logo
Rock and roll legends celebrated in Sun Records show at Concorde Club

Rock and roll legends celebrated in Sun Records show at Concorde Club

Yahoo14-05-2025
A concert show endorsed by the Sun Entertainment Corporation is coming to Eastleigh.
Sun Records, The Concert will be at The Concorde Club on May 18.
The show is a tribute to the Memphis recording studio that discovered rock and roll pioneers such as Elvis Presley, Jerry Lee Lewis, Johnny Cash, and Roy Orbison.
Concert show producer Pete Tobit said: "Sun Records, The Concert takes the audience right inside the studio where the magic happened and lets the music do the talking."
Show recreates legendary studio with authentic sound and style (Image: SJB Marketing) Tickets for the 8.30pm show are available from theconcordeclub.com.
The show has been rehearsed in an exact replica of the Sun Recording studios and features the original musical instruments of the era.
John Singleton, president of the Sun Entertainment Corporation, said: "Sun Records, The Concert captures that perfect imperfection perfectly – in a two-hour spectacular that'll leave you calling out for more."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Drugs, murky contracts, secrets: Shocking Elvis revelations in 'The Colonel and the King'
Drugs, murky contracts, secrets: Shocking Elvis revelations in 'The Colonel and the King'

Yahoo

time14 hours ago

  • Yahoo

Drugs, murky contracts, secrets: Shocking Elvis revelations in 'The Colonel and the King'

What if we got it wrong about Colonel Tom Parker? That's the provocative question raised by music historian Peter Guralnick's latest book, 'The Colonel and the King' (Little, Brown, 624 pp., out now), which examines Parker's reputational arc from visionary to villain. 'His motivations were almost completely misunderstood,' says Guralnick of Elvis Presley's wheeling and dealing manager, who receives an overdue reassessment in the new biography. 'When I call their partnership a partnership of equals, I think it really was.' For Parker, 'it was love at first sight. The colonel was a believer in show business. That was his one article of belief. And Elvis was the greatest entertainer he'd ever seen. He knew it the moment he saw him.' 'Burning Love': Elvis balked about recording the oversexed song. Then it became his last hit. Guralnick realizes it's a reappraisal many aren't willing to undertake, and 'I'm not trying to paint the colonel as a saint,' he says. 'I would be glad to have him as my manager, but at the same time, I would want to look closely at what I was agreeing to.' The book, which traces the colonel's life from his secretive childhood in Holland to his death in 1997, takes a deep dive into their productive partnership. (Elvis fans may be surprised that touchstones like the courting of Priscilla Presley and the making of the '68 Comeback Special are mentioned only in passing, but this is, after all, Parker's story.) In keeping with the characteristic level of detail that the faithful have come to expect from Guralnick's previous Presley biographies ('Last Train to Memphis,' 'Careless Love'), nearly half the book is turned over to Parker's illuminating letters. These are among the biography's biggest revelations: Colonel Tom Parker ran away from home repeatedly and claimed to have been adopted multiple times. Parker spun a myth about his upbringing in West Virginia that endured for decades. In reality, he was born Andreas Cornelis van Kuijk in Holland and came to America as an underage stowaway. He presented himself as an orphan and would ingratiate himself with families and then disappear, joining circuses, carnivals and the U.S. Army on his way to careers as a Humane Society director and a music promoter. Guralnick cautions against taking Parker's explanation of his origins too literally. 'He loved to tell that story, and you can judge from that his psychology. But he was someone who in some ways felt so abandoned and alienated from the world in which he grew up. He was abused by his father. But I don't think that was the real story. Something traumatic happened, and he carried that with him all of his life.' From Elvis to Michael Jackson: The biggest reveals in Lisa Marie Presley's memoir Elvis' high-stakes contracts were often handshake deals that Tom Parker didn't have in writing. Elvis' contracts, specifically with RCA, were often verbal agreements. 'One of the things that necessitated everything not being written down was the favored-nation clause, which every big star had. Any big employer can understand this,' Guaralnick says. 'You say to me, I'll pay you $1,000 more. But if you have contracts with other people, there may be a dozen other people, so it's not just my $1,000, it's going to cost you $12,000 more.' The colonel worked those backdoor deals to Presley's advantage, Guralnick notes. In November 1955, Elvis was paying back his RCA advance out of his royalties. Eleven months later, Elvis had a million-dollar contract (the equivalent of $10 million today). 'That's a pretty good turnaround,' Guralnick says. '(Parker) always articulated the belief that a deal was no good unless it was to the benefit of both parties.' Elvis never toured internationally, but mostly because he couldn't cross borders with his drugs and guns. Presley's friends in the Memphis Mafia were convinced that Elvis wanted to tour the world and blamed Parker's fear of deportation. But the colonel worried that security would be a concern. 'Everybody thought he meant you can't get armed guards to protect Elvis from the crowds,' Guralnick says. 'That wasn't what he meant at all − he meant the security to keep Elvis from getting busted. Who was going to carry the drugs? Who was going to carry the guns?' Elvis and the colonel both considered parting ways. But their respective addictions kept them together. In addition to the infamous 1973 incident at the Hilton Hotel in Vegas, in which Elvis lashed out at Parker from the stage, and they (temporarily) fired each other, there were other instances when they attempted to split. But the colonel had developed a gambling addiction to go along with Elvis' drug dependency. 'Each of them was aware of the other's addiction, the other's failures, and neither one of them was going to bring up the other's failure for fear that the other would then bring up his own. And so they were stuck,' Guralnick says. 'The colonel became in a sense not a tragic figure, because he was a life force overall, so full of vitality and creativity. But I came to see those last years with Elvis as a linked tragedy, in which each of them has their own addiction, and I just didn't see that before.' Elvis may have known Tom Parker was an undocumented immigrant − and kept it a secret. In 1960, Parker's family in Holland recognized him in a photo with Elvis. He reluctantly agreed to bring his brother Ad to the United States for a visit in 1961 and apparently introduced him to Elvis, who might reasonably have wondered why his American manager's sibling spoke virtually no English. Many in Elvis' entourage doubted that the meeting happened, 'because Elvis could not keep a secret. He was the worst in the world at keeping a secret, and this was the biggest secret of all,' Guralnick says. The colonel may have presented Ad simply as someone he knew from the carnival or circus. 'But I'd like to think he introduced him as his brother and that Elvis knew.' This article originally appeared on USA TODAY: Elvis' story retold in book on manager Colonel Tom Parker

