Review: Gracie Abrams scores one for girl pop in her opening day Lollapalooza set
'Lollapalooza,' she addressed the audience during her opening track, 'holy (expletive).'
A student of the Taylor Swift school of songwriting, Abrams' set was the concert to cry to as the evening of Day 1 fell upon Chicago's Grant Park. Selling her journal entry-earnestness with a coy smile and yearning gleam in her eyes (which literally sparkled in the sun along with her sequined outfit), she strummed her acoustic guitar like she was afraid of running out of time during her hour-long set. Anthems for the anxiously attached, rise up!
By the time the viral hit 'I love you, I'm sorry' arrived a mere three songs in, the majority of folks were staunchly shoulder to shoulder.
Lollapalooza 2025: Day 1 opens with Tyler, the Creator and a first country headlinerWhile her concert was technically sound, Abrams is an artist who relies on that indoor, intimate, 'headphones on' feeling, and if you had been a more casual or new fan, a good number of songs would start sounding the same. Each bound by her smoky whisper and a hooky plea, that was all you could hear unless you were well-versed on every lyric (to that point, her audience was devoted). About 40 minutes in, after the emotionally devastating 'Death Wish' (a song about narcissists, Abrams said; 'a different kind of pyro,' she joked), an adrenaline boost was critically needed.
Luckily, the set closer 'Close to You' included a surprise appearance from pop icon Robyn, dueting her perfect, eternal classic 'Dancing On My Own' with Abrams, who covered it last time she played Lollapalooza in 2022.
While the crowd reached peak fervor for Abrams, I expected more applause for the Swedish powerhouse. Maybe Gen Z is still learning. In Abrams, they do have a hell of a teacher.
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Forbes
3 hours ago
- Forbes
Sabrina Carpenter, Martin Garrix, Katseye Close Lollapalooza 2025
The summer of 2025 has brought sweltering heat, pummeling humidity and the seemingly constant threat of storms to the city of Chicago. But all of that went on hiatus as Lollapalooza arrived in Chicago last week to celebrate its 20th year as a destination festival, with a mild weekend in the upper 70s providing fans the perfect weather in which to indulge in the American installment of what's become arguably the strongest global brand in the festival sphere. Argentinian guitarist Ivan Singh headed to Chicago just four years ago with little more than a cigar box guitar, racking up local gigs at iconic Windy City blues clubs like Rosa's and Legends since. Last week, Singh, 26, was joined on stage at Legends by venue owner and iconic Chicago bluesman Buddy Guy just a few days ahead of his 89th birthday and appeared in Grant Park throughout the weekend to perform as part of Hulu's online livestream of Lollapalooza, showcasing his scorching guitar playing as both Hulu and Lolla embraced arguably Chicago's most famous musical export: electrified blues music. 'I'm really grateful to the Hulu team. Because they wanted to include something representative of Chicago. And I was blessed enough to get the call,' said Singh, providing viewers of the stream live blues between each set. 'Honestly, playing blues, being in Chicago and having the chance to share my own Latino way? My experience playing blues at Lolla has been great.' For Singh, performing during the Hulu stream put an unprecedented amount of new eyeballs on his playing, showcasing his prowess to fandom across a variety of genres. Prepping the release of new music, he wears a number of hats as a versatile independent artist. 'I'm my own producer, my own manager and everything. And, you know, you've got to make things happen. I try to do the best I can,' said the guitarist of navigating life as an independent musician. 'I've only been here for four years. This is also a different cultural language for me as well,' Singh said. 'I actually just recorded three new songs. They're done. I'm hoping to at least put them out before September or October.' Amidst the rise of the internet, online streaming has quickly become the primary source of consumption for music fans, upending the sale of physical media over the course of the last 25 years. As that's made it harder and harder for artists to monetize recorded music, most have been forced to look to the road as the primary musical revenue stream. But emerging from pandemic, the ability to generate income via touring and live concerts has also become harder, with elements like inflation and venue merch cuts leaving a slimmer profit margin for artists out on tour. While it was anathema for an artist to partner with a brand 20 or 30 years ago at the height of the major label system, today, such partnerships aren't just common, in many cases they're critical. 'You know, Crown Royal and I kind of have a little bit of history now. We've been together for about a year. I feel like we're in a relationship,' said country singer songwriter Tanner Adell with a smile on her brand partnership with the whisky maker. 