logo
'So Cringe': JD Vance's Theater Joke Falls 'Incredibly' Flat On Social Media

'So Cringe': JD Vance's Theater Joke Falls 'Incredibly' Flat On Social Media

Yahooa day ago

Vice President JD Vance and his wife, Usha Vance, joined President Donald Trump and first lady Melania Trump for a performance of 'Les Misérables' at the Kennedy Center on Wednesday evening.
Many found it ironic, given that the musical is about an uprising against abusive authority figures.
But just before the show, Vance wanted to make it very clear he had no idea what it was about.
The vice president posted:
About to see Les Miserables with POTUS at the Kennedy Center. Me to Usha: so what's this about? A barber who kills people? Usha; [hysterical laughter]
— JD Vance (@JDVance) June 11, 2025
In a follow-up tweet, the vice president added: 'That's apparently a different thing called 'Sweeney Todd.''
Given that 'Les Misérables' is one of the most enduring and widely performed modern musicals ― and that it's based on what's considered one of the most important novels of the 19th century ― not many people are buying Vance's ignorance.
And they let him know on X:
It should be illegal to be this incredibly cringe. https://t.co/szqfixG42Opic.twitter.com/oW1DGsAkED
— DSA Orange County 🌹 (@DSAOrangeCounty) June 12, 2025
I'm sorry, the only people who would pretend to confuse Sweeney Todd for Les Mis are people who are super into musicals and uncomfortable admitting it. pic.twitter.com/k5sow99bmf
— Sonny Bunch (@SonnyBunch) June 12, 2025
the idea that knowing Sweeney Todd is more normal (and presumably straighter?) is very funny https://t.co/A78xccJ7Tf
— Alex Shephard (@alex_shephard) June 11, 2025
Jesus Christ this is so cringe.
— Кобзар 🇨🇦🇺🇦 (@CanadianKobzar) June 12, 2025
Oh for gods sake you went to YALE, give it a rest https://t.co/hZ2zkIeIQS
— Sam Biederman (@Biedersam) June 12, 2025
You can drop the 'I'm still an Appalachian hillbilly' thing. It's not a bad thing that you've moved beyond your rustic upbringing
— Steven Walk 🇺🇦🇮🇱 (@realStevenWalk) June 12, 2025
That s not cute. Les Misérables is a searing indictment of authoritarianism, showing how state repression and inequality crush lives - and how resistance and mercy become acts of salvation. https://t.co/S70kDqRjlX
— Dr. Aurelia Attal-Juncqua (@AttalAurelia) June 12, 2025
Omg JD is relatable lololololol (Love that they're going to a musical while our rights are actively being restricted and they try to ruin lives! It's almost like they're trying to make us 'les miserables') https://t.co/JxKxOuaTY8
— Laura Bedrossian (@LauraBedrossian) June 11, 2025
This did not happen. No one who knows the plot of Sweeney Todd also has no idea what Les Mis is about. https://t.co/3H3SIkRqwr
— 🖤 Sophia 🖤 (@Richard_Vixen) June 12, 2025
I love how this clumsy attempt to play to your base has you not knowing the plot of Les Mis but absolutely knowing the plot to Sweeney Todd.JD Vance is definitely NOT an elite. lol what a dork.
— Jared Lipof (@jaredlipof) June 12, 2025
me when I pretend not to know the plot of a broadway musical that's based on one of the best-known novels of all time while somehow knowing the plot to a different, lesser known broadway musical https://t.co/ODWjp2Emiwpic.twitter.com/GhCrxxwHKr
— taylor turner (@taylorttt) June 11, 2025
a straight guy anxious about knowing Les Mis is ridiculous. Les Mis is one of the most straight guy musicals out there. it's being anxious because you know who ryan reynolds is. the writers of Glee would call this too far-fetched https://t.co/SQRsOkhCbx
— Dan Walden (@dwaldenwrites) June 12, 2025
Strange story, considering Les Misérables is widely recognised as a seminal work in the Western literary canon. Hard to imagine Yale-educated Vance is unaware of it. https://t.co/QwtzDwZoRw
— Hunter📈🌈📊 (@StatisticUrban) June 12, 2025
It's about the dehumanizing effects of overzealous law enforcement and how prioritizing punishment over justice destroys families and lives, including (spoiler alert) that of the enforcer. Probably not relevant to this guy. https://t.co/seUv8qhnHP
— Adam McCue (@mccue) June 12, 2025
I love sportsball ass tweet https://t.co/CuRBL3WwxA
— Drake (@Letterb0xed) June 12, 2025
[hysterical laughter] pic.twitter.com/BAzwLZ9LqC
— Wireman (@The_Wireman) June 12, 2025

