logo
I tried the viral £3.49 Lidl tan as a pale girlie – it doesn't smell, looks 10/10 & I was amazed by how long it lasted

I tried the viral £3.49 Lidl tan as a pale girlie – it doesn't smell, looks 10/10 & I was amazed by how long it lasted

The Sun14-07-2025
IT'S the tan that's taken the internet by storm - but is the viral Lidl tanning mousse really worth the hype?
According to one beauty buff, the answer is yes.
2
2
The discount supermarket sent shoppers into a frenzy after launching their very own fake tan just in time for summer - and compared to cult favourites, Lidl's Marbella Glow is significantly cheaper.
While other viral brands retail around the £10 mark, the German store's version costs just £4.49.
Thrifty beauty buffs can choose the vegan-friendly tan in three shades - Medium, Extra Dark and Ultra Dark.
Bargain-mad TikToker, only known as @ kittsandpieces on the platform, went for the latter option, sharing her honest thoughts online.
The PhD student, who dubbed herself a '' pale girlie '', started the process by showering and ensuring her skin was moisturised before applying the bronzing mousse.
To ensure the tan doesn't stick to particularly dry areas, such as elbows and knees, the blonde stunner used Ultra-Repairing Soothing Balm by La Roche-Posay.
The balm, which she claimed was ''a game-changer'', is currently on offer on Amazon for around £8, and for best results, the TikToker left it on for 20 to 30 minutes before applying the tan.
After covering herself in the dark mousse, the Lidl shopper was pleasantly surprised at how quickly the tan dried.
Raving about the wallet-friendly buy, she said in the video: ''No sticky feeling going to bed and no bad tan smell either.''
The following morning, the TikToker hopped into the shower, rinsed off the tan and was amazed by the results.
Katie Price moans 'oh my god I'm so ugly' as she shows off BALD eyelids after removing fake lashes and make-up
Sporting a gorgeous glow which made her look like as if she's just returned from a sunny holiday, the student said: ''10/10 for me.''
The best part? According to the shopper, the sun-kissed glow lasts almost a week too.
''I find I get a solid 4/5 days out of it with showers and all, it's even survived my swimming.''
Fabulous' £10 Fake Tan Test
FINDING the perfect fake tan isn't easy. That's why Fabulous tested a number of fake tans which cost less than £10..
*If you click on a link in this boxout we will earn affiliate revenue
Superdrug Solait Self Tan Mousse Medium - £4.79 (was £5.99) - Buy Now
Tester: Abby Wilson, Senior Fabulous Digital Writer
Review: "This product give a very natural looking tan and if you wanted something a bit bolder, I'd suggest leaving it on longer or choosing a darker shade. I'm impressed with the results, but now my entire room stinks of the stuff. If you're on a budget and want a tan for last-minute plans, I would say this is one to try. "
bBold Dream Mousse Tan in Dark - £9.50 - Buy Now
Tester: Josie O'Brien, Senior Fabulous Digital Writer
Review: "The first thing that hit me about this tan was the 'juicy watermelon' scent - it's delicious. I was left with a natural bronze hue rather than orange glow. My only qualm is that the tan seemed to stick to my dry patches and accentuated 'strawberry skin' on my legs. I'm still adding this tan to my arsenal though - the smell, colour and texture are dreamy."
St Moriz Professional Medium Tanning Mousse - £4.99 - Buy Now
Tester: Kate Kulniece, Fabulous Writer
Review: "Not only does St. Moriz mousse leave you with a gorgeous bronzed glow, but it also smells fabulous - think Piña Colada on a sunny beach. At first, I was a little bit sceptical cause I'm a gradual fake tan girlie, but this quick developing St. Moriz number may change it all."
Mixed reviews
But while the money-smart shopper was raving about the bargain buy, not everyone had the best reviews.
''Yes it's good but be careful !! heard of horror stories from this tan especially firsthand ended up in a&e with a swollen face,'' wrote one of the 36k viewers.
Another chimed in: ''it does smell, lovely red undertone, doesn't last long.''
Someone else said: ''I did it today and planing to wash it in the morning.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A new start after 60: I became a dancer at 68 – and will perform my first solo show at 82
A new start after 60: I became a dancer at 68 – and will perform my first solo show at 82

The Guardian

time11 minutes ago

  • The Guardian

A new start after 60: I became a dancer at 68 – and will perform my first solo show at 82

