
Book Review: Jess Walter's 'So Far Gone' sets a redemption story in fractured, modern America
Consider 'So Far Gone,' the new novel by Jess Walter. Set in present day America, it opens with two kids wearing backpacks knocking on a cabin door. 'What are you fine young capitalists selling?' asks Rhys Kinnick, before realizing the kids are his grandchildren. They carry with them a note from Kinnick's daughter, describing dad as a 'recluse who cut off contact with our family and now lives in squalor in a cabin north of Spokane.'
It's a great hook that draws you in and doesn't really let up for the next 256 pages. We learn why Kinnick pulled a Thoreau and went to the woods seven years ago (Hint: It has a lot to do with the intolerance exhibited by no small percentage of Americans and embodied by a certain occupant of the White House), as well as the whereabouts of Kinnick's daughter, Bethany, and why her messy marriage to a guy named Shane led to Kinnick's grandchildren being dropped off at his cabin.
In a neat narrative gimmick, the chapters are entitled 'What Happened to ___' and fill in the main strokes of each character's backstory, as well as what happens to them in the present timeline. Told with an omniscient third-person sense of humor, the book's themes are nonetheless serious. On the demise of journalism in the chapter 'What Happened to Lucy,' one of Kinnick's old flames and colleagues at the Spokesman-Review: She 'hated that reporters were expected to constantly post on social media… before knowing what their stories even meant.' Or Kinnick's thoughts as he holds a .22 Glock given to him just in case by a retired police officer who is helping him get his grandkids back from the local militia: 'The shiver that went through his arm! The power!… The weight of this gun was the exact weight of his anger and his fear and his sense of displacement… That's where its incredible balance lay.'
As Kinnick links up with various characters and drives across the Northwest in search of his daughter and grandchildren, the plot unfolds quickly. Most readers won't need more than a day or two to reach the final page, which satisfies the Thoreau quote Walter uses in the story's preface: 'Not till we are lost… 'till we have lost the world, do we begin to find ourselves.'
___
AP book reviews:
https://apnews.com/hub/book-reviews
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
22 minutes ago
- New York Post
Trump repeats claim Kimmel, Fallon are ‘next' after Stephen Colbert cancellation
President Donald Trump doubled down on Wednesday that late-night hosts Jimmy Fallon and Jimmy Kimmel would be 'next' to be canceled during a press conference. During the presser, Real America's Voice reporter Brian Glenn asked about reports that radio host Howard Stern may part ways with Sirius XM after his contract expires this fall. Advertisement With that in mind, Glenn asked if the 'hate Trump' entertainment model was losing popularity with Americans. Trump cited CBS' recent cancellation of 'The Late Show with Stephen Colbert' as an example and added that he believes Fallon and Kimmel are next. 'Well, it hasn't worked,' Trump said. 'And it hasn't worked, really, for a long time, and I would say pretty much from the beginning. Colbert has no talent. I mean, I could take anybody here. I could go outside in the beautiful streets and pick a couple of people that do just as well or better. They'd get higher ratings than he did. He's got no talent.' He continued, 'Fallon has no talent. Kimmel has no talent. They're next. They're going to be going. I hear they're going to be going. I don't know, but I would imagine because they'd get—you know, Colbert has better ratings than Kimmel or Fallon.' Advertisement 4 President Trump suggested Jimmy Fallon and Jimmy Kimmel's late-night shows are 'next' to be canceled. AP 4 CBS announced 'The Late Show with Stephen Colbert' will end in May 2026. AP Trump made a similar declaration on Truth Social after Colbert's show was canceled last month. 'The word is, and it's a strong word at that, Jimmy Kimmel is NEXT to go in the untalented Late Night Sweepstakes and, shortly thereafter, Fallon will be gone,' Trump wrote. Advertisement He continued, 'These are people with absolutely NO TALENT, who were paid Millions of Dollars for, in all cases, destroying what used to be GREAT Television. It's really good to see them go, and I hope I played a major part in it!' 4 'Jimmy Kimmel is NEXT to go in the untalented Late Night Sweepstakes,' President Trump wrote on Truth Social. AP 4 President Trump predicted that 'The Tonight Show with Jimmy Fallon' would be dropped by NBC. Rosalind O'Connor/NBC via Getty Images Advertisement Although some liberal commentators claimed CBS canceled Colbert's show for political reasons to appease Trump, Paramount—CBS' parent company—insisted it was 'purely a financial decision.' Regarding Stern, Trump remarked how he used to 'have fun' when he appeared on his show. He went on to say that Stern went downhill after endorsing Hillary Clinton for president in 2016. 'He lost his audience. People said give me a break. He went down when he endorsed Hillary Clinton,' Trump said.