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Late Night Reviews Trump's Night at the Theater
Late Night Reviews Trump's Night at the Theater

New York Times

time24 minutes ago

  • New York Times

Late Night Reviews Trump's Night at the Theater

Welcome to Best of Late Night, a rundown of the previous night's highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now. Master of the House President Donald Trump attended the opening night of 'Les Misérables' at the Kennedy Center on Wednesday. 'Usually, when Trump watches a staged rebellion, it's Fox News coverage of the 'riots' here in L.A.,' Jimmy Kimmel said on Thursday. 'It's a musical largely about a revolution. It's the people standing up against their king. The rebellion happens in Act 2 — or, I should say, it usually happens in Act 2. After Act 1 last night, Trump called in the National Guard and squashed the whole thing.' — JIMMY KIMMEL 'I have to say, Trump going to see 'Les Misérables' right now is like Kanye going to 'Fiddler on the Roof.' ' — JIMMY KIMMEL 'Some cast members from 'Les Mis' decided to boycott the performance because President Trump was there. Right now, the only person less popular than Trump in the world of theater is Patti LuPone.' — JIMMY KIMMEL 'Napoleon Bona-spurs was accompanied by Melania, as is required under Section B Subsection 3 of their prenup, which states, 'Mrs. Trump shall accompany her husband to no fewer than two public appearances per calendar year during which she shall refrain from open displays of revulsion, disgust, and/or hatred, regardless of current mood or events.' Also known as 'date night' for them.' — JIMMY KIMMEL 'But Melania, from all accounts, she loved the show. Her favorite song was 'On My Own.'' — JIMMY KIMMEL On the red carpet, a reporter asked the president if he was more of a Jean Valjean or Javert. 'Oh, that's a tough one,' he replied, and did not supply an answer. 'I don't know what's worse: that a reporter thought it was a good idea to ask Trump if he's the hero or the villain, or that Trump's response was 'Oof, that's a tough question.'' — DESI LYDIC 'All right, that's famously not a tough one. There's a pretty clear good guy and bad guy, but then I think Trump would have the same problem after a screening of 'Star Wars.' [imitating Trump] 'Oh, that's a tough one. Darth Vader is a mean guy, but also the Skywalker kid was very rude to the gay robot.'' — SETH MEYERS 'What do you mean you don't know? Javert is the bad guy. You just said you've seen the show a number of times. Is that number zero?' — STEPHEN COLBERT '[imitating Trump] The character I identify with most is Les. Les — Lester Miserables. Big, tough guy. Built that castle on a cloud. Not happy about it.' — STEPHEN COLBERT Want all of The Times? Subscribe.

Rhapsody returns to Island Park
Rhapsody returns to Island Park

Yahoo

time7 hours ago

  • Yahoo

Rhapsody returns to Island Park

ELKHART — The City of Elkhart Parks and Recreation Department has invited the community to celebrate 45 years of art, music and local flavor at the Rhapsody Arts & Music Festival on Friday and Saturday, June 13-14, at Island Park. This free, family-friendly festival features live music all weekend, an artist market, food and drink vendors, a beer garden and a full schedule of fun for all ages. New this year: the weekend kicks off with a ribbon-cutting for Island Park's new playground at 4 p.m. on Friday, June 13. Families are invited to join city officials and celebrate this exciting upgrade to one of Elkhart's most popular parks. 'Quality of place is at the heart of the vision for this city. By offering activities for all ages, we're ensuring that every family and resident can participate in the togetherness that makes our community strong,' Mayor Rod Roberson said. Festival hours Friday, June 13 – noon to 10 p.m. Saturday, June 14 – 10 a.m. to 10 p.m. Live music Friday, June 13: 5 p.m. – Clark the Juggler (family entertainment) 6 p.m. – The Midtown Madmen (throwback rock n' roll) 8 p.m. – HAIR (80s hair band tribute) Saturday, June 14: 10 a.m. – Cambrae (jazz-pop singer/songwriter) Noon. – Sugar Lime Blue (Americana fusion) 2 p.m. – F.O.G. (bluegrass) 4 p.m. – Hildaland (Appalachian-Scottish fusion) 6 p.m. – Betty B and the Ropewalkers (swing & jazz) 8 p.m. – Mr Z (classic rock) Additional activities Family Zone open Saturday from 11 a.m. to 6 p.m. in Lundquist-Bicentennial Park, featuring art demonstrations by the Elkhart Art League, games, and performances by Clark the Juggler, Kevin the Magician, Potawatomi Zoo and Elkhart Martial Arts. Artisan and Food Vendors – Over 80 regional vendors will be onsite with handmade goods and festival fare. Beer Garden sponsored by Cam's Catering. Electro-Fishing Demonstrations by City Aquatic Biologist Daragh Deegan on Saturday. This event is made possible in part by the charitable contributions of Jayco and Borden Waste-Away Group. More details are available at

