees about the figure in a blurry photograph, whom he claims is a relative. Bessa's brooding performance, which conveys devastating inner struggles without appearing clichéd, adds to the mystery of this first act. Millet keeps his cards close, slowly and inventively revealing the stakes. From the point-of-view of a computer game, in which a soldier runs aimlessly around a desert battlefield, we hear Hamid conversing in code with other users whom we soon realize are members of a clandestine group seeking to bring down Syrian war criminals in hiding. Though Hamid has never seen his torturer's face, he knows his smell and voice — and he's convinced that a man studying at the nearby university (Tawfeek Barhom) is the same guy. The cat-and-mouse game, which involves Hamid tracking his suspect throughout campus, plays out in a relatively low-key manner, with the film relying on Bessa (and eventually, an eerie Barhom) to deepen the survivor's dilemma. Hamid's calls with his mother, who is living in a refugee camp in Beirut, and his hapless flirtations with another Syrian refugee working at a laundromat, remind him that he's meant to start a new life in Europe. He has this in common with Barhom's student, which adds a provocative, more cerebral undercurrent to the film's portrait of modern immigration. What is lost by forgetting the past? What is gained?

Councillor hits out at ‘woke' 'fake news' event
Councillor hits out at ‘woke' 'fake news' event

Yahoo

time29-05-2025

  • Yahoo

Councillor hits out at ‘woke' 'fake news' event

This story is only available to Hereford Times subscribers. Click here to find out why and how to subscribe for exclusive stories. A Herefordshire town councillor has claimed an event to chart the direction of Hereford's new museum will be an exercise in 'woke virtue-signalling'. The latest in a series of events put on by Herefordshire Council's museums and galleries department, 'Contentious narratives' will 'invite local people to discuss how museums should respond to fake news, misinformation and contested histories'. The department's head Damian Etheraads said it would question 'how can we present complex or controversial subjects with integrity, resisting harmful ideologies without becoming dogmatic'. RELATED NEWS: Hereford protest in High Town: Great British National Strike Complaint over Herefordshire town councillor behaviour Councillors 'fail to attend or prepare for' key meetings This will help shape displays in the city's new £18-million museum and art gallery in Broad Street, on which building work is due to begin shortly, 'based on what matters to our communities', he added. But Coun Ewen Sinclair of Ledbury posted on Facebook: Herefordshire Council are funding an event to have an 'open' discussion, then the organiser will tell you what to think. He is going to discuss 'fake' news and 'misinformation'. Anyone who says disinformation and misinformation, is probably lying. Unfortunately I can't be there but can people please attend to question this self promoting, virtue signalling, woke and aggrandising individual. Who is squandering the Council Tax you pay. A council spokesperson said the public assembly is funded by the National Lottery Heritage Fund as part of its package to support the museum and gallery project. What are your thoughts? You can send a letter to the editor to have your say by clicking here. Letters should not exceed 250 words and local issues take precedence. 'Their aim is to give Herefordshire people the chance to understand how we're approaching the redevelopment of the museum; not just what the plans are, but the thinking, values, and principles behind them,' they said. 'In the upcoming session we won't be telling people what to think.' OTHER NEWS: No takers for mayor role after town council's 'difficult year' Anger as £25K spent on study to boost town's tourism Victory in builder's battle to keep living in caravan The event is being held at the History Store, the council's museums repository in Friars Street, Hereford, on Saturday June 7. It is free to attend with no booking required. In February Coun Sinclair was formally rebuked by Herefordshire Council's standards panel over an altercation with a resident. He claimed at the time that the council 'are trying to cancel me'. This was third time he was found in breach of the town councillors' code of conduct since being elected unopposed to Ledbury West parish ward in October 2021.

‘Woman And Child' Review: Iran's Saeed Roustaee Delivers A Fiery Feminist Portrait Of A Woman Who Refuses To Be Pushed Aside
‘Woman And Child' Review: Iran's Saeed Roustaee Delivers A Fiery Feminist Portrait Of A Woman Who Refuses To Be Pushed Aside

Yahoo

time22-05-2025

  • Yahoo

‘Woman And Child' Review: Iran's Saeed Roustaee Delivers A Fiery Feminist Portrait Of A Woman Who Refuses To Be Pushed Aside

