
Karl Lagerfeld unveils immersive pop-up in Seoul
is opening a one-of-a-kind immersive pop-up in Seongdong-gu, the former industrial zone that is one of Seoul's most vibrant cultural neighbourhoods, this weekend.
Designed to allow visitors to dive deep into Karl Lagerfeld's world, the pop-up includes introductions to the maison's Parisian heritage, unique brand DNA, house codes, and curated storytelling. It opens to the public this Saturday, May 17, and will remain open until Monday, May 26, 2025.
'Seoul constantly inspires us with its creative energy and global influence. Our pop-up offers the opportunity to connect with both longtime fans and new audiences through a unique brand experience. As we shape Karl's future legacy, we're excited to share stories and deepen our dialogue with a city that continues to define global style,' said Pier Paolo Righi, CEO of Karl Lagerfeld.
The 230-square-meter pop-up has a futuristic aesthetic, metallic chrome accents, and sleek graphics in the brand's signature black-and-white palette. It will showcase Karl Lagerfeld's Spring-Summer 2025 ready-to-wear and accessories collections. One key highlight is the life-size Choupette costume worn by actor Jared Leto at the 2023 Met Gala, a playful tribute to Karl Lagerfeld's beloved cat.
'Bringing the world of Karl home to my birth city makes this pop-up especially meaningful. It's a chance to connect with a place that shaped my perspective, and to share that vision with a new generation here,' added Hun Kim, the Korea-born creative director of Karl Lagerfeld.
At the entrance, an oversized 'kameo' of Karl Lagerfeld's silhouette welcomes guests before a journey through a gallery showcasing iconic pillars of brand history; Karl Lagerfeld's most legendary quotes and sketches; or a replica of the desk in the late German designer's Paris office.
Also on display are the brand's visual universe, including the latest campaigns and Karl Ikonik perfumes, surrounded by elements of French architecture seen at the Maison Karl Lagerfeld. Fusing this with local Korean tradition, collars and white shirts are made of hand-crafted Hanji artwork, to mimic one of Karl Lagerfeld's most iconic designs. In the centre of the space is an artistic sculpture made of white shirt collars, while a DJ booth sets the mood with curated beats.
There is also a Selfie Room and Lucky Draw with rewards for on-site purchases. Shoppers can win tickets by capturing a photo at the pop-up entrance, arriving in black and white to 'Dress like Karl.'
Karl Lagerfeld's latest pop-up is located at 99 Yeonmujang-gil, Seongdong-gu, Seoul, Korea.
Karl Lagerfeld today boasts 200 stores worldwide — including premium wholesale and franchise partners — with key flagships in Paris, London, Munich, Dubai and Shanghai, and a robust digital presence across Europe, the Middle East, and Asia via its Karl.com flagship.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fashion Network
an hour ago
- Fashion Network
Dior names Jonathan Anderson creative director of women's, men's, and haute couture collections
Dior has announced Jonathan Anderson as creative director of women's, men's, and haute couture collections, marking the first time in the brand's history that one designer has handled all three disciplines since the passing of its founder Christian Dior. 'Dior is thrilled to welcome Jonathan Anderson, a visionary creator with a remarkable career, as creative director of women's, men's, and haute couture collections of the House,' it said in a release Monday morning. The appointment of the Northern Ireland-born designer means that for the first time at Christian Dior Couture, since Monsieur Dior himself, a creative director will work on all the women's, men's, and haute couture collections, further strengthening its unified global creative vision. He succeeds the duo Maria Grazia Chiuri and Kim Jones, who respectively handled couture/womenswear, and menswear separately. 'I am delighted to welcome Jonathan Anderson to lead the women's and men's creations of the House. I have followed his career with great interest since he joined the LVMH group over 10 years ago. I am convinced that he will bring a creative and modern vision to our House, inspired by the fabulous story of Monsieur Dior and the codes he created. He will be supported by our teams and our incredible Ateliers who will bring his creativity to life,' said Delphine Arnault, chairman and chief executive officer of Christian Dior Couture. Anderson joins Dior after Loewe, one of nearly a dozen runway fashion houses controlled by LVMH, the giant French luxury conglomerate. 'Jonathan Anderson is one of the greatest creative talents of his generation. His incomparable artistic signature will be a crucial asset in writing the next chapter of the history of the House of Dior,' added Bernard Arnault, chairman and CEO of LVMH, and Delphine's father. Arnault senior had already revealed at LVMH's AGM that Anderson was taking over from Jones on menswear. Today's announcement had been widely expected for months. 'It is a great honor to join the House of Dior as creative director of both women's and men's collections. I have always been inspired by the rich history of this House, its depth, and empathy. I look forward to working alongside its legendary Ateliers to craft the next chapter of this incredible story. I would like to express my sincere thanks to Delphine Arnault and Bernard Arnault for their trust and loyalty over the years,' said Anderson. The 40-year-old will present his first collection, Dior Men Summer 2026, in Paris on June 27.


