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Amitabh Bachchan's Sunday Tradition Continues with a Thoughtful Twist
Legendary Bollywood actor Amitabh Bachchan continued his decades-long tradition of the "Sunday Darshan" by greeting fans gathered outside his Mumbai residence, Jalsa. Dressed in a printed hoodie, headgear, and spectacles, the 82-year-old icon appeared on the front porch, warmly acknowledging the crowd with folded hands and waves. The thoughtful act not only showcased Bachchan's enduring bond with his admirers but also his care and consideration for them. The moment was met with cheers and gratitude from fans, many of whom had waited hours in the rain just to catch a glimpse of their beloved star.
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Time of India
2 hours ago
- Time of India
Bollywood vs South cinema: Ram Gopal Varma says Amitabh Bachchan was why Rajinikanth and Chiranjeevi became stars
Ram Gopal Varma has brought a candid perspective to the conversation around the early growth of South Indian cinema , claiming that much of its success during the 1970s and 1980s stemmed from remakes of Amitabh Bachchan's iconic Hindi films. In a detailed interview with IndiaTV Showbiz , the filmmaker stated that all four major Southern industries—Tamil, Telugu, Kannada, and Malayalam—were deeply influenced by the Bollywood superstar's work. He specifically named actors like Rajinikanth, Chiranjeevi, NT Rama Rao, and Rajkumar as beneficiaries of this trend, noting that many of their career-defining roles were recreations of Bachchan's celebrated performances. According to him, these remakes contributed directly to their transformation into cultural icons and, eventually, near-mythical figures among fans. Bachchan's Absence and the Southern Boom Varma highlighted that during Amitabh Bachchan's five-year hiatus in the 1990s, the landscape of Indian cinema saw a shift. While Bollywood entered a period where music labels started financing films primarily to promote their soundtracks—citing Maine Pyar Kiya as a pivotal example—the South Indian industries stayed true to the mass-entertainment format, continuing to produce 'masala' films modeled on Bachchan's earlier style. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like เทรดทองCFDsกับโบรกเกอร์ที่เชื่อถือได้| เปิดบัญชีวันนี้ IC Markets สมัคร Undo 'The South never stopped making the so-called masala films,' Varma remarked, suggesting that this consistent approach was central to cementing the stardom of leading South actors. The remakes weren't simply copies, he implied, but vehicles that allowed regional stars to become household names and, eventually, 'demigods.' Bollywood's Urban Edge vs. Southern Roots The director also pointed out a key difference in how filmmakers from both regions evolved. He said that Bollywood directors, particularly in the '90s, had a more global cinematic awareness, partly due to their fluency in English and urban backgrounds. In contrast, many Southern filmmakers, according to him, were less exposed to international cinema and operated with a focus on grassroots storytelling. 'They're very close to the ground root,' he said, implying that their content remained more accessible and audience-driven. The Pushpa Incident and Preconceived Notions Ram Gopal Varma also recounted a striking anecdote from the time leading up to the release of Pushpa: The Rise, directed by Sukumar and starring Allu Arjun. He said that a producer, whom he did not identify, watched the film a few days before its release and strongly doubted its reception. According to Varma, the producer predicted that audiences would reject the film outright—not because of the actor's performance, but due to the unconventional nature of the character, who chewed paan instead of fitting the usual six-pack-hero mold. 'He was not referring to the actor,' Varma clarified. 'They are so used to good-looking six-pack heroes… that they can't comprehend a hero chewing paan.' He noted that such criticism often stems from industry professionals projecting their own assumptions onto audiences, rather than engaging with the actual substance of the film. A Shared Culture of Adaptation Varma's remarks underscore a rarely acknowledged truth: while Bollywood is often criticized today for its over-reliance on remakes, the Southern industries once followed a similar trajectory. In those earlier decades, original scripts were a rarity across languages. As he put it, when a fresh concept—regardless of the language—achieved success, others quickly adopted and adapted it for their own audiences. The culture of adaptation, Varma suggests, was not a sign of creative bankruptcy but a strategic choice that shaped some of India's biggest film legends. And while the industries have evolved, the legacy of that era continues to influence storytelling today.


Time of India
3 hours ago
- Time of India
Ram Gopal Varma claims South cinema thrived by remaking Amitabh Bachchan classics: 'Rajinikanth, Chiranjeevi, NT Rama Rao did remakes, became demigods'
Ram Gopal Varma reveals South Indian cinema's early reliance on remaking Amitabh Bachchan's Bollywood hits, which propelled stars like Rajinikanth to fame. While Bollywood directors were influenced by foreign cinema, the South focused on mass-appeal storytelling. Varma also recounts a producer's skepticism towards 'Pushpa: The Rise,' highlighting differing expectations in the industry. The Indian film industry is a complex tapestry of diverse languages, cultures, and storytelling styles. While Bollywood often dominates headlines, the Southern film industries have carved out their own powerful space, producing blockbuster hits and cultivating larger-than-life stars. Yet, beneath this success lies a shared history of inspiration, imitation, and adaptation that shaped both worlds. Legendary filmmaker Ram Gopal Varma sheds light on the fascinating journey of South Indian cinema, revealing how it once thrived by remaking iconic Bollywood films—particularly those starring Amitabh Bachchan—and how these influences continue to resonate today. In conversation with IndiaTV Showbiz, RGV recently observed that in the early days, all four South Indian film industries frequently remade Amitabh Bachchan 's popular films from the 1970s and 1980s. Major stars like Rajinikanth, Chiranjeevi, NT Rama Rao, and Rajkumar rose to fame by starring in these remakes. In the 1990s, during Amitabh Bachchan's extended five-year hiatus, music companies began producing films primarily to promote their soundtracks—Maine Pyar Kiya being a notable example. Meanwhile, the South continued to churn out 'masala' films inspired by Bachchan's style, which helped cement their leading actors as demigods. According to Varma, this pattern of drawing from Bachchan's legacy persists even today. Varma also pointed out that young Bollywood directors of that era had greater exposure to foreign cinema, thanks to their English proficiency and urban upbringing. In contrast, he noted that many commercial filmmakers in the South were less exposed to global cinematic trends and tended to focus more on grassroots, mass-appeal storytelling. The filmmaker also recalled an incident involving an unnamed producer's reaction to the film Pushpa: The Rise, directed by Sukumar and starring Allu Arjun . A few days before the film's release, the producer reportedly expressed strong skepticism, predicting that audiences would reject the movie. His criticism was not aimed at the actor himself, but rather at the unconventional portrayal of the protagonist—someone chewing paan rather than the typical six-pack hero image. According to Varma, the producer's judgment was clouded by preconceived notions of what audiences expect, rather than the actual quality or content of the film. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .


Time of India
4 hours ago
- Time of India
Jaya Bachchan's announcement at 'Agneepath' premiere in Kolkata left Amitabh Bachchan shocked, Mithun Chakraborty in splits
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