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Horoscope today, July 22 2025: Daily star sign guide from Mystic Meg

Horoscope today, July 22 2025: Daily star sign guide from Mystic Meg

The Sun5 hours ago
OUR much-loved astrologer Meg sadly died in 2023 but her column is being kept alive by her friend and protégée Maggie Innes.
Read on to see what's written in the stars for you today.
♈ ARIES
March 21 to April 20
Your creative chart shines as bright as the sun, giving you extra confidence to present and promote your personal ideas.
So do resist temptation to water these down or copycat anyone else.
Saturn may try to block a big Aries change, but you can find the perfect balance of courage and caution.
Passion is ready to talk.
2
♉ TAURUS
April 21 to May 21
Your place in a family may feel like it is fading, but as the sun moves signs, this can change.
You should stand up for what you think is right, and even people who always seem to say no to your dreams can start to rethink your shared future.
Love has a deep, meaningful value for you. Don't be tempted to settle for less.
Get all the latest Taurus horoscope new s including your weekly and monthly predictions
♊ GEMINI
Talks that have stalled can get going again – the key is to adjust your words, but keep your feelings the same.
At work, you may feel you have something to prove, but check in with colleagues that this is an accurate assessment of a situation.
In love, it costs nothing to be kind and create some emotional space.
May 22 to June 21
Get all the latest Gemini horoscope news including your weekly and monthly predictions
♋ CANCER
June 22 to July 22
The sun highlights what and who you truly value – and today part of this should include your own ambitions.
Stepping back so others can shine may have served you well in the past, but your future asks you to own your dreams and be proud of them.
In love, hiding your deepest self could confuse partners, new or old.
Get all the latest Cancer horoscope news including your weekly and monthly predictions
♌ LEO
July 23 to August 23
You are ready for your moment in the sun, so embrace your all-star ruler with confidence and courage.
This can be your day to set out a list of personal 'must haves' at work and in love.
Your name on that door, chair or document is coming close.
For Jupiter luck, numbers or names in a dream are worth noting.
♍ VIRGO
August 24 to September 22
Finding friendship and support in unlikely places and people can be your theme, so it's worth giving everyone you meet today your absolute attention – even if at first they seem outside your comfort zone.
In love, you are changing in ways that can help keep relationships fresh – try not to ignore your heart's honesty.
Get all the latest Virgo horoscope news including your weekly and monthly predictions
♎ LIBRA
September 23 to October 23
Gathering the right people around you may have felt like a challenge lately, but now you're on a roll.
You see you can gain good friends by being one yourself.
At work, seeing what others need before they do can be a game-changer.
Love-wise, perfection is good, but potential is better – an Aries can promise this.
♏ SCORPIO
October 24 to November 22
With the sun at the top of your chart, you have extra energy and enthusiasm that overflows from you all day and is so attractive to everyone around you.
You may not realise how strings are being pulled for your benefit, but they are.
Play your part by ignoring petty rules and resentments. Always see the bigger picture.
Get all the latest Scorpio horoscope news including your weekly and monthly predictions
♐ SAGITTARIUS
November 23 to December 21
New horizons open up and, when you lift your eyes and mind out of routine, you can see this for yourself.
Recent events may have demanded a lot from you, but this has made you stronger, and the chance to prove this can be coming soon.
Your team-building skills are supreme, in everything from sport to love.
Get all the latest Sagittarius horoscope news including your weekly and monthly predictions
♑ CAPRICORN
December 22 to January 20
Accepting what you can't change, but pursuing what you can, is your motto for today.
It might be easier to give up on everything and everyone, but this is not the Capricorn way.
In passion terms, couples will benefit from accepting that work needs to be done.
Single? The One is a minority sport super-fan.
Get all the latest Capricorn horoscope news including your weekly and monthly predictions
2
♒ AQUARIUS
January 21 to February 18
With the sun strong in your co-operation centre, you can believe the best of everyone, including yourself.
A deal that has stuck for several weeks can suddenly shift.
Jupiter selects a working team to be in line for luck when they also research or remember together.
Love has a streak of pure fun.
Get all the latest Aquarius horoscope news including your weekly and monthly predictions
♓ PISCES
February 19 to March 20
A time of denial linked to fitness is over – you have special warmth to help yourself and others push towards ambitious health goals.
But it's important to set a realistic deadline rather than an impossible goal.
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Elvis Evolution: 'Atrocious and misleading' show upsets some fans
Elvis Evolution: 'Atrocious and misleading' show upsets some fans