What Trump Missed at the Kennedy Center
What Trump Missed at the Kennedy Center

Yahoo

time8 hours ago

  • Yahoo

What Trump Missed at the Kennedy Center

The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Les Misérables is that rarest of things: a global phenomenon that gets political. The show—not just a musical but a megamusical; not just a drama but a melodrama—is an impassioned argument in the guise of an epic story. Like the Victor Hugo novel that inspired it, the musical rails against autocrats and the systems that elevate them. It resents injustice, inequality, and inhumanity. It does so loudly and extravagantly, and has no use for subtlety. Its gaudiest villain is a greedy innkeeper. Its true villain is unchecked power. And its collective protagonists are protesters who flow into the streets, shouting that their lives matter. Ever popular and ever lucrative, Les Mis has little need for a rebrand, though if it did, it could very well go by: Woke Mob! The Musical. But Hugo loved a good plot twist. And a performance last night at the Kennedy Center provided one: In the audience to celebrate a new staging of Les Mis was President Donald Trump, a man who treats woke as a slur, wealth as permission, and the American presidency as a kingdom in waiting. Trump appeared at the opening partly in a personal capacity (he is, famously, a fan of the show) but primarily in a professional one. This past winter, soon after his return to the White House, the president ousted the chair of the Kennedy Center's board, installing himself in the role. He now runs, in addition to 'the country and the world,' one of the nation's most powerful arts institutions. And last night's performance doubled as a fundraiser. In advance of it, according to reporting by The Atlantic's Ashley Parker and Michael Scherer, board members received a letter urging them to contribute $100,000; other donors were invited to contribute up to $2 million. Trump's attendance also came as real-world protests simmered on the other side of the country he leads. On Saturday, in response to demonstrations in Los Angeles against his administration's treatment of immigrants, Trump made an announcement: He was ready to counter the protests with military force. By the time the president slipped into his VIP box at the Kennedy Center, 4,000 members of the National Guard and 700 Marines had been ordered to mobilize. That sound you keep hearing might be Hugo not just rolling in his tomb but protesting from it. Hugo was suspicious of kings, and for good reason: He completed Les Mis in exile, having opposed the coup that installed Napoleon III to power. That Trump would be in the audience for the musical is irony enough; that he would be attending as a champion of the show is a mordant bit of revisionism. In the musical, the 'master of the house' brings comic relief. In the bigger theater—of our nation, of geopolitics—he brings the stuff of Hugo's nightmares. Yet Trump's love of Les Mis is not much of a surprise. Irony, for one thing, does not seem to preclude his aesthetic appreciation. (Trump has also said that Citizen Kane, Orson Welles's pitying satire of a wealthy mogul turned politician, is his favorite film.) The president often discusses his love of Broadway shows and of megamusicals in particular. He has, at various points, also claimed Evita, Cats, and The Phantom of the Opera as favorites. Those musicals arose in the era that made Trump into a celebrity: the late 1970s and the '80s. Trump himself has conducted an 'off-and-on flirtation with the theater world,' The New York Times noted in 2016, a flirtation that has included a brief stint as a Broadway producer in the early '70s, as well as repeated discussions about turning his life into a musical. Until The Trump Follies makes its debut, though, the president has channeled himself through the political stylings of Les Mis. He has used one of the show's signature songs, 'Do You Hear the People Sing?' in rallies since the days of his 2016 campaign. He used it, in fact, when announcing that he would be running for the White House in the 2024 election. And out of context, the song works: Will you join in our crusade? Who will be strong and stand with me? Beyond the barricade Is there a world you long to see? Then join in the fight That will give you the right to be free! These are unobjectionable lyrics. They are widely applicable lyrics. But their obviousness can abet misreadings, as well. Where the song refers to 'the right to be free,' a person might fill in the words 'from oppression,' 'from hatred,' 'from fear'—or 'from the woke mob.' When it refers to 'crusade' and a better world, audiences might apply those ideas to their own sense of how things are. Les Mis, Hugo wrote, is 'a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life.' But evil and good have no fixed meaning. Les Misérables, as a title, is commonly translated as, among others, 'The Miserable' or 'The Wretched' or 'The Poor.' Some translations, though, choose a different word: 'The Victims.' [Read: America now has a minister of culture] Justice, in Hugo's time as in ours, is a slippery aspiration. Woke can mean whatever people want it to mean. So can freedom. For many Americans, Trump included, the January 6 rioters are freedom fighters and political prisoners. For many of those same Americans, Trump is fighting tyranny rather than establishing it. 