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Tony Christie reveals the very common dementia symptom he dismissed before wife dragged him to doctor - and makes defiant vow

Tony Christie reveals the very common dementia symptom he dismissed before wife dragged him to doctor - and makes defiant vow

Daily Mail​04-07-2025
Tony Christine has revealed the very common dementia symptom he dismissed before his wife dragged him to the doctor.
The 82-year-old appeared on Thursday's episode of Good Morning Britain to chat to presenters Kate Garraway, 58, and Ed Balls, 58.
Back in January 2023, Tony revealed that he had been diagnosed with dementia and was taking medication to slow it down.
Since then the singer has been very honest and open about his diagnosis with fans.
'Dementia is a syndrome (a group of related symptoms) associated with an ongoing decline of brain functioning. There are many different causes of dementia, and many different types,' according to the NHS.
Speaking on GMB, Tony said: 'I think it was about three years ago. All my life, I've been a crossword fanatic. Cryptic crosswords, that was my big hobby.
'Suddenly, I was having problems doing them, and my wife said "Let's go and see a doctor".'
Tony met his wife Sue in 1968 and the pair have been married for 56 years.
He added: 'They gave me tests and found things on my skull and all this kind of thing.
'They said, "You've got the beginnings of dementia, we can put you onto tablets to stop it getting any worse".
'Which they have.'
Speaking about how he deals with the condition, he confessed: 'I've just carried on and I actually just push it to one side. I forget it's there, I don't think about it.
'I just carry on with my life and get on with it.'
WHAT IS DEMENTIA?
Dementia is an umbrella term used to describe a range of progressive neurological disorders, that is, conditions affecting the brain.
There are many different types of dementia, of which Alzheimer's disease is the most common.
Some people may have a combination of types of dementia.
Regardless of which type is diagnosed, each person will experience their dementia in their own unique way.
Dementia is a global concern but it is most often seen in wealthier countries, where people are likely to live into very old age.
HOW MANY PEOPLE ARE AFFECTED?
The Alzheimer's Society reports there are more than 850,000 people living with dementia in the UK today, of which more than 500,000 have Alzheimer's.
It is estimated that the number of people living with dementia in the UK by 2025 will rise to over 1 million.
In the US, it's estimated there are 5.5 million Alzheimer's sufferers. A similar percentage rise is expected in the coming years.
As a person's age increases, so does the risk of them developing dementia.
Rates of diagnosis are improving but many people with dementia are thought to still be undiagnosed.
IS THERE A CURE?
Currently there is no cure for dementia.
But new drugs can slow down its progression and the earlier it is spotted the more effective treatments are.
Source: Dementia UK
Back in March it was revealed that music legend Tony Christie continues to perform despite his dementia diagnosis, with his wife Sue praising his determination as he tours and records new music.
The singer, 81, best known for (Is This the Way to) Amarillo, has released a new album titled A New Life, and is now embarking on a packed touring schedule across the UK and Europe.
Sue, who met Tony when she watched him perform at a social club in Yorkshire back in 1967, has now spoken out on her admiration for her husband's resilience.
She told The Mirror: 'I am so proud of him. In fact, I am totally in awe. He has the condition and he deals with it really bravely.
She added: 'He is just the same person, just a little forgetful.'
Despite his diagnosis and the extra help, Tony has maintained his humour and joked to the publication: 'It's just short-term memory that's the problem, like paying the bills.'
His son and manager, Sean, added: 'That's how we cope - we use humour, and Dad loves a joke.'
It comes after Tony revealed he tries to 'ignore' his dementia diagnosis after vowing to carry on performing despite his health battle.
Speaking on Good Morning Britain last year Tony said: 'I actually ignore it. I just carry on and do my thing.
'Obviously, I've got to use my autocue, but I've used an autocue for donkey's years. I'm doing stuff from albums and I can't remember all these lyrics from 40 or 50 years ago so I do use an autocue to help me.
'Otherwise, if I make a mess of a song, the audience lose, not me.'
Tony added that he believes performing has helped him during his fight with the condition, saying: 'The doctor said "You're in the music business so you're very lucky, because that's one of the things that helps dementia people."
'The music takes your mind off the things, you don't forget music. You forget people's names and things and lyrics but as soon as music starts you're back. It's memory, you never forget it.'
Tony previously detailed the moment his wife Sue spotted the early signs that he had dementia ahead of his diagnosis.
The Amarillo hitmaker appeared on Loose Women alongside his wife Sue where they discussed his condition.
And the couple told how it was Tony's love of crossword puzzles that brought to their attention that something could be seriously wrong.
Dementia is an umbrella term used to describe a range of progressive neurological disorders (those affecting the brain) which impact memory, thinking and behaviour.
As host Coleen Nolan asked: 'What were the signs initially?', Tony responded: 'I've been a crossword addict for all my life, basically cryptic [crosswords] and I suddenly started having problems solving and forgetting names.
'And it was my wife Sue that said, 'I think we should go and see a specialist.''
Sue then went on to say how she had spotted changes in her husband before they then sought help.
She explained: 'He'd get anxious and cross with himself when he couldn't do the puzzles and I said, 'Look, I think it's time we get you checked out' because he kept saying, 'I'm losing it. I'm losing it!''
Tony then described how he'd undergone a series of tests and scans before being told he had the beginnings of dementia.
The performer went on to say that 'lot of people are embarrassed' about dementia, adding that he decided to speak publicly about his condition to show there was nothing to be ashamed of.
Meanwhile, Sue told of the moment Tony realised he needed to speak out about his dementia.
She explained: 'We went to an Age UK Christmas carol concert and there was a lot of people with dementia and Tony said, 'You know I've got to start talking about this because it's like I'm keeping a guilty secret. And, we go to lots of these events and they're going to think I'm ashamed if I don't come out.''
The couple, who've been married for 55 years, told how they were ''relieved' to get his diagnosis, with Tony adding that he's staying 'positive'.
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World's biggest study of trans children to include toddlers treated by NHS

