logo
What It's Like to Do an Eight-Hour Sprint Through Milan Design Week

What It's Like to Do an Eight-Hour Sprint Through Milan Design Week

Yahoo15-04-2025

A Ligne Roset sofa that isn't a Togo, copious cork, really big beds—and more of what Dwell's visual media producer loved in Italy.
If you had just one day at design week in Milan, how would you spend it? That's the question I posed to myself when I landed in the city for its 63rd edition. The answer turned out to be: See 11 exhibitions, attend two dinners, shake upwards of 50 hands, take more than 1,100 photos, and set a new personal record for most steps taken in a day at 23,532 (Take that, Duncan Nielsen!)
Between a room made entirely from cork, a maze wrapped in faux fur, and a decrepit space with loose floorboards underfoot, photographer Olga Mai and I were able to cover a lot of ground—more than eight miles worth. Here's everything we saw on Thursday last week as we zigzagged across Milan.
On Thursday morning, we were off to a late start because someonemissed the train. But I was able to catch up with Olga around 10:20 just outside of Nilufar Depot, a Milanese gallery and staple of Milan Design Week that's known for its juxtapositions of older icons and newer designs. To celebrate the 10th anniversary of the depot (Nilufar Gallery proper has been around since 1979), Nilufar designed its presentation to function as something of a walking theater, unfolding as five acts across its three floors. When walking through the space, it almost felt like exploring an impeccably curated vintage store, as familiar floor lamps, tables, and chairs stood against brand new designs. The effect was a fantastic tasting menu of where we've come from in furniture design, and where we might be headed.
See the full story on Dwell.com: What It's Like to Do an Eight-Hour Sprint Through Milan Design WeekRelated stories:
The Most Eye-Catching Moments at Alcova Milano 2025, According to Dwell's Visuals Editor
Japan 3D-Prints a Train Station in Six Hours—and Everything Else You Need to Know About This Week
Will Rocket Companies's Recent Acquisitions Transform Home-buying—for the Better?

