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How to watch Ozzy Osbourne funeral procession live now Black Sabbath bench camera is down

How to watch Ozzy Osbourne funeral procession live now Black Sabbath bench camera is down

Yahoo30-07-2025
Thousands of people are trying to find out how they can watch the Ozzy Osbourne funeral procession online - and we have all the information right here.
Earlier today the sheer amount of people trying to get on the Black Sabbath Bench Webcam caused the site to go down - with many fans panicking about how they would watch.
We'll be live streaming as well as posting videos, pictures and updates on our Facebook page - including a live stream of the procession starting at 12.30pm.
Read more: Ozzy Osbourne funeral procession live in Birmingham - route update, times and how to watch
You can also follow live updates on our blog here which will include the live stream from Facebook as well.
We'll also be posting regularly to our TikTok page with our reporters going live as and when we can ahead of the event.
Clips from Broad Street will be shared immediately over on our our YouTube page.
Meanwhile, the latest news and updates from the procession will be shared with our WhatsApp community.
The costs of the procession are being covered by the Osbourne family with birmingham-city-council>Birmingham City Council involved in the planning.
Birmingham City Council has an online book of condolence that fans from around the world can sign if they're not in the city to take part but wish to leave a message of support for Ozzy and his family.
You can find it on the council website here.
The physical books of condolence can be located at Birmingham Museum and Art Gallery, where the Ozzy Osbourne exhibition Working Class Hero is currently on too.
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The collection is equal parts ironic (a Maasai tribesman posing beside a picnic blanket for an 'Out of Africa' champagne brunch in Kenya) and dystopian (a child perched on a fiberglass rock at a beach in the world's largest indoor rainforest, the canvas of the sky slightly ripped behind him). 'That's very sort of Truman Show-esque. He's gone to the very edge of that artificial world,' said Nelson of the photo. More than anything, though, there's a feeling of sadness that permeates the collection: taxidermied museum dioramas of endangered species; vibrant fish shoals swimming in dark aquariums with plastic pipes, captive elephants paraded to a bathing spot for the benefit of flocks of Instagram influencers; a caged polar bear crouched beside a mural depicting an Arctic landscape it will never know. 'What we replaced real nature with becomes an unwitting monument, really, for what we've lost,' Nelson observed. The term 'Anthropocene' refers to the age of humans. It's not an official epoch — yet. But Nelson believes firmly that, in years to come, today's society will mark the beginning of this new era, evident in elevated carbon dioxide levels from fossil fuels, an abundance of microplastics, and layers of concrete. 'The usefulness of renaming an epoch, in this instance, would be to focus people's attention on our impact on the planet,' said Nelson. As he sees it, 'the language of (environmental action) has become sort of tired or stale; you become kind of immune to it.' He wanted to counter this collective numbness with visuals that 'make you think or feel differently.' Bleak but beautiful, his photos reveal a paradox. Less than 3% of the world's land remains ecologically intact, according to a 2021 study, yet nature-based tourism and biophilic architecture, a design philosophy that mimics nature, are surging in popularity. Global wildlife populations have dropped by an average of 73% in the last 50 years; meanwhile, there are more tigers in captivity than in the wild, globally. Arctic ice sheets are on course for catastrophic 'runaway melting' that would see rising sea levels devastate coastal communities. But at the same time, cocktail bars in Dubai are importing ancient glacier ice from Greenland to provide the wealthy with pollution-free drinks. 'We're engaged in creating an illusion for ourselves; either to hide what we're doing, or as something that we can retreat into for reassurance, because we crave the very thing that we've lost,' said Nelson. There's a spectrum to the illusion, ranging from managed outdoor landscapes to contrived scenes that simply evoke the idea of nature. Nelson likens it to fast food: 'We don't want to grow it and prepare it; we just want it delivered to us with no thorns, no danger, with a nice walkway in a car park. We want to consume it and then come home. 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Perhaps this book, with its stark juxtaposition of astonishing wildlife and human interference, can be a reminder of just how in control of the world we are — with the power to remodel it in our own image, or protect and restore the landscapes we feel so connected to. 'When you're surrounded by something so much, it can become utterly invisible,' Nelson said. 'Photography is a way of trying to make it visible again, trying to expose it for what it actually is.' After the call ends, I can't unsee the Anthropocene illusion in my home. It's not just the anthropomorphic tiger on the wall. It's a Himalayan rock salt lamp, a plastic monstera plant and paper carnations. A cockatoo-shaped ceramic jug next to pine-scented candles and an aluminum 'lemon-wedge' bottle opener. Floral-print cushions and a jungle-themed throw. It's hard to shake Nelson's words about our collective complicity; our willingness to participate in reconstructing the natural world, instead of saving it.

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