One Day author DAVID NICHOLLS on whether he'll ever write a sequel
When David Nicholls' editor read the first draft of his latest novel You Are Here, one of his notes was, 'I think there's probably three days too much walking in this.' It was maybe inevitable feedback. The book – published in paperback on Thursday – is about two strangers, Michael (42) and Marnie (39), who walk together along the Coast to Coast, a 192-mile stretch from St Bee's Head in Cumbria to Robin Hood's Bay in North Yorkshire. That's a lot of trudging, and Nicholls' editor is 'not a great walker'. So some changes were made, removing the 'geography teacher sort of details'. (Nicholls concedes that 'not everyone is as interested in the switch from granite to limestone as I am'.) The result is a novel that is funny and clever, with the perfect amount of walking.
Nicholls, 58, is a big walker. He has done 'bits' of the Coast to Coast, but says that, actually, it's not his favourite route. ('There are nicer ways to cross the Dales. I love the Dales High Way, for instance.') The most miles he's done in a day is 30 – after a march across the North York Moors. His step count can sometimes reach 45,000 and, on average, he moves at a 'steady' pace of three miles per hour.
He has kit, too: a compass he was given by that walking-sceptic editor ('I hardly ever use it, but I have it!'); a pair of 'proper Italian boots that I really love'; a handheld navigational tool to download routes in advance; and a paper map. He also has walking-related apps, including AllTrails and Outdooractive, but prefers to bury his phone right at the bottom of his rucksack and not look at it. The editor who bought Nicholls the compass also got him a waterproof notebook, which he keeps in his pocket. 'I always think I'm going to sit on a mountaintop and compose something wonderful. No, it all happens when I come back – at my desk, warm and dry.'
Nicholls grew up in Eastleigh, Hampshire, the middle child of three. His father was a maintenance engineer in a cake factory, his mother worked for the council, and nobody did much walking. As a teenager Nicholls began going 'for long, soulful walks along the Water Meadows in Winchester'. (He was, he says, 'a pretentious 18-year-old'.)
He has a son and a daughter with his partner of more than 20 years, Hannah Weaver, and they have attempted various family walking holidays. 'We had a couple of very, very, very wet trips to the Yorkshire Dales.' But the proper, solitary, 45,000-steps-a-day sort of walking began 11 years ago, after his father died.
'I just felt I needed to go away and spend some time by myself,' Nicholls says, 'and my family were very understanding.' He had always liked the look of the stretch of Northumbrian coast that you see from the train window if you're travelling from London to Edinburgh. So, he went there. 'I wasn't expecting any kind of miracles to happen,' he says, 'but I just wanted some time.'
He walked for four days, ten hours a day, alone. 'It was the longest time I'd been by myself in ten years.' There were no miracles, but he loved it and has been 'ticking off' routes since. (He thinks he's done 15 in a decade.) Because he doesn't like being away from home for too long, his walking is in England and he favours the North. His attitude is 'fair weather: I don't camp. I never do anything that's really, seriously in the wilderness. Often, I can hear an A-road. I've never been inclined to…' a dark pause, '…mountaineer.' But there are physical benefits to these trudges. 'I've always hated all sport. If anyone kicks a ball towards me, I immediately panic. Walking is the nearest I get to a physical activity that I actually enjoy.' Nicholls is also an insomniac, and walking 'is the thing that's guaranteed to make me sleep all the way through'.
Sometimes he walks with his partner and he mentions a recent father-and-son walking trip to the Three Peaks in Yorkshire, but mostly Nicholls walks alone. The balance between solitude and loneliness is a lot of what You Are Here is about. Nicholls is preoccupied with it himself. 'I live with my family, but I guess I felt that after Covid I'd found ways to enjoy time by myself, so much so that I sort of stopped seeing my friends and became a bit nervous about going out for dinner and catching up. I had to give myself a bit of a talking-to,' he says. 'I had to decide to make an effort.
'In your teens and 20s, you really want to know everyone and meet everyone and talk and share and listen to stories. And I think that dwindles as you get older – it becomes much harder to rediscover that pleasure. So I guess the book is about two people who have found a way to make [loneliness] work, but who are then reminded of the value of connection.'
Nicholls edited You Are Here in 2023, as the Netflix adaptation of his novel One Day was being made. (He wrote the penultimate episode and was an executive producer.) 'In the day they were filming Dexter clubbing in Brixton in 1993, and in the evenings I was editing this book about walking the Coast to Coast path in middle age. But Michael and Marnie are the same age as Emma and Dexter are by the end of One Day, so there's a kind of continuity to it.'
