
5 jewelry and watch finds for Mother's Day gift ideas
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Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page.
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Mother's Day is May 11 this year. Celebrate the main mom (or moms) in your life with a gorgeous gift like one of these fine jewelry or watch finds.
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From Vancouver-based jewelry brand Leah Alexandra, this 14-karat gold vermeil necklace blends a mini heart motif with a classic herringbone approach — hence the 'Herringheart' name. Designed to 'radiate love', the sweet chain style is perfect for layering or wearing on its own.
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Chanel Première Galon Watch
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A gift for the true fashion mom, this unique take on the classic Chanel Premiere watch blends the functionality of a timepiece with the beauty of a bracelet. The gold design boasts a braided bracelet that taps into a unique design code for the fashion house.
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'Gabrielle Chanel applied it on her tailors to accentuate the contours, adorn the pockets and wrists and thus structure the silhouette,' Arnaud Chastaingt, director of the Chanel Watchmaking Creation Studio, explains of the twisted design. 'The Première Galon bracelet is designed as a bangle to offer a new way of wearing in the Première collection, anchoring the resolutely couture spirit of this creation.'
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Moms are superstars. That's why these Celeste earrings from the Vancouver-based jewelry brand Kara Yoo are a perfect Mother's Day gift pick. The delightful dangling earrings feature three stars for each ear, crafted from either rhodium-plated sterling silver or gold-plated brass.
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Whether to be added to an existing chain or gifted with a new chain selection, this pendant is sure to please. The sterling silver style features an M (for mom, of course) surrounded by smooth mother of pearl. If you'd prefer to go with mom's first initial instead — or maybe even the first initial of any and all children — this pendant is available in the entire alphabet for a truly custom creation.
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Part jewelry piece, part health tracker, this smart ring features a suite of wellness tracking options for mom. The Oura Ring 4 features an all-titanium design for a sleek, stackable appearance while 30 biometric metrics trackers ranging from sleep to heart rate to stress provide insight into her health.
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CTV News
an hour ago
- CTV News
Former B.C. premier proposes housing on Granville Island amid financial challenges
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Toronto Sun
5 hours ago
- Toronto Sun
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Published Jun 13, 2025 • 4 minute read Dakota Johnson and Chris Evans in "Materialists." Photo by Atsushi Nishijima / A24 Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. When you have such attractive players as Dakota Johnson, Pedro Pascal and Chris Evans looking for love against the gleaming backdrop of modern-day New York – well, you've entered rom-com heaven, right? This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Not exactly. 'Materialists,' Celine Song's sophomore effort after her quietly breathtaking 2023 debut, 'Past Lives,' winds up turning romance on its head to explore some of its unseemliest unspoken truths. Maybe 'Materialists' marks the emergence of a new genre: the rom-con, not in the sense that it's against the vicarious pleasures of flirting, seduction and finally finding true love, but that it's painfully aware of the coldhearted calculation that so often lies beneath. Johnson plays Lucy, a Manhattan matchmaker who works for a bespoke dating service called Adore – a concierge service for people who realize that to meet The One, they'll have to get off their apps and into the real world. Lucy has nine marriages to her credit, making her the office GOAT; but true to this story's Austen-meets-the-algorithm milieu, she has reconciled herself to eternal singledom. At the wedding of her most recent satisfied client, Lucy meets a handsome financier named Harry (Pascal), a guy who is so tall, good-looking and rich, rich, rich that he's a matchmaker's unicorn. He checks all the boxes. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. While Lucy is busy flipping through her mental Rolodex to find Harry a suitable mate, he makes it known that he only has eyes for her; meanwhile, a cater-waiter at the reception turns out to be an old flame of Lucy's: John (Evans), a wannabe actor who is tall, good-looking and poor, poor, poor. Can this marriage be saved? And which marriage, exactly, are we rooting for? Song clearly has a lot on her mind in 'Materialists,' which often plays as a meta-critique of such consumerist fantasies as 'Sex and the City.' At the aforementioned wedding, Lucy's client suffers a case of pre-altar jitters, which Lucy assuages by reminding her why she's marrying her future husband. Yes, he's wealthy and promises a lifetime of material security, but the psychic currency in the transaction is profound and even defensible: 'He makes you feel valued,' Lucy tells her simply. This advertisement has not loaded yet, but your article continues below. That's an astute point, and exemplifies the kind of nuance Song seeks to bring to 'Materialists,' which beneath the glittering surface wrestles with the grubby realities of money, social status, looks-ism and outright cruelty. (One of Lucy's male clients blithely insists that 30 is a 'dealbreaker' when it comes to age, 20 when it comes to body-mass index.) Grazing in a field similar to the ones plowed by Ruben Ostlund's scorching 2022 satire 'Triangle of Sadness,' as well as the razor-sharp relationship dramas of Nicole Holofcener, Song isn't interested in demonizing the most superficial checklists people bring to their dating lives as much as understanding the primal needs and aspirations those lists represent. This advertisement has not loaded yet, but your article continues below. 