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

9 Vacation-Ready Looks for a Chic Summer in Italy
9 Vacation-Ready Looks for a Chic Summer in Italy

Elle

time02-06-2025

  • Elle

9 Vacation-Ready Looks for a Chic Summer in Italy

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. There's no place quite like Italy in the summertime. And while the sun-soaked coasts are must-visits, the cities are just as magical to make the centerpiece of your next getaway. Whether you're strolling down the cobblestone streets of Rome or sipping an espresso in Florence, every scenario spent in Italy deserves a stylish ensemble. From great denim to elegant day dresses, what to wear in Italy this summer is made easy thanks to the street style scene, who, at last season's Milan Fashion Week, showed up and out in arguably their chicest (and most recreatable!) looks yet. When jetting off to Italy, pack pieces that are polished yet still practical. Lightweight, breathable silhouettes are ideal for navigating warm days spent seeing the sights–think flowy white dresses, oversized button-up shirts, slinky slip skirts, and more. According to one Milanese editor outside the Jil Sander fall/winter 2025 show, the latter looks especially chic accessorized with a sleek rope sandal and woven leather shoulder bag. Otherwise, continue to lean into elevated basics with a fashionable twist, such as colorful suiting, sheer midi skirts, and a raffia accessory (or two!). One attendee's look captured this ethos perfectly by way of a sumptuous suede jacket (a city like Milan is known for having evenings on the cooler side) and a Miuccia Prada-approved boat shoe. Speaking of fabulous footwear finds, you'll want to ensure you pack a heeled sandal for a festive night's out, as well as a comfortable, yet chic pair of flats best suited for long hours on foot. You never know when aperitivo hour could be called! Below, here's what to wear in Italy–or really anywhere this summer–according to the street style scene. The gist? It's all about effortless elegance with just a touch of trend. Last season, no one could deny the suede blazer's total fashion domination on and off the runways. This summer, the trend is back and better than ever with all eyes on this sumptuous collared jacket from COS. Styling-wise, take a cue from this Milanese darling and wear yours with a white denim mini skirt, a plain but perfect white tee, and a preppy pair of boat shoes. Summer-forward accessories, such as a woven leather handbag and pearl necklace, are a festive final touch. Thanks to Chemena Kamali at Chloé, the boho blouse continues to be the season's hottest commodity. And clearly, this industry insider agrees. During Milan Fashion Week last September, she sported hers with a long-line denim Bermuda short and, for some welcome height, she slipped into a pair of heeled black sandals. The result? What to wear in Italy for daytime, as well as for elegant nights out. Per this Milanese editor, styling a silky slip skirt with a crisp blue button-up achieves the ideal blend of structure and softness—and finished with a pair of woven rope sandals for that touch of Amalfi Coast charm. La dolce vita never looked so chic. Elegant white dresses have made their mark on the spring runways as of late with brands like Bottega Veneta and Toteme standing behind the LWD. On your next Italian getaway, follow suit and slip into a breezy shirtdress with a colorful summer tote for that perfect pop of color. Not only does this chic combination work for casual daytime excursions but dressed up with a heeled sandal and sculptural jewelry, it's perfect for a night out as well. Navigate certain temperature changes in style by layering a lace-trimmed slip dress underneath a checkered, menswear-inspired blazer. Then, up the duo's fashion game with a mesh ballet flat—preferably this coveted pair from Alaïa. Effortless layers and timeless textures—this is how the fashion crowd does vacation chic with a twist. Now, you too! Take it from this industry insider: A pastel green suit brings fresh tailoring to the piazza, balanced by the delicate charm of crochet ballet flats. The finishing touch? A playful, festive handbag to match that dose of vacation whimsy—because bold color and confidence go hand in hand. A two-toned tank dress is a must-pack in your carry-on this summer—both modern and minimal—while heeled thong sandals add just the right amount of lift. Finish this look off like this showgoer with sleek silver jewelry and a chestnut-colored clutch. Channel your inner Jane Birkin–yes, even in Italy–with a straw basket bag, an easy pair of blue denim, and a preppy cardigan. Whether you're hopping a train to your next destination or perusing the shops, this look embodies that casual coolness we all strive for, whether on vacation or not. According to this chic attendee, mastering the art of masculine and feminine dressing is all about an oversized white button-up shirt paired with a sheer black midi skirt. Otherwise, turn to a structured leather handbag and some dainty jewels for even more subtle refinement. Wear this look straight from the sights to aperitivo hour. Andiamo! Every product featured on is independently researched, tested, or editor-approved. We only recommend products that we stand behind, and the merchandise featured on our site is always driven by editorial and product testing standards, not by affiliate deals or advertising relationships. Any content created in partnership with advertisers is marked as such.

A Mismatched Outfit Is A Key Summer Trend - How To Look Like You've Dressed In The Dark (In A Good Way)
A Mismatched Outfit Is A Key Summer Trend - How To Look Like You've Dressed In The Dark (In A Good Way)

Elle

time02-06-2025

  • Elle

A Mismatched Outfit Is A Key Summer Trend - How To Look Like You've Dressed In The Dark (In A Good Way)