'As an independent artist, they came in and said, 'We want to support your first tour.' This was my first headlining tour and it went amazing. Now we are renewing our vows and doing a second tour together.' In addition to a set on the Lollapalooza main stage Friday night, Adell helped close up the festival late Sunday, appearing at the Ramova Theatre on the city's south side as part of Crown Royal's 'Pancake Palace' pop-up, one which fed concertgoers whiskey driven appetizers as Sunday gave way to Monday while shining a spotlight on the company's new apple, peach and blackberry flavorings. A collaboration between Crown Royal and Juicy Couture on a branded tank top benefits Women In Music. And the unique parallels that exist in the creative approach to both songwriting and mixology were on full display throughout the event. 'It's super cool. I think it's the way in which they brought worlds together - you've got Tanner performing which is exciting. And I'm a big whiskey guy myself,' said reality star Miguel Harichi, who appeared in season six of Love Island USA and took part in Sunday's pop-up alongside Adell. 'I used to be a mixologist, used to be a barman. And now I'm still making cocktails. At parties, at functions, I'll be throwing it down in the bar. So, I think it just made sense.' Tour support is a crucial element for any artist, with corporate partnerships helping to foot the bill. For Adell, the collaborative endeavor continues to pay dividends. 'Being an independent artist makes so many things that are dreams and goals that you have very difficult to attain. And going on tour is really hard to do as an independent artist,' explained the singer, who released her debut full length album Buckle Bunny in 2023, appearing on Beyoncé's Cowboy Carter album a year later. 'For me, live shows are my favorite thing. Being on stage is the reason that I am here,' said Adell. 'It makes me feel like, 'OK. When it's my turn to give back to a smaller artist, I'm going to remember these times and how someone took a chance on me.'' Singer and rapper Isaiah Rashad took to the stage of the Riviera Theatre on the city's north side for a Saturday night aftershow ahead of a one hour performance on the festival's T-Mobile north main stage Sunday. Partnering with the telecom giant, Rashad interacted with fans on site at T-Mobile's 'Club Magenta' installment during a Q&A session, a great example of the way corporate sponsors vie to provide concertgoers (and customers) a unique experience on site at festival activations across the country. 'The aftershow was fire,' said Rashad prior to his performance. 'I've been in dad mode since yesterday. I've been kicking it with my baby. We're excited to see Katseye and Sabrina Carpenter and Dominic Fike,' he said. 'But this is one of my first corporate things, first corporate brandings, that I've done. It kind of validates me, makes me feel like I'm heading in the right direction.' While some artists seek corporate partnerships as a way of financing and exposing their music to a wider audience, others continue to choose reality television. New Jersey-born singer songwriter Carol Ades appeared in season five of NBC's The Voice in 2013, releasing a pair of EPs after. 'When I was on The Voice, I was 17. I think when you're 17, you're just way more confident than you are at 29. You're like delusionaly confident,' said Ades with a laugh. 'So, I think it was really so valuable for me to have that experience then and be like, 'Oh, I can do anything. Nothing's real. Whatever. Just show up and try it.' Especially now that I'm a little bit older and wiser - and dumber because I'm older, you know what I mean?' explained the songwriter with a smile. 'But I have that to look back on and be like, 'Yeah but you did that thing! You can do anything.'' Last September, Ades released her debut full-length studio effort Late Start, recently embarking upon her first headlining tour, arriving in Chicago for a 40 minute set Friday night on the BMI stage. Having recently collaborated with artists like Kesha, Ades is able to apply what she's learned from the collaborative efforts as she hones more new music of her own. 'I think the main thing I learned from writing for other artists is just that no idea is bad. Just ideas, ideas, ideas,' she said. 'Because it could be for me, for Kesha, for someone else - and the process is just so fun when you let it be fun and you don't overthink it. They're just songs. So, just have fun with it.' Pennsylvania-born hip-hop duo Joey Valence & Brae took in Lollapalooza 2024 as fans but arrived in the Windy City as performers this year, rolling through a 45 minute set Sunday on the Grove stage. 'We got to Chicago last night and did the afterparty show at midnight - woke up, came here. We love Lollapalooza, love Chicago. It's the best. Ready to party!' said Brae backstage prior to the duo's set Sunday. 'We're gonna go see A$AP Rocky!' added Valence excitedly. Following the release of their second studio album No Hands last summer, Joey Valence & Brae are set to drop their major label debut Hyperyouth August 25 via RCA. 'It's just good,' said Brae with a smile. 