'Materialists' sets out to confront taboos like commodification, class and self-deception. 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'Past Lives' wasn't afraid of negative space – between people, and the words they say – but what felt delicately naturalistic in that film too often feels forced and rhythmically awkward when the narrative goes from low-key to no-key. 'Materialists' is being marketed as a pretty, escapist romp when it's anything but: A jarring tonal shift midway through the movie introduces an even grimmer note by reminding viewers of the serious perils of dating culture. That zag leads to some reckonings – moral, ethical, romantic, narrative – that can't help but feel predictable and contrived. Still, at its most commendable, 'Materialists' lends them the tarnished glow of humanity at its most imperfectly ragged. 'Only connect,' E.M. Forster told us. The struggle continues. And through Song's distinctive lens, it looks ruthless, a little bit funny and all too real. – – – Three stars. Rated R. At theatres. Contains profanity and brief sexual material. 109 minutes. Rating guide: Four stars masterpiece, three stars very good, two stars OK, one star poor, no stars waste of time. World World Canada Celebrity Toronto & GTA


Toronto Sun
5 hours ago
- Toronto Sun
REVIEW: ‘How to Train Your Dragon' serves up life lessons and eye-popping action
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THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account 'Lots of lessons here,' a mother was overheard to remark, with some surprise, after a recent screening. Mom nodded her head in agreement with her young child, who also couldn't help noticing the film's deeper meaning. 'Dragon' imparts these pearls of wisdom with verve and delight, in a telling that is as visually impressive as it is emotionally stirring. The dragons – categorized by species like the two-headed Zippleback and the Gronckle, a sort of overstuffed couch with hummingbird wings – are fantastical, but so are the Vikings, whose homeland is entirely that of the imagination, not Scandinavia. But these things were equally true of the Oscar-nominated 2010 animated film of the same name, on which this live-action remake (live, except for the CGI dragons) is based. Written and directed by Dean DeBlois, who co-wrote and co-directed the original (with Chris Sanders) before helming its two sequels, the new movie need only be no worse than the first to justify its existence. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. And it does meet that bar, if you discount the slight bad taste that might be left in your mouth from the naked greed of DreamWorks. Like Disney, which has been remaking its own catalogue of animated classics as 'live-action' films – a dubious classification if you consider the number of elves, fairies, genies, flying elephants and other fantastical creatures involved – the studio has jumped on the money train, eager to persuade a new audience to buy tickets for the same thing it sold a previous generation. There's another lesson there about how Hollywood thinks. I can't say that I mind too terribly in this case. Full disclosure: It may have something to do with the fact that I have an 11-month-old rescue dog at home. The new film's titular dragon, dubbed Toothless for his retractable teeth, rendered in convincing CGI, is meant to remind viewers of a difficult, irascible pooch – albeit one that also resembles a bat large enough to saddle up and ride through the sky like Pegasus. That makes for some neat aerial action sequences. This advertisement has not loaded yet, but your article continues below. And so that's exactly what our adolescent hero Hiccup (Mason Thames) eventually does, much to the chagrin of his bloodthirsty dad, played by Gerard Butler in a reprise of the fulminating – and inexplicably Scottish – vocal role he originated in the first film as the Viking chieftain Stoick. While, in his village, Hiccup may be forced to train with other teens who are preparing to hunt dragons (who eat the Vikings' sheep), he's a lover, not a fighter. More tinkerer than soldier, Hiccup manages to capture a wounded Night Fury dragon with a weighted net, nursing it back to health and eventually teaching it to fly again, despite a broken tail fin. The real lesson will come later, when Toothless will teach Hiccup – and ultimately the other Vikings – about the perils of blind hatred. This advertisement has not loaded yet, but your article continues below. As good as the 2010 film was, there are actually a few more moments here that will leave animal lovers verklempt, given the realism of Toothless's rendering, especially in his sad, puppy-dog eyes, which are somehow both reptilian green and heart-melting. But there may be another reason to see this 'How to Train Your Dragon' now – to, as it were, relearn its lessons, even if you've already seen the first film. (Or, for those who haven't, to discover them for the first time.) Loosely based on the 2003 children's book by British writer Cressida Cowell, the film is, at its core, a cautionary tale about misjudging outsiders. In short, it's about prejudice. There's a line in the new 'How to Train Your Dragon' that says it all: 'I looked at him,' Hiccup says of Toothless, whom he was taught to fear and kill, 'and I saw myself.' The line also happens to be in the 2010 film, whose narrative the remake follows closely. But somehow it lands differently, and with a poignant urgency that startles, in 2025. – – – Three stars. Rated PG. At theatres. Contains sequences of intense action and peril. 125 minutes. Rating guide: Four stars masterpiece, three stars very good, two stars OK, one star poor, no stars waste of time. World World Canada Celebrity Canada