Gene Hackman death: Sheriff says timeline may be a 'challenge' as investigation continues
Gene Hackman death: Sheriff says timeline may be a 'challenge' as investigation continues
Show Caption
Hide Caption
Pacemaker data suggests Gene Hackman may have died on Feb. 17
New Mexico authorities say Oscar-winning actor Gene Hackman's last day of life was likely Feb. 17 after reviewing Hackman's pacemaker data.
The death of actor Gene Hackman remains under investigation after he was found Wednesday at his home in New Mexico.
The actor, his wife, pianist Betsy Arakawa, along with a dog, were found dead by neighborhood security officials. Authorities found the couple around 1:45 p.m. Wednesday, according to a statement from the Santa Fe County Sheriff's Office.
Hackman had largely retreated from the spotlight, but had "deeply woven" himself into his New Mexico community, Jennifer LaBar-Tapia, Executive Director of the Santa Fe Film Office, said at a Friday press conference.
"Gene was not only a legendary actor whose talent shaped generations of storytelling, but he and Betsy were also longtime residents of our community," LaBar-Tapia said.
Here's what we know about the death of Gene Hackman.
Gene Hackman's 'last event' recorded more than week before body found
Hackman's pacemaker revealed that "his last event was recorded on Feb. 17, 2025," Santa Fe County Sheriff Adan Mendoza said during a press conference.
Mendoza said it was "a very good assumption" to conclude that was Hackman's "last day of life," more than a week before he was found.
Mendoza told the "Today" show Friday that he's "pretty confident that there's no foul play" involved, though police are "not ruling that out."
Tests negative for carbon monoxide
Hackman and Arakawa tested negative for carbon monoxide, Mendoza said during the press conference.
Authorities found the actor in a mudroom near his cane, appearing to have fallen, while his wife Arakawa was found in an open bathroom near a space heater, according to a search warrant.
A deputy observed "body decomposition, bloating in her face" and mummification in Arakawa's hands and feet, according to the warrant.
One of the couple's German shepherds was found dead less than 15 feet from Arakawa in a closet, while their other two dogs were found alive in the bathroom near Arakawa and outside.
Mendoza told "Today" that there was no "indication that anybody was moving about the house or doing anything different, so it's very hard to determine" if the couple died at different times or together.
Authorities called the deaths "suspicious."
Sheriff: Creating timeline on Hackman death 'challenge'
Mendoza told "Today" that it would be a "challenge" crafting a timeline of their deaths, as Hackman and Arakawa were "private individuals and a private family."
"One of the things is in an investigation, we try to piece a timeline together," Mendoza said they usually work from when "the event" happens and go forward but said that investigators plan to also work "backwards" on the Hackman case.
Two cell phones were among the items found in a search of the Hackman home. Mendoza said that investigators would attempt to access the phones to gain insight into the last days of the couple.
"We'll be analyzing cell phone data, phone calls, text messages, events, photos in the cell phone to try to piece a timeline together," Mendoza said Friday.
