logo
The French bureaucrats who may have doomed abandoned aquarium orcas to die... and why red tape leaves them trapped in a hellish existence

The French bureaucrats who may have doomed abandoned aquarium orcas to die... and why red tape leaves them trapped in a hellish existence

Daily Mail​18-05-2025

Swimming aimlessly around an abandoned marine park, these majestic orcas appear to be at the centre of a bureaucratic row between French officials and a major theme park company.
France 's last two captive killer whales are stranded in the algae-infested Marineland, near Cannes, neglected with the exception of a skeleton staff that comes in intermittently to feed them.
In a nearby smaller tank, 12 stranded bottlenose dolphins are the only other occupants of the park.
But their fate is uncertain - with the French government telling MailOnline that it could be a year before they are relocated at the earliest.
The marine park closed on January 5, citing legislation banning shows featuring cetaceans such as dolphins and whales, which the French government passed in 2021.
The law set a deadline of December 2026 for Marineland to part ways with the killer whales.
Since then, the management for Marineland have been shuffling through various options for where to rehome the animals, especially the orcas.
Though Marineland has closed as a marine zoo business, they are still legally responsible for the welfare of the animals until they are rehomed. The orcas were both born in captivity so could never survive in the wild.
A skeleton staff come in to feed the animals to meet the management company's legal requirements for care, but are not providing much in the way of mental enrichment, which is vital for bonded pod orcas.
At the time of closing, the park had 4,000 animals from 150 different species, most of which have been relocated.
The French government have blocked two rehoming deals, one which would have seen the orcas go to a marine zoo in Japan and another for a whale sanctuary in Canada.
The former proposal was rejected primarily over animal welfare concerns, while the Canadian Whale Sanctuary Project's offer was shelved while officials look for a European sanctuary for the creatures.
The government said the travel would be too strenuous for the animals but after a relocation deal with Loro Parque in Tenerife was rejected by Spanish authorities, the remaining options are limited.
The Loro Parque houses four captive orcas of its own, including a calf born this March, but officials said their new proposed tank would 'not meet the minimum requirements in terms of surface area, volume and depth necessary to house the specimens in optimal conditions'.
Earlier today a spokesperson for the French Ministry of Ecology told MailOnline: 'To date, with the exception of orcas and dolphins, all the animals have found a new habitat suited to their needs.
'With regard to the orcas and dolphins, an assessment by the Spanish Scientific Authority led the latter to oppose the transfer of the orcas and dolphins to Loro Parque (Tenerife) and the transfer of ten dolphins to the Madrid aquarium: the Authority concluded that the facilities did not meet the requirements in terms of surface area, volume and depth to house the specimens in optimum conditions.
'This unfavourable opinion means that authorisation cannot be granted to transfer these animals to Spain.
'Pending their transfer, the Minister for Ecological Transition, Biodiversity, Forestry, Sea and Fisheries is asking Parques Reunidos, Marineland's owner, to ensure that the animals continue to be cared for pending a future solution.
'At the same time, discussions have been held with the Italian, Greek and Spanish ministers to find a satisfactory solution that will ensure the animals' welfare.
'Although no solution has yet been found, discussions with the Italian minister have shown that the Taranto sanctuary project has the support of the authorities and could be ready within a year.'
The delay has sparked fury among animal activist groups, who have urged the French government and the owner of Marineland to treat the situation with more urgency.
Marketa Schusterova, co-founder of TideBreakers, said: 'The situation in Marineland Antibes is an emergency and needs worldwide attention.
'These are the last two remaining orcas in captivity in France and they should be moved quickly.
'The orcas need to be removed from dangerous conditions that are posing significant risks to their health and safety.
'We are disappointed in the lack of planning and complete mismanagement of this situation by the park's owner, Parque Reunidos, as well as authorities who went silent.
'They were both born in captivity so the option of rehabilitation and release to the wild is simply not possible.
'After entertaining the public for years, we should still provide them with a clean and safe environment to live out their remaining years.'
She accused the park owners of not cleaning the tank properly, which provides another everyday 'hazard' for the orcas.
A spokesperson for Parques Reunidos said: 'Marineland continues to work with the French authorities to find a solution for the cetaceans.
'Marineland reaffirms the extreme urgency of transferring the animals to an operational destination.
'All other solutions involving sanctuaries are hypothetical and would take years without any guarantee. For the welfare of the animals, they must leave now.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A brush with Cezanne in Aix-en-Provence, France: a blockbuster retrospective comes to town
A brush with Cezanne in Aix-en-Provence, France: a blockbuster retrospective comes to town

The Guardian

time2 hours ago

  • The Guardian

A brush with Cezanne in Aix-en-Provence, France: a blockbuster retrospective comes to town