At 82, Christine Thynne is an emerging artist. 'Risk! There's a colossal amount of risk,' Thynne says. She is about to perform her show, These Mechanisms, over three weeks at the Edinburgh fringe. While 'emerging' isn't a word often applied to artists in their 80s, Thynne says the description is appropriate. 'I wasn't there before,' she says. 'I wasn't a solo performer.' Thynne's show melds aspects of her life – she trained as a physiotherapist in the 1960s – along with other passions. Among her props are planks, stepladders and water. 'Things I shouldn't be doing,' she says. 'Moving scaffolding planks. Changing the shape of stepladders. Carrying water.' She enjoys sea kayaking, having progressed from being coached to paddling the Lofoten islands in Norway, in her 50s. 'Sliding up a wave, going down the other side – it was so exciting,' she says. But when she was browsing the Grassmarket area of Edinburgh, Scotland, where she lives, and saw a brochure for a class in Dance Base, Scotland's national centre for dance, she balked. The class was free for the over-60s, and Thynne was 68. 'I thought: 'Dare I?'' For many people, kayaking in open water would be scarier than joining a dance class, but 'in life', Thynne says, 'there are occasions when you can lose your self-confidence. You can lose your identity. I was very nervous, wondering could I do it, would I be good enough?' She had done a bit of ballet and tap growing up in the north-east of England, and loved sport. Not to compete, but because she 'loved the way the body moved'. At 16, she wrote to the chartered society of physiotherapists, and did a course on day release while working locally at Imperial Chemical Industries. 'I still love the way the body moves,' she says, 'How you can feel the tension in a muscle – is it the right place you're feeling? Which muscles are weak? Which joints are affected? And how even with simple exercise, you can make people feel much better.' After a divorce in the mid-1980s, she embarked on a second career, teaching movement and music, and anatomy and massage to therapists, while raising two teenage sons. She has loved the outdoors since her mum, who was a professional musician, took Thynne and her two sisters 'out into the fresh air, to have this love of the countryside, to go brambling, to walk. She gave that to us.' Thynne, similarly, is 'somebody who pushes myself, takes opportunities, takes a risk,' she says. 'I'm obviously prepared to go on trying and doing, [asking] can I do this? And then being surprised that yes, I can.' When she went to her first dance session, it was 'won-der-ful!' she says, singing the word. 'I realised that somebody was teaching me what to do, and there was music playing and I could let go and I felt that joy of my body moving, coming through me.' She progressed to Prime, Dance Base's semi-professional company for over-60s. After that came funding from Luminate, Dance Base, Creative Scotland and Made in Scotland. For These Mechanisms, she has collaborated with the choreographer Robbie Synge. 'It's almost as if I'm having another career.' Along the way, she has learned 'to listen … to find out more about myself, my capabilities. How to put my point of view forward, to be part of a team.' She hopes to tour the show overseas. In the meantime, she keeps fit. 'Each morning, I hang for two or three minutes, take my body weight, then I turn around and hang the other way. Then I do some gentle stretching.' And, of course, she dances. All the time. 'I probably dance if I am going from the fridge to the cooker, taking some dishes,' she says, swirling her hands in the air. 'Isn't that what dance is? You just have to let go and explore it.' These Mechanisms isn't exactly autobiographical, but it 'tells a story of persistence, of joy, of risk', which sounds like Thynne. 'You could do this in your 20s, you could do it in your 80s,' she says. 'It's about the limits of the human body and the desire to make things happen.' These Mechanisms runs until 20 August at DB3 as part of Dance Base's fringe programme, delivered in partnership with Assembly festival Tell us: has your life taken a new direction after the age of 60?

Live from the harvest: the farmers streaming on social media
Live from the harvest: the farmers streaming on social media

