logo
The Astonishing Life of Nude Models, Heirs to an Artistic Tradition in Decline

The Astonishing Life of Nude Models, Heirs to an Artistic Tradition in Decline

Le Figaro17-06-2025
Réservé aux abonnés
Every day, several hundred models strip naked in front of an audience of illustrators, in exchange for payment. This century-old profession has been neglected since the art world switched preferences from abstraction to figurative art.
When she was a student, Marie-Laure couldn't count on her parents' financial support, so she worked a succession of 'side gigs.' Her most traumatic memory is street canvassing in Paris' Place d'Italie, asking them to try out different brands of food products. "You had to have the gift of gab, and I don't at all. It was awful."
In search of a more comfortable situation, she decided to listen to a drawing teacher who had seen 'a Renoir painting' in her curvy figure, and agreed to become a live model for compensation. The principle was simple: undress and offer her naked body to an assembly of drawers, varying the poses. For Marie-Laure's mother, a rather traditional, 'uptight' type, it was a real tragedy. 'She thought it was disgusting, whereas for my father, it looked like a lot of fun,' she recalls. Even today, her family imagines her lying in an armchair, staring at the ceiling for hours on end.
À lire aussi 'There Will Be Deaths': Why French Retailers Are Sounding the Alarm on China's Temu and Shein
In reality, the supposedly bohemian life of Marie-Laure, 48, involves five hours a day in public…
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How France and the UK are preparing for the Bayeux Tapestry's big move
How France and the UK are preparing for the Bayeux Tapestry's big move

Euronews

time9 hours ago

  • Euronews

How France and the UK are preparing for the Bayeux Tapestry's big move

ADVERTISEMENT For almost a thousand years, the Bayeux Tapestry has told the story of how a French duke defeated an English king in battle – and changed the course of European history. Now, as France prepares to lend the 70-metre-long masterpiece to the UK, planning is underway behind the scenes to make the historic loan a reality. The embroidered tapestry, which depicts the events leading up to the Norman conquest of England and the Battle of Hastings in 1066, is due to go on display at the British Museum from September 2026 to July 2027. The loan itself has already been announced – but the complex work of moving and preserving one of Europe's most fragile treasures is only just getting started. When French President Emmanuel Macron confirmed the loan during his 2025 state visit to the UK – the first by an EU leader since Brexit – the symbolism wasn't lost on either side of the Channel. After years of chilled relations, the move was seen as a gesture of renewed cultural warmth. But it's not just about politics. Historians widely believe the tapestry was actually stitched in England, using wool thread on linen. That makes its temporary return something of a 'homecoming', says Bayeux Museum curator Antoine Verney. 'For the British, the date – the only date – that all of them know is 1066,' Verney told AP. It's that sense of shared ownership – and shared story – that's giving fresh momentum to this complex loan, which will see pieces from the British Museum that represent all four nations of the UK, including the Lewis chess pieces, travel to museums in Normandy. Moving any 900-year-old textile is risky. Moving one made of nine joined pieces of linen, depicting 626 characters, 41 ships and 202 horses? Even more so. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney. The tapestry has survived invasions, revolutions and world wars. Napoleon displayed it in Paris in 1804, and the Allies rolled it out again in 1944 after liberating France. But even with that pedigree, its age is showing. 'The textile fibres are 900 years old. So they have naturally degraded simply due to age,' Verney said. 'But at the same time, this is a work that has already travelled extensively and been handled a great deal.' Details of how it will be moved remain under discussion. The transfer is being worked out between the British and French governments, with conservation teams weighing every option – from humidity control and vibration monitoring to custom-built containers. Verney is confident the British Museum won't take any unnecessary risks. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he said. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.' While the tapestry is away, the Bayeux Museum will be undergoing its own transformation. The site is closing to visitors from 1 September this year for a major renovation costing tens of millions of euros. When it reopens in 2027, the star attraction will return to a state-of-the-art home, where it will be displayed on a custom-built, inclined 70-metre-long table. Verney says the redesign will completely change how people view the work – not just as a medieval marvel, but as a piece of storytelling and design that still resonates. At the British Museum, curators are already preparing for what's expected to be one of the biggest exhibitions in its history. The tapestry will be shown in the museum's Sainsbury Exhibition Gallery, with conservation staff on alert throughout the show. The tapestry was likely commissioned by Bishop Odo, William the Conqueror's half-brother, to mark the building of a new cathedral in Bayeux in 1077. For centuries, it lay mostly out of sight, stored in a chest. Today, it's not just a rare survivor, but a powerful artefact of national identity for both France and Britain. The images, stitched in dramatic sequence, have often been described as a kind of medieval comic strip. But they carry weight: themes of power, invasion, resistance and fate still resonate, even in a modern museum.