BBC News

time4 minutes ago

  • BBC News

Elvis Evolution: 'Atrocious and misleading' show upsets some fans

A number of people who attended a new Elvis immersive experience in London have told the BBC they have been left extremely upset, with one fan saying it was "one of the most misleading shows I've ever seen".Elvis Evolution, created by Layered Reality, was announced in January 2024 and advertised at that time as a concert experience that would "use AI and feature holographic projections of the star". It would include a "life-sized digital Elvis who will perform iconic moments in musical history on a UK stage for the first time".But some attendees say the show, for which tickets range from £75 to £300, featured no hologram of Elvis and as a result say they have been left feeling conned and mis-sold.A spokesperson for Layered Reality said: "A small number of people have pointed out that they were expecting a hologram concert, due to the initial announcement made in January 2024. As with many complex productions that are two years in the making, the concept developed from those early stages, and this was made clear when tickets went on sale in October 2024."We ultimately took the creative decision not to mimic Elvis's performances. Those moments proved to be too iconic and irreplaceable. Instead, we use AI to upscale archive footage and in moments we know happened but where no footage existed, offering a new lens into his world."They said the show has been praised by fans and newcomers alike and they were "overwhelmed by the feedback, with many describing it as fun, immersive and unlike anything they've seen before". The experience starts by taking fans on a journey of Elvis's youth, which we learn about from his childhood friend Sam Bell. After an interval in a Hawaii-themed bar with a cardboard cut-out of Elvis, ticket-holders find themselves as audience members in the 1968 comeback special concert that was performed live on NBC. Elvis Evolution, which opened on Friday for a six-month run, costs £75 for a standard ticket and £300 for a Super VIP option, which includes a mid-show champagne experience, commemorative glass, dedicated seating, a drink at each of the three bars and cloakroom access. 'Absolutely atrocious' Mark and Tracey Baldwin had VIP tickets for the show but have been left feeling "more like mugs than VIPs". Mr Baldwin told the BBC he feels "frustrated, disappointed and angry at the organisers". Mrs Baldwin said that the show was "absolutely atrocious" and thought she had paid the money for a once in a lifetime experience but "you could have seen this at the local theatre for £30"."It was a shambles from start to finish, there was no Elvis, it was just a video of him that you could watch on YouTube," she said. During the second act, she claims, unhappy people were leaving the show early and she feels Layered Reality have exploited older people and "taken us for a fool by scamming us with technology that we won't understand". The Baldwins said customers should be refunded and Layered Reality should apologise for "breaking people's dreams".A Layered Reality spokesperson said: "While we understand that expectations can be shaped by comparisons to other formats, we're incredibly proud of what's been created and how it's reconnecting people with Elvis in a bold and meaningful way."Elvis Evolution is not a traditional concert or hologram show. It's a major scale, theatrical experience priced competitively that invites audiences into the world of Elvis through immersive design, selective use of cutting-edge technology, live actors, and musicians. This is an experience where the story leads the technology, not the other way around." Mixed critic reviews The experience has had mixed reviews from critics - The Telegraph awarded it one-star and said it had "limp and indifferent offerings", but CityAM described it as "incredibly touching" in a four-star gave the show three stars and said it was "made with care and the concert is enjoyable once you accept it for what it is". And not every fan has been disappointed by the show – on Facebook some ticketholders praised the experience as "well-acted, innovative, exciting and a whole lot of fun". Another added that it seemed "the majority of people were having fun". But Paige Rannigan, who attended the show on Saturday evening and says she "saved really hard" to afford tickets as a birthday present for her mother, was left in tears and said she felt "it was nothing like what was advertised or promised".Ms Rannigan suffers from epilepsy and said she was surprised that there were no strobe light/flash warnings either verbally or on Reality said accessibility was at the forefront of their production process and "have created a detailed FAQs section on our website about any potential issues that may arise during the experience and how to contact us so we can accommodate any changes". Lizzie Ward also visited the experience as she thought she was seeing a life-size Elvis but described it as a "low quality theatrical performance" and is "desperately" trying to get a Elvis Evolution website no longer references any use of holograms in the show but describes the performance as "combining cutting-edge digital technology, live actors and musicians, mind-blowing multimedia and heart-pounding music"."This walkthrough immersive experience has some seated scenes and themed bars, giving you a multi-sensory journey through Elvis' rags to riches story from country boy to musical icon," it experience was delayed by several months from the planned launch date of November 2024. 'Not worth the money' There are multiple shows a day with a capacity of 160 people per performance which Shanine, who attended a preview show recently, thinks is too many told the BBC that it's immersive in "the sense of there being a set" but is adamant that it is "not worth the money". On Sunday, some of the shows were cancelled for "security reasons" after an attendee was carried out by several security members during the interval. In a video posted on social media, an older man can be seen being lifted by security staff and taken out of the room. Layered Reality told the BBC that the man "became verbally aggressive towards our staff and despite being politely asked to stop, the behaviour escalated, with the guest explicitly stating his intention to continue making threats towards our staff and performers."Security removed him from the event after he refused to leave the venue."Staff had no choice but to carry him out so the show could continue but because of the uproar it became too heated and the mood wasn't right to continue the show," one attendee told the BBC understands that some members of the cast raised concerns following the incident. Layered Reality said: "The safety and security of the public and our team is our highest priority, and after a thorough review and ongoing dialogue with the cast, the shows will be running as scheduled on Wednesday 23 July."Layered Reality have previously produced immersive experiences including The Gunpowder Plot and Jeff Wayne's The War of The Evolution is set to run at ExCel London until December. When first announced, the show was due to move to Las Vegas, Berlin and Tokyo after London but this has not been confirmed.