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‘Everybody was fondling underwater!': an oral history of the Rocky Horror Picture Show at 50
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The Rocky Horror Picture Show was released in cinemas in late 1975 with little fanfare, but the provocative musical, with its campy parody of sci-fi and horror B-movies, fabulous costumes and rollicking songs, dug its glittering heels in and refused to let go for the next 50 years. The film was an adaptation of the hit musical The Rocky Horror Show, created by Richard O'Brien when he was an unemployed actor. The story of Dr Frank-N-Furter (Tim Curry), an alien, transvestite scientist, decked out like a bewitching glam rock god and hellbent on seducing everyone around him, galvanised audiences into participating in a way that had never been seen before. As its popularity grew, audiences began to take an active role in screenings – dressing up, dancing, singing along and adding their own lines of dialogue. Screenings also became safe spaces for LGBTQ+ fans, drawn to the film's unabashed celebration of queerness, sexual liberation and gender fluidity. It remains the longest-running theatrical release in film history and still plays in cinemas today. We look back with the cast and crew to find out how the film became such a cult phenomenon. The year was 1974. Actor Richard O'Brien decided to adapt The Rocky Horror Show for the big screen, working with the show's director, Jim Sharman. They kept most of the original cast but the studio, 20th Century Fox, insisted that the lead couple, Brad and Janet, were recast with Hollywood actors. Richard O'Brien, co-screenwriter, composer and Riff Raff (a 'handyman')I was approached by Mick Jagger's people to buy the rights because he wanted to play Frank. I spoke to Jim, and he went: 'No, don't do that.' I said: 'Why not?' He said: 'Well, that means we won't be able to make it.' It had never occurred to me that we'd be allowed to. By the time we got to Los Angeles, Lou Adler was the producer, and he made the overture to 20th Century Fox. Suddenly we were allowed not only to make the movie, but all be in it. The kids were allowed into the sweet shop. Jim Sharman, director and co-screenwriterI was given two options. One was a reasonable budget with rock stars and the other one was a tiny budget keeping the original team together. I said: 'Great, let's do that.' I thought it was fine to have Americans playing the Americans, and it was great to have Barry [Bostwick] and Susan [Sarandon], who were, at that time, not particularly known. Barry Bostwick, Brad (a 'hero', who stumbles across Frank-N-Furter's castle one stormy night along with his girlfriend Janet, played by Sarandon) It was interesting because [Susan and I replacing the original Brad and Janet] was a parallel to the characters coming into a new, strange world. Susan and I stepped into a very vibrant, glam, rocky environment in London. We were fish out of water; naive, wide-eyed and curious. Nell Campbell, Columbia (a tap-dancing 'groupie' and Frank-N-Furter's former lover) For [Bostwick and Sarandon] it was definitely a little difficult stepping into, basically, a theatre company because we'd all worked together for at least six months. Patricia Quinn, Magenta (Riff Raff's sister and Frank-N-Furter's 'domestic')Sharman said: 'Let's go around to [associate producer] John Goldstone's house, and take a look at the sets and the designs.' So I went and saw this pink laboratory set. I saw Transylvanians [Frank-N-Furter's alien companions] on motorbikes. I saw my dinner dress sketched by Sue Blane, the amazing costume designer, and I said: 'Oh, I'm doing this.' Tim Curry, who had cut his teeth in the stage musical as Frank-N-Furter, made his film debut as the sex-crazed, corset-wearing scientist. Bostwick I was enamoured with Tim's acting chops. To watch him balance the meanness and darkness with the charm and seduction of that character, few people could have done that. 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So they brought over [the clamp] and screwed in the top and the sides so I was clamped … The most famous lips in cinema history. The intense shoot meant that no one had time to socialise. O'Brien We were there first thing in the morning at six o'clock. You went home, straight to bed, to get up the next day. We didn't have time to party. Bostwick I don't remember having dinner with anybody. I think I got to know the makeup guy better than anybody else … I was experiencing London for the first time. I spent my time at flea markets if I had a day off. Quinn We were exhausted. I never even got to know Susan. Barry said to me once: 'You never liked me.' And I said: 'No, I didn't, because I thought you were Brad' – you know, that dull person. There was no time for chit-chat. Bostwick There was a lot of pot going around in the ranks of the Transylvanians. The film flopped on its release in August 1975 and was panned by critics. O'Brien