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Fernanda Torres explains why I'm Still Here is resonating with audiences outside of Brazil

Fernanda Torres explains why I'm Still Here is resonating with audiences outside of Brazil

CBC29-01-2025
Note: Fernanda Torres has recently come under fire for appearing in blackface in a 2008 episode of the Brazilian sketch comedy series Fantastico, which resurfaced earlier this week. She subsequently apologized in an interview with Deadline, saying "I am very sorry for this. I'm making this statement as it is important for me to address this swiftly to avoid further pain and confusion."
The blackface incident was not mentioned in her Q interview, as it was recorded prior to the reappearance of the footage from Fantastico.
Fernanda Torres says one of the reasons her latest film, I'm Still Here, resonates so deeply with audiences outside of Brazil is because "it's centred in a family" — something that's universal. For her performance, the Brazilian actor won this year's Golden Globe for best actress in a drama and she's up for best actress at the Oscars.
"Everybody understands, deep in their hearts, what [it would] mean to have your father assassinated, tortured and [for you] to be left alone with your mother," Torres tells Q host Tom Power in an interview. "If you are a mother, to be left alone with five children, having to reinvent yourself during a tragic moment."
I'm Still Here is about life under the military dictatorship that ruled Brazil from 1965 to 1985. It tells the story of Eunice Paiva, whose husband Rubens Paiva — an opposition politician — was kidnapped and executed by the military in 1971. Torres says even in her own country, Paiva was somewhat of a forgotten hero, initially overshadowed by her husband and then by her son, Marcelo Rubens Paiva, who wrote the 2015 book I'm Still Here on which the film is based.
"[The book is] when we really discovered Eunice," Torres says. "The book is about the son in his adulthood discovering that the real hero of the family was not the father, not him, but it was this amazing woman called Eunice Paiva."
One of the things that drew Torres to the role was the way Paiva re-invented herself after the authorities took her husband (Rubens was later declared dead in absentia). The actor says Eunice was "raised to be this perfect housewife from the '50s" and "the great woman behind the great man," but instead turned out to be an important figure in her own right.
WATCH | Official trailer for I'm Still Here:
"At the age of 46 she went back to university [and] became a lawyer," Torres explains. "In the '80s, she was one of the first people to be fighting for the Indigenous [autonomy and land rights] in Brazil. Today we have a lot of the Amazon forest saved thanks to Eunice. And then she was part of the constitution in Brazil in '88 during the democratization of the country."
Despite all this, Eunice remained humble and avoided self-promotion, which is why her story was almost lost until her son wrote I'm Still Here.
"It's like a woman who always fights the right fight, and she never had the will to be recognized by this, which is kind of strange nowadays," the actor tells Power. "Everybody's selling themselves on the internet, everybody has this will to sell yourself, to make propaganda about your life, and Eunice, on the contrary, she was a woman who never felt like it was important for her to be recognized.… I could spend hours talking about why she's so unique."
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Kerry Condon is off to the races in 'F1' opposite Brad Pitt
Kerry Condon is off to the races in 'F1' opposite Brad Pitt