Contributing: Anika Reed
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
33 minutes ago
- Yahoo
‘Smallville' Co-Showrunner Kelly Souders Tells Producers: 'Don't Give Notes When Everybody's Gone Home'
Kelly Souders, the co-showrunner of Superman drama Smallville and co-creator of The Hot Zone, has had her say on the complicated relationship between producers and creatives. In a panel hosted by Deadline in Germany at Seriencamp yesterday, Souders railed against producers whose primary goal is imposing their will on a production without considering how to connect with their creative counterpart. More from Deadline Folivari International Takes Global Rights To 'Pil's Adventures' Spin-Off Series Major TV Events Continue In Cologne Despite Huge Evacuation While German City Deals With WWII Bombs BBC Studios Producer Reveals Why 'Ghosts' Is "Indebted" To 'Friends' - Seriencamp 'As a producer, you're constantly giving notes and you need to figure out your goal. Is it being right, or is it to get a tune out of someone?,' she questioned. Her key message to producers addressing issues with creatives was to figure out how to deliver an opening line. 'There are a lot of times I get notes in meetings that say, 'Okay, there is a lot of work to be done here.' Immediately, your front cortex shuts down and you go into fight or flight mode. I'm going to walk out, and without even trying I'll forget what you said,' she added. She also criticized producers who provide notes on scenes when a production is at edit stage. 'It would have been a great note when we were shooting, but now everybody's gone home,' she added. 'They don't like to read' Souders was talking on a panel alongside Noémi Saglio, the French TV and film writer behind 2019 Netflix series The Hook Up Plan, who stunned an excited audience with her own take on producers' pitfalls. 'They don't like to read,' she said. 'That is what producers really need to work on. Guys, the creative is the basis for the whole thing: If you don't like to read, I don't know what to tell you. We have to come back to the material, and they have to know it by heart and understand every sentence.' Both agreed that producers needed to make tough financial calls, but urged this to be a collaborative process informed by the script and not a decision-making process taken alone with an 'Excel spreadsheet,' as Saglio put it. Souders said she has had few entirely positive experiences with producers. The exception to the rule was Ridley Scott's Scott Free Productions, whose staff had creatively supported her vision on The Hot Zone, a Nat Geo drama adaptation of Richard Preston's book about the ebola virus. Souders joined Smallville as a staff writer on Season 1 in 2001 before rising to become co-showrunner on the Warners-then-CW young adult drama. She remained with the show through its next nine seasons. She later went on to co-create and showrun Julianna Margulies-starrer drama The Hot Zone and was consulting producer and writer on Genius: Picasso and Genius: Einstein for the same network. She was also an executive producer on WGN's flagship show Salem, and consulted on CBS's Under the Dome and USA Network's Political Animals. 'You want desperately to find a creative producer who is going to elevate what you're doing, but instead a lot of times you are just arguing with them,' she said. Both Saglio and Souders noted they worked with the same creative team on most projects. 'Everybody on set is my family, and I never change that, but I change producers,' said Saglio. 'I haven't made two projects with the same producer. I don't fight with them, but I haven't found one who has brought enough to the table to do another one with them. I am so hands-on that it is so difficult to trust someone has the same vision.' Ólafur Darri Ólafsson, the American-Icelandic actor-producer, said that a good producer 'connects with the story, brings together the best creative people they think should make that story and then stay out of their way as much as they can, but be ready to pop in when needed.' He criticized how 'ego' can derail projects, and recalled an anecdote about Mel Brooks, who quietly organized Academy Award-nominated 1980 film The Elephant Man, directed by a young David Lynch. 'He was the producer, the one who bought the rights and the one who put it in the hands of David Lynch. But Mel Brooks' name isn't on the film, and the reason he gave was if it was, people would expect something different. It is an incredible thing to have the humility to tell yourself that, and that is the mark of a great producer.' Best of Deadline 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out? 'Stick' Release Guide: When Do New Episodes Come Out?
Yahoo
41 minutes ago
- Yahoo
Frederick Forsyth: Life as a thriller writer, fighter pilot, journalist and spy
