Coachella 2026 dates unveiled; fans speculate who will headline
Already missing the sounds of an intense bass or spending $30 for an unimpressive burger and fries combo at the Coachella Valley Music and Arts Festival? Well, you can already start planning for next year's party.
Though the music festival literally wrapped up hours ago, organizer Goldenvoice has already announced the dates and advanced pass sale for the 2026 iteration.
The popular Southern California music festival will once again consist of two weekends. Dates are April 10-12, 2026, and April 17-19, 2026.
Coachella expanded to a two-weekend format in 2012.
The advance sale for 2026 Coachella passes begins 11 a.m. Friday, May 2.
Those interested in attending the festival can head to coachella.com and sign up for updates on pass details, payment plan info and more. Prices for the 2025 festival began at $599 for general admission and $1,199 for VIP (prices varied depending on the weekend).
Hotel and Safari camping packages are currently on sale for both weekends. A three-night general admission hotel package starts at $431.91 per person per night (based on four people sharing), while a three-night VIP packages starts at $678.58 per person per night (based on four people sharing).
Music fans are already wondering who could headline next year's festival, and several names seem to be on people's minds and wish lists.
Rapper Kendrick Lamar and R&B singer SZA have embarked on their co-headlining Grand National Tour, which runs through Aug. 9. Lamar previously headlined Coachella in 2017, while SZA performed the following year, though not in the top slot. For years, Coachella fans have been wondering when she would get a headlining turn, and coming off the heels of their 39-date international tour, next year could be that time.
Another name that has been thrown around is "Drivers License" singer Olivia Rodrigo. She made her Coachella debut in 2024 as a special guest for No Doubt, performing "Bathwater" with Gwen Stefani and rocking out on stage with the legendary band. When she kicked off her Guts tour in Palm Desert last year, Rodrigo showed she's got the energy, spunk and talent to lead a massive crowd.
Pop singers Sabrina Carpenter and Chappell Roan only just made their Coachella debuts in 2024, but people are already hoping to see them back. Some are also hoping for a Dua Lipa appearance, which would mark her first time as a billed artist at the festival. There were rumors that she was offered a slot in 2024, but she "demurred due to timing," according to Hits Daily Double.
There's also usually at least one rock group in the headlining slot: Green Day, No Doubt, Radiohead, Guns N' Roses, for example. Fans are pointing to Rage Against the Machine, who performed at the inaugural Coachella in 1999 and headlined in 2007. The group was set to headline the 2020 festival, but it was canceled that year due to the COVID-19 pandemic. Many thought that Rage would headline the post-COVID festival in 2022, but the band did not appear on the lineup that year.
Ema Sasic covers entertainment and health in the Coachella Valley. Reach her at ema.sasic@desertsun.com or on Twitter @ema_sasic.
This article originally appeared on Palm Springs Desert Sun: Coachella 2026 dates, sale information, who will headline?
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Chicago Tribune
2 hours ago
- Chicago Tribune
Review: Despite uneven pace, a masterful Kendrick Lamar exceeds the hype
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Pre-recorded interrogation-themed vignettes doubled as preludes. Lamar would've been equally effective if he just had his microphone for his razor-wire voice and stage-spanning video wall to project conceptual imagery — pawn shop and corner liquor-store signage, three-dimensional digital sculptures, provocative collages, coded slogans — tied to songs. Lamar also brought his black 1987 Buick GNX coupe along for the ride, using it as a recurring prop and occasional entrance-exit device. A 16-person dance team, a descent down a flight of stairs and a choreographed segment where the California native walked atop a long table while his ensemble sat on one side were about as theatrical as things got in his universe. He focused on narrative devices, demonstrating an elite command of dynamics, syntax, tone, timing, tension and pitch. Aside from a blinged-out 'X' chain hanging from his neck, Lamar eschewed gaudiness and wore only two outfits. No hype men, no special guests, no gratuitous self-promotion. And no overt showboating, even with his voice. Mainly, a batch of biting songs and an effortless flow that often operated as the parallel of a world-class rhythm section. With his current trek, Lamar joins Jay-Z and Eminem on the short list of hip hop artists who co-headlined stadium tours in North America. Though all three partnered with an R&B singer, Lamar planned an outing — the 39-date tour heads to Europe in July — more ambitious in scope. He's regularly shattering records. In Seattle, he established the new mark for highest gross revenue ($14.8 million) for a single performance by a rapper. It's already a foregone conclusion that the 'Grand National Tour' will rank as the highest-grossing rap tour in history, adding to a series of feats that place the 37-year-old on the same global phenom platform as Beyoncé, Lady Gaga and Taylor Swift. 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He even reshaped the buoyant Black Lives Matter anthem 'Alright,' trading its definite optimism for something far less certain, with the familiar refrain echoing as a question without a guaranteed answer. Complications, critiques and conflicts filled his verses. On more than one occasion, Lamar appeared in intense conversation with himself — and prior guises of himself — in attempting to navigate deep-rooted internal strife. During the piano-laden 'Reincarnated,' he linked his past lives to those of John Lee Hooker and Billie Holiday before zooming back on his present self and its battle for freedom from the devil. As he transitioned into a rendition of Baby Keem's 'Family Ties,' the terms 'Respect' and 'Or' interchangeably flashed on the screen between 'Money ' and 'Power.' 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Lamar dodged and dashed syllables, sliced and syncopated cadences, cleaving language into staggered patterns that danced, taunted, bounced and attacked. He let the rhythm hit 'em with every opportunity. If only he'd played a single, uninterrupted set and sustained a constant momentum. Lamar's decision to perform snippets of multiple songs also fell short of the intended mark. Potent cuts such as 'King Kunta,' 'Backseat Freestyle' and 'Swimming Pools (Drank)' came across as teases or afterthoughts. But those were minor missteps compared to the unevenness of Lamar and SZA's traded-off sequences. Both would have been better served with standalone programs and collaborating once within each segment. SZA made for a fine duet partner on the six songs they performed together. She countered his coarser tendencies with smooth softness on fare such as 'Love' and the heartfelt ballad 'Luther.' Her soulful voice proved up to task on her own material, too. 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City' 'Alright' 'Man at the Garden' SZA 'Scorsese Baby Daddy' 'F2F' 'Garden (Say It Like Dat)' 'Kitchen' 'Blind' 'Consideration' (Rihanna cover) 'Low' Lamar and SZA 'Doves in the Wind' 'All the Stars' 'Love' Lamar 'Dodger Blue' 'Peekaboo' 'Like That' (Future/Metro Boomin cover) 'DNA' 'Good Credit' (Playboi Carti cover) 'Count Me Out' into 'Don't Kill My Vibe' 'Money Trees' 'Poetic Justice' SZA 'I Hate U' 'Go Gina' 'Kill Bill' 'Snooze' 'Open Arms' 'Nobody Gets Me' 'Good Days' 'Rich Baby Daddy' (Drake cover) 'BMF' 'Kiss Me More' (Doja Cat cover) Lamar 'N95' 'TV Off' (Part II) 'Not Like Us' Lamar and SZA 'Luther' 'Gloria'
Yahoo
4 hours ago
- Yahoo
Kate Moss launches Festival Collection for Zara
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Cosmopolitan
7 hours ago
- Cosmopolitan
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