'It's gonna be a dance album. You're gonna laugh, you're gonna cry, you're gonna dance, you're gonna bounce. That's all. Get ready to party.' For fans looking to continue the party, aftershows take artists from the massive festival stage into the more intimate club environment of venues across the city, with headlining performances beginning somewhere around midnight. While his set was a highlight on day four at Lollapalooza 2025, FINNEAS took advantage of his Saturday night aftershow, highlighting a special guest. 'So, Ashe and I, in secret the last two years, made an album together,' he said welcoming the singer songwriter to the House of Blues stage while setting up the pair's new single 'The Hudson.' Ashe handled piano on 'The Hudson' with the duo further offering up their 2021 collaboration 'Till Forever Falls Apart,' with their new album The Dream due September 19. Opening the aftershow solo on piano FINNEAS navigated 'Starf–er,' picking up an electric guitar as the House of Blues floor began to shake soon after, with the five piece backing band joining in as fans hopped along in time during a spirited take on 'Lotus Eater.' 'Chicago, thanks for staying up late with me. I appreciate you!' said FINNEAS detailing fond moments spent at House of Blues, like watching Sabrina Carpenter perform in 2023 and supporting his sister Billie Eilish on stage at the venue in 2013. 'This is a long day! I appreciate you being up in the wee hours!' 17 year old Chicago rapper Star Bandz performed at Lollapalooza on Friday with the Chicago Youth Symphony Orchestra offering up an unparalleled Lollapalooza performance Saturday night. Lollapalooza's spotlight upon young, local talent continued Sunday via the embrace of large ensemble The Happiness Club. The Happiness Club offers a performing arts education program to Chicago youth between the ages of 8 and 18 free of charge, providing camaraderie, purpose and leadership while helping kids to embrace the idea of responsibility. 'It's a really unique experience that, I think, changes their perspective on what's possible for them,' said Artistic Director Tanji Harper, who's been with Happiness Club for over 20 years. 'We're literally backstage at one of the biggest rock concerts that happens in all of the world. So, for them to be exposed to stuff like this at such a young age, it just brightens their whole world up to what's possible for them later. And they don't have boundaries or limitations on what they think they can do or what they think they can accomplish. They're wide open now,' she said. 'We have great teachers. They learn rap, hip-hop, dancing, and singing. We have a vocal director. They write their own songs. All of that's great,' added Maureen Schulman, board president of the not-for-profit. 'But it also instills a lot of confidence and a strong work ethic. And I think that whether they go into the arts or not, it really helps them be successful after The Happiness Club.' The Happiness Club offered up a pair of the weekend's most resonant Lollapalooza performances Saturday and Sunday on the Kidzapalooza stage, collaborating with bassist Divinity Roxx (former bassist and musical director for Beyoncé), who took to Kidzapalooza prior to their set, encouraging the youth ensemble. 'We create songs about social issues that they go through. Mostly positive stuff: things that help them cope with stress or bullying at school or their self-confidence,' Harper explained. 'A bunch of kids getting together to sort of talk about issues that they go through on a daily basis. And then we make the music. And then we go out and we tour the songs anywhere anybody will let us,' she said. 'We try to keep it upbeat, a fun show - so that everybody is in on it. And we get complete buy in from the young people that hear it. It's positive and it's uplifting.' K-pop adjacent L.A.-based pop group Katseye proved to be a hit during a highly-anticipated 45 minute performance on the festival's north main stage Sunday, one delivering an equally uplifting message of connection during divisive times. Touting American, South Korean, Swiss and Filipino members, Katseye sing primarily in English with a clear goal not just for their Lollapalooza performance but the path forward following the release of their second studio album Beautiful Chaos earlier this summer. 'We've been a girl group for only a little over a year. And hitting these milestones is insane,' said Manon backstage prior to the set. 'It's been a super exciting weekend so far. We've had lots of fun. And we are all super, super thrilled about [the set]. It's going to be the biggest thing we've done in our career so far. I think we just want to inspire - especially young girls out there - to chase their dreams and put in the work and show that it really pays off,' she said. 'I think that we have always tried to have a touch in our music that can resonate with any age group, all different cultures and people from around the world,' added Lara. 'Especially because we are all from different places, we try to incorporate a little bit of our individuality and cultures into everything. But, also, when it comes to ages and stuff like that, we really want Katseye to be a universally loved group rather than just for this demographic,' said the singer. 