
‘Winging It' exhibit at Newberry Library shows humanity's relationship to birds — dead and alive
Although the state bird of Illinois is the northern cardinal, in the 1800s it might have been the greater prairie chicken. The grouse or boomer, as it was known back then, was once the most numerous and notable species in the state.
The birds — which were the size of a chicken, with tan- and white-flecked plumage and an inflatable orange throat pouch on the males — once roamed tallgrass prairies by the millions and were known for the unique booming sound they make as part of their elaborate mating dance.
Hunters killed the birds for meat, shooting or even clubbing the docile birds to death. With the prairie getting plowed under and replaced almost completely by farmland, the prairie chicken lost its habitat, and is nearly extinct in Illinois.
But the prairie chicken is being featured Friday through Sept. 27 at the Newberry Library in Chicago. A documentary on the bird will play as part of a new exhibit, 'Winging It: A Brief History of Humanity's Relationship with Birds.'
The prairie chicken is a classic example of the rise and fall of some species, and how birds have persisted nevertheless, inspiring artwork and science, and playing a crucial role in the local ecosystem.
The Newberry, founded in 1887, is a library, not a museum, so it has manuscripts and artwork rather than objects, but exhibit curator Bob Dolgan culled some unique items to reflect the ways people interacted with birds in North America and Europe over the past several centuries.
The exhibit includes woodblocks of English artist and naturalist Thomas Bewick showing birds in a naturalistic style.
Artist Mark Catesby, who is sometimes compared to famed ornithologist and artist John James Audubon, predated Audubon by nearly a century, and pioneered documenting wildlife in the Americas. Rather than shooting and killing his subjects like Audubon, Catesby painted the birds alive in their natural habitats.
This exhibit will display a rare first edition of Catesby's landmark work 'Natural History of Carolina, Florida, and the Bahama Islands.'
The show also includes The Sportsman's Gazetteer and General Guide, an 1879 guide to hunting and fishing in eastern North America written by Charles Hallock, founder of what is now Field and Stream magazine.
The library also will team up with the Field Museum to offer professional development for educators called 'Winging It: The Art and Science of Birds' on July 16 and 17.
A public class that will look at the evolution of conservation in the United States as a response to multiple extinctions will be held Aug. 6-27.
There will also be a screening of 'The World of Monty and Rose,' Dolgan's documentary about the famous pair of endangered piping plovers who found love at Chicago's Montrose Beach.
As for the prairie chicken, the Prairie Ridge State Natural Area maintains a habitat of fewer than 200 boomers downstate, and the birds have survived in greater numbers in states farther north and west.
Dolgan hopes 'Winging It' will show visitors how the library's collection lends itself to exploration, and how inspiring and resilient birds can be. He also hopes to show some of the common interest conservationists share with hunters and fishers to restore lost habitat.
'We're the Prairie State, yet we have less than .01% of our prairie remaining,' he said. 'There's a huge opportunity to create more prairie that used to hold dozens of species.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Boston Globe
3 hours ago
- Boston Globe
Enslaved children were educated here. Now, the public can learn the history.
Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The opening of the school comes at a particularly fraught time in the United States as Black history, diversity and established historical narratives are being challenged, sanitized or even erased. Its story also unlocks another layer of the historic city, whose identity is shaped, in part, by its role in the American Revolution. Located in the coastal Tidewater region, Williamsburg was once the capital of the British colony of Virginia. The city is a unique place to examine colonial life — including slavery — and the nation's founding ideals. Advertisement The school's discovery was based on research by Terry L. Meyers, Chancellor professor of English emeritus at William & Mary. It inspired a years-long mission among a broad community of scholars, historians, archaeologists, genealogists, and descendants to learn more about the school and its students. It was rare during the colonial period for a space to be dedicated to formally educating enslaved and free Black children. In 1831, decades after the school had closed, Virginia outlawed the practice. Advertisement 'The Bray School is happening around the same time that the fundamental ideas of American identity are being shaped and articulated. The existence of the school tells us that African Americans were a part of the fabric of Williamsburg despite the desire to not see them,' said Maureen Elgersman Lee, director of the William & Mary Bray School Lab. 'The children grew up. They created lives within the system they lived in, whether free or enslaved. They entered this new period, this soon-to-be republic, and they were part of America's story.' The Williamsburg school was one of five Bray schools in the colonial United States. As many as 400 Black children attended the school beginning in 1760. It moved to a larger facility after five years and closed in 1774 after the death of its only instructor, a white woman named Ann Wager. The existence of the school was known — through documentation and family stories — but it would be centuries before the original building was reclaimed from history. The first known record of the children, identified by name, is dated 1762. At the time, there were 30 students, ages 3 to 10. Twenty-seven were enslaved. Three were listed as free. They walked to school and attended Bruton Parish Church on Sundays. Around this time, African Americans represented more than half of Williamsburg's population. Advertisement 'I always knew there were pieces missing from the story of Blacks here in Williamsburg,' said Janice Canaday, who traces her family to Elisha and Mary Jones, who attended the Bray School in 1762 as free students. Canaday works as Colonial Williamsburg's African American community engagement manager and said she often thought about the children. 'I wonder what songs they sang.' she said, 'Did they go home, wherever home was, and share what they learned? Did they look out the window and somehow see hope?' Colonial Williamsburg, which re-creates the colonial era through a collection of more than 600 restored or reconstructed buildings and costumed interpreters, is taking steps to more comprehensively tell Black history. On Juneteenth, it is also breaking ground on a project to rebuild the African Baptist Meeting House, the first permanent structure used by the present-day congregation of the First Baptist Church, which was founded in 1776 and is just steps from where the school now sits. And, on the William & Mary campus, archaeologists have begun a formal dig in search of more pieces of Bray's remarkable history. Collectively, the three projects explore the complicated intersection of race and religion that shaped Williamsburg during the colonial period while also helping create a fuller portrait of enslaved and free Black life there. The Colonial Williamsburg Foundation, which owns and operates the museum, has been accused of both presenting a whitewashed version of the colonial period and of going 'woke' by making the 18th-century storytelling more inclusive. Advertisement 'We are going to tell a full story,' said Ron Hurst, chief mission officer for the foundation and its senior vice president of education and historic resources. 'We are going to tell you the good and the bad. We are not going to tell you what to think about it. That's up to you.' For years, researchers have pored over official correspondence and archival documents related to Bray and have conducted oral interviews to piece together the school's history. The Bray schools were founded by the Associates of Dr. Bray, an Anglican Church missionary organization, to teach Black children to read and to follow the faith. The girls were also taught needlework. 'It was not exactly an altruistic mission,' Hurst said. 'The intent was to Christianize and particularly imbue the Anglican religion into children of color but at the same time reinforce what was perceived as their place in society. To me, one of the most interesting parts of this story is that once the tool of literacy is freed, you can't put that genie back in the bottle.'


The Hill
8 hours ago
- The Hill
Colleges need more comedy
We live in humorless times, and yet the need to laugh seems more vital than ever. Conversations on college campuses are tense right now, if they happen at all. I have taught on a university campus for close to two decades, but only recently have I started to give some consideration to comedy as a serious source of study. In 2020, when the pandemic hit and teaching went virtual, I struggled to keep my undergraduates engaged. COVID-19 crippled us to the core, and my students' minds were perpetually elsewhere. Eventually, they felt fatigued by doom and gloom. That's when I decided to test out some humor. Never a confident comedian, I initially felt awkward. However, the light-hearted laughter came with patience and time. Having learned from my stepson that many members of Gen Z appreciate puns, I started with verbal irony and progressed from there. Certain jokes didn't resonate — and they still don't — but I have learned over time to roll with the punches. Today, I weave humor into everything and, as an English professor, I find so many promising parallels between jokes and narratives. As the humanities increasingly becomes a target in our data-driven world of