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From a Paul Mescal–Josh O'Connor Romance to a New Spike Lee Joint, the 10 Hottest Releases Coming to Cannes 2025

From a Paul Mescal–Josh O'Connor Romance to a New Spike Lee Joint, the 10 Hottest Releases Coming to Cannes 2025

Vogue Singapore29-04-2025

For the past few years, the Cannes Film Festival has been riding high. Yes, the sun-soaked grande dame of European showcases has always been influential, but ever since Bong Joon Ho's Parasite scooped the Palme d'Or in 2019 and went on to take the Academy Award for best picture in 2020, it has become something of an Oscars incubator. A case in point: Thomas Vinterberg's Another Round in 2020; Ryusuke Hamaguchi's Drive My Car in 2021; Justine Triet's Anatomy of a Fall and Jonathan Glazer's The Zone of Interest in 2023; and Coralie Fargeat's The Substance , Jacques Audiard's Emilia Pérez , and Sean Baker's Oscar-dominating Anora just last year. So what of Cannes 2025?
This time around, 2024's jury president, Greta Gerwig, is passing the baton to national treasure Juliette Binoche—the first time one woman has succeeded another in this role in 60 years—and the honorary Palme d'Or for lifetime achievement is due to be presented to industry stalwart Robert De Niro. Meanwhile, the official selection includes the directorial debuts of two festival favorites (Harris Dickinson's London-set Urchin and Scarlett Johansson's June Squibb and Chiwetel Ejiofor-led Eleanor the Great ) alongside a whole host of frothy comedies, epic blockbusters, sweeping romances, and awards hopefuls.
Ahead of Cannes 2025, set to run from 13 to 24 May, these are the 10 releases you just can't miss. The Phoenician Scheme