'We have been working so, so hard, rehearsing every single day for this moment,' added Daniela. 'We're going to be doing new things that people haven't seen yet. So, we're very excited to show that off.' A quieted hush fell over the crowd Sunday as an introductory video rolled on screen, alerting fans to the imminent arrival of pop star Sabrina Carpenter, who would perform for over an hour opposite rapper A$AP Rocky and Dutch DJ and producer Martin Garrix as Lollapalooza 2025 drew to a close in Chicago. 'I feel so grateful and so honored to be here, Lollapalooza!' said Carpenter early in Sunday's set. 'Thank you for bringing me back. Make some noise for all of the artists that performed this weekend!' Carpenter was the epitome of poise, delivering an energetic and entertaining performance on stage while controlling the moment with a quick wit between songs. Carpenter conjured up images of Fleetwood Mac's 'Seven Wonders' via the rewarding pop rock feel at the heart of 'Taste' second in the set, with a series of videos continually localizing the Lollapalooza performance for the Windy City faithful. Acoustic guitar drove 'Coincidence' as Carpenter crouched down with a tambourine early, with the video screens showing members of TWICE in attendance during 'Juno' later. But the real surprise lay in Carpenter's handpicked guests, as Chicago-born R&B/funk legends Earth, Wind & Fire arrived for a bit of a homecoming celebration alongside Carpenter on the Lollapalooza stage. 'Chicago, the first time I played here it was to a room of 300 people,' said Carpenter incredulously, looking back. 'Now, because of you guys, we get to play this one,' she continued. 'I just thought it would be fun if we could bring some friends out!' she exclaimed, introducing her iconic guests. Moving from 'Let's Groove,' a funky, rollicking bassline soon drove 'September,' with Philip Bailey smiling through a killer early vocal as the ensemble worked in a snippet of The Emotions' 1977 hit 'Best of my Love.' Nearby, fireworks and pyro soared as Garrix worked up the crowd over 75 minutes on Perry's stage. 'I played Ibiza Thursday night. Friday night and Saturday was Las Vegas and then today in Chicago. Tonight, I fly right after the show to Utah,' said Garrix, racking up frequent flyer miles in the run up to Lollapalooza. 'I remember the first time I came here. And I was just mindblown by the size of the festival - by the energy, by the crowds. And just the skyline,' said the DJ, looking back upon Lolla Chicago sets in 2014 and 2016. 'What I remember the most is that I walked on stage and it felt so surreal. You've got the crowd of people and then the skyline in the back. Really special.' For Garrix, the process of collaboration is a rewarding one which found him working with songwriter and producer Lauv on 'Mad' earlier this year while teaming with AFROJACK, David Guetta and Amél on 'Our Time.' Collaborating with Dutch DJ and producer Armin van Buuren and vocalist Libby Whitehouse, Garrix is set to release his latest single 'Sleepless Nights' this Friday, August 8. 'Any collaboration, I'm learning so much from the people that I collaborate with - from the production point of view or the songwriting point of view,' said Garrix Sunday backstage at Lollapalooza 2025. 'I love Armin. I've known him since forever. So, it was just a matter of time until we ended up doing a song together. And Libby was incredible,' he said. 'We recorded with her in the studio. We wrote the bridge together. And just the whole song has been fun. It's my first trance song ever. My first song at 138bpm,' Garrix explained. 'So, I'm excited to play it tonight.'
Los Angeles Times
13 hours ago
- Los Angeles Times
Qué Chimba: Colombian hitmaker Feid talks HARD Summer, teases new music
Last Saturday, at the 2025 edition of HARD Summer — the annual EDM takeover of Hollywood Park in Inglewood — gritty reggaeton rhythms infiltrated the festival's usual bass-bumping fare. At the center of the main stage was Colombian superstar Feid, who united ravers and perreo fanatics alike in a glorious twerk fest. Distinguished by his signature green apparel, the 32-year-old singer, songwriter and MC has become one of the top 10 most-streamed artists globally on Spotify. Having recently graced festivals like the Governors Ball in New York and Lollapalooza in Paris, Feid, who is also known affectionately by his fans as Ferxxo (pronounced Fercho), continued to break new ground as HARD Summer's first-ever Latin headliner. 'These types of moments will always be very special for Latino culture and for reggaeton, the genre that I sing,' he said, seated across from me in the living room of a posh Airbnb in Beverly Hills. Through the glass doors behind him, I could see his parents wading in the swimming pool. 