Nicole Kidman's nepo baby niece Lucia Hawley begs for a job as she reveals she is unemployed after quitting her TV gig in Australia and moving to London
Nicole Kidman's nepo baby niece Lucia Hawley begs for a job as she reveals she is unemployed after quitting her TV gig in Australia and moving to London

Daily Mail​

time34 minutes ago

  • Daily Mail​

Nicole Kidman's nepo baby niece Lucia Hawley begs for a job as she reveals she is unemployed after quitting her TV gig in Australia and moving to London

Nicole Kidman 's niece Lucia Hawley has revealed she is unemployed after making the 'risky' move to live in London. The 26-year-old gave up her role as host of 7Bravo in Australia and relocated overseas last month. In her latest Substack blog, she spoke about the challenges of starting afresh in a new country without a job. 'On June 18, I officially made the move to London. On paper, this is a totally stupid decision, and honestly, frightens me (someone hire me pls),' she wrote. 'I am risk-averse, which means my body quite literally rejects the idea of both moving overseas being unemployed.' From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. Lucia revealed she found it 'traumatic' to say goodbye to her boyfriend Henry and younger siblings. 'Saying goodbye to Henry was incredibly difficult (I am traumatised by airport goodbyes). Even harder were the goodbyes to my family - I kissed my little brothers through floods of tears,' she added. The presenter finished by saying while it was a hard decision to make, she knew it was ultimately for the best. 'It is exciting and freeing and kind of what life is all about. I believe home to be a feeling... Having a strong network of people who support you is what truly enables you to navigate the world with confidence and self-assurance,' she wrote. In December, Channel Seven announced that former Bachelor star Bella Varelis would be the new host of 7Bravo, following Lucia's resignation. Bella, who was runner-up on Locky Gilbert's season of The Bachelor, became the channel's new local host and the face of Live From E! red carpet events in Australia. NBCUniversal International Networks & Direct-to-Consumer and Distribution, Australia & New Zealand Managing Director, Chris Taylor, said: 'We are thrilled to have Bella step into this much-coveted role, becoming the new host of 7Bravo. 'As a familiar face on 7Bravo, we have every confidence that her on-screen warmth, energy, style and expertise will continue to resonate strongly with audiences and talent alike.' Channel Seven said 'Lucia is departing the role at the end of this year to explore other opportunities' after two years. Lucia is the eldest child of Nicole Kidman's sister Antonia and her ex-husband Angus. She started her TV career after studying Arts at the elite University of Sydney. Following her degree and internship at Vogue Australia, she started working at a production company as an assistant and later applied for a job at 9Honey — Channel Nine's women's network. She eventually landed a role with NBC Universal - who launched 7Bravo in 2022.