Elvis Presley Charts A Brand New Top 10 Album
Elvis Presley Charts A Brand New Top 10 Album

Forbes

timea day ago

  • Forbes

Elvis Presley Charts A Brand New Top 10 Album

It takes a special kind of artist to continue scoring new chart wins years and even decades after their passing. Very few manage it, especially without a vault full of unreleased albums ready to go. Elvis Presley is one such star, as he regularly returns to rankings all over the world whenever his estate issues reworkings, remixes, previously unheard demos, live recordings, and compilations. The rock and roll legend is back in the United Kingdom with a new victory, as his latest box set opens inside the top 10 on multiple tallies. Elvis Presley's New Top 10 Album Presley's newly-released Sunset Boulevard box set launches on five rankings in the U.K., and it becomes a top 10 bestseller on two of them. The superstar posthumously starts his new release at No. 5 on both the Official Album Sales and Official Physical Albums charts this frame. Elvis Presley's Ninth Top 10 The set gives Presley his ninth top 10 win and thirty-seventh total placement on the Official Album Sales chart, which ranks the bestselling projects in the U.K. regardless of genre or format. He has fared even better on the list that tracks only physical products such as CDs, cassettes, and vinyl. Sunset Boulevard earns him an eighteenth top 10 on that tally — twice as many as on the sales-based ranking — and marks his sixty-eighth overall appearance. Nearly a Vinyl Top 10 Sunset Boulevard nearly cracks the top 10 on the Official Vinyl Albums chart, but it misses out on reaching the tier by just one space. As it opens at No. 11, the project becomes Presley's milestone twentieth entry on the format-specific roster. Elvis Presley on the Downloads and Albums Lists The collectible box set also appears on both the Official Album Downloads chart and the main Official Albums ranking, coming in at Nos. 25 and 67, respectively. Sunset Boulevard becomes Presley's sixteenth hit on the downloads tally, and he pushes his career total to 139 placements on the 100-spot list of the most consumed albums in the nation. Rare Recordings From RCA's Los Angeles Studios Comprised of five CDs (or two LPs on a 'highlights' edition), Sunset Boulevard chronicles Presley's recording sessions and rehearsals at RCA's studios in Los Angeles. The collection features 89 rare tracks, some which may be familiar to fans in some takes, while others are brand new to the public.

