
Top post for Whitland-born genetics expert Meurig James
He succeeds Mr Nick Green FRAgS, Operations Director at Lye Cross Farm, Redhill, Bristol, who steps down after a highly respected and impactful term as chair. Mr James will serve a two-year term leading the prestigious UK-wide organisation, which recognises individuals who have made outstanding contributions to agricultural and rural progress.
A native of Whitland, Meurig James began his career on the family dairy farm at Pengawse Farm before moving into cattle breeding and genetics.
Don't miss our next edition of Pembrokeshire Farmer, available free inside the Western Telegraph on April 30
In 1993, he joined the British Holstein Society, where he rose to become Head of Breed Development for Holstein UK. In this role, he oversees the classification of over 140,000 cattle annually and also leads the National Bovine Data Centre.
Meurig has played a pivotal role in expanding breed classification services to include 14 dairy and beef breeds and in introducing new traits and composites to support modern breeding priorities. His work has contributed significantly to improving herd health, productivity, and data-driven breeding decisions for farmers across the UK.
A well-known figure at agricultural shows and events, he has represented the UK internationally, including at workshops in Europe, and through study tours in Argentina and North America.
He has also held senior roles within the Young Farmers movement in Wales, the South Wales Holstein Club and is currently chair of the Royal Welsh Agricultural Society's Livestock Committee and Assistant Honorary Director for Cattle at the Royal Welsh Show.
'It is an incredible honour to be elected Chair of CARAS UK' said Mr James. 'CARAS plays a vital role in celebrating the people who help drive our industry forward, and I look forward to championing their achievements across all four nations of the UK.'
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The East Anglian artisans keeping their heritage crafts alive
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Manufacturing of woodwind instruments - as with many other things - has moved to East Asia, he says, but the reliance on imports needed to change. 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It can also be expensive and takes time, which does not correlate with competitive tendering Warren has seen all these problems, as well as commonly-used materials not being up to the task."Modern rendering is now resin, it's not sand, cement and lime anymore, it's prebagged and it doesn't lend itself to pargeting," he explained."Flat rendering is cheaper and some [building] designs are very boxy; it looks wrong on a modern house."Nevertheless, he is hopeful for the future. He has diversified by pargeting on to small panels which can be hung inside as works of art "that will last hundreds of years"."I've been doing it 35 years and I've never been out of work, but I have adapted by doing these smaller things," he said."I started doing panels to take to shows, and because I don't like going up scaffolding in the winter anymore."There are builders and developers, especially around here, that still want that look, it's sellable."Heritage Crafts points out that practitioners need "considerable artistic talent" and also want a labour-intensive is no training school, apprenticeships or courses beyond the occasional introductory day school."You never stop learning," said Mr Warren, who is self-taught. "I think you need to be like myself, you've got to be enthusiastic and work for yourself."You have to have a bit of artistic flair in the first place."I could teach someone to a standard, but they have to have that bit about them to take it on their own." 'People have done this for centuries' Mark Clifton's trade of flintknapping - the shaping of flint by "percussive force" - has been around since the Stone Age but could die out because of a skills shortage. Heritage Crafts says the work is "extremely challenging" - it requires technique, accuracy and good hand-eye Clifton, who works out of Bury St Edmunds in Suffolk, type of flintwork is for the building sector, with Mr Clifton breaking the stones to specific sizes and shapes to create a flush finish on walls. It is time consuming, back-breaking work, with few skilled people still doing it in the UK."I spend half my time on my knees, and as you get older it gets painful," he said."It's a very manual job."You break the flint in half and then you trim it to fit them around each other, and then fit into the wall." 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"When you think people would quarry flints and knap them at Grimes Graves [a prehistoric flint mine in Lynford, Norfolk]."I still might train someone; I've had apprentices in the past, they've stuck to the course, some have now done it for 28 years." Published annually by Heritage Crafts, the Red List categorises five skills as extinct, 70 as critically endangered and more than 90 as endangered."The Red List underscores the urgent need for greater investment and support to safeguard these skills for the next generation," said Daniel Carpenter, executive director of Heritage Crafts."Reversing this decline would represent not just the continuation of skilled trades, but also a significant boost to the UK's cultural heritage and countless opportunities for future innovation." Follow East of England news on X, Instagram and Facebook: BBC Beds, Herts & Bucks, BBC Cambridgeshire, BBC Essex, BBC Norfolk, BBC Northamptonshire or BBC Suffolk.


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