We had our first viewing of the movie. We all left a little bit depressed. It seemed slow to me. It was a fast 90 minutes on stage. The film seemed more dreamlike, languid. I thought: 'God, people should have picked up their cues a bit quicker.' Campbell It was my big break, so the fact that it disappeared without a trace was very disappointing. Bostwick It never opened in New York. Then I found out later that it hadn't been a big hit when it opened in London. The film was rereleased in midnight screenings in April 1976, with word-of-mouth spreading during its run at New York's Waverly Theater (now the IFC Center). Fans started to yell out their own responses to lines during screenings, and 'shadow casts' dressed up as the characters and lip-synced their own performances in front of the screen. The film was embraced by the queer community, who found a sense of belonging in these immersive screenings. O'Brien I was at home one day, and someone said to me: 'Have you heard about your movie?' I said: 'Yes, opened and closed.' 'No, it's doing this midnight business.' That was a surprise. Sharman In a funny way, I felt it would find that audience. Quite irrationally, because there was no reason why it would. But I always felt that there was something special about it. Lou understood the potential and persuaded people at Fox, who had more or less washed their hands of it, to start playing it at late night [screenings]; and so it grew. Quinn When I was in South Africa, people said it was being banned for corrupting the youth. They said it had been banned in Germany for cannibalism. I thought: 'Wow, we're going to be a hit.' The first Magenta [fan] ever to dress as me became one of my closest friends. Bostwick It started out as a gay event … The audience were outcasts, in a way, from their own society. They found their family there. They found someplace to go and be seen. They were exploring who they were authentically in the world, and they were witnessing something in the film that they had never seen before; that there is an alternative way of being. Campbell In the beginning, there weren't that many things [they would call out to the screen]. Now they pretty much call out after every line. The original things were very witty and hilarious. But now – and I know that my fellow cast members agree – it's too much because you can hardly hear anything without them screaming out. Sharman People said: 'Are you horrified that your film is being used as wallpaper for a party?' I said: 'No, it's fantastic.' Sharman and O'Brien teamed up again for Shock Treatment, a loose follow-up to The Rocky Horror Picture Show released in 1981, which featured several of the same characters. O'Brien The first draft had Rocky (a creature created by Frank-N-Furter and played by Peter Hinwood in the original film) rising from the grave, pulling Frank's body from the rubble and dragging him back to Dr Scott (Jonathan Adams) to get him reanimated. The producers liked it. Jim said: 'No, we're not doing that.' Everything was reworked and Shock Treatment came up. It's a flawed piece. I'm not happy with it, truthfully. Sharman I felt Rocky Horror Picture Show was self-contained and resisted the idea of a sequel. Having moved on, I was also cautious about 'putting the band back together'. I was, however, keen to work with Richard again. We depicted an America enslaved by reality TV run by a megalomaniac. It didn't fly – maybe the satire seemed too dark and far-fetched for the time – though it has proved prophetic. The Rocky Horror Picture Show went on to gross more than $115m worldwide and is now the longest-running film release in cinema history. It continues to screen around the world. O'Brien I find it astonishing. People try forever to write something which has legs. It's like a musical that was written in a 13-year-old boy's bedroom … [LGBTQ+ fans] come and say that it was something that changed their lives. They found that they weren't alone, that somehow there was a place for them in the world. They weren't going to be laughed at, ridiculed. Bostwick I think that my kids, if they have children, will be able to take their children to it and say: 'That was your grandfather, and they used to call him 'asshole' [a common refrain called out by the audience during fan screenings] for his whole life. But he wasn't. He was a great dad. He was just associated with this iconic story.' I'm very proud of it, and I'm a champion for its worldviews. Campbell We're the only positive cult I can think of. The great joy has been what this film means to so many people. 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Marcus Brigstocke; ‘500 people adore you, then you're alone for 22 hours'
Marcus Brigstocke; ‘500 people adore you, then you're alone for 22 hours'

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time11 minutes ago

  • Times

Marcus Brigstocke; ‘500 people adore you, then you're alone for 22 hours'

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