
Myung-whun Chung becomes first Asian to lead Milan's opera house
South Korean conductor Myung-whun Chung was named the new musical director of the famed Milan opera house, Teatro alla Scala, the first Asian to hold the position.
Chung (pic) will replace Riccardo Chailly at the end of next year, and will remain in the role until general manager and artistic director Fortunato Ortombina's term ends in February 2030, La Scala said in a statement on Monday.
Chung, who is also a renowned pianist, has conducted many of the world's most famous orchestras, and is a towering cultural figure in South Korea.
La Scala noted his 'close and productive' relationship with La Scala's orchestra, choir and philharmonic, and credited him with doing more than any other any non-musical director to raise La Scala's international profile.
Since 1989, 72-year-old Chung has conducted nine operas in 84 performances, and 141 concerts at La Scala – the most of any conductor who was not a musical director.
He also has conducted La Scala's Philharmonic on tours throughout Italy and abroad, including in Germany, China, Japan and South Korea.
Among his numerous posts, Chung has previously been music director of the Tokyo Philharmonic, the Orchestre Philharmonique de Radio France in Paris and the Korean Broadcasting System, as well as artistic director of the Busan Opera and Concert Hall in South Korea. — AP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Borneo Post
5 hours ago
- Borneo Post
Kenyan acrobatics coach cherishes over 40-year bond with China
Kenyan acrobat Mathias Kavita (1st R) instructs a child to practice acrobatics in Thika, Kenya, on July 11, 2025. Slightly before his 12th birthday in 1983, Kavita's journey to China to study acrobatics under a government scholarship marked a turning point in his life, ushering him to a brave new world of cross-cultural interactions and enduring friendship.(Xinhua/Han Xu) NAIROBI (Aug 18): With over 1,000 youths having passed through his training, Kenyan acrobat Mathias Kavita beamed with pride when recalling his 41-year bond with China, one that has transcended time and geography to flourish. Slightly before his 12th birthday in 1983, Kavita's journey to China to study acrobatics under a government scholarship marked a turning point in his life, ushering him to a brave new world of cross-cultural interactions and enduring friendship. For two years, Kavita and 23 other compatriots were domiciled at the Guangzhou Acrobatic Troupe where they underwent rigorous training, culminating in mastery of the revered sport. Shortly after completing the program, Kavita returned to his homeland, worked as an acrobatic coach for a private company, and later founded his own company in the mid-1990s to nurture the next generation of acrobats. At a gated and leafy neighborhood in central Kenya's industrial town of Thika, the bubbly acrobatics coach was in his element when he assembled a group of children for a one-hour training session, featuring jumps and rope climbing. 'I have been in this field ever since I was taught acrobatics by the Chinese,' said Kavita, dressed in traditional Chinese soft-soled black shoes, commonly worn by the elderly in the Asian country. His two male assistants wore uniforms inscribed with 'Hebei Wuqiao Acrobatic Art School.' In July 2024, Kavita visited Wuqiao County, located in north China's Hebei Province, to participate in a two-month acrobatics training and exchange program, funded by the Chinese government. 'When I set foot on this land after 41 years, I truly felt like I had returned home. For over forty years, I have cherished my memories of China,' said Kavita. Kavita has preserved a 'treasure trove' of mementos from his connection with China, including a graduation certificate from Guangzhou Acrobatic Troupe, a visa from his first trip to the Asian nation, and group photos taken during past training sessions. In June, Kenya marked 40 years of acrobatic exchange and cultural cooperation with China at a gala event where Kavita chaperoned youngsters to showcase their prowess in the time-honored sport. Kenyan acrobat Mathias Kavita (1st L) instructs a child to practice acrobatics in Thika, Kenya, on July 11, 2025. Slightly before his 12th birthday in 1983, Kavita's journey to China to study acrobatics under a government scholarship marked a turning point in his life, ushering him to a brave new world of cross-cultural interactions and enduring friendship.(Xinhua/Han Xu) Over the years, Kavita observed that the popularity of acrobatics in Kenya has grown tremendously, fueled by children and youth eager to deepen their understanding of Chinese culture. 'Acrobatics has evolved since I came back from China 40 years ago. What I learnt last year in China is what I want to implement in our acrobatics training here in Kenya,' said Kavita. 