Toronto Sun

time3 days ago

  • Toronto Sun

Kerry Condon is off to the races in 'F1' opposite Brad Pitt

Published Jun 30, 2025 • 10 minute read Kerry Condon Photo by Maegan Gindi / Washington Post NEW YORK – Kerry Condon was in the thick of Oscars season two years ago, bantering and glad-handing from London to Los Angeles, when she took a breather to campaign for a different kind of prize. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Nominated for her first Academy Award for the pitch-black tragicomedy 'The Banshees of Inisherin,' Condon had crossed paths with 'Top Gun: Maverick' director Joseph Kosinski at many an industry event and gleaned that his follow-up feature would be set in the world of Formula 1. When the Irish actress realized he still needed a female lead, the high-octane project piqued her curiosity. Realizing this character would go toe-to-toe with Brad Pitt, she became all the more intrigued. Thus Condon did something she had never done in her two decades in Hollywood: 'I literally just sold myself like crazy.' Sitting down with Kosinski, Condon pragmatically pointed out that her pair of passports would make traveling and working abroad less of a headache for the globe-trotting production. She also noted that the film wouldn't need to pay for her housing during its England shoot because she had a London apartment. Having worked with frequent Pitt collaborator David Fincher on the scrapped series 'Videosynchrazy,' Condon mentioned that the director could vouch for her professionalism. And she posited that playing a jockey in the HBO series 'Luck' taught her how to get up to speed on an unfamiliar sport. This advertisement has not loaded yet, but your article continues below. 'I knew it was a big shot in the dark,' Condon says. 'I'd never seen an Irish woman as a female lead in a big, massive Hollywood movie. 'Banshees' was quite arty, so there could have been a sense of, 'Well, you're not bankable.' There's millions of reasons, so I didn't presume I'd gotten it.' Kosinski ultimately bought Condon's pitch. A couple of days after the Oscars, he called to offer her the role. As Condon subsequently strolled the streets of Los Angeles, a stranger clocked her expression and offered an observation: 'You must have gotten good news.' 'I must've still been beaming,'' Condon recalls. 'It was the best week of my life. I mean, I'd been at the Oscars and been nominated, and then I got this dream job that really put me off where I wanted to be – which was a leading lady.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. To those who have been paying attention, the big-screen breakthrough that began with 'Banshees' is overdue. An icy stare, a warm nod, a spit-fire spiel – Condon has long excelled at delivering whatever a script requires. In playing Caesar Augustus's naive sister in the HBO epic 'Rome,' a hit man's grieving daughter-in-law on 'Better Call Saul' and a secret-harboring teacher in 'Star Wars: Skeleton Crew,' she has developed a reputation as a habitual scene stealer. Even when Condon voices Iron Man's F.R.I.D.A.Y. system in the Marvel Cinematic Universe, her disembodied performance rings with pluck and personality. Condon moves up to the front seat of another summer spectacle with 'F1: The Movie' now playing in theatres. As Kate McKenna, the first female technical director of a Formula 1 team in Kosinski's fictional flick, the 42-year-old plays the numbers-crunching aerodynamicist with an incredulous streak, effortless authority and a sharp tongue. When it comes time for her and Pitt's plucked-from-retirement racer to radiate on-screen, Condon shows she also knows her way around a simmering romance. This advertisement has not loaded yet, but your article continues below. 'I like that it's a little new for her,' Kosinski says. 'In a big movie, you still want great actors. It's not about the size of the movie – it's about who's the right fit for the role. And she was the perfect person to play Kate McKenna.' – – – As Condon sits down for lunch at the Four Seasons in Midtown Manhattan on a mid-June afternoon, hours before 'F1's' world premiere at Radio City Music Hall, it's easy to understand how she won over Kosinski. While Condon points out she has lived in the United States as long as she lived in Ireland (she left home at age 16), her Irish-accented charm, mischievous humor and wholesome essence endure. Eyeing my recorder on the table, she leans in and raises her eyebrows. 