Battle Of Galwan Teaser Poster: Salman Khan's intense army look and Jai Hind BGM takes internet by storm, Himesh Reshammiya onboard
The background score is the biggest highlight as it transcends the feelings of patriotism instantly. Reportedly, Himesh Reshammiya has composed the background score, and he will be composing all of its songs. The motion poster gives a sneak peek at the backdrop of the movie, which says, "Over 15000 feet above sea level, India fought its most brutal battle without firing a single bullet."
Fans couldn't keep calm and started reacting. While a section of the audience prayed for Salman Khan's comeback, some remained stunned seeing the first look. A social media user commented, "PURE GOOSEBUMPS," Another fan wrote, "The greatest of all time". A third user wrote, "Kuch bada hone wala hai (with fire emoji". Another remarked, "Tiger is back with his aura (with three fire emojis)."
Battle of Galwan Star Cast revealed
In addition to Salman, the movie stars Chitrangda Singh as the leading lady. The supporting cast includes Zeyn Shaw, Ankur Bhatia, Harshil Shah, Heera Sohall, Vipin Bhardwaj, Abhilash Chaudhary, and others.
For the unversed, Battle of Galwan will be directed by Apoorva Lakhia. It is based on a true story of the Indian army fighting against Chinese troops in Galwan Valley (Ladakh) in 2020, where India executed 54 Chinese soldiers and won the war. The movie will be shot in real locations, in addition to the sets in Mumbai.
In a recent interview, Apoorva Lakhia called it the "greatest battle between two countries", as over 80 individuals lost their lives without any bullets being fired. Salman Khan will be seen playing Colonel B. Santosh Babu in the movie. The shoot of the much-awaited film will begin by the end of this month.
Stay tuned to Pinkvilla for more updates.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
18 minutes ago
- Time of India
Rajinikanth's Coolie has a Christopher Nolan movie inspiration: Guess the unexpected Hollywood twist
Tamil filmmaker Lokesh Kanagaraj , known for blending Indian cinema with global influences, has reportedly drawn inspiration from Christopher Nolan's The Dark Knight for his upcoming film Coolie. According to Tollywood star Nagarjuna Akkineni, who plays the villain in the film, Lokesh referenced Heath Ledger's iconic Joker for the character's costumes and overall vibe. Pinkvilla reported that Nagarjuna explained in a conversation with Shruti Haasan that the director wanted to capture the 'madness' he saw in Joker, particularly through the costume design. 'I think Loki had Heath Ledger's Joker in his mind, and he wanted that madness. He probably saw the madness in the colour as well,' Nagarjuna said, highlighting the unique purple-and-cream costume he dons in the movie. Finance Value and Valuation Masterclass - Batch 4 By CA Himanshu Jain View Program Artificial Intelligence AI For Business Professionals Batch 2 By Ansh Mehra View Program Finance Value and Valuation Masterclass - Batch 3 By CA Himanshu Jain View Program Artificial Intelligence AI For Business Professionals By Vaibhav Sisinity View Program Finance Value and Valuation Masterclass - Batch 2 By CA Himanshu Jain View Program Finance Value and Valuation Masterclass Batch-1 By CA Himanshu Jain View Program Bold New Look for Nagarjuna The actor noted that he had never worn such colors before, making the experience both fresh and challenging. He recalled, 'Loki told the dress designers. They got two or three options. He saw and said, 'This is it. This is the one I want.' I also had a jacket. Purple jacket. It was really good. I never wore those colours.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas For Sale in Dubai Might Surprise You Villas In Dubai | Search Ads Get Rates Undo Describing the outfit as unconventional, Nagarjuna added, 'It is a very strange dress. I mean, even for me, it's baggy pants.' Shruti Haasan agreed, observing that the costume combines elements of both Heath Ledger's Joker and the traditional Joker imagery. Nagarjuna humorously remarked that he was 'glad he didn't put on that smile.' Preparing for a Negative Role Nagarjuna, who has predominantly played heroic characters, revealed that he approached this negative role differently. He recorded the narration for the first time and took detailed notes before agreeing to play Simon, the character inspired by Joker. The actor reflected, 'The story starts with Simon's character. For the first time, I've recorded the narration and made notes to decide on the character. I never did this earlier.' Even Superstar Rajinikanth, playing the titular role, was reportedly impressed with Nagarjuna's portrayal. 'After the shot was over, Rajini sir nodded and said 'hmmm' (with a sweet smile),' Nagarjuna recalled. Coolie, featuring Rajinikanth, Nagarjuna, Shruti Haasan, Upendra, Soubin Shahir, Sathyaraj, and Aamir Khan, is releasing in theatres on August 14.