'With all these exchanges, it is really giving us hope in our acrobatics that we might do it internationally.' Kavita's mastery of acrobatics has not only provided him with steady income as a coach but also inspired youth to embrace the sport. Eric Musyoka, a Nairobi-based young talent, has become an accomplished acrobat, thanks to Kavita's training and mentorship since 2017. He proudly demonstrated his expertise during a home-based training session for multiracial children in a gated neighborhood. Musyoka, one of Kavita's assistants, also took part in the exchange program with Hebei Wuqiao Acrobatic Art School, where he immersed himself in Tai Chi and Chinese martial arts, while enjoying the scenic beauty of the countryside. According to Kavita, an increasing number of Kenyan youth, schoolchildren, and their parents embraced acrobatics for physical and mental wellbeing. One of Kavita's trainees at the gated community outside Thika town is Tafari, a 10-year-old boy who said his health has improved tremendously since he started acrobatics lessons. Kenyan acrobat Mathias Kavita (1st L) instructs a child to practice acrobatics in Thika, Kenya, on July 11, 2025. Slightly before his 12th birthday in 1983, Kavita's journey to China to study acrobatics under a government scholarship marked a turning point in his life, ushering him to a brave new world of cross-cultural interactions and enduring friendship.(Xinhua/Han Xu) 'I feel like gymnastics is a good sport because it keeps you fit and it helps you in life. Children should do it more, so that when they grow up, they will have more opportunities to be better in the sport,' Tafari said. Madeline Herschdorfer, Tafari's mother, said the boy started practicing acrobatics three years ago, while her daughter Ngina, aged 12, ventured into the sport when the family was living in Britain. 'We came to Kenya and found that the way they train children is much better. This is the first sport that they started doing seriously every week,' said Hershchdorfer. 'I think it is important that we connect with different cultures and take home some of the good points,' she added. – Xinhua


New Straits Times
3 days ago
- New Straits Times
#SHOWBIZ: HK star Linda Chung recounts painful childbirth experience
HONG KONG: Canadian actress Linda Chung has been happily married to chiropractor Jeremy Leung since 2015, and they have three children together: Kelly, eight, Jared, six, and Anika, two. In a recent interview on Hong Kong actress Carol Cheng's online programme, Chung shared that getting married and having a family had been her dream since she was young. "After entering the entertainment industry, that dream kept getting pushed back," the 41-year-old said. "At one point, I even thought I might never get married." Chung, who is based in Hong Kong, also spoke about her first pregnancy, revealing that the biggest struggle was dealing with the hormonal changes in her body. "Although I looked slim, some parts of my body became swollen and painful," the former TVB star said. The actress then explained why she chose a natural birth over a caesarean section. "I wanted to experience what my mum went through when she gave birth to me," she said. Chung revealed that the recovery was gruelling as she had torn badly. "I struggled to walk afterwards," she added. Still, enduring the physical pain made her realise just how strong she was. For her second and third children, Chung took an even bolder step, opting for home births. Inspired by other parents, she thoroughly researched the process and adjusted her diet to prepare. Her efforts paid off, as she said: "No stitches were needed then. I could walk right away, and the wound healed well."


New Straits Times
3 days ago
- New Straits Times
#SHOWBIZ: Court finds Baby Shark not a rip-off
SEOUL: South Korea's Supreme Court has ruled that the globally popular children's song 'Baby Shark' was not plagiarised, dismissing a copyright claim from a US composer. With its catchy tune and lyrics, the 'Baby Shark Dance' video is the most-watched on YouTube, with over 16 billion views. This is roughly double the views of the second-place video, 'Despacito', and triple the third-place video, 'Wheels on the Bus'. In 2019, New York-based composer Jonathan Wright, known as Johnny Only, filed a lawsuit in Seoul. He alleged that the 2015 hit by South Korean educational company SmartStudy copied a song he had released in 2011. Only was seeking 30 million won (RM90,980) in compensation, claiming that the firm had copied elements of his work, including the bassline and rhythm. SmartStudy, now known as The Pinkfong Company, argued that its version was an adaptation of a traditional North American children's tune that is not protected by copyright. A South Korean lower court initially cleared the company of the charges in 2021, ruling that there was insufficient evidence of copyright infringement. This decision was upheld by an appeals court in 2023. Only then challenged the 2023 decision, but South Korea's Supreme Court affirmed the lower court rulings on Thursday. According to court documents seen by AFP, "all appeals were dismissed and the lower court's rulings were upheld." In a statement, The Pinkfong Company said the Supreme Court's decision confirmed that 'Baby Shark' was "based on a traditional singalong chant that has entered the public domain."