Hot on the heels of his last two Cannes-premiering features, The French Dispatch and Asteroid City , Wes Anderson's latest exquisitely crafted romp is—wait for it—a blood-soaked crime drama featuring plane crashes, fist fights, and giant explosions. With Benicio del Toro in the part of an embattled tycoon and Kate Winslet's daughter and rapidly rising star Mia Threapleton as his heir apparent—alongside (deep breath) Michael Cera, Scarlett Johansson, Tom Hanks, Riz Ahmed, Richard Ayoade, Jeffrey Wright, Benedict Cumberbatch, Charlotte Gainsbourg, and Willem Dafoe—it's a wild adventure across deserts and jungles, oceans and cornfields, marking a welcome change of pace for the beloved auteur. The History of Sound
Heartthrobs Paul Mescal and Josh O'Connor, both recently at the festival with Aftersun and La Chimera , respectively, return with this love story from Living helmer Oliver Hermanus, the tale of two men who set out to record the lives, voices, and folk music of their compatriots in rural New England during World War I. It's been a long time coming, given it was first announced back in 2021, but everything we know so far—from the fact that Mubi is distributing it, to the news that Ben Shattuck, who penned the ravishing short story on which it's based, is behind the adaptation—suggests it'll be worth the wait. Eddington Courtesy of A24 Films
A pandemic-era, pitch-black comedy-meets-contemporary western from mind-melter Ari Aster ( Hereditary , Midsommar , Beau Is Afraid ), this hotly anticipated entry casts Joaquin Phoenix as an ambitious sheriff in small-town New Mexico who flouts public health restrictions and goes head to head with the community's incumbent mayor (Pedro Pascal) at a divisive election in the midst of the first 2020 lockdown. Still not ready to revisit this bleak period of recent history? I hear you, but with the likes of Emma Stone, Austin Butler, and Micheal Ward filling out this ensemble, and the director sure to infuse the film with the surreal humor and horror that's become his trademark, I'm afraid it will be essential viewing. Highest 2 Lowest Courtesy of David Lee
Despite being left off the initial line-up announcement, Spike Lee has, thankfully, confirmed that his next thriller, an English-language reimagining of the 1963 Akira Kurosawa police procedural High and Low , will indeed be premiering out of competition at Cannes. Taking center stage is Denzel Washington—who'll be coming to the Croisette for the first time, no less—as a New York music mogul at the height of his fortune who faces a crucial decision. Joining him is a fittingly eclectic troupe spearheaded by Jeffrey Wright, Ice Spice, and A$AP Rocky. Splitsville
In this fizzy comedy, Hit Man breakout Adria Arjona asks for a divorce from her good-natured husband (Kyle Marvin), prompting him to turn to his friends (Dakota Johnson and Michael Angelo Covino, also the film's director) for support. The secret to their successful union, though? An open marriage—a revelation that shocks our leading man to his very core, and pushes him to make a very reckless move. Nicholas Braun and O-T Fagbenle provide support, too, in what is certain to be a juicy and fascinating examination of modern relationships, akin to the auteur's last Cannes release, 2019's The Climb . Nouvelle Vague
If you, like me, grew up obsessed with the French New Wave films of the late '50s and early '60s, and Jean-Luc Godard's groundbreaking debut Breathless , in particular—the poetic, Parisian mood piece centered on a chain-smoking Jean-Paul Belmondo and a gamine, pixie-cropped Jean Seberg, still an enduring fashion reference—then you're in for a treat: Richard Linklater's much-buzzed-about new project is a behind-the-scenes look at that film's creation and the cinematic movement it birthed, featuring Guillaume Marbeck as Godard, Zoey Deutch as Seberg, and Aubry Dullin as Belmondo. Where else could it possibly launch but at Cannes? Sentimental Value Courtesy of Kasper Tuxen / Mubi
Surely one of the best films of this decade so far, Joachim Trier's dazzling coming-of-age saga The Worst Person in the World , which made a global star of its enchanting lead, Renate Reinsve, took Cannes by storm back in 2021. Now, the pair are back with their follow-up, alongside Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning: an achingly intimate account of two sisters who reconnect with their estranged father, a prolific filmmaker, after the death of their mother. Expect tears, a meditation on the reconciliatory power of art, and, all being well, another expertly pitched Oscar campaign. Alpha
Fearless provocateur Julia Ducournau, who made Cannes audiences gag with the rip-roaring cannibal horror Raw and then became only the second woman to scoop the Palme d'Or in 70 years with the bizarre, no-holds-barred Titane , is tearing into the festival with a nerve-jangling third offering—and it's sure to get the town talking. Billed as the auteur's most personal and profound work to date, it features Tahar Rahim and Golshifteh Farahani, and tracks a schoolgirl who becomes a pariah following a rumour that she's been infected with a new disease. Let the inevitable eye-popping, stomach-churning bloodbath commence. The Mastermind
After 2022's gentle, meditative, Michelle Williams and Hong Chau-led artist's portrait Showing Up , indie darling Kelly Reichardt returns to Cannes with another knockout cast—Josh O'Connor, John Magaro, Alana Haim, Hope Davis, and Gaby Hoffmann—in another quirky art world yarn: the barnstorming story of a man who orchestrates an audacious art heist against the backdrop of both the Vietnam War and a burgeoning women's liberation movement. Look forward to '70s aesthetics, nods to the small-scale crime capers of that era, and a dissection of that period's sociopolitical upheaval. Mission: Impossible – The Final Reckoning

Cannes can't get enough of Tom Cruise—the Hollywood legend brought Top Gun: Maverick to the Croisette back in 2022 (complete with a fighter jet fly-by, naturally), so of course all roads led to the French Riviera when it came to celebrating the debut of the eighth (and presumably final) film in the heart-pounding Mission Impossible franchise. Helmed by Christopher McQuarrie and co-starring Hayley Atwell, Vanessa Kirby, Angela Bassett, and Hannah Waddingham, this is a breathless ride featuring the now 62-year-old action man hanging off planes, jumping off buildings, and beating men to a pulp—undeniably impressive, and perfect for when you need a break from the festival's usual high-minded fare.
This article was first published on British Vogue.

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The best celebrity beauty from this month
The best celebrity beauty from this month

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The best celebrity beauty from this month