'It's like we're in one of those espionage movies,' she whispers with a smirk. After suggesting that we share a couple of appetizers, Condon relishes the meal on a day packed with so much publicity that she otherwise might be running on an empty stomach. 'I don't mind it,' she says, 'except my tummy starts making loads of noise, and then I get really embarrassed and I'm red in the interview.' This advertisement has not loaded yet, but your article continues below. Kerry Condon in Midtown Manhattan at the Four Seasons, where she talked about her role in 'F1: The Movie.' Photo by Maegan Gindi / Washington Post Raised by an unfussy family in the unfussy county of Tipperary, Condon caught the acting bug at a young age, eschewed one teacher's suggestion that she go into accounting and in 2001 starred in the Royal Shakespeare Company's productions of 'The Lieutenant of Inishmore' and 'Hamlet.' Then 18, Condon made history as the youngest to perform the part of Ophelia at the RSC. But it was the former play – penned by Martin McDonagh – that set the stage for her career's most fruitful artistic partnership. After Condon reprised her 'Inishmore' role for a 2006 off-Broadway run and returned to New York for the 2009 production of McDonagh's 'The Cripple of Inishmaan,' the playwright and filmmaker cast her in a small part in his acclaimed 2017 movie 'Three Billboards Outside Ebbing, Missouri.' When McDonagh subsequently wrote 'Banshees,' he imagined the character of Siobhán – the no-nonsense sister of Colin Farrell's sad-sack Pádraic – with Condon in mind. This advertisement has not loaded yet, but your article continues below. A pair of infinitely memable 'Banshees' scenes put the range of Condon's talents on display. In one, as Siobhán gently declines the advances of Barry Keoghan's town simpleton, Condon conveys volumes with a smile and a shake of her head. In the other, as Siobhán lashes out at Brendan Gleeson's character about his petty feud with Pádraic, Condon wields eye rolls and f-bombs with uproarious aplomb. 'I love that the ferocity and danger she had onstage as an 18-year-old is still intact in the movies she now gets to make,' McDonagh says over email. 'The only surprise is that it's taken the world so long to see what we saw onstage 20 years ago.' Asked what he appreciates about Condon, Farrell writes: 'Too much to admire about Kerry to share it all, but I suppose it's a close finish between her fearlessness and honesty. But honesty has to always win out. So that. She's just a truth teller.' This advertisement has not loaded yet, but your article continues below. In the wake of 'Banshees,' Condon at last exited the audition circuit and skipped straight to fielding offers. But even when she used to vie for a dozen roles without booking one, Condon says she mostly didn't mind the audition grind, crediting the repetitive process with honing her craft. It was only when she regularly got down to the last two or three for a coveted part and fell short that the letdown left her questioning her place in show business. 'That's when it started to get a bit like, 'F— this s—,'' Condon says. 'I kind of didn't know how I could change that. I'm not going to go out and try and make myself famous just to make it easier because it's not really my style to do something like that.' As those dream parts failed to materialize, Condon accepted a few gigs in the name of financing her passions – specifically, her love of horses. After filming 'Luck' a decade ago reignited that youthful infatuation, Condon adopted a pair of horses, including one she rode on the show. 'Some people have children, and they're allowed to have children,' she remembers thinking. 'Well, I'm having horses because that's what I deserve and that's what I want.' This advertisement has not loaded yet, but your article continues below. When Condon subsequently bought a farm in Washington state, where she now oversees a slew of rescue horses and other animals, she says her lender changed the down payment from 20 percent to 30 percent at the 11th hour – prompting her to rapidly find a project to replenish her drained savings. But as Condon says, 'There's no shame in working for money.' If 'Banshees' and 'F1' hadn't changed the equation, she would've been perfectly content working when she needed to work and spending the rest of her days tending to her animals. 'Even though I wasn't getting these big, massive roles, I was really content in my life,' Condon says. 