Nicholls has written six novels (his fourth, Us, was longlisted for the Booker Prize) but One Day is what he's best known for. He's not grumbling. The book has sold more than six million copies and that success is 'thrilling'. And, 'if writers often get a bit grumpy about film adaptations [of their novels]', he won't bother with that either. In 2011, One Day was turned into a film he wrote the screenplay for, and last year there was the Netflix behemoth. 'I was offered two lines in the final episode. A man walks into Dexter's café and says, 'This used to be a fish shop.' They said, 'Why don't you do a little Hitchcock cameo?' I firmly turned them down. Honestly, they would have had to use CGI.' (Nicholls worked as an actor in his 20s and says he was no good – 'I could really only play clerks and servants' – but also understudied for a main part in The Seagull at the National Theatre with Judi Dench, so he can't have been bad.)
One Day's concept came from a moment in Tess Of The D'Urbervilles when Tess considers – and don't read this if you somehow don't know the end of One Day – her 'death date', or, as she thinks about it: 'a day which lay sly and unseen among all the other days of the year, giving no sign or sound when she annually passed over it; but not the less surely there'.
So when I ask if there was ever a version where Emma didn't – look away! – die, he replies: 'Nope! It was about the one day that is your death day. That was always the idea.'
Would he write another storyline that sad? 'You know, I think One Day is probably a younger man's book. It was always meant to have a big, lush, kind-of operatic ending. I'm probably writing in a slightly more restrained way now. I still love big, emotional books, but when I think of that story, I see it as the work of a younger writer. Not in a bad way, in a way that probably I'm a bit too self-conscious to recreate.'
He adds, decisively: 'I know that I'll never write a sequel.' (Sorry, Netflix.) Still, 'getting older, I'm sure mortality is a subject that could come up again'.
After our interview, I email Nicholls to ask if he ever thinks about his own 'death day'. He replies: 'Yes, I'm afraid I do think about it a lot. In my 30s, even into my 40s, it barely crossed my mind but now I'm reminded of mortality every time I glance in a mirror. I find myself thinking, how many more summer holidays? How many more books will I be able to read? My only response is to be enraged with myself about wasted time, scrolling on the internet when I could be working or reading or speaking to friends. I have to get on with things now.' He adds: 'All of which makes me great fun to live with, I'm sure.'
Nicholls turns 60 next year, so I ask what he is going to do to celebrate. 'Well,' he says, 'I'll probably go for a walk.'
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Young couple Will Sandy and Amy Britain, from Essex, were visiting the island for the first time with five-month-old young daughter. Will, 27, said: 'They are pretty spectacular buildings. It looks like it could've been amazing 30 years ago, but now it's missing a roof. It's not great. 'As we were driving in, we said it—just the number of abandoned shops and empty buildings. It really ruins the atmosphere. Amy, 27, added: 'Even where we're from in Essex, the coastal towns are the same. Every seaside town these days looks run-down and derelict. 'It definitely has an effect. It doesn't take away from the beach itself, but it's nice to have more around you. It affects the overall view, the feeling of the place.' The Isle of Wight Council is attempting to take control of some of the buildings in order to rejuvenate the town, but it is a slow process. Cllr Ward said: 'It's sad to see what's happened. Sandown was the Island's leading tourism town. When tourism fell away, we suffered the most. 'We need to decide what we want to be. A tourist town? Or go more residential. We need to make that decision. 'There's two more derelict hotels further down the seafront. One tried to get permission to turn into flats and it was refused. So we've got to sort the planning rules out. 'Otherwise, we'll just be sat here in another five years with the same issues.' A spokesperson for the Isle of Wight Council said: 'The Isle of Wight Council recognises that Sandown is suffering from acute levels of dereliction. 'Many privately owned, prominent former hotel buildings on the seafront are at advanced stages of dereliction with the effect of causing visual blight on the townscape, suppressing investment, and most significantly damaging local people's health and well-being. The Isle of Wight Council is working closely with its local and regional partners including the Building The Bay group to address this problem and the wider social and economic challenges facing the local area. 'Sandown is one of the priority focus areas for our Planning Enforcement team, with the instruction to use their powers to require landowners to improve the external appearance of their buildings in the interests of the neighbouring amenity. Proactive planning enforcement action in the local area has increased significantly within the last year with tangible and long-lasting improvements already made. Emergency powers have also been utilised to secure derelict and unsafe buildings from unauthorised entry, eliminating anti-social behaviour and vandalism which was arising from within the unsecure premises. 'We are working with Sandown Town Council to make use of the government's High Street Rental Auction initiative to find new uses for empty buildings. All this work is wrapped around the Bay Area Place Plan, a dynamic collaboration between the Isle of Wight Council and The Bay's three town and parish councils to drive local regeneration. 'The council has also taken steps to address issues with its own building stock, securing £3m of government funding to restore the previously derelict Grade II listed Sandown Town Hall and bring it back into use for youth provision, which is nearing completion.'