They say that when one door closes, another door opens. This very much applies to Iranian cinema, and the one-in, one-out approach that the country's government seems to take when imprisoning its filmmakers. Like the recently released Jafar Panahi, Woman and Child director Saeed Roustaee fell afoul of the authorities in 2023 for having the temerity to submit his last film, Leila's Brothers, to Cannes without making the necessary changes to please the Ministry of Culture. He was sentenced to nine days in jail, but his new film suggests that the experience has by no means dampened the fire in his filmmaking. Woman and Child arrives in Cannes at the end of a very satisfying festival, and it could well be an awards contender, being a very satisfying female-fronted drama about a middle-aged widow struggling to raise two children in modern-day Tehran. That woman is Mahnaz (Parinaz Izadyar), who works double shifts as a nurse, and when we first meet her, she is dating ambulance driver Hamid (Payman Maadi). Mahnaz lives with her mother and her younger sister Mehri (Soha Niasti), who helps raise her two children, the angelic little Neda (Arshida Dorostkar) and her rebellious but charismatic 13-year-old big brother Aliyar (Sinan Mohebi), who makes his teachers' lives a misery. More from Deadline Iranian Director Saeed Roustaee's 'Woman And Child' Gets 10-Minute Ovation In Cannes Debut Cannes Film Festival 2025: Read All Of Deadline's Movie Reviews Richard Linklater's 'Breathless' Homage 'Nouvelle Vague' Being Pursued By Multiple Buyers For Domestic Hamid is pressuring Mahnaz to get married, which seems fairly reasonable since they've been dating for two years. Mahnaz, though, has hidden this fact from Neda and Aliyar, who are completely unaware that the family dynamic is about to change forever. Finally, the couple set a date for the engagement ceremony, at Mahnaz's apartment, on condition that she hide all evidence of her children from his parents and sister, who are travelling 10 hours to the big city from their village in the sticks. Mahnaz is reluctant ('They'll find out I've got two kids eventually,' she says), but Hamid gets his way, and Mahnaz packs off her offspring off to stay with her late husband's father (Hassan Pourshirazi). The course of love, however, does not run smooth, and the 48-year-old Hamid behaves strangely at the family get-together, staring at the 25-year-old Mehri when he should only have eyes for the 40-year-old Mahnaz. Afterwards, Hamid starts to ghost Mahnaz, and, when reached by phone, his mother blurts out the awful truth, which is that Hamid is having second thoughts about Mahnaz and would rather be marrying Mehri. This becomes a self-fulfilling prophecy when Mehri tries to play matchmaker and ends up falling in love with him, much to Mahnaz's horror. While all this is playing out, tragedy strikes when Aliyar is fatally injured after falling from his grandfather's window. His death is the film's catalyzing incident, and Mahnaz's pent-up rage is the focus of the film's second hour as she desperately searches for some kind of justice, demanding Aliyar's school fire the teacher who suspended him (with very good reason) and trying to file an ill-founded murder charge against the grandfather. Her need for closure, meanwhile, isn't exactly helped by the fact that Mehri is now pregnant, with a boy, and plans to name him Aliyar by way of tribute. This great big mess is what Woman and Child is all about, and although it is primarily a character study, Roustaee's film is also a caustic comment on the patriarchal nature of Iran and the strange nature of its judicial system, which favors men over women every time. The standout is Izadyar, whose big, dark eyes are the film's most valuable asset, and her mercurial shifts are a thing of wonder. But everyone in this film is great, notably Maadi, who pivots from Prince Charming to Machiavelli with breathtaking ease, and Mohebi is an exciting discovery as the raucous Aliyar: some of the best scenes in the film are his 400 Blows-style monkey shines at the local state school. The film, though, belongs to Roustaee, who has a kinetic style we're not used to seeing from Iranian cinema; a riot of crash zooms and tracking shots that give the film a heightened and deceptively stylish verité look. He can also land the grace notes too, and the film's quietly devastating ending, in which its title is represented three times over while Hamdi looks on, powerless, is one of this year's Cannes' coups de cinema. Title: Woman and ChildFestival: Cannes (Competition)Director-screenwriter: Saeed RoustaeeCast: Parinaz Izadyar, Payman Maadi, Soha Niasti, Sinan MohebiSales agent: GoodfellasRunning time: 2 hr 11 mins Best of Deadline Broadway's 2024-2025 Season: All Of Deadline's Reviews Sundance Film Festival U.S. Dramatic Grand Jury Prize Winners Through The Years Deadline Studio At Sundance Film Festival Photo Gallery: Dylan O'Brien, Ayo Edebiri, Jennifer Lopez, Lily Gladstone, Benedict Cumberbatch & More

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store