deliverables and returns on investment, the study and practice of humor has the potential to enhance and enrich higher education. Humor studies, an interdisciplinary field that extends from literature and writing to business and health care professions, has grown over the past decade or so. A Google Scholar search reveals that 2010 produced many pieces on pedagogy and comedy. Learning through laughter became a prevalent theme 15 years ago, but nothing that I can find considers humorous healing through higher education during our turbulent times on college campuses. Still, humor is a subject of widespread interest among both those in academia and the larger public. As the world welcomes Pope Leo, I came across a New York Times opinion piece by his predecessor titled 'There is Faith in Humor.' Pope Francis argues that laughter is central to living, just as humor humanizes us. The piece also emphasizes the centrality of comedy to Catholic faith, interfaith conversations and social justice. Humor and comedy take courage, of course, and also coincide with creative and critical thinking. Amidst concerns about campus censorship, the study of humor is central to both the liberal arts and pre-professional programs. Students come to my classes believing that serious literature is dry and grim, but my message to them is that deep learning can come from a serious examination of funny narratives and situations. This idea often resonates not only with English majors, but with future business leaders and health care professionals who see laughter as crucial to lifelong learning and their future careers. Allison Beard's 2014 Harvard Business Review piece 'Leading with Humor' convincingly argues that a sense of humor in managers and directors can go a long way to diffusing conflict and leading with conviction. Humor is also tied to human survival, even during the darkest days. Holocaust survivor Viktor Frankl writes in 'Man's Search for Meaning' that 'humor was another of the soul's weapons in the fight for self-preservation.' Although Aristotle distinguishes the two in 'The Poetics,' one of the earliest works of literary criticism in the Western tradition, the ancient Greek thinker claims that comedy is never very far from tragedy. Steve Allen, the first host of 'The Tonight Show,' said that 'comedy is tragedy plus time.' Though it may seem challenging, today's times are appropriate for humor. In this age of artificial intelligence, humor humanizes our writing and teaching. Context is crucial, of course, as is sensitivity to language. The next generation of learners can certainly benefit from this focus on lifelong learning through laughter, which in many ways is the freest form of expression. Cara Erdheim Kilgallen is an author and associate professor of English at Sacred Heart University.


Chicago Tribune
13 hours ago
- Chicago Tribune
‘Winging It' exhibit at Newberry Library shows humanity's relationship to birds — dead and alive
Although the state bird of Illinois is the northern cardinal, in the 1800s it might have been the greater prairie chicken. The grouse or boomer, as it was known back then, was once the most numerous and notable species in the state. The birds — which were the size of a chicken, with tan- and white-flecked plumage and an inflatable orange throat pouch on the males — once roamed tallgrass prairies by the millions and were known for the unique booming sound they make as part of their elaborate mating dance. Hunters killed the birds for meat, shooting or even clubbing the docile birds to death. With the prairie getting plowed under and replaced almost completely by farmland, the prairie chicken lost its habitat, and is nearly extinct in Illinois. But the prairie chicken is being featured Friday through Sept. 27 at the Newberry Library in Chicago. A documentary on the bird will play as part of a new exhibit, 'Winging It: A Brief History of Humanity's Relationship with Birds.' The prairie chicken is a classic example of the rise and fall of some species, and how birds have persisted nevertheless, inspiring artwork and science, and playing a crucial role in the local ecosystem. The Newberry, founded in 1887, is a library, not a museum, so it has manuscripts and artwork rather than objects, but exhibit curator Bob Dolgan culled some unique items to reflect the ways people interacted with birds in North America and Europe over the past several centuries. The exhibit includes woodblocks of English artist and naturalist Thomas Bewick showing birds in a naturalistic style. Artist Mark Catesby, who is sometimes compared to famed ornithologist and artist John James Audubon, predated Audubon by nearly a century, and pioneered documenting wildlife in the Americas. Rather than shooting and killing his subjects like Audubon, Catesby painted the birds alive in their natural habitats. This exhibit will display a rare first edition of Catesby's landmark work 'Natural History of Carolina, Florida, and the Bahama Islands.' The show also includes The Sportsman's Gazetteer and General Guide, an 1879 guide to hunting and fishing in eastern North America written by Charles Hallock, founder of what is now Field and Stream magazine. The library also will team up with the Field Museum to offer professional development for educators called 'Winging It: The Art and Science of Birds' on July 16 and 17. A public class that will look at the evolution of conservation in the United States as a response to multiple extinctions will be held Aug. 6-27. There will also be a screening of 'The World of Monty and Rose,' Dolgan's documentary about the famous pair of endangered piping plovers who found love at Chicago's Montrose Beach. As for the prairie chicken, the Prairie Ridge State Natural Area maintains a habitat of fewer than 200 boomers downstate, and the birds have survived in greater numbers in states farther north and west. Dolgan hopes 'Winging It' will show visitors how the library's collection lends itself to exploration, and how inspiring and resilient birds can be. He also hopes to show some of the common interest conservationists share with hunters and fishers to restore lost habitat. 'We're the Prairie State, yet we have less than .01% of our prairie remaining,' he said. 'There's a huge opportunity to create more prairie that used to hold dozens of species.'