Books without Borders
Dear reader,
Mayyil in Kerala's Kannur district is my favourite place for many reasons—and if you're expecting beaches or backwaters, you will be gently disappointed. It's my favourite because this tiny local panchayat has 35 public libraries. It's startling to see a community with around 20 schools and 20 temples have almost double the number of libraries: which is either a testament to Kerala's commitment to literacy or proof that the people have collectively decided that books are more reliable than Gods when it comes to life advice.
My first visit in 2019 felt like coming home to a memory I hadn't known I had—a biblio-sojourn in the truest sense, where on every bend of the dusty road there stood a library, not a café, not a mall, not another temple. I wondered how many communities could claim such a density of literary sanctuary, then discovered that Kerala—with about 8,500 public libraries—is second only to Maharashtra in raw numbers, but leads the nation at approximately 23.4 libraries per 1,00,000 people. The unseen hand behind this proliferation is the Kerala State Library Council, which has apparently been more successful at empire-building than most actual empires.
I visited Mayyil's Velam Vayanashala (library in Malayalam) a few years later. The library had invited me to speak on an oddly beautiful occasion. Pusthaka-kani, as they called it, is modelled on the traditional Vishukani (an arrangement of auspicious items such as an idol of Krishna, a mirror, golden shower flowers, cucumber, and viewed at dawn on Vishu, the Malayalam New Year, to ensure prosperity.) But in this library, the kani (or view) was that of books, neatly arranged. That's how they welcomed the New Year.
Standing that morning in the gentle hush that only libraries can create, I told them of a book I had just read: Susan Orlean's 2018 work The Library Book, which is about the devastating fire that gutted the Los Angeles Public Library in 1986. 'I grew up in libraries, or at least it feels that way…The library might have been the first place I was ever given autonomy,' writes Susan Orlean in the book, which is an elegy doubling as an ode to belonging—the kind of belonging that asks for no passport, no ideology, only the willingness to get lost in another's words. And that sense of belonging is something that, as Velam's library members showed me, goes beyond religion, caste, or class.
I don't know if any institution has such powers in our world. Libraries act like wayward trains, delivering travellers to destinations they didn't know they were seeking. The sheer feeling of serendipity is thrilling. In those small village libraries, whether it was the Kuzhikkattussery Grameena Vayanasala or the Aloor Grama Panchayat Library, the two libraries that powered my childhood, I had discovered in them, by accident or divine intervention, books I never imagined existed. I'd come expecting comfort; I found astonishment. The kind that makes you believe in benevolent universe conspiracies—the way a random book falls off a shelf just when you need its particular brand of wisdom, or how you stumble upon exactly the right metaphor for your existential crisis hiding between cookbooks and poetry collections.
In those early pages of our library addiction, didn't we all feel we had unearthed old therapy salons? Places where readers arrived seeking only knowledge or a pastime, but found something more therapeutic than actual therapy and at a cheaper rate. We like-minded souls drunk on words and stories sat close, mostly silent, connected by grief or laughter at the trials of Raskolnikov (who really needed better life coaches), Tess (who deserved better than Hardy's relentless doom), Quentin Compson (whose stream-of-consciousness was more coherent than most Reddit feeds), Meursault (the original emotionally unavailable protagonist), and Okonkwo (whose story hits differently when you're navigating your own cultural dislocations).
There were times when a turning page carried the weight of collective tears, and we would emerge, replenished, ready to meet the mundane again with something approaching grace. We didn't need a psychologist—just a shelf, a chair, and that unspoken fellowship of readers who understood that sometimes the best conversations happen in complete silence.
Eric Klinenberg wrote in Palaces for the People that libraries are a social infrastructure, the connective tissue of resilient democracies. In their soft light, strangers become neighbours not through forced small talk but through the gentle recognition that we are all just trying to figure out the business of being human. Immigrants find voices; the unemployed find career choices; senior citizens grasp at companionship; teenagers meet alter egos who mirror their confusion, and realise they're not uniquely broken.
The history of libraries is a saga that stretches from clay tablets in Mesopotamia to dusty scrolls in Alexandria (history's greatest literary tragedy), from fluorescent-lit reading rooms in 20th-century Carnegie libraries to today's digital archives. Andrew Pettegree and Arthur der Weduwen chronicle this in The Library: A Fragile History, asking us to see libraries not as static institutions but living organisms: moulded by power, censorship, and the changing media of their times.
Libraries today teeter under pressures we once thought unimaginable. Across the globe, funding for public libraries is waning. In the US, a Trump administration order to eliminate the Institute of Museum and Library Services—responsible for about $300 million in grants for libraries and museums. In India, Maharashtra alone has seen at least 1,000 public libraries shut down in the past three years.