A sartorial insult has become a fashion compliment. Telling someone that they look like they got 'dressed in the dark' is no longer a slur intended to imply that someone looks like they assembled an outfit without the benefit of light. Today, it's a knowing styling approach that's come direct from the catwalk. FIND OUT MORE AT ELLE COLLECTIVE This season, designers are encouraging us to mix and match our wildest pieces for maximum impact. They're telling us to wear our favourites all at once with unconstrained abandon and the art of it all happens in the clash. This means that it might be that you're now wearing a striped rugby jersey, that's been your Saturday morning market pullover for aeons, but with a sequin skirt in a standout colour. Or, there's a floral dress worn with a contrast coat. And not forgetting to complete the look with a further contrasting striped scarf. Both of these formulas lifted from Milanese cool label No21. But this brand is far from alone in putting forward this pile-it-all-on approach for the season. Others on board include Versace, where Donatella mixed prints and textures first found in a 1997 Versus collection. The same happened at Miu Miu, where its archive fabrics clashed with new patterns, and then were paired with chunky loafers and uniform-issue black socks. This idea of 'dressing in the dark' styling makes a timely arrival as we all tire of the polished perfection that's been championed in the 'quiet luxury' and 'clean girl aesthetic' trends. Sure, there's always a moment for minimalism but this look promotes a slightly more chaotic approach that celebrates a creativity and self-expression that had somewhat disappeared in the land of perfectly polite white shirts, navy trousers, and camel cashmere. I'll admit that this trend piqued my interest as soon as SS25 imagery started to land on my desk. The appeal of this came not only in the way that it felt fresh and fun, but also in the way it could (and now has) encouraged me to make better use of my whole wardrobe. I've always had a bit of a formulaic approach to getting dressed with X things bought to be worn with Y and so on and so forth. But with this shake-it-up attitude dictating how I'm re-seeing my wardrobe, I'm doing away with the formulas that once shaped my style. Just yesterday, a Marc Jacobs yellow and brown Heaven skirt was worn with pink M&S cashmere and blue and silver dad-style Asics. Might I have done this before? Probably not, but it felt good to have fun with the clash and get more wear out of what I already have. Nothing was new and yet the combination was so I got that same dopamine rush that a new purchase guarantees. It's made me realise that many of the most stylish people I know (or admire) have long got dressed following this approach, understanding that it's so much more fun to wear all of your favourite things all at once. Chloë Sevigny is on board. A recent look from Vaquera, that despite being lifted from the runway, speaks of this clashing approach. Understandably, wearing this trend for at least the very first time will come with some trepidation. Of late, most of the trends we've been encouraged to try have come with an easy-to-emulate formula that can be lifted straight — think barrel leg jeans or silver shoes. This one is a bit more complicated to try as you wonder how much is too much clash and when does a mix-and-match outfit simply become... a mess. In order to pull of 'dressing in the dark' styling you need to only choose from pieces that you'd have always have worn if they were presented in more paired-back settings. Have fun with your decisions if you are buying something new and choosing bright and bold pieces that bring personality to an ensemble. Ultimately though, there's no point putting on something overtly avant garde if you aren't comfortable wearing it. Like with most runway trends, this is more about the confidence of how you're wearing it than what you are actually wearing. Get ready to rumble in your own jumble. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Freelancer

Rarity over perfection: Why jewelers are championing ‘ugly' gems
Rarity over perfection: Why jewelers are championing ‘ugly' gems