News18
32 minutes ago
- News18
Andhera Review: Karanvir Malhotra And Priya Bapat Shine In A Flawed But Watchable Horror Saga
Last Updated: Andhera Review: Gaurav Desai's atmospheric horror-thriller blends folklore, sci-fi, and urban myth into a chilling Mumbai-set tale. The Indian streaming landscape has been courting shadows of late. Horror has found a new appetite here, fattened by the success of titles like Khauf and Mandala Murders, each bringing its own peculiar flavour of unease. Into this thriving gloom walks Andhera, Gaurav Desai's latest offering—ambitious, sprawling, and stitched from fabrics as disparate as folklore, science fiction, urban myth, and the private griefs we carry. It wants to terrify, to provoke thought, to be grand, and in its most hypnotic moments, it almost succeeds. It is a creature of familiar bones but fresh skin, imperfect yet difficult to turn away from. Mumbai's skyline has never looked so complicit. Its towers glint in the sun while something unseen stalks its streets, an ancient hunger humming under the concrete. Inspector Kalpana Kadam, stubborn and sharp-eyed, finds herself staring into this abyss after a young woman, Bani Baruah, vanishes. But before she disappears from the city, Bani vanishes from herself—in a sequence that lingers long after it is over. A tranquil lake. A man named Prithvi Sheth, speaking like one who knows the language of despair. An invitation to 'let go." And then the daylight folds in on itself, the air turns heavy, and his voice belongs to something far older, far crueler. By the time Bani returns to her hotel room, the darkness is following her indoors. It whispers through the voice on her father's phone, calls her names that bruise, and begins snuffing out the lights one by one until she is swallowed whole. The narrative fractures here, spilling into a rain-lashed police station where Kalpana pushes against the indifference and sexism of her male colleagues, and into the unsettled mind of Jay, a medical student who has seen Bani's death before it happens. His visions are dismissed as the junkyard dreams of trauma, but they throb with the kind of detail that refuses to be ignored. In his orbit drifts Rumi, a paranormal vlogger with a taste for the unseen, warning that the city itself is about to be pulled under. Their search leads them to Aatma Healing, a wellness centre that feels more like a trap disguised as sanctuary. Ayesha, its chief consultant, greets them with the serenity of a still pond but denies knowing Prithvi Sheth. Patients here escape into virtual realms through silver coronets that promise peace but seem to open other, darker doors. And yet Prithvi is not supposed to be here at all—he has been lying in a hospital bed since an accident with his brother Jay, an accident in which Jay swears he wrestled Prithvi's soul from a shadow that wanted to keep it. This revelation binds the three into a reluctant alliance. Their path through the city's back-alleys and high-rises is littered with figures who seem plucked from half-remembered dreams: Jude, a reformed convict whose yearning for his daughter makes him reckless; Darius, a killer whose eyes are as flat as shut windows; Kanitkar, the sardonic officer who lends Kalpana loyalty and laughter; Omar, a boy who has survived cruelty too soon; and Dr. Sahay, whose presence in the story is a riddle the series refuses to solve too quickly. If Andhera has a single unassailable strength, it is the mood it builds. The city's light feels rationed, as though every beam has to earn its place. The darkness, meanwhile, is lush and sentient. Shadows curl in corners like listening animals. The VFX renders the supernatural with conviction, and the sound design treats silence like a weapon. Raaghav Dhar's direction understands the power of patience; he lets the fear grow roots before he asks it to bloom. The cast wears its characters like second skins. Surveen Chawla and Priya Bapat give their roles a quiet, tensile strength. Karanvir Malhotra charts Jay's transformation from sceptic to reluctant believer without losing sight of his vulnerability. Prajakta Koli's Rumi is a warm ember in a story otherwise chilled to the bone. Vatsal Sheth, Pranay Pachauri, and Parvin Dabas inhabit their spaces fully, keeping the human stakes alive amid the encroaching strangeness. Still, Andhera is not without its blemishes. The script sometimes wanders when it should run, circling back to points already made. Its blend of the supernatural, the speculative, and the folkloric can feel like too many flavours in one mouthful, muting the impact of each. The plot's intricacies, though rewarding for some, may leave others grasping for the thread. And when the ending arrives, it comes with more predictability than shock, softened by the clear intention to lead us into a second season. What remains is a work that feels alive with possibility. Andhera is flawed, yes, but its ambition is a rare and necessary thing. It understands that horror is not only in the monsters we see but in the spaces they leave empty, the truths they make us whisper instead of speak. Should it return with a steadier hand and a sharper ear for its own rhythm, it could grow into something unforgettable. For now, it stands as a half-built cathedral to the genre, filled with corridors you cannot help but walk down, even as the light behind you goes out. First Published: August 14, 2025, 00:29 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Time of India
37 minutes ago
- Time of India
Collabs makes art richer and more alive: Chitra Srikrishna
Carnatic vocalist and musician Chitra Srikrishna believes collaboration can be transformative for an artiste. 'It opens up worlds I couldn't access alone. It's not just about sharing a stage. It's about listening, responding, and letting another artiste's sensibility shape the way you approach a piece. That's the beauty of working with other artistes: it makes art richer and more alive,' she says. Her latest production, Mukti, she shares, is 'a perspective on liberation through the timeless words of Indian poets'. Collaboration is not just about sharing a stage. It's about listening, responding, and letting another artiste's sensibility shape the way you approach a piece Chitra Srikrishna 'LANGUAGE DIVERSITY IN ART BRINGS PEOPLE TOGETHER' You Can Also Check: Bengaluru AQI | Weather in Bengaluru | Bank Holidays in Bengaluru | Public Holidays in Bengaluru | Gold Rates Today in Bengaluru | Silver Rates Today in Bengaluru For Chitra, linguistic diversity has always been at the heart of her productions. 'I build my programs around multiple languages — it will be a mother tongue for someone in the audience,' she says, emphasising the personal connection language creates. 'It helps everyone feel included, and by blending short songs with classical touches, I aim to offer something for everyone.' ' WOMEN POETS' STRUGGLES AGAINST PATRIARCHY REMAIN RELEVANT TODAY' Chitra reflects on how the voices of poets from centuries ago—Tyagaraja, Akkamahadevi, Kabir— still speak powerfully to today's struggles. 'Their messages about freedom, especially the women poets' fight against patriarchy, remain deeply relevant,' she says. This relevance, she adds, is at the heart of her upcoming production, Mukti, which explores liberation through both spiritual and personal lenses. Voices from the 6th to 12th centuries, especially women poets, echo today's struggles against patriarchy with relevance Chitra Srikrishna Stay updated with the latest local news from your city on Times of India (TOI). Check upcoming bank holidays , public holidays , and current gold rates and silver prices in your area.