'Also, I kind of always knew that I was good [as an actress]. I didn't need a lot of confirmation from other people.' This advertisement has not loaded yet, but your article continues below. – – – Kosinski, who shaped 'F1's' story with screenwriter Ehren Kruger, says the character of Kate was inspired by Susie Wolff, the Scottish ex-racer who is now the managing director of the all-female F1 Academy. Undergoing a crash course in Formula 1, Condon read Adrian Newey's 'How to Build a Car' and picked the brain of Bernadette Collins, a Northern Ireland native who became one of the circuit's first strategy engineers. Brad Pitt as Sonny Hayes and Kerry Condon as Kate in 'F1.' Photo by Courtesy Warner Bros. Pictures / / Courtesy of Warner Bros. Picture An ability to rattle off Kate's labyrinthine lingo with conviction was one of Condon's top assets. As the production filmed during tight windows in real-life race weekends – attended by hundreds of thousands of fans in Hungary, Belgium, Italy, Japan and more – Condon also took being low maintenance to new heights. 'I couldn't be asking for makeup checks or stuff,' she explains. 'But that's easy for me because I grew up in the country.' This advertisement has not loaded yet, but your article continues below. That mindset informed how Condon played the romance between her character and Pitt's Sonny Hayes. Although Condon has seen many a film with a 'sexually confident' female love interest, those characters never rang true to her. 'I don't really know a lot of girls that are like that,' she says. 'I really wanted to play this as someone who's super confident in her job, but when it comes to romance, there's still a quite sweet – jeez, how can I describe it? – kind of a girly aspect to her.' That approach is most evident during a scene toward the end of the film, in which Kate plays peacemaker between her team's at-odds drivers – Pitt's convention-bucking vet and Damson Idris's cocksure rookie – over a game of Texas hold 'em. While Kate lets her hair down at a Las Vegas hot spot and deals flirtatious glances, Condon also rules the table with the same put-the-boys-in-their-place command she summoned in 'Banshees.' This advertisement has not loaded yet, but your article continues below. 'She has the strong personality of a woman who can exist in a man's world,' Kosinski says, 'and have that grit and that toughness and the smarts to embody this character.' When Kate utters, 'Plenty of people think I don't belong here,' it may as well have been Condon addressing her own winding path to mainstream success. But the actress has no plans to forget her modest roots. Case in point: Audiences can next see her in a brief but impactful appearance as a forestry services worker in the meditative drama 'Train Dreams,' which was acquired by Netflix out of this year's Sundance Film Festival and is set for a November release. 'It feels very natural for her to be able to bridge these worlds between doing something very small and very intimate and then going to a big summer blockbuster,' says Clint Bentley, the director and co-writer of 'Train Dreams.' 'People who come into contact with her, whether they be the audience or filmmakers, they just want to be in her presence.' This advertisement has not loaded yet, but your article continues below. With all due respect to her admirers, the feeling might not always be mutual. Although Los Angeles gets knocked for its isolating sprawl, Condon finds herself oddly at home there. 'I like being alone,' she says, 'and I think that city allows me to be alone.' For all of the pulse-pounding thrills of shooting 'F1,' one of her most cherished memories from the production is the night she returned to her Abu Dhabi hotel and quietly watched a shooting star from her balcony. Asked toward the end of our conversation if there's anything she'd like to add that we didn't touch on, Condon flashes a playful grin. 'God no,' she blurts out. 'Are you joking? If it's not coming up, I'm grand about it.' After all this time, Condon remains sheepish in the spotlight. But following years of stops and starts in an unforgiving industry, she's still prepared to forge ahead at full throttle. 'There's a lot to be said for things coming later in life,' Condon says. 'I think if this had come to me a long time ago, I would have pulled it off, but I wouldn't have enjoyed it as much or slept as good every night. 'Coming now, I felt like, 'Yeah, I can act opposite Brad Pitt. I can totally do this. I can totally handle all this pressure.' It just came at the right moment for me.' Read More Canada Sunshine Girls Toronto Maple Leafs Sunshine Girls Relationships