CNN

time29-05-2025

  • CNN

Rarity over perfection: Why jewelers are championing ‘ugly' gems

Using the scientific precision of terms like 'IF Type IIa'— to describe diamonds so pure they show no inclusions under 10x magnification — jewelry purveyors have long placed heavy emphasis on the clarity and cut of a gem. The sharper the facet and flawless the sparkle, the more valuable a stone once appeared. Until now. Once dismissed as 'ugly ducklings' — too marked, too dark, or too strange — imperfect gems are now stepping into the spotlight, as high-end jewelers increasingly champion stones with unique inclusions or less-than-perfect clarity. An early adopter was Pomellato. Five years ago, the Milanese jewelry company, took a bold leap when it launched its first high jewelry collection — one that turned away from the canonical 'big four' (diamonds, rubies, sapphires, and emeralds) and featured stones that do not sparkle and are sometimes not even cut. It's an approach that the house has continued to take, as it seeks to carve out a unique aesthetic in a crowded high jewelry market that includes fashion houses such as Dior, Louis Vuitton, Dolce & Gabbana and Gucci. Among Pomellato's most recent creations is a necklace of large, smooth aquamarines, unfaceted and softly contoured — as if shaped by the sea itself — crossed by diamond threads that mimic a sailor's rope catching precious underwater pebbles. Another necklace, inspired by Milan's night sky, suspends a smoky star composed of grey sapphires and spinels. 'At Pomellato, we don't divide gemstones by the traditional categories of 'precious' and 'semi-precious,' or by how expensive they are,' explained the company's gem master Stefano Cortecci. 'We treat all stones equally — each has its own identity, its own beauty. What matters is how the stone is used and how it's cut.' A trained geologist from a family of university professors in the field, Cortecci was never a conventional gem buyer when he joined Pomellato nearly two decades years ago. Rather than sourcing only cut and polished stones — as is standard in the trade — he began selecting raw gems, asking cutters to shape them according to new aesthetic criteria developed in collaboration with creative director Vincenzo Castaldo. 'In jewelry, everything is often very symmetrical, right? Diamonds have 57 facets cut symmetrically. At Pomellato, the gem we call 'Nudo' also has 57 facets, but they are not symmetrical; they are random and the perception is totally different,' Cortecci said. Sharing a similar enthusiasm for unusual gems is Brazilian jeweler Ara Vartanian, who has made upside-down black diamonds (the point faces up instead of the usual faceted top) his signature. 'I never thought of inclusions (trapped materials that get encapsulated inside a diamond during its formation) as problems,' he told CNN. Born into a family of gem dealers, Vartanian often accompanied his father to business meetings, where he found himself drawn not to the top-tier stones displayed for discussion but to those set aside in a corner — the 'imperfect' ones reserved for clients with limited budgets. When he launched his brand some twenty years ago, the lower prices of black diamonds and flawed stones also became a practical advantage. 'My father thought I was being rebellious by choosing black diamonds and setting them point-up (the reverse setting flips the gem, exposing its pointed side),' Vartanian recalls. 'I was not. For me, it came from love — I thought they were beautiful, even when they didn't meet traditional standards. And I soon found that clients shared my enthusiasm and believed that my approach was refreshing. Different.' Unusual gemstones are also increasingly being embraced by emerging jewelry designers as the cornerstone of their storytelling. Belgian designer Dries Criel, based in Antwerp, uses tiger's eye in rich toffee hues as the focal point of bold creations like a scarab-shaped ring. 'I was intrigued by the gem's symbolism — protection, courage, and clarity of vision. For me, it became a symbol of personal empowerment,' he wrote to CNN over email. Other designers are similarly turning to lesser-known stones, which they believe have poetic or emotional resonance. Moonstone — named for its resemblance to the soft, cloudy light of the moon — anchors British jewelry label Anoona's Lunar collection. Ananya Malhotra, founder of her namesake jewelry brand Ananya, believes that gemstones possess healing properties; her designs incorporate a luminous brown agate, known as Sulemani Aqeeq, which is said to bring joy and balance. Meanwhile, Swiss independent jeweler Cora Sheibani highlighted smoky quartz — 'the neglected poorer cousin of rock crystal, amethyst, and citrine,' she quipped — in her latest collection. And Milanese jeweler Villa Milano uses tourmalinated quartz — rock crystal threaded with dark inclusions — and even volcanic stones in earrings and cufflinks. The popularity of unconventional stones signals a broader shift in consumer behavior. More women are now buying jewelry for themselves, often valuing design and emotional resonance over traditional notions of investment — contrasting with male buyers who typically view jewelry as a store of value or a gift, according to several jewelry executives interviewed by CNN. At Pomellato, for example, around 70% of clients are women, said Cortecci, despite the market being long dominated by male purchasers. 'Seeking uniqueness' is one of the key motivators for shoppers to buy unusual gems, said Claudia D'Arpizio, a partner at Bain & Company, who leads its luxury goods vertical. The growing popularity of lab-grown diamonds and the current economic landscape also play a part. In response to the flawless uniformity of lab-grown diamonds, traders of natural gems increasingly emphasize the rarity — rather than the perfection — of stones, with natural imperfections becoming a selling point. D'Arpizio also noted that sourcing traditional, high-grade stones is becoming more difficult due in part to restrictions on Russian diamonds and rising competition in the jewelry sector. 'Jewelry is characterized by high material costs, especially gold, and limited scalability. Using non-standard stones allows brands to create more accessible or distinctive pieces without proportionally increasing raw material expenses,' she explained. But for Munich-based family-run jeweler Hemmerle, which has long embraced diamonds in unconventional hues as part of its erudite visual language, there is no such thing as imperfection. 'Diamonds don't need to sparkle, they have to speak,' said Christian Hemmerle, the fourth generation in the business (today, he leads the company alongside his wife Yasmin). 'If the color is beautiful, that's enough — even with inclusions. After all, in everyday life, nobody looks at a gem through a microscope.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store