Euronews
3 hours ago
- Euronews
Shock finale: Fans divided over possible identity of new Doctor Who
This weekend's final episode of the 15th season of Doctor Who, 'The Reality War', saw Ncuti Gatwa's Doctor exit the role and regenerate into Billie Piper, who is already established in the beloved British sci-fi drama as former companion Rose Tyler. Piper played the character Rose Tyler for 35 episodes between 2005 and 2013 opposite the Time Lord played by Christopher Eccleston and David Tennant. The credit at the end of the programme said: "Ncuti Gatwa as the Doctor. Jodie Whittaker as the Doctor. And introducing Billie Piper". So, is Piper the 16th Doctor – and therefore only the third woman to portray the character? Producers are keeping their cards close to their chest — for now. 'Just how and why she is back remains to be seen,' the BBC said in a statement after the finale aired. 'It's an honour and a hoot to welcome her back to the TARDIS, but quite how and why and who is a story yet to be told,' showrunner Russell T Davies said in a statement. Piper said 'Doctor Who' has provided some of her best memories and she couldn't pass up the opportunity to come back. 'It's no secret how much I love this show, and I have always said I would love to return ... but who, how, why and when, you'll just have to wait and see,' she said. So, while Piper's statement does not make it clear whether she will be the 16th Doctor, eagle eyed fans have expressed doubts as they were quick to note that Piper was not introduced as the Doctor in the credits, as is custom... Even if the identity of the next Doctor remains uncertain, what's sure is that fans on social media appeared divided after Piper made her shock return to the series. Some expressed joy at her return, with one taking to X to write: 'I literally don't give a FUCK about anyone else's opinion. Some of you are never happy, and that's okay, be miserable. But me? I'll be sat, looking at Billie Piper. The world is healing…' Others were confused, while some prayed that this was not a gimmick and that Piper gets the opportunity to have her go as the Doctor... Some fans, however, were unimpressed. 'You need to reboot, you've dragged it to the lowest depths of hell,' wrote one, while another described the surprise return as an 'absolute train wreck.' One chimed in to say: 'Regenerating into Billie Piper just to boost ratings felt completely unneeded.' Some recalled that Christopher Eccleston, who played the 9th Doctor, once said that Piper should play a version of the Doctor... The Rwanda-born, Scotland-raised Gatwa, 29, was the first Black actor to helm the show, but he wasn't the first Black Doctor — Jo Martin played 'Fugitive Doctor' in several episodes. In a statement, Gatwa said of his departure: "You know when you get cast, at some point you are going to have to hand back that sonic screwdriver and it is all going to come to an end, but nothing quite prepares you for it." He added: "There are no words to describe what it feels like to be cast as the Doctor, nor are there words to explain what it feels like to be accepted into this iconic role that has existed for over 60 years and is truly loved by so many across the globe." "I've loved every minute of it, but now is the time to hand over the keys to that beloved blue box and let someone else take control and enjoy it every bit as much as I have.' He concluded: 'I'll truly miss it, and forever be grateful to it, and everyone that has played a part in my journey as the Doctor." Gatwa took over the role from Jodie Whittaker in 2023. Whittaker was the 13th Doctor and the first woman to play the galaxy-hopping extraterrestrial who regenerates into new bodies. She took over from Peter Capaldi in 2017. Martin was the second woman. It's unknown when Doctor Who will next appear on our screens and when fans will get answers. The show typically has a Christmas special, but this has not been confirmed. If the series should return in 2026, production would need to get going pretty quickly. Fans online are speculating that a new series will hit the screens in 2027. That's a long time to wait for the confirmed identity of the new Time Lord... 'When we build, let us think that we build forever,' Italian fashion designer Brunello Cucinelli quoted English polymath John Ruskin at an address to celebrate being the first recipient of an honorary doctorate in 'Design for Made in Italy: Identity, Innovation, and Sustainability'. The same quote is inscribed on a plaque in the centre of Solomeo, the hamlet which Cucinelli has made the home of his family, business and spiritual life since 1985. Once a crumbling site at the top of a hill among the rolling Umbrian countryside, it has been lovingly restored over the years thanks to funds from the Cucinelli enterprise. It is for this that he's been honoured at the University of Campania by a group of universities and specialists in the field of architecture, as well as the extension of this work to the surrounding Umbrian region. It is the first time the designer has received an award for architecture. In 2010 the designer, famed for his luxurious cashmere knitwear, and his wife, established Fondazione Brunello e Federica Cucinelli which has had a significant and lasting impact on the Umbrian region. The Italian region is characterised by medieval towns, monasteries and lush green fields and hills which make it a popular holiday and wedding destination, but the countless historic sites present a challenge to maintain. 'I firmly believe in the duty to preserve this legacy,' says Cucinelli. 