
Lorde crashes Lorde-themed club night, astonishing fans
Lorde performs at the 42nd annual American Music Awards at Nokia Theatre L.A. Live on Sunday, Nov. 23, 2014, in Los Angeles. (Photo by Matt Sayles/Invision/AP)
Fans attending a Lorde-themed club night at a Sydney venue were left in disbelief on Sunday night when the singer herself turned up to the event.
Those attending the club night, organized by Sugarush at Mary's Underground, were only expecting to 'come dance (or cry) in the club as DJ @xeimma plays all the eras,' as had been advertised.
But, shortly beforehand, whispers began to circulate at the venue that Lorde herself might attend because her security had done a walkthrough, Emma Parke, the DJ at the event, told CNN.
Then, 20 minutes before Lorde arrived, Parke got a heads-up that she was coming, teed up all her biggest Lorde hits, and 'just hope(d) for the best,' she said.
The crowd had no such warning, however, and only realized the New Zealand star was there when she began interacting with some of them.
Two of Parke's friends were the first to speak to the singer as she 'tapped them on the shoulder and was like 'Oh I heard there's a club night on tonight…,'' Parke recalled.
'And then people turned their heads and started to notice. You just saw people processing it for a second, and then all of a sudden, there was this complete shift and chaos. But good chaos.'
Frenzied videos posted on Instagram show the Grammy-award winning singer on the dancefloor with her fans, dancing in the middle of a circle they formed around her.
'So many people had their own little moment with her,' Parke said. 'Her energy was just so kind and genuine … It just felt like we were all friends, and she seemed stoked to be there.'
Lorde, whose real name is Ella Yelich-O'Connor, stayed around 20 minutes, at one point joining Parke on the stage where she was DJing. Then, as she turned to leave, Parke played 'Girl, so confusing,' a remix track on which Lorde collaborated with Charli XCX, and 'she ended up coming back into the mosh, and stuck around a little longer.'
The club night had been scheduled to coincide with the release of Lorde's latest single, 'What Was That,' ahead of her new album, 'Virgin,' dropping on June 27.
This was the second surprise appearance Lorde has made in the run-up to her album release. In April, she danced with fans in New York's Washington Square Park after police shut down her attempt to stage an impromptu concert.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CTV News
11 hours ago
- CTV News
Sawatsky Sign-Off: Pinball Champ
Sawatsky Sign-Off: Pinball Champ Adam finds out how a boy with autism, who worked on a Hollywood movie, grew-up to become a World Pinball Champion

CTV News
19 hours ago
- CTV News
Patti LuPone's drama is dividing the Broadway community ahead of the Tony Awards
Patti LuPone arrives at an FYC screening for "Agatha All Along" on April 19, 2025, at the DGA Theater Complex in Los Angeles. (Andrew Park/Invision/AP via CNN Newsource) Patti LuPone may have apologized for some recent controversial remarks, but that doesn't mean the curtain has dropped on the drama. The actress sparked a major backlash after disparaging comments she made about fellow Broadway stars Kecia Lewis and Audra McDonald in a recent interview with the New Yorker. LuPone referred to Lewis as a 'b**ch' and said McDonald was 'not a friend.' Hundreds of performers from Broadway and other theater communities then wrote a letter in which they characterized LuPone's comments as 'degrading and misogynistic—it is a blatant act of racialized disrespect.' 'It constitutes bullying. It constitutes harassment,' they wrote. 'It is emblematic of the microaggressions and abuse that people in this industry have endured for far too long, too often without consequence.' The group called for LuPone to be disinvited from industry events, including Sunday's Tony Awards. LuPone apologized last weekend on social media, posting a statement in which she said she hoped to be able to speak with the pair to make 'sincere apologies.' 'I am deeply sorry for the words I used during The New Yorker interview, particularly about Kecia Lewis, which were demeaning and disrespectful,' Lupone wrote. 'I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community.' The controversy ahead of the Tony Awards has raised interest in the event, sparking conversation about whether LuPone, who has long reigned as Broadway star, will make an appearance. But not everyone feels harshly towards her. Actress Mia Farrow has garned a Tony nomination for the Broadway play 'The Roommate' in which she costars with LuPone. In a recently published interview with Deadline, Farrow talked about her 30-year friendship with the woman she dubbed the 'goddess of Broadway.' 'We live near each other. Always have. Two of our kids were in the same class at school, at the same school, her son and my son, and I met her on New Year's Eve, actually,' Farrow told the publication. 'She and her husband gave a New Year's Eve party, and Steve Sondheim, who was one of my oldest friends, 50 years, he invited me to come to the party at Patti's 30 years ago, and that's how I met Patti.' Farrow, who mentioned the New Yorker interview in her conversation with Deadline without addressing the controversy, said working with her neighbor and friend was a positive experience. 'Patti and I never had a negative moment, by the way,' Farrow said. 'Working together didn't change our friendship. I think our friendship is deeper now.' 'Abbott Elementary' star Sheryl Lee Ralph, who is also a decorated Broadway performer, most notably playing the role of Deena Jones in the original 1981 production of 'Dreamgirls,' weighed in as well. 'Why not be nice?' Ralph said of LuPone. And while Ralph said she was 'not going to judge' LuPone, she did have some words of wisdom for the 'Evita' star. 'It was a moment where maybe you want to zip it,' she said. 'Inner thoughts don't always have to be outer thoughts, that might have been one of those moments.' British weekly conservative magazine writer Ella Whelan penned a piece with the headline, 'Patti LuPone is a diva – not a racist.' 'LuPone is notorious for putting the broad in Broadway – her loud mouth is infamous,' Whelan wrote, noting some of her other outspoken comments. 'Forget white privilege, this is diva privilege – when you're that good an entertainer, you can pretty much say what you want,' Whelan added. Lisa Respers France, CNN