Martin Kove denies sexual harassment claims on 'Cobra Kai' set: 'IT WASN'T TRUE'
Martin Kove denies sexual harassment claims on 'Cobra Kai' set: 'IT WASN'T TRUE'

Toronto Sun

time6 days ago

  • Toronto Sun

Martin Kove denies sexual harassment claims on 'Cobra Kai' set: 'IT WASN'T TRUE'

The claims come hot off the heels of an incident in which Kove reportedly bit Cobra Kai co-star Alicia Hannah-Kim's arm. Martin Kove attends the "1923" S2 Premiere at Harmony Gold on February 19, 2025 in Los Angeles, California. Photo by Jesse Grant / Getty Images for Paramount+ Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. 'Cobra Kai' actor Martin Kove has been hit with another misconduct accusation. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Hot off the heels of an incident at Summer Con fan convention in Puyallup, Wash., last weekend in which Kove reportedly bit Cobra Kai co-star Alicia Hannah-Kim's arm, Kove is now being accused of sexual harassment on the set of the Netflix series in April 2024. According to Deadline , a sexual harassment complaint was lodged against Kove by a female extra, who claims the actor was leering and behaving in a way that was overt enough for her to go to Sony Pictures Television to address her concerns about how Kove made her feel uncomfortable. Deadline reported that Sony conducted an initial on-site review of the allegations, finding them serious enough to warrant further investigation. The initial investigation saw studio reps speaking to the extra and reaching out to others involved in the production of the final season of Cobra Kai. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Seeing that there may have been inappropriate behaviour, Sony reportedly talked to Kove directly and was 'read the riot act,' according to an unnamed Deadline source. Kove was reportedly told by Sony reps and Cobra Kai producers to stay in his trailer as they tried to sort out what was happening on set. While the actor was never asked to leave the set, he was encouraged to apologize to the extra, although it's unknown whether that happened. Any conversation between Sony and Kove didn't result in punishment for the actor, Deadline reported. Speaking via his manager, Kove denied the allegations of inappropriate behaviour, noting if 'there was something to confess, I would be the first to say it.' 'It wasn't true then, and it isn't true now,' said Kove, declining to answer further questions about the alleged 2024 on-set incident. This advertisement has not loaded yet, but your article continues below. Australian actress Alicia Hannah-Kim attends Gold House 4th Gold Gala at the Music Center in Los Angeles, May 10, 2025. (MICHAEL TRAN/AFP via Getty Images) Kove also avoided punishment for the Summer Con incident this past weekend after Hannah-Kim declined to press charges. Kove reportedly tried to kiss his co-star and bit her arm, leaving visible teeth marks and drawing blood. Kove, along with his son, was asked to leave the convention and escorted out of the building. He publicly apologized to Hannah-Kim. 'I deeply regret and apologize for my actions regarding the incident with Alicia, a genuinely kind and wonderful person who didn't deserve to be put in this position,' Kove said. 'I've always respected her and considered her a highly professional and talented co-worker on Cobra Kai. I was being playful in the moment but went too far and there is absolutely no excuse for my behaviour. I regret my actions for which I take full responsibility for what I did, and again I apologize to her and her husband. I'm committed to learning from this and it will never happen again.' Toronto Raptors News Music Toronto Raptors Canada

Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93
Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93