'I don't know whether it will be read by everyone,' Hugo wrote of Les Misérables, 'but it is meant for everyone.' He most likely did not envision that people of the future would take him so literally. If you remove history from the equation, though—if you strip away reality as a context—Les Mis can say anything. The show's red-white-and-blue color scheme (in context, a reference to the French flag) can seem to be American. Its climactic protests (in context, a recounting of the June Rebellion of 1832) might read like the siege of January 6. So many things, these days, have Rorschachian edges, which is to say blurred ones. So many things can be shape-shifted into political convenience. Les Mis's lyrics—'Who cares about your lonely soul / We strive toward a larger goal'—might refer to anyone's cause. So might another line: 'Our little lives don't count at all.' [Stephen Marche: America's cultural revolution] Les Mis, published in 1862, emerged from a period of constant upheaval: revolutions, counterrevolutions, coups, widespread poverty, displacement. France was a monarchy and a republic and a monarchy again; along the way, chaos reigned. Hugo's novel distills the human costs of that instability. It considers what happens when 'rule' becomes hopelessly unruly. As a morality play, Les Mis lives in the tension between the spirit of the law and the letter of it. The story radiates from a single, consequential moment: Its central figure, Jean Valjean, steals a loaf of bread to feed his starving family. He is arrested and imprisoned—the theft, in the eyes of the law, is a crime—and the event is so stark in its morals that it reads like an ethics case study. Who is more just, the man who tried to feed his family or the man who arrested him for it? Which is the true crime, one man's taking of a bit of food or the circumstances that led to the theft? The resonances to today's world are striking. Early in Les Mis, Valjean is released from prison after a 19-year confinement. Announcing himself as 'Jean Valjean,' he is sharply corrected by the story's prime antagonist, Inspector Javert—to whom Valjean is, and always will be, Prisoner 24601. You might think, today, of the people who are defined not as people at all, but as 'illegals,' or of the protesters dismissed as 'looters' and 'rioters' and 'terrorists.' Javert and Valjean are doubles of each other: incarnations of Hugo's interest in the connections between the just and the unjust, the dark and the light. Valjean, and nearly all of Les Mis's other characters, are not served by the state's sense of justice; they are oppressed by it. Javert, in enforcing the law, compounds injustice. His morals are so unfeeling that they lead him to immorality. [Read: The Kennedy Center performers who didn't cancel] Little wonder that 'Do You Hear the People Sing?' has become a protest song the world over, its words invoked as pleas for freedom. The crowds in Hong Kong, fighting for democracy, have sung it. So have crowds in the United States, fighting for the rights of unions. The story's tensions are the core tensions of politics too: the rights of the individual, colliding with the needs of the collective; the possibilities, and tragedies, that can come when human dignity is systematized. Les Mis, as a story, is pointedly specific—one country, one rebellion, one meaning of freedom. But Les Mis, as a broader phenomenon, is elastic. It is not one story but many, the product of endless interpretation and reiteration. With the novel, Hugo turned acts of history into a work of fiction. The musical turned the fiction into a show. And American politics, now, have turned the show into a piece of fan fic. Hugo-like protest, to some degree, was a theme at last night's performance. Several Les Mis cast members, when Trump's presence was confirmed, announced that they intended to boycott the show. Some audience members—including a group of drag queens seated in the orchestra section—attended as an act of protest as well. Trump himself came to the show with an entourage including first lady Melania Trump, Vice President J. D. Vance, second lady Usha Vance, and several advisers. As they took their seats, clad in tuxes and gowns, many in the crowd booed. In response, Trump stood and grinned and waved, treating the greeting as an ovation. He then took his seat to enjoy a roughly three-hour indictment of autocracy. Trump, in translating Les Mis for himself, erodes Hugo's own claims to the story. The convictions that grounded Hugo's own sense of freedom—his resentment of unaccountable power, his sense that all justice is social justice—recede, just a bit more, toward the backstage. But Hugo remains. So does Les Mis, the historical artifact. The Los Angeles protests have been spreading throughout the country. More protests are planned for this Saturday, to coincide with a military parade that Trump has arranged in the nation's capital. The parade will coincide with his birthday. The protests against it have a nickname: 'No Kings.' *Lead image credit: Illustration by Allison Zaucha / The Atlantic. Sources: Hulton Archive / Getty; SSPL / Getty; The Ohio State University Library; Getty. Article originally published at The Atlantic

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store