‘Robin Williams said: 'I'll buy the club!'': how The Comic Strip set the UK comedy scene ablaze
‘Robin Williams said: 'I'll buy the club!'': how The Comic Strip set the UK comedy scene ablaze

The Guardian

time2 hours ago

  • The Guardian

‘Robin Williams said: 'I'll buy the club!'': how The Comic Strip set the UK comedy scene ablaze

It was the moment comedy broke with sexism – yet it happened in a strip club. It was a fervour of free creative expression – yet it retained a commercial, careerist edge. It was one of the longest-running and most successful brands in UK comedy history – which few people could now recognise. At the Edinburgh fringe this summer, The Comic Strip Presents … will be memorialised in a series of film screenings and Q&As with its creator and prime mover Peter Richardson. Richardson was the impresario behind the legendary comedy club The Comic Strip, which opened in 1980. When he and his star performers – Rik Mayall, Alexei Sayle, French and Saunders among them – created Channel 4's The Comic Strip Presents … a couple of years later, he could legitimately claim to be the man who brought alternative comedy to television. This being a celebration of an iconic moment in UK comedy history, one might assume Edinburgh's Usher Hall or the 750-seat Pleasance Grand has been set aside to host. But one might assume wrong. 'When I started [showing these films] about a year ago,' Richardson tells me, 'we didn't have the money to advertise them. So we'd arrive at theatres that had about 30 people who had somehow read our minds that we were going to be there. And 30 people in a 300-seat cinema can be hard work.' The Comic Strip Presents … ran for three series on Channel 4 from 1982-1988, then it moved to the BBC in the early 90s before making a return to Channel 4 for one-off specials, the most recent in 2016. But it's not a big name in comedy – far less so than, for example, The Young Ones, the BBC sitcom starring some of the same talents and broadcast at the same time. 'It wasn't good television,' admits Richardson, 'because it wasn't repetitive, and television is about repeating a formula and people getting to know it well.' And was it even comedy? One of the show's stars, Mayall, argued that it shouldn't have been called The Comic Strip, and that 'Interesting Films' might have been a better fit. In fact, the series was – like Inside No 9 more recently – a tonally varying anthology show, a suite of standalone films united only by sensibility, and by the performers bringing them to the screen. 'I told Channel 4,' says Richardson, ''These performers are so good they don't need to be stuck playing one-dimensional characters. They can play all sorts. One week they can be a heavy metal band, the next week they can be The Famous Five.' You could call it bad television, because you're not seeing more of the same. But as it's gone on, it's become a collection of very memorable one-off moments and that's what people now remember.' The performers also included Adrian Edmondson, Nigel Planer and Richardson himself, with a rotating supporting cast that included Keith Allen, Robbie Coltrane and more. At the time, they were setting the UK comedy scene ablaze. That all started at the Comedy Store, a strip club and the anarchic HQ of what had recently been called 'alternative comedy'. Richardson's coup was to cherrypick the most exciting voices of that generation, and cart them off to another strip club, a little less anarchic, a few blocks up the road: the Raymond Revuebar. Here, with the financial support of the Rocky Horror Picture Show producer Michael White, he opened The Comic Strip club – a name that seems obvious, although 'the New Depression Club' was, according to Edmondson, a very near miss. For a year from 1980-1981, the Comic Strip was the hippest and hottest comedy night in town. 'The bouncers at Raymond Revuebar had a simple rule of thumb for who was directed where,' Sayle later wrote. 'If they reeked of aftershave they were sent to the strip show; if they smelled of beer they came to us.' Celebs piled in: Bianca Jagger, Dustin Hoffman. Robin Williams came and demanded to perform, to impress his guest, David Bowie. Sayle offered him 15 minutes. Williams said: 'I told [Bowie] I'd do an hour'. Sayle: 'You can't.' Williams: 'I'll buy the club!' Sayle: 'We don't own it. It belongs to a bouffant-haired pornographer.' The buzz even reached the pages of the London Review of Books, whose critic noted, 'within seconds, [Sayle] has the audience agape. Most of them, it seemed, had never been called cunts before.' Then Channel 4 came calling, looking for cutting-edge talent to help launch the new broadcaster on to the country's airwaves. Richardson was given carte blanche. 