Unleashing Aotearoa's Monster: NZ Opera's Groundbreaking Premiere Of The Monster In The Maze
Written by acclaimed British composer Jonathan Dove (Mansfield Park, Flight, Marx in London) with libretto by Alasdair Middleton, The Monster in the Maze is a unique community opera that earned a British Composer Award in 2016.
Celebrated as one of the most successful contemporary operas of its kind globally, it was originally commissioned by prestigious institutions the Berlin Philharmonic, the London Symphony Orchestra, and the Festival d'Art Lyrique d'Aix-en-Provence. Since its premiere in 2015, the opera has garnered widespread acclaim and has been performed to great success around the world, in multiple languages.
Led by the creative powerhouse duo of Director Anapela Polata'ivao ONZM (Tīnā, Red White and Brass, Wild Dogs Under My Skirt) and Creative Producer Stacey Leilua (The Savage Coloniser Show, Wild Dogs Under My Skirt, Young Rock), NZ Opera's The Monster in the Maze will be performed in English across Aotearoa New Zealand this September, offering a profound exploration of identity and cultural resonance.
The production brings together professional singers, the Christchurch Symphony Orchestra, New Zealand Symphony Orchestra and the Auckland Philharmonia and the Freemasons Foundation NZ Opera Chorus with large numbers of amateur, youth, and children's choirs and musicians, in a groundbreaking operatic collaboration with communities in each location.
The production marks the significant NZ Opera directorial debut for Anapela Polata'ivao. Reflecting on what drew her to The Monster in the Maze she explains: 'What attracted me was the community aspect. This is an incredible opportunity for our local choirs and community members to participate in a high-level, professional performance. This collaborative involvement not only enriches the storytelling but also fosters a sense of connection to the production's cultural themes and to each other, making it an inclusive and empowering experience for all participants and audiences.'
The Monster in the Maze opera reimagines the ancient Greek myth of Theseus and the Minotaur, exploring themes such as resistance, justice, and the power of collectivism in a dramatic, Hunger Games-style, one-hour opera.
The narrative follows the aftermath of King Minos's victory over the Athenians, as he demands their youth as tribute to be fed to the terrifying Minotaur beast at the heart of his maze. Despite this, the tyrannical king soon discovers these youth are far from passive.
Crucially, this new production pays homage to the rich Pasifika heritage that profoundly shapes New Zealand's cultural tapestry, highlighting themes of displacement and resilience. The Athenian youth's journey from a warmer homeland to the cold, unforgiving land of Crete powerfully echoes the migration experiences of many Pacific peoples. In this Aotearoa-specific interpretation, Athens symbolises the warmth and familiarity of the islands, while Crete metaphorically becomes contemporary urban New Zealand, embodying the challenges and opportunities of arriving in a new land.
An exceptional, all-New Zealand cast star in the principal roles. Acclaimed UK-based mezzo-soprano Sarah Castle (Andrea Chénier, Semele, La Cenerentola) brings her powerful presence to the role of Mother. Popular baritone and 2018 Lexus Song Quest winner Joel Amosa (La Traviata, Mansfield Park, Rigoletto) steps into the role of maze architect Daedalus. Rising operatic talent Ipu Laga'aia, recently named NZ Opera Freemasons Foundation Company Artist for 2025, makes his professional operatic role debut as the hero Theseus. Completing the principal cast, versatile entertainer and actor Maaka Pohatu (Ngai Tāmanihiri, Tūwharetoa), known for The Modern Māori Quartet and screen roles in Happiness, Far North, and Wellington Paranormal, makes his NZ Opera debut as the vindictive King Minos.
Joining Anapela Polata'ivao and Stacey Leilua in the creative team, conductor Brad Cohen leads the Christchurch Symphony Orchestra in Ōtautahi, Christchurch, and Brent Stewart conducts the New Zealand Symphony Orchestra and the Auckland Philharmonia in Te Whanganui-a-Tara, Wellington and Tāmaki Makaurau, Auckland respectively. The Freemasons Foundation NZ Opera Chorus, child, youth and adult community performers join the production in each city.
A highly innovative set, costume, and lighting design by Filament Eleven 11 (Rachel Marlow and Brad Gledhill) vividly transforms the worlds of Athens and Crete into a compelling contemporary setting. The design skillfully weaves local narratives into the production elements, showcasing Aotearoa's unique identity and its ongoing dialogue between traditional heritage and contemporary realities.
The Monster in the Maze begins its national tour in Christchurch at the start of September, before travelling to Wellington and Auckland for strictly limited seasons.
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