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Over one million watch Kerry's win over Donegal in All-Ireland final

Over one million watch Kerry's win over Donegal in All-Ireland final

RTÉ News​4 days ago
A peak audience of 1,033,000 viewers tuned in to watch the conclusion of RTÉ One's coverage of this year's All-Ireland SFC final, where Kerry defeated Donegal to win a 39th title.
The Sunday Game Live programme drew an average audience of 933,000 viewers as the Kingdom ran out deserving winners by ten points.
The RTÉ One audience represented a share of 76% of those watching television at the time.
There were 378,000 streams on the RTÉ Player, encompassing The Sunday Game Live and Irish language commentary of the game on Sunday Game Beo.
The Sunday Game's highlights programme on RTÉ2 was watched by an average of 175,000 with a share of 22%, while there were 34,400 streams on RTÉ Player.
Up for the Match on Saturday evening drew an average audience of 309,000 and had 44,000 streams on the RTÉ Player.
Fans were heavily engaged with The Sunday Game across RTÉ's social media platforms with video views reaching 6.73 million and over 705,000 engagements. The top performing piece of content across all RTÉ social channels and platforms was President Michael D Higgins, in what was his last appearance attending a men's final as head of state, greeting the players before throw-in.
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Beating Time: the Story of the Irish Bodhrán by Fintan Vallely – a forensic examination of a much-neglected instrument
Beating Time: the Story of the Irish Bodhrán by Fintan Vallely – a forensic examination of a much-neglected instrument

Irish Times

time14 minutes ago

  • Irish Times

Beating Time: the Story of the Irish Bodhrán by Fintan Vallely – a forensic examination of a much-neglected instrument

Beating Time: the Story of the Irish Bodhrán Author : Fintan Vallely ISBN-13 : 978-1-78205-046-9 Publisher : Cork University Press Guideline Price : €59 Contrary to Seamus Ennis' much-quoted admonition that the best way to play the bodhrán was with a penknife, this percussion instrument is a much-admired and prominent feature in many Irish traditional music ensembles. For an instrument that occupies such a secure position in the tradition, it might come as a surprise to discover through Fintan Vallely's latest book, Beating Time, its history is a recent one. The bodhrán only made its way into the heart of traditional music from the 1960s onwards when Seán Ó Riada played it with Ceoltóirí Chualann, and so it is a feature of what some refer to as the 'revival' period of traditional music from the 1950s onwards. Since then, this hand-held frame drum has been a percussive force to be reckoned with, championed by Peadar Mercier in The Chieftains and later Christy Moore , among many others. Vallely's scholarly treatment of what many see as a humble instrument is a revelation, tracing the origins of the instrument back to an agricultural winnowing tool, used for separating the wheat from the chaff during harvest time. READ MORE Alongside its relative youth as a traditional instrument (unlike melody instruments such as the fiddle and pipes, whose storylines can be traced back to the 17th and 18th centuries), Vallely highlights, by way of introduction, that the bodhrán is a form of tambourine, but that the word bodhrán itself was originally used to indicate an agricultural tool. Only later did it become associated with music-making. Intriguingly Vallely mines the word's etymology and discovers that 'bodhrán' was originally used to refer to someone who was deaf and bodhar can be used to mean dull or hollow-sounding. All rich insights into the relationship between the instrument, its sound and its linguistic and social provenance. This is a deep excavation of the history of a much-neglected instrument, and Vallely's forensic research stretches from an exploration of the human urge to drum to a philosophical meditation on the bodhrán's past, present and possible future. The book is vastly enriched by the photographs of Jacques Piraprez Nutan, a Belgian-Irish photographer with a long history of insightfully capturing traditional music in its many guises. A welcome reminder too that our traditional music has never been fixed in aspic.

Galway Races: ‘Simple and classical' Dior-inspired dress helps local woman claim five-figure Ladies Day prize
Galway Races: ‘Simple and classical' Dior-inspired dress helps local woman claim five-figure Ladies Day prize

Irish Independent

time16 minutes ago

  • Irish Independent

Galway Races: ‘Simple and classical' Dior-inspired dress helps local woman claim five-figure Ladies Day prize

Gordon Elliott was the big winner when it came to the equine stakes, as Ndaawi claimed the Galway Hurdle after a dramatic stewards' inquiry reversal, but it was a local woman who stole the show on the fashion front. The €10,000 first prize for the Best-Dressed Lady competition went to Megan Cunniss, of Bohermore, Co Galway, who took inspiration from vintage Dior fashion for her winning outfit. Ms Cunniss said she was stunned when she heard her name being called as the winner at the podium yesterday afternoon. It was crazy – the style was so good this year 'I'm so overwhelmed. I'm so thrilled with the win,' she said. 'It was crazy – the style was so good this year. It's so good every year, but I felt like my outfit was very simple and classical.' The dress was custom-made and undoubtedly a show-stopper. Ms Cunniss explained that she drew inspiration from an icon of the fashion world for her outfit. 'It was actually inspired by Dior archive from the 1950s – the black and white crisp dress,' she said. 'I just brought it to life and I added some buttons to it, buttons to the side. I just made my own drawings and sketches and I found a guy in France and he designs dresses, and he made it for me.' While no stranger to the Galway Races, Ms Cunniss said it was her first time taking part in Ladies Day. A proud Bohermore native, she even added a local detail on her outfit. 'Gina Sewing Services in Liosban Industrial Estate – she alters all my dresses. There is not a dress in my wardrobe that she has not done and she just makes them to perfection. She's amazing,' she added. It was sunshine and smiles for the thousands of racegoers among the bumper crowd but one lady smiling wider than most was Breda Butler, from Co Tipperary, who won the prestigious Best Hat prize. Her entire look was a tribute to her native Tipperary's recent success in the All-Ireland hurling final. Ms Butler, from Thurles, won with a blue headpiece by Michelle Kearns of Tuam, Co Galway. My inspiration actually came from Tipperary winning the All-Ireland After being awarded the €3,000 prize, she said: 'The headpiece is by Michelle Kearns in Tuam and it's meant to complement the Sharon Hoey AndTate outfit. 'My inspiration actually came from Tipperary winning the All-Ireland this year. At the semi-final, I said, 'I'm going to wear blue'. It's not a colour I usually wear, and Sharon did a phenomenal job with this two-piece and then Michelle, last minute, said, 'It has to be blue'.' Ms Butler's look was finished off with a gold handbag and shoes, which arrived just in the nick of time on Wednesday night. 'I'm shocked. I'm absolutely honoured, it's such a prestigious award,' she said. 'I've been a finalist before. I've been coming for the last 25 years probably, at this stage. But it's the first time to win actually a prize. 'I'm here with my husband and I have a lot of friends here as well. So we're staying here tonight, we have a small boy at home. I'm sure he'll be watching, he'll be thrilled and he'll have a lot of plans for the €3,000.' Judging hundreds of amazing outfits throughout the day was Galway woman and owner of Catwalk Modelling Agency Mandy Maher, on her fourth outing as head judge. Also among the cohort of judges were last year's Best-Dressed Lady winner and owner of Lisa's Lust List, Lisa McGowan, and Niamh Ryan, co-founder of Ella & Jo, who sponsored this year's Best Dressed competition.

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