Frederick Forsyth, who has died at the age of 86, wrote meticulously researched thrillers which sold in their millions. A former fighter pilot, journalist and spy, many of his books were based on his own experience. He wove intricate technical details into his stories, without detracting from the lightning pace of his plots. His research often embarrassed the authorities, who were forced to admit that some of the shady tactics he revealed were used in real-life espionage. Frederick McCarthy Forsyth was born on 25 August 1938 in Ashford, Kent. The only child of a furrier, he dealt with loneliness by immersing himself in adventure stories. Among his favourites were the works John Buchan and H Rider Haggard, but Forsyth adored Ernest Hemingway's book on bullfighters, Death in the Afternoon. He was so captivated that - at the age of 17 - he went to Spain and started practising with a cape. He never actually fought a bull. Instead, he spent five months at the University of Granada before returning to do his national service with the RAF. Having spent years dreaming of becoming a pilot, Forsyth lied about his age so he could fly de Havilland Vampire jets. In 1958, he joined the Eastern Daily Press as a local journalist. Three years later, he moved to the Reuters news agency. At Tonbridge School, Forsyth had excelled in foreign languages but little else. Fluent in French, German, Spanish, and Russian, he was a born foreign correspondent. Posted to Paris, he covered a number of stories relating to assassination attempts on the life of France's President Charles de Gaulle, by members of the Organisation de l'Armee Secrete (OAS). The group of ex-army personnel were angered at de Gaulle's decision to give independence to Algeria after many of their comrades had died fighting Algerian nationalists. Forsyth called the OAS "white colonialists and neo-fascists". And he decided that, if they really wanted to kill de Gaulle, they would have to hire a professional assassin. Forsyth joined the BBC in 1965. Two years later, he was sent to Nigeria to cover the civil war that followed the secession of the south-eastern region of Biafra. When the fighting dragged on far longer than had been expected, Forsyth asked permission to stay and cover it. According to his autobiography, the BBC told him "it is not our policy to cover this war". "I smelt news management," he said. "I don't like news management." He quit his job and continued to cover the war as a freelance reporter for the next two years. He chronicled his experiences in The Biafra Story, which was published in 1969. He later claimed that, while in Nigeria, he began working for MI6, a relationship that continued for two decades. He also become friendly with a number of mercenaries, who taught him how to get a false passport, obtain a gun and break an enemy's neck. All these tricks of the trade would be incorporated in a tale of an attempted assassination of President de Gaulle, The Day of the Jackal, which he pounded out in his bedsit on an old typewriter in just 35 days. He spent months trying to get it published but faced a string of rejections. "For starters, de Gaulle was still alive," he said, "so readers already knew a fictional assassination plot set in 1963 couldn't succeed." Eventually, a publisher risked a short print run and sales of the book, described once as "an assassin's manual", took off, first in the UK and then in the US. The Day of the Jackal showcased what would become the traditional hallmarks of a Forsyth thriller. It wove together fact and fiction, often using the names of real individuals and events. The Jackal's forgery of a British passport, using the name of a dead child taken from a churchyard, was perfectly feasible in the days before electronic databases and cross-checking. The tale was made into an award-winning film in 1973, staring Edward Fox as the anonymous gunman. Forsyth followed up his success with The Odessa File, the story of a German reporter attempting to track down Eduard Roschmann - a notorious Nazi nicknamed the "Butcher of Riga" - who is protected by a secret society of former SS men known as Odessa. As part of his research, Forsyth travelled to Hamburg posing as a South African arms dealer. "I managed to penetrate their world and was feeling rather proud of myself," he later said. "What I didn't know was that the (contact) had passed a bookshop shortly after our meeting. And there, in the window, was The Day of the Jackal, with a great big picture of me on the back cover." The film of the book led to the identification of the real "Butcher of Riga", who was living in Argentina - after one of his neighbours went to see it at the local cinema. He was arrested by the Argentinian authorities, but skipped bail and fled to Paraguay. The book also mentioned a hoard of Nazi gold that was exported to Switzerland in 1944. Twenty-five years after publication, the Jewish World Congress discovered this passage and, eventually, located gold valued at £1bn. According to the Sunday Times, Forsyth's third novel, The Dogs of War, drew on his experience of organising a coup in Africa. The newspaper reported that Forsyth had once spent $200,000 hiring a boat and recruiting European and African soldiers of fortune for a raid designed to oust the President of Equatorial Guinea in 1972. The plan was said to have failed when the arrangements broke down and the soldiers were intercepted by the Spanish police in the Canary Islands, 3,000 miles from their objective. Then came Devil's Alternative, in which Britain's first female prime minister, Joan Carpenter, was firmly based on Margaret Thatcher, a politician Forsyth greatly admired. She later appeared, under her real name, in four Forsyth novels. There was a move into biography in 1982 with Emeka, the life story of Forsyth's friend Col Chukwuemeka Odumegwu Ojukwu, the head of state of Biafra during that country's brief independence. In 1984, he returned to the