We've seen the beauty realm evolve in a multitude of ways over the past decade. Long gone are the days when celebrity beauty ops would be dedicated solely to the red carpet with techniques used often obscured from the public eye. We've fast moved on to an aspirational age of social media: how-to tutorials by the professional artists themselves, established content creators sharing their own cosmetic hacks and even full-face routines by some of the biggest A-listers. And we've all emerged the better for it. It's undeniable—the likes of Instagram and TikTok have given us all a space for unabashed self-expression. And for some, an artfully made-up mien or a customised change of talons are the perfect canvases to do so. Pop culture has had significant influence in the sphere. Experimentation is abound, with novice creators and popular personalities alike attempting to ace a make-up look that is all the rage or share a thematic one-off look for others to recreate. Then begs the question: how do we sieve out the best of all? Make-up trends surely begin somewhere, and learning from our seasoned celebrities is never a bad place to start if you're feeling overwhelmed. Vogue Singapore might be of help to you on that front—with our monthly curation of captivating beauty moments, courtesy of our favourite faces from Hollywood, the K-pop scene and more, just for that fresh jazz of inspiration. May presented no shortage of beauty moments to marvel at. Celebrity glamour was dialled up to full volume, courtesy of the Met Gala and Cannes Film Festival both taking place this month. At the Met, glossy lips and intricate hair details reigned supreme, as seen on the likes of Doechii, Sydney Sweeney and Zendaya. Following that, it was all about fresh radiance as celebrities decamped to Europe for spring, from Bella Hadid's newly debuted blonde locks at Cannes, to the polished updos seen on Lupita Nyong'o and Margaret Qualley at Chanel's Cruise 2025/26 show on Lake Como. Inspiration awaits—scroll down to take in the best celebrity beauty looks from May 2025. @bellahadid 1 / 14 Bella Hadid Did we expect anything less than a complete bombshell turnout at Cannes from Bella Hadid? No—but the model still managed to surprise by stepping out with freshly dyed blonde locks. A bronzed base complements her new honey tones. Getty 2 / 14 Lupita Nyong'o Newly minted Chanel ambassador Lupita is the picture of vibrancy at the brand's cruise show on Lake Como, Italy. The effect comes courtesy of her berry-pink eyelids and pout, not to mention her delicately embellished updo. @saythename_17 3 / 14 Hoshi of Seventeen They're officially back—ahead of their new album Happy Burstday 's release, Seventeen dropped a series of arresting teaser photos featuring their members. Here, Hoshi stands out with ice-hued hair and matching inner eye corners, finished off with a dusting of blush across the nose bridge. Getty 4 / 14 Alex Consani Coordinating with the crystals encrusting her Swarovski gown—18,400 of them, no less—was Alex Consani's embellished peepers at the Met Gala. Below her signature bleached brows, a string of crystals neatly frames her kohl-lined cat eye. @imaanhammam 5 / 14 Imaan Hammam There's nothing like a blowout to channel vintage glamour—and model Imaan Hammam got the brief. 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First look at Jurassic World: The Experience at Gardens by the Bay's Cloud Forest
First look at Jurassic World: The Experience at Gardens by the Bay's Cloud Forest

CNA

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  • CNA

First look at Jurassic World: The Experience at Gardens by the Bay's Cloud Forest

The warning signs, flashing lights and snapped cables can only mean one thing. Something big, prehistoric and full of teeth has escaped. And right on cue, the rockstar of the Jurassic World movie franchise, the Tyrannosaurus rex, roars to life as you round the corner. If you've always wondered what it's like to visit Isla Nublar, the fictional island home to de-extinct engineered dinosaurs, you can finally get a glimpse of it at the immersive exhibition Jurassic World: The Experience, which opens on Thursday (May 29). "Nublar" means "to cloud" in Spanish and no other location in Singapore is more fitting than Gardens by the Bay's misty Cloud Forest to stage the life-sized sculptures and animatronics equipped with motion sensors by Neon, the same team behind 2022's Avatar: The Experience. The pair of Brachiosauruses greeting you at the entrance, one of them with a towering three-storey-tall neck, is reminiscent of the first Jurassic Park movie in 1993. T-Rex and those slender-necked giants aren't the only bigwigs around. A pair of Velociraptors pose mid-action in their raid of the Pteranodons' nests hidden in the conservatory's Cloud Mountain. It's the perfect backdrop to imagine Scarlett Johansson, Jonathan Bailey and Mahershala Ali in the upcoming new Jurassic World Rebirth movie that opens on Jul 3. A crashed container in the foliage reveals a confused bone-headed Stygimoloch trying to bust its container. Further down the path, you'll spot the long, swaying neck of another Brachiosaurus, this time, much closer than the pair at the entrance. If you spot a crowd gathering, chances are, the keepers have brought out the weeks-old baby dinosaurs, Stiggy and Bumpy, for a little show-and-tell and interaction. But not all of the smaller creatures are harmless like the Compsognathuses or Compys perched on rocks throughout Cloud Forest. They may be little, until you remember the little girl who wandered a little too far in the movies... You start to wonder, too, how good is your impression of Chris Pratt's Owen Grady, as you descend the escalator to meet Blue and the rest of the volatile velociraptors rattling their cages. But hold that thought as you come face to face with the fringed Dilophosaurus. These animatronics don't spit venom but they do spit – don't say we didn't warn you. The exhibition is also a chance to learn about the ferns, conifers and cycads that the dinosaurs fed on. At Evolution Walk, you'll even see the ancestors of plants, imagined in 3D reconstructions, that existed millions of years ago. There's no time limit to explore the exhibits but do allocate about an hour for the experience. And if you linger till past sunset, you'll be treated to a whole new different perspective.