New York Post
5 hours ago
- New York Post
‘Weapons' review: The best horror movie of the summer
movie review WEAPONS Running time: 128 minutes. Rated R (strong bloody violence and grisly images, language throughout, some sexual content and drug use). In theaters. During this lazy summer of comatose sequels, nothing has been scarier to Hollywood than an original idea. So how sweet it is that one of the freshest and best movies of sweaty season is a brand new, freakily creative story from the horror genre. No cardboard IP here. But plenty of RIP. The sharp and explosive 'Weapons,' from 'Barbarian' writer-director Zach Cregger, is powered by a quality the big screen has all but surrendered to more riveting TV dramas: Unpredictability. Right from the spooky intro, in which we learn that 17 fifth graders from the same suburban classroom all mysteriously ran away from their homes at 2:17 a.m. one night and went missing, the plot unfolds in ways startling and twisty, disturbing and deceptive. The experience is akin to being blindfolded and thrown into a trunk — except fun! The film's main question: Where did all the kids go? 3 Julia Garner and Josh Brolin star in 'Weapons. AP Could their disappearance be a coordinated kidnapping, an act of God or perhaps an alien abduction? That's an intense problem to solve. One lost child in a film means high stakes, a ticking clock and big adult feelings. Multiply that by 17. Something feels off about the community from the start. There are hints of the rapturey HBO drama 'The Leftovers,' as well as the recent warped 'Longlegs' with Nicolas Cage and the not-so-recent 'Blair Witch Project.' Cregger adds a bit of 'It' and 'Stranger Things,' too, in the way the movie probes the dark crevices of a seemingly nice, sleepy town as young people confront pure evil. But who's to blame for the crime? 3 Seventeen kids in a single classroom mysteriously go missing. AP The angry locals believe it's the teacher Justine (Julia Garner). They vandalize her car and stalk her. But the cops can't find any evidence to implicate the pithy, secretive woman. Just one little boy in the class didn't vanish — Alex (Cary Christopher, a 2025 Child of the Corn). He's gotta know something, right? Our final answer is peculiar and outlandish — frightening, oddly funny, eccentric, spine-tingling, grotesque and ultimately sad. To arrive there, Cregger has built a puzzle that's told in chapters, each devoted to a different character. One belongs to Josh Brolin as a dogged parent, and another goes to Austin Abrams' comedic Anthony, a burnout drug dealer who could be friends with someone named Silent Bob. Alden Ehrenreich, a great actor who hasn't been around much lately, plays a troubled cop. And Amy Madigan does a delicate dance as Aunt Gladys. 3 'Weapons' is told in chapters, each devoted to a different character. AP Garner, who exudes an energy that suggests she might pick a fight with somebody at the grocery store, fuels that sinister Main Street, USA, vibe with her enigmatic 'Ozark' persona. The vicious actress is herself a weapon. Most of the grown-ups here are deeply and engrossingly flawed: self-interested addicts, weirdos and brutes. In their own odd way, they each help the tale reach its satisfying conclusion, even if many of them don't make it to the credits. No real hero emerges until the last 10 minutes. This year, many movies have been boring, flabby, unnecessary, nostalgic, dumb, cheap or a burrito bowl of all of the above. But I was never less than superglued to 'Weapons.' Clever Cregger proves, as Ryan Coogler did with 'Sinners' back in the spring, that horror not only often has the most blood — it's got the most guts.


Axios
5 hours ago
- Axios
Why pottery is building in popularity
Americans are increasingly turning to pottery as they seek to build community and connection away from their screens. The big picture: Throwing pottery on a wheel is a calming and therapeutic activity that's also challenging. It takes some logic and creativity, but is accessible to people who don't think of themselves as artsy. What they're saying: "I think it's always good to have other outlets outside of the norm of going to restaurants or going to bars," Lindsay Werner, who owns Mud Studio locations in San Antonio and Austin, told KSAT. "We're so isolated and technology-focused today … and this is like getting back to the earth," Chicago resident Kelsie Huff told the Sun Times. Zoom out: New ceramics studios are opening around the country, from Overland Park, Kansas, to Atlanta. Longtime spot Greenwich House Pottery in New York City opened a second location last year, citing an explosion in bookings. Zoom in: I began throwing wheel pottery a little over a year ago, and I love how it's embedded with life lessons — one of the biggest of which is learning to control what you can and let go of what you can't. Clay teaches me to assert myself and be direct. If I want the clay to do something, I have to tell it. But the practice also helps me accept that things will go wrong and break — constantly. And it's OK because I can't make beautiful vessels without creating wonky items too. My first mugs are shallow with lopsided handles. Now, I can create mugs with symmetrical bases and comfortably smooth handles.