novel with The Fourth Protocol: a complex tale of a Soviet plot to influence the British general election and install a hard-left Labour government. The book so impressed Sir Michael Caine that he persuaded Forsyth to allow a film version, in which the veteran actor starred alongside Pierce Brosnan. In the late 1980s, Forsyth separated from his first wife, the former model Carole Cunningham and was photographed alongside the actress Faye Dunaway. The Negotiator, published in 1991, continued the successful run while The Deceiver, the tale of a maverick but brilliant MI6 agent, was made into a BBC mini-series. After two more thrillers, The Fist of God and Icon, Forsyth took an abrupt detour with The Phantom of Manhattan: a sequel to the Phantom of the Opera, which had been a successful musical. It was not a great success but, in 2010, Andrew Lloyd Webber took elements of it for his musical follow-up to Phantom, Love Never Dies. A second set of short stories, The Veteran, also had mixed reviews but Forsyth bounced back in his usual style with Avenger, a 2003 political thriller and, three years later, The Afghan, which had links with the earlier Fist of God. By now, Forsyth had established a reputation as a broadcaster and political pundit. He was a frequent guest on the BBC's topical debate programme Question Time, as someone who held views on the right of the political spectrum. A committed Eurosceptic, he once derailed former Prime Minister Ted Heath on the programme - after proving that he had indeed, despite his denials, once signed a document agreeing to transfer UK gold reserves to Frankfurt. On turning 70, the pace of his writing began to slow. The Cobra, published in 2010, saw the return of some of the characters from Avenger. In 2013, Forsyth published The Kill List, a fast-moving tale built round a Muslim fanatic called The Preacher, whose online videos encouraged young Muslims to carry out a series of killings. He wrote all his books on a typewriter and refused to use the internet for his research. Ironically, his 18th novel, The Fox - published in 2018 - was a spy thriller about a gifted computer hacker. Forsyth announced it was to be his final book, but he later came out of self-imposed retirement after the death of his second wife, Sandy, in 2024. He said he was writing another adventure, and even suggested a raffle might give someone the chance to name a character after themselves. Having sold the film rights for £20,000 in the 1970s, Forsyth received no payment for Eddie Redmayne's version of The Day of the Jackal when it was re-imagined for television last year on Sky. Well into his 80s, he had long since agreed to stop research trips to far-flung parts of the world - when a trip to Guinea-Bissau left him with an infection that nearly cost him a leg. "It is a bit drug-like, journalism," he admitted. "I don't think that instinct ever dies." It was an instinct that made his life as full and exciting as his thrillers. The Day Of The Jackal author Frederick Forsyth dies Lee Child: Why Forsyth's Jackal changed thriller writing Frederick Forsyth reveals spy past
Yahoo
43 minutes ago
- Yahoo
No, that isn't Wyatt Russell at the anti-ICE protests in Los Angeles
Wyatt Russell, son of Kurt Russell and Goldie Hawn, has been misidentified in a viral clip of a man scolding authorities during the anti-ICE protests in Los Angeles. A rep for the Thunderbolts* actor confirmed the misidentification to Entertainment Weekly, noting that the team has been working to correct the misinformation. The viral clip in question features an impassioned man informing armed authorities that they're "on the wrong side of history." "Your assault rifles and your sticks? You should be standing here with us," he said. "We know you got a job to do, but you took an oath to the Constitution, not to the fascists in the White House. Think about what you're doing now. Think about what this means." He added, "Coming into our community, peaceful f---ing community — people working their jobs. They're sending men in military fatigues, weapons of war. And you stand here and you allow it . . . do you think any of these people in the White House sending you these commands give a f--- about you?" He implored the armed officials to "think about your place in history." Protests in the sanctuary city began on Friday and spilled through Sunday after Immigration and Customs Enforcement (ICE) agents carried out raids in heavily Latino parts of the city, including a clothing warehouse in downtown L.A. The protests escalated following Donald Trump's deployment of the National Guard, a tactic that both California Gov. Gavin Newsom and Los Angeles Mayor Karen Bass have denounced as unwarranted escalation. Newsom, who accused Trump of "inflaming tensions" in a "serious breach of state sovereignty," said he intends to sue the administration on Monday. Among the celebrities who attended the protests were Billie Joe Armstrong of Green Day and Finneas O'Connell, the latter of whom had shared that he was tear-gassed "almost immediately at the very peaceful protest." The Grammy-winning musician and older brother of Billie Eilish accused authorities of "inciting" the chaos. Stars like Mark Ruffalo, Chrissy Teigen, Eva Longoria, and Tyler, the Creator also took to social media over the weekend to condemn the raids. Read the original article on Entertainment Weekly