'In losing our memories, we would lose ourselves. Moreover, safeguarding history means giving substance to the future.' Walking around Perugia, the region's capital, you won't find the Cucinelli name celebrated on a plaque or in the name of a building, but the family's influence is everywhere. It's in the pink tones of the Roman inscription on the city's Etruscan arch landmark, which hadn't been visible to present-day visitors until the Cucinelli Foundation restored it in 2014. It's in the beautifully refurbished interiors of the Morlacchi theatre, which has remained open to residents thanks to funding given in 2017 and the fresh façade of the cathedral they supported in 2022. In 2018, Brunello Cucinelli sold a 6% share in his eponymous company to add a further €100 million to the foundation. The foundation's current ongoing projects include a library in Solomeo and the rebuilding of the medieval village of Castelluccio di Norcia which was destroyed in an earthquake in 2016. Many of Italy's fashion houses have contributed to the restoration of the country's historic landmarks. Fendi donated €2 million to the restoration of the Trevi Fountain in 2013, Salvatore Ferragamo renovated a wing of the Uffizi Gallery in 2015 and Bulgari sponsored work on the Spanish Steps in 2016. While these projects are necessary and worthwhile, there's something particularly special about Cucinelli's ongoing work on a local level in the region he clearly loves so deeply. The projects also go beyond preserving history, with many having tangible benefits for the wider community too. Culture, education and spirituality are at the heart of many of them. 'I have learned that architecture is made for mankind,' he explains. Brunello Cucinelli was born in the rural Umbrian village of Castel Rigone, around 20km from Solomeo. He met his wife, Federica, in her hometown of Solomeo when they were teenagers and the couple set up home in the hamlet which today is home to around 700 other residents. It's also now home to their two daughters, Camilla and Carolina, along with their husbands, all of whom work in the company, and their children. Down in the valley next to the hamlet is the Brunello Cucinelli factory and offices which provide work to around 700 employees. The space is bright and clean, with large windows that look out onto the manicured lawns and surrounding countryside, a luxury many fashion workers don't get in city warehouses. Lunch breaks are an hour and a half, no one eats at their desk, and everyone leaves on time at the end of the day. 'That time is for your soul,' says the entrepreneur. Even among his own family, they don't talk business at the dinner table. Cucinelli has a reputation as 'fashion's philosopher', and his speech at the University of Campania Luigi Vanvitelli was littered with the thoughts and words of great thinkers: Kant, St Francis, St Benedict, Xenophanes, Emperor Hadrian and many more. He's driven by his own philosophy of 'humanistic capitalism'. Unlike many capitalists though, he thinks far into the future. The old workshops of the company in Solomeo are kept in a way that they could be returned into residential apartments should the company no longer need them. The spaces are currently being used, however, to train future generations of artisans. 'I'm not concerned about who will buy luxury in the future, I'm concerned about who will make it,' Cucinelli says. The School of Contemporary High Craftsmanship and Arts opened in 2013 offers programmes which directly support the company's outputs, such as pattern cutting, tailoring and mending, but also horticulture, gardening and masonry, skills which he believes need preserving for the wider world. Since Brunello Cucinelli went public in 2012, its market capitalisation has grown from €530 million to €6.5 billion, a dream come true for any entrepreneur. However, it's clear from what he's done with this fortune over the past 15 years that his dreams go bigger than business success, bigger than the company itself and bigger than his own lifetime. As he collects his honorary doctorate in architecture he muses about his own company, but also calls on the room to consider the impact of their own actions, saying: 'The future is not wholly ours, nor is it wholly not ours.'

LeMonde
9 hours ago
- LeMonde
Bruce Springsteen in Le Monde: From disillusioned singer to anti-Trump activist
There is the singer who, for five decades, has taken his audience on a journey − from feverish rock anthems to harmonica ballads − "on the streets of a runaway American dream." And there is the president who, through decrees and diatribes, has promised his voters to "make America great again." Bruce Springsteen and Donald Trump, at 75 and 78 years old respectively, represent two contrasting visions of America that are now clashing – fiercely. During a European tour that brought him to France from May 24 to 31, the Born in the USA singer took aim at Trump, accusing him, as he said on May 24 in Lille, of being "corrupt and incompetent." In response, the Mar-a-Lago resident lashed back, calling him a "jerk" and a "dried out prune." Springsteen, who grew up in a working-class New Jersey family, seems to particularly irk the current president and New York-born "son of," likely because the singer conveys the pain and nostalgia that Trump exploits so relentlessly: one of small towns living in the shadow of declining factories. Searching through Le Monde 's archives is like traveling upriver. Springsteen's role as a disillusioned voice of America emerged as early as this newspaper's first article on the singer − published on November 22, 1975 − on the occasion of the release of his third album, Born to Run, which brought him worldwide fame. Claude Fléouter was captivated by the artist – "Bruce Springsteen seems to have come straight from [Times Square]" – and even more by his music, which he described as being "Thrown, shouted and howled out with fury and sensuality, [with poetic rush]," and as full of "passions and fantasies." To Fléouter, the album captured "the atmosphere of a New York street."