'They said, 'What do you want to do?' and I said, 'I want to make six films, all different.'' The first, Five Go Mad in Dorset, was transmitted on the station's opening night, and the controversy around its satire of Enid Blyton attitudes gave that event a front-page news fillip. But Five Go Mad will not be celebrated at the fringe this summer, says Richardson. 'Taking the piss out of racism and sexism [in that way] is long gone,' he says. 'It's not a funny issue like it was when we did it in the 80s.' One option might have been to re-edit the episode – a course of action in which Richardson, now 73, has freely indulged as the Edinburgh shows have come together. Not for him a bask in the glory of his youthful success. 'What we've done,' he says, 'is revisited the films and said, '30 years later they need some adjustment.' Because things go faster now.' Western spoof Fistful of Travellers Cheques has been 'cut back a bit'. So too has late-period favourite Four Men in a Car. And a scene has been trimmed from The Strike, the show's faux Hollywood movie making mincemeat of the miners' strike. That one bagged a Golden Rose of Montreux comedy award, and starred Richardson (the only performer to appear in every episode) as Al Pacino playing, er, Arthur Scargill. 'I could do Pacino much better now,' he laughs, 'because I worked with John Sessions on Stella Street.' So now, he says, slipping into a convincing Italian-American accent, 'I can do Al.' Stella Street was another of Richardson's TV hits, undertaken when The Comic Strip Presents, by any measure his life's work, was in abeyance. Even when he was a jobbing comedian, in double act The Outer Limits with Nigel Planer, Richardson was a child of amateur film-makers and a wannabe film-maker himself. With The Comic Strip, he made movies for cinematic release: The Supergrass in 1985, and Eat the Rich two years later. Further TV specials included Red Nose of Courage, telling the tale of John Major's flight from the circus to parliament, and 2011's The Hunt for Tony Blair, imagining the ex-PM on the run having been accused of a series of murders. Both will be screened at the fringe, MC'd by comedian Robin Ince and with special guests including Sayle and Allen. Richardson is modest about the achievement of having brought these 30 years' worth of films to the screen. 'I always thought we were the new Ealing comedies. And [Ealing Studios at its peak] made about 150 films over 20 years, of which about 15 are remembered. So our strike rate isn't too bad. We made some flops, but at least one or two out of each series are really good.' Some, indeed, are carved on this writer's heart – notably Bad News Tour and More Bad News, the show's two-part heavy metal spoof, which predated This Is Spinal Tap and ended up with Edmondson, Mayall and co performing live on stage, under a hail of beer glasses, at the 1986 Monsters of Rock festival at Castle Donington. Richardson is at peace with the under-appreciation of The Comic Strip Presents, acknowledging that, as a bloody-minded sitcom refusenik way back when, he is the auteur of his own misfortune. He is delighted to be bringing the remastered films to Edinburgh, a city in which, back in the day, he and Planer once toured as a support act to Dexy's Midnight Runners. 'FrontmanKevin Rowland complained,' he says, 'that we didn't do new material at every performance.' Expect no new material at these screenings – but a new experience, perhaps. 'It's a great thing,' says Richardson, 'to show them in the cinema. You don't often get to share comedy television with an audience, and it changes the whole experience: people laughing around you. We've discovered that there is an audience around the country who want to see these films on the big screen and talk about them. It's fantastic that something we created 30 or 40 years ago is still creating laughter. I love it.' The Comic Strip Presents … is at the Fringe is on 2, 3, 8, 9 and 10 August at Just the Tonic, Edinburgh

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