Cannes hit Sentimental Value might be the best film you see all year
Cannes hit Sentimental Value might be the best film you see all year

Vogue Singapore

time4 days ago

  • Vogue Singapore

Cannes hit Sentimental Value might be the best film you see all year

Kasper Tuxen Joachim Trier's The Worst Person in the World , the Norwegian auteur's portrait of millennial ennui starring the captivating Renate Reinsve, remains one of the best films of our present decade—a touchingly tender, incredibly funny and deeply moving coming-of-age saga which rightly earned its leading lady Cannes' Best Actress prize in 2021. That year, Spike Lee's jury chose to award the Palme d'Or to Julia Ducournau's Titane instead—fair enough—but if Trier doesn't win this time around, for Sentimental Value , his hotly-anticipated reunion with Reinsve and fellow frequent collaborator Anders Danielsen Lie, then I will really, truly, be outraged. In some ways, Sentimental Value is a spiritual sequel to Worst Person— while the latter observed dating, daddy issues and a woman's preparedness (or lack thereof) to be a parent in her turbulent late 20s and early 30s, this new release picks up very slightly later, in a more settled portion of one's third decade, in which, say, your career may have taken off but you're still no closer to building the kind of family so many of your peers now seem to have. It's poignant, poetic, frequently surprising and quietly devastating. And much like its predecessor, it left me paralysed in my seat as the credit rolled, crying tears of joy and reconsidering my whole life. It's the story of two sisters, Nora and Agnes (Reinsve opposite the enchanting Inga Ibsdotter Lilleaas), their estranged father, Gustav (a wonderfully prickly Stellan Skarsgård), their dearly departed mother and the entire clan which predates them, but it's also the historical account of a house: the sprawling, creaky, red-fronted, Oslo relic, with giant cracks in its foundations and secret passageways within it, which they have occupied for generations. Renate Reinsve and Inga Ibsdotter Lilleaas in Sentimental Value. Kasper Tuxen It's a living, breathing thing which, early in the film, bears witness to their latest tragedy: the loss of a matriarch, which hollows out this home, and creates space for the swaggering Gustav to re-enter it. Nora and Agnes couldn't be more different—the former, our lead, is a celebrated actor, effervescent, flighty, reckless, chronically single and prone to bouts of acute stage fright; the latter a soft-spoken historian with a husband and young son—but they both have difficult relationships with their father. A prolific filmmaker who left them when they were kids, he only really reappeared if he wanted something—and that's still the case now. He has written a script for a new project, he tells Nora, his first in over a decade, and more personal than anything he's ever attempted before—and he'd like her to play the lead, a part that is based on her own life. She's outraged, and stresses that they could never work together, and so he reluctantly shelves the movie—until, a fateful trip to the Venice Film Festival leads to him crossing paths with Rachel (a luminous Elle Fanning), a movie star on the hunt for a new challenge. Before Nora knows it, Rachel has dyed her hair dark brown, adopted a Norwegian accent and begun rehearsals in their childhood home. What follows is a film about the process of making a movie, and also of choosing not to make one. Nora continues acting on stage, having an affair with her married colleague (Anders Danielsen Lie, in a brief but effective part, with the pair's chemistry still unmatched) and ponders her father's motivations. All the while, the 70-year-old Gustav assembles his team, reckons with the notion of his own mortality and sets about nailing his film's ending, a sequence in which his protagonist hangs herself, in the very same room where Gustav's real-life mother committed the same act when he was a child. Is this film about Nora? Is it actually about Gustav's mother? Is it, in fact, about Gustav himself? And what exactly is he trying to do in making it? What is he trying to fix? What wound is he trying to close? Rachel tells him that she doesn't understand her character's thought process—why would she do this when she, in this story, has a young son? Gustav doesn't seem to know either—but he knows it can happen, because it happened to him.

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