Inside Beyonce's huge London Cowboy Carter show with flying car, bucking mechanical bull & racy outfits
BEYONCE'S Cowboy Carter tour gets off to a flying start at the Tottenham Stadium.
The American singer rode a mechanical bull and flew around the stands in a red car as she performed 40 songs during a high tempo three hour set.
5
5
Beyonce, 43, had eight outfit changes during her first night - including a new look where she wore a sparkly white leotard with tasselled chaps.
She will play five more dates at the North London stadium, with the second taking place tonight.
Her family have joined her in the capital for the shows, with Beyoncé's eldest daughter Blue Ivy, 13, taking a starring role in her dance troupe.
Beyonce's other daughter, Rumi, seven, also made her debut on a British stage at the concert - appearing by her mum's side as she performed her song Protector.
She will celebrate her eighth birthday, alongside her twin brother Sir Carter, during their stay in London and insiders said Beyoncé was planning a party for the pair.
A source said: 'Beyonce's family are always with her when she's touring and the London dates coincide with the twins' birthdays.
'She is planning on throwing a party for them and they'll be seeing bits of London on her days off.
'Beyoncé absolutely loves her work but it's always family first - her children are her priority.'
Beyonce will play 31 international dates on her Cowboy Carter tour - and is expected to make £240million from the concerts.
The Sun first revealed Beyonce was planning her six night residency at the Tottenham Stadium last September.
Her concerts kick off a huge summer of music in the UK, with Oasis, Coldplay, Dua Lipa, Blackpink, Kendrick Lamar, SZA, and Billie Eilish all booked to play in London this year.
'In our cowboy era,' fashion fans race to Primark to get their hands on 'summer concert essential' that's loved by Beyonce
5
5
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
South Wales Guardian
an hour ago
- South Wales Guardian
‘Gut feeling more important than social media likes', says festival promoter
John Giddings, who has run the Isle of Wight Festival since it restarted in 2002, said performers need to be able to 'deliver' to a crowd and not just keep their attention on a phone screen. The 72-year-old, who represents artists ranging from Blondie to Phil Collins, told the PA news agency: 'It's gut feeling, really. I've learned the hard way in my years in the music business that some people might have sold a lot of records, but they're useless when it comes to performing. 'You want to book acts that have a catalogue that's going to entertain an audience for an hour, hour and a half, and, secondly, someone who's capable of performing to an audience of 50,000 people in a field, because they need to be able to project to entertain. 'When you look back on who we've had – Blur, Red Hot Chili Peppers, Paul McCartney, Bruce Springsteen, the (Rolling) Stones – they're all capable of delivering, even if it's pouring with rain, which it doesn't that much on the Isle of Wight, thank God. 'But you've got to be prepared for everything and it's quality of performance, really. 'I do know artists who've had a million views on TikTok who can't sell 300 tickets at a club in London. Just because all these people want to watch them on socials doesn't mean they're going to pay money to go and see them in a field.' Mr Giddings – who also manages through his Solo music agency touring shows for some of the world's biggest names such as Madonna, U2 and Beyonce – said that as well as classic acts, he needs to keep an eye on the breakthrough bands. He said: 'Because I'm older, we book acts from past, present and future, there's a discussion in the office as to what new bands are coming up, and you're projecting as to what they're going to be doing in the year's or nine months' time. 'I'll never forget when I booked The Darkness when they first started out, they were supporting someone at Brixton Academy, and I went down there, and I walked in, and Justin (Hawkins) was sitting on the shoulders of his roadie, walking through the audience, playing the lead solo. 'I thought, 'blimey, this is the music I grew up on', and then they came and played the Isle of Wight and blew everyone away.' Mr Giddings said he was always on the lookout for new acts, adding: 'If the truck driver comes up with a good idea and it's a better idea than mine, then go for it, you can't be that arrogant to just believe what you think yourself. 'We've got 15 stages on the Isle of Wight, so whatever stage you're at in your career, you can play one of those stages.' Mr Giddings said one of his highlights from the Isle of Wight Festival was Jay Z and added: 'I remember thinking 50,000 people couldn't go wilder, and then Kanye West walked on with them and it exploded, and I turned to my left, and there was Beyonce standing there – I thought 'It couldn't get better than this'.' Mr Giddings said that he remembered the classic Isle of Wight Festival of 1970, which saw 600,000 hippies descend on the island causing the event to be outlawed for 32 years, and added: 'I remember walking over the hill, it was like going to the Battle of the Somme and you could smell them before you saw them.' After 23 years of organising the Isle of Wight Festival, he said: 'I absolutely love it, which is my downfall because I work all the time, I never think I've actually had a job. 'There's nothing better than sitting in an office in Fulham in November and it's wet and windy outside, and you're imagining putting an act on in a field on the Isle of Wight in June, and then you see it nine months later and people are going wild to it. 'It's the most satisfying thing ever to provide entertainment for people.' The Isle of Wight Festival 2025, which is being headlined by Sting, Stereophonics and Justin Timberlake, runs from June 19 to 22 at Seaclose Park, Newport.