'To represent the large Latino community in this country, in a lineup that also includes Kaytranada and Busta Rhymes, makes me feel very special. To perform on the main stage and bring that kind of visibility to this festival is amazing.' Although Feid's rise to the top feels recent, it's actually over 10 years in the making. Born Salomón Villada Hoyos in Medellín, Colombia, he started out as a songwriter in his hometown's reggaeton scene. Feid helped put J Balvin and Medellín on the map as a co-writer of 2015 breakthrough smash 'Ginza,' which opened the doors for other Colombian stars like Maluma and Karol G. While a majority of his peers were feeding from reggaeton's roots in Puerto Rico, he decided to bring his paisa, or Medellín-born slang and style to breed a more personal brand of perreo. Following the release of his 2020 album 'Ferxxo (Vol 1: M.O.R),' Feid made 'mor,' which is a Colombian term of endearment for 'love,' enter the global lexicon. Soon after, he established himself as a unique and refreshing force in reggaeton with 2022's blockbuster LP 'Feliz Cumpleaños Ferxxo Te Pirateamos El Álbum.' 'I feel that incorporating my culture in everything makes people curious about what these words mean and how to use them,' Feid added. 'To show where you're from, your roots, and how you grew up through your music makes me feel muy chimba [very cool]. I feel proud to scream from the rooftops that I'm a paisa and I'm Colombian.' Last November, he won his first Latin Grammy for his 2023 collaboration 'Perro Negro' with Bad Bunny and later received his first Grammy nod in 2025 for his 2023 EP 'Ferxxocalipsis.' In June, Feid released the experimental 'Ferxxo Vol X: Sagrado,' which he produced and mixed himself. He's also been riding high with his girlfriend, Karol G, and their song of the summer, 'Verano Rosa,' from her new 'Tropicoqueta' album. Those tracks were included in his hour-long set at HARD Summer last Saturday, along with hits like the playful 'Feliz Cumpleaños Ferxxo' and the ATL Jacob-assisted 'Luna.' Feid also flaunted his past hip-hop and R&B collaborations with DJ Premier, Blxst, Majid Jordan and Ty Dolla $ign — but he got his biggest rap co-sign when a blazed Snoop Dogg emerged as a surprise guest and performed 'Drop It Like It's Hot.' De Los caught up with Feid the day before this momentous show to talk about his latest album and upcoming projects in both music and Marvel comics. This interview has been edited and condensed for clarity. How would you describe this latest chapter in your music career? I'm in an era [when] I'm doing what I like to do and what I enjoy the most. There [are] moments when I like to do something without necessarily thinking about if everyone will like it. There's also moments where you have to concentrate on winning over the masses. There will be more music for them, but this latest album is something special for the people that have believed in my project since the beginning. What was it like to independently produce your latest album, 'Ferxxo Vol X: Sagrado'? It was very frustrating at first. I almost threw in the towel a few times. I talked with my family and friends and I told them: 'I don't like what I'm doing. I don't think it sounds good.' Then came a moment when I switched things up, I found my footing and everything came out great. To put out this album made me feel like I'm showing everyone as I am; there's no makeup. There's no corrections from other producers, or corrections to my voice. There's no A&R. It's like if I uploaded a picture of myself in underwear to Instagram. In the past few years, there were beats that I hadn't finished making and music that I could've mixed, but I didn't. I made this album to prove to myself that I could finish what I hadn't before. That was my goal for this year. It makes me feel happy that with this album, there were no rules. In November, you won your first Latin Grammy award for best reggaeton performance for 'Perro Negro' with Bad Bunny. What was going through your head at that moment? That was crazy! When I didn't win for 'Luna,' I was like, 'Hijuepucha [son of a ...], if I didn't win for 'Luna,' how are we going to win for 'Perro Negro'?' The songs and artists in that category were all great. To win, it took me by surprise. I'm very grateful to Bad Bunny for giving me the opportunity to share that song with him. I messaged him right away saying that I felt very happy that I won my first Grammy with him. I've been nominated and performing at the Latin Grammys since 2019, so to win was amazing. I was very nervous during my acceptance speech. I have a piece of paper from two years ago with what I would say if I won a Grammy. I didn't say anything that was on that paper. [Laughs]. That moment was muy chimba. This is definitely the summer of 'Verano Rosa.' How did that song come together with Karol G? We recorded the song in 2023, but we changed the tone of it many times. We were trying to find a way in which Karol would sound like Karol and I would sound like Ferxxo. In the tone we had it at, I was singing super low and she was at a higher register. I was taking singing classes and that raised my register a bit. Karol then told me, 'Let's put this song on my album. It would be muy chimba to release because our teams love us together on it.' So we went to the studio again and recorded it in different tones until we both felt comfortable with it. It's always special to work