Community libraries need a continuous feed of resources, community trust, and institutional goodwill. If the funding fails, the aisles will go dark, the story hours will cease, the teenagers will drift elsewhere, and those shared moments will vanish like clouds, leaving behind only the hollow echo of what democracy sounds like when it's dying.
But a current of human determination and gentle rebellion makes you believe that some people will always refuse to let good things die. This example, too, comes from Trump's America. In New York City, when Mayor Eric Adams proposed a $58 million budget cut to the public library in 2024, authors, celebrities, neighbours, and strangers organised campaigns that restored many services.
Similar to what civil society participation and the Library Council's support still do for the many libraries in Mayyil. If ever you find yourself there—or in any other town or village you visit—pay attention to the hush. Follow it like a curious cat. Turn the corner. There, under a low canopy of books, you may discover what I found: home. And with it, an entire world waiting for you, page by page, question by question, revelation by revelation, in the most democratic spaces that humanity has ever created.
I was reminded of Mayyil and those many other libraries I have visited when I read this lovely photo essay by Nabeel Ahmad about how three community libraries are making a difference in Delhi, a city where I worked for nearly a decade but missed the libraries of my Kerala childhood. Delhi's libraries were all elite, access dictated by privilege and metal detectors, and I hated them, yearning for the little open spaces of the community library. Which is why I felt so happy and at home when I saw this photo essay. Do read the piece, and if you are in Delhi, pay a visit. If you are not in Delhi, check out your local libraries and tell us about them.
Wishing you a lovely week ahead,
Jinoy Jose P.
Digital Editor, Frontline
We hope you've been enjoying our newsletters featuring a selection of articles that we believe will be of interest to a cross-section of our readers. Tell us if you like what you read. And also, what you don't like! Mail us at frontline@thehindu.co.in
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India.com
27 minutes ago
- India.com
Janmashtami 2025: Exploring The Indian States That Set Records With Tallest Dahi Handi Matki Traditions
photoDetails english 2946751 Janmashtami 2025 will witness grand Dahi Handi celebrations across India, with several states competing to set records for the tallest matki. Maharashtra, Delhi, Gujarat, Uttar Pradesh, and Karnataka stand out for their spectacular human pyramids and festive spirit. These traditions not only symbolize Krishna's love for butter but also unity and devotion. Updated:Aug 16, 2025, 11:17 AM IST Dahi Handi Matki Celebrations 1 / 7 The festival of Janmashtami 2025 is incomplete without the exciting tradition of Dahi Handi, celebrated with grandeur across India. From Maharashtra to Delhi, states compete in organizing the tallest matki (earthen pot) events, attracting thousands of devotees and participants. These celebrations not only reflect devotion to Kanha but also showcase unity, teamwork, and cultural enthusiasm. Maharashtra – The Heart of Dahi Handi Celebrations 2 / 7 Maharashtra, especially Mumbai and Pune, is world-famous for its tallest Dahi Handi events. Human pyramids of 7–9 tiers are often formed to break the matki, with some reaching heights of 40–50 feet. The grand celebrations in areas like Thane, Dadar, and Ghatkopar attract huge crowds, sponsors, and even celebrities, making Maharashtra the hub of Dahi Handi festivals. Gujarat – Traditional Meets Modern Festivities 3 / 7 In Gujarat, Janmashtami is celebrated with devotion, particularly in Dwarka, the city closely associated with Lord Krishna. Here, Dahi Handi competitions see tall matkis placed in community grounds and temples. Though not as commercialized as Mumbai, Gujarat's celebrations blend devotion with the thrill of climbing tall human pyramids. Delhi – Rising Spirit of Dahi Handi 4 / 7 The capital city, Delhi, has also embraced the Dahi Handi culture in recent years. Events in areas like Connaught Place and Rohini feature tall matkis reaching impressive heights. Youth groups actively participate, bringing the same festive energy seen in western India. These events often combine devotional bhajans, stage performances, and cultural shows. Uttar Pradesh – Kanha's Birthplace Celebrations 5 / 7 As the birthplace of Krishna, Mathura and Vrindavan in Uttar Pradesh celebrate Janmashtami with unmatched devotion. While the tallest matkis may not always rival Mumbai, the spiritual aura makes the event truly special. Dahi Handi competitions are organized with tall pots, filled with butter, curd, and sweets, symbolizing Krishna's love for 'maakhan.' Karnataka – The Southern Twist to Dahi Handi 6 / 7 In Karnataka, especially Bengaluru and Mangalore, Dahi Handi is celebrated with high enthusiasm. Human pyramids are formed, and matkis are placed at impressive heights, often accompanied by folk songs and dance. The fusion of southern culture with Krishna devotion makes Karnataka's celebrations unique. 7 / 7 Janmashtami 2025 will once again see states like Maharashtra, Gujarat, Delhi, Uttar Pradesh, and Karnataka compete in placing the tallest matkis during Dahi Handi. While Maharashtra often holds the record for the highest pots, every state adds its own cultural and devotional flavor, making the festival a vibrant celebration of Lord Krishna's birth.