BBC News

time14 minutes ago

  • BBC News

Live from the harvest: the farmers streaming on social media

Scroll through social media and you will see multiple accounts where farmers are turning their talents to are angry, campaigning against government policies, or informative, keen to show followers the impact of climate change on their daily many say they just want to show people the reality of their trade. High on the Marlborough Downs, Mike Wilkins was testing his winter barley when I met him, breaking off their ears and grinding them in a small machine to see how dry the grain he worked, he explained everything to his phone camera, set up on the bonnet of his dusty farm truck."Now the moment of truth," he smiled to the camera, with a touch of drama."We need under 15% and... (pause for effect)... it's 13.9!"So that's fantastic, we can go harvesting!"Cue music, and a fast cut sequence of aerial shots of the combine, cutting through the barley. This, he explained, was Episode 19 of "What we've been up to on the farm", a series of 90 second short films, covering everything from haymaking and barley planting, to piglets, goats and the farm Wilkins is unusually natural on camera, happily introducing an episode while bottle-feeding two lambs. But then, he was a contestant on the Great British Bake Off, so he's not your typical his intent is the same as the thousands of farmers who now stream their farming lives on social media. "People are so interested now in where their food comes from," Mr Wilkins explained. "So it's nice for them to have something direct from the farmer's mouth, literally. What we're doing and how and why we're doing it."Scrolling through TikTok, Instagram, YouTube and the other platforms, I found hundreds of farmers having a go. There are videos of tractors in Westminster, protesting the government's changes to farm grants and taxes and plenty of dramatic shots of fields on fire, dried out by the record dry Mr Wilkins tends to avoid the thornier issues on his feed."All of those things are really important," he said, "but what we do every day matters too."I think people think farmers complain all the time, but actually we farm because we love it, and I genuinely love every single day."It's nice to be able to get across that passion and the positivity about all the great things we're doing too." Down on the Mendip hills in Somerset, Farmer Dom Northmore was driving his tractor when I met him and topping out some overgrown weeds on a pasture, like generations of farmers have done before him in a new twist, one of the farmhands was launching a drone, to film it all"People love the drone," said Chloe Burke."We like to get the drone out, see what it's looking like from the sky, and then we can, like, post it on our social media."Miss Burke has casually become the social media manager for Lane End Farm. Owners Dom and Rachel Northmore had actually tried hiring a professional firm, from Bristol."It didn't really work," Mrs Northmore explained. "They just didn't get it, it wasn't authentic."Miss Burke already worked on the farm every day, driving the tractor, haymaking, helping with the horses, sheep, ducks and goats and as a typical 25-year-old, she was posting films on her own Northmore realised they were much more authentic, so now they make all the videos together as they go along. "I don't really have a plan, If I see something fun, I just film it," said Miss said haymaking videos have done well for them this year, reaching thousands of people as many farmers bemoaned the low yields and the long, dry spring. Mr Northmore agreed that their fields have produced less hay too, but the films are just a celebration of the craft."We got some really good ones of raking up and baling," Miss Burke said."Everyone really liked the videos of stacking the bales and bringing them in, that was the favourite, a big hit."They mainly post on TikTok, where the vibe is very much short fun-packed videos, rather than lengthy explanations of farming the fun, Mr Northmore hopes there is a serious benefit as said: "It's hard to get on to a farm these days, and with social media thousands of people can see it all, and it's a great way to feel a bit more connected." In the same spirit, the BBC's Farmwatch project will be dipping into countless farms across the country, on Thursday August 7. On a farm near Malmesbury in Wiltshire, Robin Aird is preparing to have his combine harvester streamed live across the country as he cuts his Aird agreed to have BBC cameras fixed to his combine as he gathers in this year's harvest."We hope to show people just what harvest involves, and they'll be able to ask us questions live in the cab too, which will be fun," he part of a BBC project called Farmwatch, when for 24 hours journalists across Britain will shine a light on Aird's combine harvester will, weather willing, be harvesting all day, live on the website. Reporters will be sharing their days on local radio and BBC Sounds, and there are even some job swaps with farmer Mike Wilkins as one of the presenters on a special evening show on BBC Local Radio.

Toy Museum at Penshurst Place and Gardens reopens
Toy Museum at Penshurst Place and Gardens reopens

BBC News

time44 minutes ago

  • BBC News

Toy Museum at Penshurst Place and Gardens reopens

A toy museum at a stately home in Kent has reopened to the public following a restoration project. First opened in 1970, the Toy Museum at Penshurst Place and Gardens houses over 2,000 toys, including items from the Sidney family who have lived at Penshurst since project, undertaken to celebrate the museum's 55th anniversary, was made possible by a £100,000 grant from The National Lottery Heritage Nicky Stitchman, who oversaw the restoration, says it has "allowed us give the collection the care it deserves". The museum, which sits within a converted 19th century carpenters' workshop at Penshurst, has been redesigned into four zones: Dolls and Bears, Games and Pastimes, Building Blocks, and World of Imagination. Key items in the collection include 18th century Queen Anne doll Moggie, and Soldier Ted, the childhood toy of Dr The Hon Philip Sidney, heir to Penshurst 1920s automaton 'Drinking Bear' by Parisian toymakers Roullet & Decamps also features in the collection, and will return later this year after undergoing repairs in said: "As a family home, sharing these collections with the public has always been important to us. "The Toy Museum celebrates the enduring importance of toys and play across the generations, and it's wonderful to see my childhood teddy, Soldier Ted, alongside other treasured family toys displayed so beautifully in the reimagined exhibition."Penshurst Place has also introduced the popular 'Toys Through Time' workshops for schools, where toys from different eras are used to help bring history to life for reopening last Thursday, the Toy Museum is now open daily between 11:30 and 15:30 BST until 2 November.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store