
Mega music fan searches for forever homes for his epic collection
It's a good thing Doug Kretchmer isn't enthralled with cats.
Instead, the Winnipegger is passionate about, or possibly obsessed with, music.
Inside a north Winnipeg warehouse that is also his home, Kretchmer came to a realization. He needed to dramatically downsize his music collection, estimated at more than 10,000 pieces.
"The main living area is 14 by 14 [feet, roughly four metres by four metres]. The left wall is all records. The right wall is all records. The front wall is all CDs. And we're talking about a 12-foot-high ceiling, so I'm surrounded by it," he said.
But shortly after moving into the warehouse, he was in two major car accidents within two months.
"I could not walk for a while," said Kretchmer.
"My life kind of really changed. And you really rethink everything, and I'm thinking, 'Wow, if that was fatal, my family would have had to deal with my whole collection,' and where would it have ended up kind of thing."
So now, every weekend, you will find Kretchmer at Winnipeg's Mulvey Market, selling off his collection of LPs, CDs and cassettes.
"Knowing that some of my really valuable-to-me stuff will go to a great home where someone will appreciate it, you know, I love that idea," he said.
Kretchmer's story is now the subject of a short, three-minute documentary by students in the Create program at Sisler High School.
Create students Markus Penner, Gianluca Caldarola and Joshua Soriano produced the new video.
Meet the filmmakers
Markus Penner developed a passion for film during his gap year after high school. He is deeply invested in storytelling and enjoys exploring familiar ideas through fresh perspectives.
In his spare time, he likes to read history books, trade stocks and write film reviews. In the future, he aims to become a screenwriter and director.
Every day is a new challenge for Gianluca Caldarola, whether he's volunteering for local football teams taking photos or creating new team designs.
Caldarola loves being busy and has a large range of projects on the go. He volunteers with Pros Vs Joes, a week-long event in December that supports families in need. He also volunteers photographing student athletes and taking portraits for awards ceremonies at his former high school Sturgeon Heights.
In his spare time, he likes watching movies, going on nature walks in parks and biking.
Joshua Soriano is a freelance videographer who has been working with cameras since 2023. He started doing sports photography for the Sisler Spartans. Since graduating from Sisler High School, he has started his career as a sports videographer, working with U Sports athletes and teams across Manitoba.
More about Project POV: Sisler Create
CBC Manitoba's Project POV: Sisler Create is a storytelling collaboration that partners filmmaking students with CBC Manitoba journalists to produce short documentaries. You can see past projects here.
The Winnipeg School Division's Create program is hosted at Sisler High School and trains post-high students in the creative digital arts, including filmmaking.
During fall 2024, CBC journalists taught storytelling to filmmaking students and led production workshops at Sisler.
Create focuses on education and career pathways into the creative industries. Students can take courses in animation, film, game design, visual effects, graphic design and interactive digital media.
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Winnipeg Free Press
13-05-2025
- Winnipeg Free Press
One man's trash… is another man's art career
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Winnipeg Free Press
08-05-2025
- Winnipeg Free Press
Hero or villain? Documentary can't decide
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Documentarians such as Joshua Oppenheimer, Alex Gibney and Errol Morris regularly and seriously raise these issues in their works. Unfortunately, The Sexiest Man in Winnipeg never makes good on its premise. This is the lite version of cinematic introspection. To start off, there's that cute, come-hither title, which derives from the results of an Uptown magazine readers' poll. There's the misplaced determination — especially at first — to frame Vogelsang's crime spree as a jaunty, comical caper, even though his actions did real harm to real people. And there's the voiceover narration. Comedian and actor Will Arnett, the Arrested Development alumnus who has Winnipeg family connections, relates Vogelsang's story, which makes sense. But the decision to present Arnett as a slightly snarky talking bison? That's just bad. Putting all this strained, gimmicky stuff to one side, Vogelsang can be a compelling subject. At one point, he says there are people who judge you on the worst thing you've ever done and people who judge you on the best thing you've ever done. As the filmmakers speak with Vogelsang's colleagues, students, family and friends, the doc aims to span that spectrum. One can immediately see why Vogelsang succeeded as a TV personality. He's a natural performer, with an onscreen persona that comes across as affable, relatable and funny, and he was good at connecting with viewers. Back in the day, he had a wardrobe supplied by Harry Rosen. He MC'd local charity dinners and events. He was 'Winnipeg famous.' Steve Vogelsang was a TV sportscaster in the 1990s. Steve Vogelsang was a TV sportscaster in the 1990s. Sensing that his time in front of the camera was coming to an end, Vogelsang became an instructor in broadcast journalism at what was then Red River College (now RRC Polytech). There he performed for his students, many of whom talk of him as an inspiring and supportive teacher. But even at the peak of Vogelsang's good times, there are hints about how things might go wrong. There's his seemingly bottomless need for external attention and validation and his tricky combo of arrogance and insecurity. Add in depression, debt and divorce, plus some plot twists involving family history and personal relationships, and Vogelsang's life takes a sudden, drastic turn. Through archival news footage and extensive talking-head interviews, including with all-round sports guy Peter Young and Free Press reporter Melissa Martin, the film offers different, even conflicting takes on Vogelsang. Then there's Vogelsang's own take, which brings up Daughtrey and Siskel's decision to put the man himself at the centre of the documentary process. As our talking-bison friend suggests, this is a 'true-crime documentary in which the criminal does his own reenactments.' Vogelsang collaborates with the filmmakers to act out his crimes, sometimes driving around in an imaginary invisible car, sometimes dressing up to replicate grainy security videos. Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. Vogelsang at first tries to downplay what he did. He didn't make that much money. He didn't consider himself violent because he didn't use actual weapons. At one point, he held up a bank with a disguised glue gun. 'I was more a danger to bedazzle someone's jeans than shoot them,' he says, a joke that tries to paper over the fact that even if the 'guns' were fake, the tellers experienced the threat as real. As Vogelsang attempts to come to terms with the trauma he caused, the film becomes a more complex and serious exploration of identity. 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Winnipeg Free Press