Larry King's legacy extends beyond the suspenders, Frank Sinatra letters up for auction
Larry King's legacy extends beyond the suspenders, Frank Sinatra letters up for auction

Los Angeles Times

time2 days ago

  • Los Angeles Times

Larry King's legacy extends beyond the suspenders, Frank Sinatra letters up for auction

It sometimes happens that when a celebrity dies, some of their stuff — whatever their survivors have not been left or absconded with — might be auctioned off. Objects that famous people have touched are, of course, magic. Such a moment has come for Larry King, inquiring reporter, man of TV, radio, print and the internet. A mere four years since he died, age 87, 'The Larry King Collection' will be offered to bidders by Julien's Auctions, which bills itself as 'The Auction House to the Stars' on Tuesday. This news struck a chord with me; not only was I a fan, but in 2016, in the course of writing a feature on him, I had actually visited King's trophy room in his Beverly Hills home, decorated with plaques and statuettes and photographs with the famous. He called it 'my ego room. When I'm feeling low I come here.' It's too much to say we had a connection, but sometimes you develop a proprietary feeling toward people you write about. I loved his wayward, almost naive approach to conversation — 'I ask dumb,' he said — which could produce interesting results that might elude better prepared interviewers. And he couldn't stop himself from revealing himself in the course of an interview. King was much concerned with his eventual nonexistence; he would often ask older guests what they thought happened after death, and finding himself unable to believe in an afterlife, sometimes said he'd like to be frozen until the day that whatever killed him could be undone. (He was also surprised to find himself still alive: 'I can't believe I'm 82. When I was a kid, no one was 80. You retired at 65, you died at 67.') And now it has come to this: His awards and citations, his shirts and suspenders, his shoes and sweaters being sold to the highest bidder. Julien's also has a Whitney Houston-themed auction scheduled for Monday and, in September, an event built around skateboarder Tony Hawk's history-making '900' at the 1999 X Games; the deck is expected to fetch between $500,000 and $700,000. At a recent auction of 'The David Lynch Collection,' the director's espresso machine sold for $45,500, his director's chair for $95,000, and an incense holder he made himself in 1974 for $52,000. As part of a 'Music Icons' auction, an empty beer bottle associated with Elvis Presley sold for $780. It came with a letter of authenticity from the daughter of Presley's 'personal physician,' the infamous George 'Dr. Nick' Nichopoulos: 'This Coors beer bottle was one that Elvis Presley drank about half the beer out of it and then set it down. It was after a show in the early '70s backstage at the Las Vegas Hilton Hotel. I the daughter of Dr. Nichopoulos picked it up, finished it.' Elsewhere, a lock of his hair went for $11,700, the better to scrape for DNA. I wouldn't expect the King auction to fetch similarly high prices, but you can't measure a man by what people are willing to pay for his suspenders. As anyone familiar with King would expect, there are items associated with his main man Frank Sinatra (letters, collectible plate, cardboard standee) and the Dodgers, whom he loved both in Brooklyn and L.A. But you might also bid on an invitation from Ozzy and Sharon Osbourne to a 2002 party reaffirming their wedding vows; Al Hirschfeld's much-reproduced King caricature; and a 1930s Underwood Standard Typewriter No. 5 ('works, needs a new ribbon'), which I am certain is the same one that sat on a coffee table in the trophy room, a gift from then-wife Shawn Southwick (No. 7). 'I miss the typewriter,' King told me. 'I miss the rotary phone. I still look for phone booths.' There are cuff links, charge cards, a menorah designed by Salvador Dali, keys to various cities, nesting dolls representing figures from the O.J. Simpson trial — King moved west to cover it, and stayed — and a slew of sports memorabilia: jerseys, bobbleheads, signed bats and baseballs, including one from Pete Rose, inscribed, 'I'm sorry I bet on baseball.' I have my own bit of Larry King memorabilia. After that feature ran, he sent me a note, printed in neat letters, thanking me for 'coming by and spending some time with me. How about lunch some time soon?' To my everlasting regret, I didn't take him up on the invitation. But I still have that card, and it's not for sale.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store