News18
2 hours ago
- News18
The Magnificent Symbolism of Krishna's Birth
Last Updated: When devotion meets the breath and the body in perfect harmony, the Krishna within you manifests. That is the true birth we celebrate Lord Krishna was never born in the way we think of birth. He simply manifested. Yet, we celebrate his birth with great joy and devotion. If you look into it, there is great symbolic relevance in the story of his birth that is timeless. Krishna was born to Devaki and Vasudeva. 'Vasu' means breath or the life force (prana). 'Devaki' means the body. In the story, Devaki's brother Kansa, who stands for ego, imprisoned them both. Ego binds the body and the breath in chains. But when the body and the prana unite in harmony, Ananda (bliss) takes birth. That is why Krishna is called Nandalala — the beloved child of bliss, knowledge, and infinity. Within this small frame of a human body, you have the capacity to experience the vastness of infinity. This is why Krishna is depicted in blue, as is Shiva. Blue is the colour of the infinite: the sky, the ocean, the depth that has no end. The blue body does not point to the outer skin but to the inner, boundless Being. The soul is never born; it exists in a different state of consciousness. When the mind, breath, and body come together in stillness, that consciousness becomes alive within you. When we meditate, we slowly take our attention inward to different parts of the body and the different levels of our existence, when we become hollow and empty we see, all that remains is space. Inside, there is nothing but pure and eternal space, which has always been there but we never noticed. When Krishna appeared at midnight in the prison, the guards are said to have fallen asleep. These guards are none other than the five senses — the eyes, ears, nose, tongue, and skin — that keep you engaged in the outer world. They are always on duty, keeping your awareness outward. When they rest, the inner sky reveals itself. Then, bliss is born. In the story, Vasudeva (the prana) carries Krishna away to protect him from Kansa, the ego, which cannot tolerate bliss for long. He crosses the Yamuna, that symbolises love, to bring Krishna to Yashoda. Love rises high in ecstasy when it meets infinity, and then it returns to silence, just as a beautiful song must have pauses. Without the silence between the notes, music has no depth. Yashoda is the symbol of bhakti – devotion, faith, and loving surrender. Yoga and meditation give birth to infinity within, but it is devotion that nurtures it. Without bhakti, bliss cannot grow. So, Krishna grows up in the lap of devotion, in the home of Yashoda. Krishna is the complete, multidimensional personality: playful yet profound, wise yet simple, the embodiment of love and joy. When devotion meets the breath and the body in perfect harmony, the Krishna within you manifests. That is the true birth we celebrate. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


News18
3 hours ago
- News18
Fervent celebrations across India on Shri Krishna Janmashtami
New Delhi [India], August 16 (ANI): Devotees across India thronged temples with devotion and fervour to celebrate Shri Krishna Janmashtami, marking the birth of Lord Krishna. Thousands of devotees gathered to offer prayers and seek blessings. The chanting of mantras, bhajans, and ringing of bells as sacred rituals started in early morning hours across several temples in the country. In Mathura, the Shri Krishna Janmabhoomi Temple, believed to be the birthplace of Lord Krishna, witnessed a vibrant Mangala Aarti early this morning. In Noida, devotees participated in grand celebrations in the ISKCON Temple in Sector 32. The temple echoed with kirtans and devotional offerings. In Chhatarpur of Madhya Pradesh, the Prem Pratik Temple hosted a Mangala in Jaipur, Rajasthan, the historic Govind Dev Ji Temple saw an overwhelming turnout of devotees. The celebrations across these cities reflect the deep spiritual connection and widespread devotion to Lord Krishna's birthday falls on the Ashtami Tithi of Krishna Paksha in the month of Bhadrapad. Although the celebration takes place in different parts of the country, Mathura and Vrindavan hold a special significance. One being his birthplace, and one where he spent his childhood and did his baal flock to the Lord Krishna temples. The temples were decorated with flowers and crystal chandeliers, and the idols of Lord Krishna were decorated with colourful clothes and midnight, a special ritual is performed when the idol of Lord Krishna is bathed in milk, yoghurt, honey, ghee, and water. During the Krishna Abhishek, bells are rung, conch shells are blown, and Vedic hymns are the bhog, Prasad is given to the worshippers, who stand out for hours for Krishna darshan and Handi is also celebrated in numerous areas. One of the customary festivals of Krishna Janmashtami is Dahi Handi, also known as Gopalakala or is the name for curd, while a handi is an earthen pot used to store milk products. One of the biggest celebrations in Maharashtra is Dahi Krishna is often referred to as 'Makhan Chor' because he used to steal butter. He organised a bunch of friends to get milk from earthen jars dangling from the ceiling. (ANI)