08-05-2025
- Winnipeg Free Press
Loner earns badge for life lessons at camp
Manitoba Theatre for Young People's season closer of Billie and the Moon packs a raft of potent existential life lessons into a pint-sized backpack, as its title character, a young loner, ultimately discovers her true authentic self under the glow of moonlight. Penned by former Winnipegger Wren Brian (now based in Scotland), the world première features brisk direction by Ray Strachan (assisted by Dora Carroll), with an evocative set, props and lighting created by Dean Cowieson. MJ Dandeneau's atmospheric soundscape — including lapping waves, chirpy crickets and birdcalls punctuated by jazzy interludes — further keeps this 65-minute show popping with kid-friendly energy. Quiet introvert Billie (Kris Cahatol) arrives at Camp Happy Fun Times like a fish out of water, instantly overwhelmed by a relentless stream of activities, including tug-of-war, archery and rowing (for which the actors slip across the stage in a nifty banana-yellow canoe). Leif Norman photo From left: Toby Hughes, Megan Fry, Kris Catahol and Rhea Rodych-Rasidescu are not always happy campers in Billie and the Moon. Buddied up with gung-ho, gregarious and at times all-around mean girl Sam (Megan Fry, who also plays Parent), and egged on by camp counsellors Rickie (Toby Hughes; tripling as fellow camper Parker and the Moon), and Andy (Rhea Rodych-Rasidescu, also camper Jules), Billie seeks refuge in the woods, where the Moon offers her friendship and cosmic commiseration. Brian's compassionate, well-crafted script unfolds through a series of vignettes — Billie's despair rising like a summer thermometer with every belted-out verse of 99 Bottles of Pop on the Wall — that will surely strike a chord with many Billies in the audience, making this young people's theatre at its best. There's plenty of audience participation, but it never feels gratuitous and is paced effectively throughout. One of the show's most magical ooh-and-ah moments come when pinpricks of light are shone over the audience during the moon scenes, with tots and grown-ups wriggling their fingers to create twinkling stars for a deliciously immersive theatrical experience. The four versatile cast members seamlessly morph through multiple roles, their physical mannerisms and vocal inflections leaping across generations. The way Hughes and Rodych-Rasidescu's flip between their respective camper and counsellor personas is particularly noteworthy, as they flesh out their characters aided by lightning-quick costume changes. Leif Norman Out of sorts at Camp Happy Fun Times, Billie (Kris Cahatol, right) Billie seeks refuge in the woods, where the Moon (Toby Hughes) offers friendship and cosmic commiseration. A wonderful Cahatol delivers a pitch-perfect protagonist, full of aching vulnerability as she grapples with age-old questions regarding the need for solitude and 'being alone,' versus just plain loneliness. Hughes' Moon, perched atop the upstage risers against a starry night sky, is equally compelling, garbed in costume designer Brenda McLean's wizard-like cape and mask with his amplified voice making him even more otherworldly. He lends a crater, er, an ear to Billie, offering understanding and down-to-earth advice when Billie admits, 'I'm just sick of pretending I'm having fun when I'm really not.' However, this all-too-relatable Moon is not merely pie-in-the-sky; he grumpily bemoans that Earth doesn't listen to him, or that earthlings are too tired or busy to be looking up at him these days (there's truth to that). During Billie's darkest hour, Moon's wise counsel brings a tear to the eye, his boundless friendship able to warm hearts despite his being gazillions of kilometres away. There are a few minor flaws: the script glosses too quickly over Billie's being a child of D-I-V-O-R-C-E (lots of younger audience members will want to hear more about that), but it makes the insightful point that for some parents, choosing to part ways is able to quell the white waters of family dysfunction). Another scene is astute: Rickie's well-intended insistence on armchair psychoanalyzing Billie, informing her that the 'noise of the camp is like her chaos at home,' dishonours her natural proclivities for solitude, while further fanning the campfires of her distress. It's also tough to hear the loud 'n' proud Sam at times; her rapid-fire delivery, often overly shrill, improved by the end. Winnipeg Free Press | Newsletter Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. Sign up for The Warm-Up Also, it's never a good sign when audience members puzzle with each other whether the show is over. The final image of Billie, zipping around the stage on her tree-trunk spaceship intending to visit her lunar friend, feels underdeveloped. The abrupt blackout even suggested her spaceship had crashed, semi-traumatizing a few kids sitting around this writer during Saturday's matinee performance. There are many ways around this, including possibly spotlighting the Moon, showing the two friends finally reunited in the cosmos, or even making the entire play a dreamy flight of fancy. Despite all this, however, the play ends on a grace note, as Billie ultimately forgives Sam for her bullying ways, the latter learning she needs to listen to others. After Moon assures Billie, 'We're both on Team Loner,' there is greater understanding and acceptance, as the young girl fulfils the camp's 'Rule No. 6,' to 'have fun and try new things. Her unconditional love for her unique, non-negotiable self proves the best camp activity of all.