Globe and Mail
a day ago
- Globe and Mail
How the Canadian behind the Glambot became a ‘talent whisperer' for celebrity red carpets
Cole Walliser didn't move to Los Angeles with the intent of becoming a presence on red carpets. But today, the charismatic 43-year-old's signature laid-back energy and voluminous curls stand out even among the glitterati. You've likely seen Walliser's work, even if you didn't realize it. Since 2016, he's been helming the Glambot, a high-speed robotic camera that captures slow-motion portraits of celebrities, from Cynthia Erivo to Demi Moore to Ice Spice, at major awards shows such as the Oscars and the Grammys. At the same time, Walliser engages A-listers in candid moments as they decide how to co-create the most iconic shots. Originally from Richmond, B.C., Walliser came to L.A. in 2004 with a psychology degree from the University of British Columbia and a love of videography cultivated while filming his friends doing kickflips at the skate park. It was his keen attention to detail in motion that made him the ideal director of the Glambot. The execs at E! Entertainment 'were looking for someone who had directed beauty stuff, done a bunch of movement and choreography, and worked with A-listers,' says Walliser of getting the gig. After early-career experience directing beauty campaigns and music videos for artists such as P!nk and Miley Cyrus, 'I checked all those boxes,' he says. His role, technically, is director. But in practice, Walliser is part cinematographer, part movement coach, part talent whisperer. 'The big challenge is trying to get talent to do a cool, interesting move,' he says. Once Walliser calls out to his operator, the camera rapidly flies forward, capturing its subject's twirling or hair-tossing in a dazzling 1,000 frames per second at 4K resolution. The cost to operate the Glambot at a single event is upward of US$500,000. It's a serious piece of equipment, requiring a team of 13 to run, including video editors and social-media managers. Most Glambot clips are filmed in one superquick take. To nail it, Walliser is watching closely – trying to read what kind of direction a celebrity needs; how they are preparing to move, whether they seem nervous about the giant robot arm about to fly toward their face. He says his psychology background helps. 'I use that every day in the approach I have to creating.' What sets the Glambot apart from other red-carpet photography, he believes, isn't just the spectacle of hi-def slow motion – it's the raw, behind-the-scenes moment that happens between him and the celebrity before the shoot begins. 'You really get a candid, creative conversation which you essentially get nowhere else in entertainment,' he says of these interactions, which are captured and uploaded to social media in near-real time during awards shows. 'Even in behind-the-scenes footage for movies and TV shows, you never actually hear a director and actor talk about a shot. With Glambot, that moment is front and centre.' It's that mix of real-time collaboration and cinematic payoff that keeps the public fascinated. 'A lot of people who watch these envision what they would do if they had the chance to do a Glambot,' he says. 'And to see others confidently – or self-consciously – go through it makes it feel relatable.' Walliser's top Glambot moments include viral clips with Ariana Grande ('arguably the best ever Glambot shot,' he says of the singer's 2020 Oscars capture in a tiered Giambattista Valli gown), Brad Pitt, Billie Eilish and even Weird Al. He's now a kind of avatar for the experience, someone who has been doing it long enough that emerging actors see walking up to him as a rite of passage. 'There are people who've been watching for years, dreaming of doing one, and then they book a TV show and show up at the Emmys,' he says. 'That's just the coolest thing ever.' Representation matters to him, too. Walliser, who is half Chinese, says, 'I feel a sense of pride when I see Asians get opportunities to portray roles that are no longer stereotypical. If they find success and end up on the Glambot, it's so fun to shoot.' Walliser, a freelancer, is also busy with work beyond the Glambot. He's shot Super Bowl commercials, hosted a photography show on Hulu and hopes to direct his own narrative feature films. On weekends, he races cars, surfs and cares for his pet fish in a coral reef tank at home. He has no plans to stop vibing on the red carpet. 'I'll continue doing it so long as E! will have me,' he says. 'It's been so much fun, and my career has grown tremendously.' And if he could Glambot anyone in history? 'Michael Jackson,' he says. 'You couldn't get any better than that.' 'The pose at which you feel most natural is more likely the pose at which you're going to look your best,' says Walliser. 'Find a position that feels comfortable in your body and that you feel confident in. ... That's really going to resonate the most.' If you're working with video, try what Walliser calls a movement pose: 'You just sort of alternate, you twist, you turn in and out of that position, and then when someone says 'three, two, one, action,' you go into it.' 'I wouldn't be ashamed about practising,' says Walliser. 'The people on the red carpet, they're so good because literally their job is to pose. ... Set your phone up, hit a couple of poses, watch it, see what's good.' And most importantly, don't psych yourself out. 'If you're like, 'Oh no, I can't pose, I'm so awkward' – you're guaranteed going to be awkward. Let that go. Just relax and feel comfortable and natural,' he says. Making a lower-tech DIY Glambot is totally possible. 'The new iPhones shoot at 240 frames a second, which is pretty slow-mo,' says Walliser. Ask a friend with a steady hand to film while moving toward you and zooming in as you move into your chosen pose. For inspiration, Walliser recommends checking out the tutorial he made with creator Haley Kalil (a.k.a. Haley Baylee). 'People do home Glambots for their proms, for their events. I get tagged in them all the time, and it's really awesome to see.'