Daily Mail
an hour ago
- Daily Mail
EXCLUSIVE 'How can Geri rubbish the legacy of the Spice Girls... who does she think she is?': As furious row erupts, sources VERY close to the band tell KATIE HIND their withering verdicts on 'lady of the manor' Geri
When the Spice Girls lived together in their modest semi in Maidenhead, before they achieved pop stardom, they would speak endlessly about misogyny in the music industry. Repeatedly told that they wouldn't get on the cover of magazines because 'women don't sell', or being spoken to rudely by male record label bosses, they grew more and more angry. They would, I'm told, spend evenings discussing how they could change the world to make it a better place for women and girls.
Daily Mail
an hour ago
- Daily Mail
Robbie Williams takes a dig at Beyonce with playful jibe as they both bring their tours to London
Robbie Williams has taken a playful swipe at Beyonce as the two both played concerts in London over the weekend. The former Take That singer, 51, took to the stage at Arsenal's Emirates Stadium while Beyonce performed at Tottenham's Stadium just four miles away. During his show on Friday, Robbie couldn't resist poking fun at the American singer, 43, who is in the UK on her Cowboy Carter tour. According to The Sun, while encouraging a sing-a-long to Bon Jovi's Livin' On A Prayer, Robbie quipped: 'You won't get that at a f***ing Beyonce gig.' Robbie admitted he was 'anxious' in the lead up to his 38-date tour, saying: 'I turned to my wife [ Ayda Field ] and said, "Babe, I'm anxious about this." From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. 'She said, "Rob, you behave like this is normal. You behave like you have to do this for the rest of your life. You behave like stadiums is where you're supposed to be." ' Robbie said this was all the encouragement he needed as her words changed his 'perception'. Beyonce is playing six nights in London this summer on June 5, 7, 10, 12, 14 and 16 - with the first kicking off on Thursday. While ticket sales for her 2023 Renaissance world tour in the UK sold out within minutes of being released it hasn't been quite the same this time around. On Thursday there were still 539 free seats left in the stadium which holds around 62,000 people for concerts. The cheapest seats available for the show were £71 for obstructed view seats while the most expensive were £278 for seated in better areas. The ticket sales may reflect less interest in her country-tinged Cowboy Carter material compared to her dance-friendly Renaissance material. The singer–songwriter also may be struggling to get fans who saw her on her whirlwind Renaissance tour to come back just two years later, this time at even higher prices. Over the past few months Beyoncé appeared to have drastically slashed prices at some of her shows in order to get fans to buy the unsold tickets. Some fans who saw her in LA were able to nab tickets as cheap as $35 before Ticketmaster's fees. It comes after Beyoncé insiders have lifted the lid on how she has become a record-breaking billionaire. The Houston-born superstar and her husband Jay-Z became music's first billionaire couple and are now worth around $3billion. And in a new interview those who have worked with her over the years have revealed how her work ethic that is on 'another level' and her attention to detail have been reflected in her impressive bank balance. Producer Larry Griffin Jr worked with the star on her 2011 album 4, told The Times Culture magazine: 'She knows exactly what she wants. It was one of the most intense weeks of my career.' She recorded a whopping 75 songs for 4 and had to narrow them down to just 16 for its release. In an example of her incredible work ethic, she hosted listening parties where family and radio people scored each song from one to five. Other insiders pointed out how the attention to detail on her current Cowboy Carter tour show 'another level' of planning and precision. Architect Ray Winkler helped design sets for two of her tours and said in the Times interview: 'The visual landscapes of her shows are just extraordinary.' Choreographer James Alsop worked with her for her song Run The World and added: 'She was involved in every aspect'. James explained how she rarely took breaks, eating and drinking as she rehearsed. Others who have worked with her also tell how she will watch tapes back of her shows to see how she can improve next time.