Hugo Lucchino takes over the management of France's Villa Noailles, which oversees the Hyères Festival
Hugo Lucchino takes over the management of France's Villa Noailles, which oversees the Hyères Festival

Fashion Network

time2 days ago

  • Fashion Network

Hugo Lucchino takes over the management of France's Villa Noailles, which oversees the Hyères Festival

Hugo Lucchino is the new General Manager of France's Villa Noailles, which oversees, among other things, the renowned Hyères Festival and its fashion competition for young designers. The establishment has been in turmoil since its management was criticised by the French Ministry of Culture last April. Its emblematic founder Jean-Pierre Blanc, who is currently on sick leave, stepped down from his role as General Manager and the Hyères institution launched a recruitment process to find a successor. Minister of Culture Rachida Dati agreed to the appointment, on the unanimous recommendation of the jury, the Villa Noailles centre for contemporary art of national interest said in a press release. Hugo Lucchino is currently working at the Palais Galliera, the fashion museum of the city of Paris, as secretary general, and will take up his new post in the autumn. "I'm delighted with this appointment. Hugo joins us with great artistic sensitivity and valuable management experience to write a new chapter in our history together," said Villa Noailles President Pascale Mussard. "After training in aesthetics, philosophy of art and theory of decorative and applied arts at the University of Paris IV - Sorbonne, in museology, art and fashion history at the École du Louvre and in public administration, management of cultural institutions at Sciences Po Paris, Hugo Lucchino prefigured the Groupement d'intérêt public le Signe, centre national du graphisme, as administrative and financial director, where he later held the position of general secretary". At the Palais Galliera, "he oversaw the completion of extension and renovation work, as well as an internal reorganisation as part of the museum's reopening, and then worked on the design and implementation of the establishment's new scientific and cultural project", said the press release, emphasising how his project "fits perfectly with the history, territory and challenges of Villa Noailles, and testifies to his in-depth knowledge of the fashion and design sectors". As announced last July, the Hyères Festival, which celebrates its 40th anniversary this year, has confirmed its upcoming edition. It will be held over three days, rather than four, from October 16 to 18, 2025.

Hugo Lucchino takes over the management of France's Villa Noailles, which oversees the Hyères Festival
Hugo Lucchino takes over the management of France's Villa Noailles, which oversees the Hyères Festival

Fashion Network

time2 days ago

  • Fashion Network

Hugo Lucchino takes over the management of France's Villa Noailles, which oversees the Hyères Festival

Hugo Lucchino is the new General Manager of France's Villa Noailles, which oversees, among other things, the renowned Hyères Festival and its fashion competition for young designers. The establishment has been in turmoil since its management was criticised by the French Ministry of Culture last April. Its emblematic founder Jean-Pierre Blanc, who is currently on sick leave, stepped down from his role as General Manager and the Hyères institution launched a recruitment process to find a successor. Minister of Culture Rachida Dati agreed to the appointment, on the unanimous recommendation of the jury, the Villa Noailles centre for contemporary art of national interest said in a press release. Hugo Lucchino is currently working at the Palais Galliera, the fashion museum of the city of Paris, as secretary general, and will take up his new post in the autumn. "I'm delighted with this appointment. Hugo joins us with great artistic sensitivity and valuable management experience to write a new chapter in our history together," said Villa Noailles President Pascale Mussard. "After training in aesthetics, philosophy of art and theory of decorative and applied arts at the University of Paris IV - Sorbonne, in museology, art and fashion history at the École du Louvre and in public administration, management of cultural institutions at Sciences Po Paris, Hugo Lucchino prefigured the Groupement d'intérêt public le Signe, centre national du graphisme, as administrative and financial director, where he later held the position of general secretary". At the Palais Galliera, "he oversaw the completion of extension and renovation work, as well as an internal reorganisation as part of the museum's reopening, and then worked on the design and implementation of the establishment's new scientific and cultural project", said the press release, emphasising how his project "fits perfectly with the history, territory and challenges of Villa Noailles, and testifies to his in-depth knowledge of the fashion and design sectors". As announced last July, the Hyères Festival, which celebrates its 40th anniversary this year, has confirmed its upcoming edition. It will be held over three days, rather than four, from October 16 to 18, 2025.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store