Winnipeg Free Press

time26-06-2025

  • Winnipeg Free Press

Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93

Lalo Schifrin, the composer who wrote the endlessly catchy theme for 'Mission: Impossible' and more than 100 other arrangements for film and television, died Thursday. He was 93. Schifrin's sons William and Ryan confirmed his death to trade outlets. The Associated Press' messages to Schifrin's publicist and representatives for either brother were not immediately returned. The Argentine won four Grammys and was nominated for six Oscars, including five for original score for 'Cool Hand Luke,' 'The Fox,' 'Voyage of the Damned,' 'The Amityville Horror' and 'The Sting II.' 'Every movie has its own personality. There are no rules to write music for movies,' Schifrin told The Associated Press in 2018. 'The movie dictates what the music will be.' He also wrote the grand finale musical performance for the World Cup championship in Italy in 1990, in which the Three Tenors — Plácido Domingo, Luciano Pavarotti and José Carreras — sang together for the first time. The work became one of the biggest sellers in the history of classical music. 'The most contagious tune ever heard' Schifrin, also a jazz pianist and classical conductor, had a remarkable career in music that included working with Dizzy Gillespie and recording with Count Basie and Sarah Vaughan. But perhaps his biggest contribution was the instantly recognizable score to television's 'Mission: Impossible,' which fueled the just-wrapped, decades-spanning feature film franchise led by Tom Cruise. Written in the unusual 5/4 time signature, the theme — Dum-dum DUM DUM dum-dum DUM DUM — was married to an on-screen self-destruct clock that kicked off the TV show, which ran from 1966 to 1973. It was described as 'only the most contagious tune ever heard by mortal ears' by New Yorker film critic Anthony Lane and even hit No. 41 on the Billboard Hot 100 in 1968. Schifrin originally wrote a different piece of music for the theme song but series creator Bruce Geller liked another arrangement Schifrin had composed for an action sequence. 'The producer called me and told me, 'You're going to have to write something exciting, almost like a logo, something that will be a signature, and it's going to start with a fuse,'' Schifrin told the AP in 2006. 'So I did it and there was nothing on the screen. And maybe the fact that I was so free and I had no images to catch, maybe that's why this thing has become so successful — because I wrote something that came from inside me.' When director Brian De Palma was asked to take the series to the silver screen, he wanted to bring the theme along with him, leading to a creative conflict with composer John Williams, who wanted to work with a new theme of his own. Out went Williams and in came Danny Elfman, who agreed to retain Schifrin's music. Hans Zimmer took over scoring for the second film, and Michael Giacchino scored the next two. Giacchino told NPR he was a hesitant to take it on, because Schifrin's music was one of his favorite themes of all time. 'I remember calling Lalo and asking if we could meet for lunch,' Giacchino told NPR. 'And I was very nervous — I felt like someone asking a father if I could marry their daughter or something. And he said, 'Just have fun with it.' And I did.' 'Mission: Impossible' won Grammys for best instrumental theme and best original score from a motion picture or a TV show. In 2017, the theme was entered into the Grammy Hall of Fame. U2 members Adam Clayton and Larry Mullen Jr. covered the theme while making the soundtrack to 1996's first installment; that version peaked at No. 16 on the Billboard 200 with a Grammy nomination. A 2010 commercial for Lipton tea depicted a young Schifrin composing the theme at his piano while gaining inspiration through sips of the brand's Lipton Yellow Label. Musicians dropped from the sky as he added elements. Early life filled with music Born Boris Claudio Schifrin to a Jewish family in Buenos Aires — where his father was the concertmaster of the philharmonic orchestra — Schifrin was classically trained in music, in addition to studying law. After studying at the Paris Conservatory — where he learned about harmony and composition from the legendary Olivier Messiaen — Schifrin returned to Argentina and formed a concert band. Gillespie heard Schifrin perform and asked him to become his pianist, arranger and composer. In 1958, Schifrin moved to the United States, playing in Gillespie's quintet in 1960-62 and composing the acclaimed 'Gillespiana.' The long list of luminaries he performed and recorded with includes Ella Fitzgerald, Stan Getz, Dee Dee Bridgewater and George Benson. He also worked with such classical stars as Zubin Mehta, Mstislav Rostropovich, Daniel Barenboim and others. Schifrin moved easily between genres, winning a Grammy for 1965's 'Jazz Suite on the Mass Texts' while also earning a nod that same year for the score of TV's 'The Man From U.N.C.L.E.' In 2018, he was given an honorary Oscar statuette and, in 2017, the Latin Recording Academy bestowed on him one of its special trustee awards. Later film scores included 'Tango,' 'Rush Hour' and its two sequels, 'Bringing Down The House,' 'The Bridge of San Luis Rey,' 'After the Sunset' and the horror film 'Abominable.' Writing the arrangements for 'Dirty Harry,' Schifrin decided that the main character wasn't in fact Clint Eastwood's hero, Harry Callahan, but the villain, Scorpio. 'You would think the composer would pay more attention to the hero. But in this case, no, I did it to Scorpio, the bad guy, the evil guy,' he told the AP. 'I wrote a theme for Scorpio.' It was Eastwood who handed him his honorary Oscar. 'Receiving this honorary Oscar is the culmination of a dream,' Schifrin said at the time. 'It is mission accomplished.' Beyond film and TV Among Schifrin's conducting credits include the London Symphony Orchestra, the Vienna Symphony Orchestra, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra and the Atlanta Symphony Orchestra. He was appointed music director of Southern California's Glendale Symphony Orchestra and served in that capacity from 1989-1995. Schifrin also wrote and adapted the music for 'Christmas in Vienna' in 1992, a concert featuring Diana Ross, Carreras and Domingo. He also combined tango, folk and classical genres when he recorded 'Letters from Argentina,' nominated for a Latin Grammy for best tango album in 2006. Schifrin was also commissioned to write the overture for the 1987 Pan American Games, and composed and conducted the event's 1995 final performance in Argentina. And for perhaps one of the only operas performed in the ancient Indigenous language of Nahuatl, in 1988 Schifrin wrote and conducted the choral symphony 'Songs of the Aztecs.' The work premiered at Mexico's Teotihuacan pyramids with Domingo as part of a campaign to raise money to restore the site's Aztec temple. 'I found it to be a very sweet, musical language, one in which the sounds of the words dictated interesting melodies,' Schifrin told The Associated Press at the time. 'But the real answer is that there's something magic about it. … There's something magic in the art of music anyway.' In addition to his sons, he's survived by his daughter, Frances, and wife, Donna.

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