with her. She knows what she wants and how she wants it. For her to also be my partner, it's beautiful and a blessing to work with family. What did you think when Karol G did your signature 'whoa' ad-lib in the song? ¡Súper chimba! It's very funny because I sang her verses and she sang mine. The verses that I wrote for the song are the ones that she sings, and vice versa. She already had my 'whoa' down. It sounded very beautiful. I'm proud of that voice Karol has. She's been with me through all my processes, I've been with her through all her processes. I feel very fortunate that she's my partner, my colleague and my friend. You've also recently been spotted in the studio with The Kid Laroi and Cypress Hill. What can you tell us about those sessions? I'm continuing to expand my sound. I've worked with reggaeton in a lot of ways. Now it's like: What can I do to share my sound with Kid Laroi, who is a pop and R&B star, and make it reggaeton? With the legendary Cypress Hill, how can I live within their world of rap and hip-hop? When I collaborate with artists from other genres, it's a learning opportunity for me. With Cypress Hill, it was all about hearing what they had to say. I showed them the rap songs on my album and asked for their opinions. Those projects should be coming soon. You've recently teased a new song called 'Se Lo Juro.' Will that song lead to another album? 'Se Lo Juro' is a very beautiful song. It will be part of my next project. I have everything almost ready to go, [but] I don't think it will be my usual December drop because that's far away. I can't wait until then. [Laughs.] I'm very focused on connecting with the roots of reggaeton and what made me a fan of it. You're now a part of the Marvel Universe, with the series 'The Green Man.' What can we expect from the second comic later this year? It's a dream of mine [to be in] the world of Marvel, I'm [one of the] X-Men, and I'll join them later on. It's my story inside that universe. The second comic will come out in December, or maybe before. You're going to keep learning things about my life in a more metaphorical way.
Cosmopolitan
14 hours ago
- Cosmopolitan
Shop Chappell Roan's Controversial Crocs from 'The Subway'
One thing I love about Chappell Roan? The Midwest Princess isn't afraid of being a little controversial—and apparently, that even includes her footwear choices. In her highly anticipated music video "The Subway," the star recently sparked debate by wearing one of the most divisive shoes of our generation: a pair of Crocs. While Chappell donned heels for her most of the music video, she chose a more ~practical~ shoe to chase down her lost love on a CitiBike: a pair of Crocs Classic Clogs, in the shade Rust to match her auburn curls. Now, as someone who hasn't set foot in a pair of Crocs since her summer camp days, I have to admit that I was a little taken aback to see the clogs worn alongside Thom Browne and Jimmy Choo. But given Chappell's penchant for campier style choices (hello, prosthetic pig nose and Lady Liberty drag), maybe I shouldn't be surprised? At risk of being ridiculed, let me just say that Crocs are a kiiind of a genius invention. They're easy to keep clean, have great arch support, and come in dozens of different colors (ya know, in case you want your shoes to match your wig-slash-bodysuit-slash-cape). And if you buy into TikTok's wrong shoe theory (AKA, making a fashion statement by wearing shoes that clash with your outfit), Crocs are a subversive—and genuinely comfortable—addition to your footwear rotation. This isn't the first time we've seen the popstar don a pair of Crocs. She actually teamed up with Crocs to promote her single "The Giver" back in May, launching a set of limited-edition Jibbitz that are (sadly) sold out. But if the comments section of Crocs' latest post is any indication, there could be a full-on Crocs x Chappell Roan collab in our future. "OMG I NEVER THOUGHT THIS COLLAB WOULD HAPPEN," wrote one user—and Crocs replied, "It's not over." "OK but can we get some Pink Pony Slides next?! Like… glitter, drama, hoof-ready realness 😱💅🩷 I'm BEGGING!!" added another commenter. Crocs' response? "I think I'll have to explain hoof-ready to our product team." In other words, it seems like a collection isn't totally out of the question. But while we impatiently await more details, I rounded up a few more Crocs styles with major Midwest Princess energy. Lauren Gruber is an associate commerce editor at Hearst Magazines, where she writes for publications like Good Housekeeping, Cosmopolitan, Prevention, Country Living, House Beautiful, and more. She has over four years of professional experience covering a variety of lifestyle topics from home to fashion, with an advanced background in beauty and fragrance. When she's not researching the most worthy Prime Day deals or hands-on testing all the latest perfume launches, Lauren is probably hanging out with her cat Serafina or flexing her AMC A-List membership at the movie theater. You can find her previous work at Entertainment Tonight, Shop TODAY, USA Today, Self Magazine, L'Officiel USA, V Magazine, and Modern Luxury Media.