Paul Cezanne is everywhere in Aix-en-Provence: there are streets named after him as well as a school, a cinema and even a sandwich (a version of traditional pan bagnat but with goat's cheese instead of tuna). And from late June, the whole city will go Cezanne mad, as the painter's atelier, north of the centre, and the family home to the west reopen after an eight-year restoration. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. But during Cezanne's lifetime, and for years after his death in 1906, Aix seemed at pains to ignore the artist later called the 'father of modern art'. When his widow, Hortense, offered several paintings to the city's main Musée Granet, director Henri Pontier declared that Cezanne paintings would enter the gallery only over his dead body. This year, however (with Pontier dead almost a century), Aix is making up for its neglect with a blockbuster exhibition at Musée Granet to accompany the unveiling of Cezanne's studio and the estate bought by the artist's family in 1859. The retrospective will bring together more than 130 works, including still lifes, portraits and landscapes. The paintings were all made in and around the Bastide du Jas de Bouffan, which was a refuge and inspiration for the painter for 40 years. Cezanne's banker father acquired the 18th-century mansion with its farm and 15 hectares (37 acres) from a bankrupt client. Disappointed that his only son had no interest in finance, he still let young Paul use the ground floor grand salon as a workspace. By 2017, however, the house had fallen into disrepair and was closed for a long renovation. Its grand opening is on 28 June, but we grab a sneak preview. Though now in an Aix suburb (20 minutes from the centre, or a few minutes on bus no 8), it's a charming place, three serene storeys in five hectares of verdant grounds, its shutters painted in Aix's signature grey-blue. Inside, projections on the walls of the grand salon recreate the paintings (later chiselled off and sold) young Cezanne made on the walls, including a 'four seasons' fresco. His card players series – one of which set a record in 2011 for the highest price ever paid for a work of art – was painted here, as was an 1866 portrait of Cezanne père reading a newspaper. (The artist and his family never used an accent on the first 'e' of their name: Cézanne seems to have been a later, Parisian invention.) The family later made a studio for Paul on the second floor, and its tall window, higher than the roofline, can be seen from the front. The kitchen and Madame Cezanne's bedroom can also be visited. Daily guided tours of the interior (available in English) will cost from €9.50, but if these sell out, a ticket just for the grounds is still rewarding. For many fans, Cezanne's genius lies in his outdoor works, and they come to life in the extensive gardens. There's the chestnut avenue he painted, the farm buildings and, most evocative for me, the square bassin (pond) that features in dozens of pictures. I'm excited to spot the lion and dolphin statues seen in several canvases, the lions with their bums in the air. (The majestic plane trees and orangery were added by later owners.) After his father died in 1886 and the estate was sold, Cezanne built his atelier in Les Lauves, then a rural area north of Aix, with views to the mountain that had long been his muse, Mont Sainte-Victoire. The 1,000-metre-high limestone ridge can be viewed from many points, including the roof terrace of our hotel, the Escaletto (doubles from €105) on the edge of the old town. It's a 15-minute walk from here to the atelier, up a road now called Avenue Paul Cézanne. The traditional-style house sits on rising ground, with kitchen and living areas on the ground floor; the first floor is one huge, high-ceilinged studio, with a full-height, north-facing window. This was his last workplace, where he painted the Bathers series, one of which is in London's National Gallery. After further renovations next winter, the lower floor will have displays including the artist's coat, palette and satchel. If Aix had mixed feelings about its famous son, those seem to have been mutual. Of the 1,000-plus paintings Cezanne left, just one is of the city: a watercolour of the fountain in Place de la Mairie. However, he made hundreds in the countryside around, including over 80 of Mont Sainte-Victoire. So the best way to find Cezanne's Provence is to get out of Aix. Between the city and the mountain is Bibémus quarry, source of the creamy ochre stone that has built Aix since Roman times. The bus trip there (no 6) is like a ride through a thousand paintings. These wooded hills are all protected, and daily tickets (from the tourist office) include a shuttle from the terminus at Les Trois Bons Dieux. What pictures can't convey is the loud birdsong, southern heat and early summer scents of pine and broom. Cezanne made 27 paintings here, developing his pre-cubist style and trademark palette of blue, green and ochre. Reproductions of paintings around the quarry show the vantage point from which they were made – and their current homes: this one now in New York, others in San Francisco, Philadelphia, Baltimore … Sign up to The Traveller Get travel inspiration, featured trips and local tips for your next break, as well as the latest deals from Guardian Holidays after newsletter promotion US tourists in Europe may not feel their homeland offers much to be proud of right now, but in Aix they can reflect with satisfaction that it was thanks to US collectors that Cezanne's fame spread and his legacy was preserved. The atelier would have been demolished for housing had a group of US collectors not saved it in 1952. And an American artist, George Bunker, bought the Bibémus quarry in 1954 and left it to the city when he died in 1991, on condition that the land be protected and open to visitors. Canadian sculptor David Campbell, now in his late 80s, with wizard-like white hair, was a friend of Bunker's and has lived here in a quarryman's cottage for 40 years. We spy him exercising on the edge of the site and he later shows us some of his fluid works in white limestone, plus masterly recreations of medieval masonry. The Red Rock (c.1895, now in Paris's Musée de l'Orangerie) is one of the best-known Cezanne quarry paintings, and the small post at the bottom left is still there today. But the site calls to my mind another in the National Gallery, with, unusually, a figure in white shirt and blue trousers dwarfed by a wall of orange rock. Visitors can also book a 6pm visit to Bibémus to enjoy the setting sun on Mont Sainte-Victoire (€17pp) or a half-day electric bike tour from Aix (€90pp including bike hire). The area may close unexpectedly, however, if mistral winds increase the risk of wildfires. One town the artist did choose to paint is Gardanne, around seven miles from Aix (eight minutes by train). Here, Cezanne tourism is more informal. A plaque on the main street, Cours Forbin, shows where he lived with his wife and son for a productive year in 1885-6. Nearby Colline des Frères (Brothers' Hill) was an open-air studio for Cezanne, and a free-to-visit walking route includes reproductions of paintings of his favourite mountain, with Gardanne and its bell tower in the foreground. (Power station cooling towers do detract slightly from today's view.) Again, these works are almost all now in the US – one even in the White House. The local tourist office does guided tours (€10, in English) on Fridays in July and August. There are no hotels in Gardanne, but a self-catering let meant we could make the most of the extensive street market under towering plane trees on Cours Forbin (Weds, Fri and Sun). I'm pleased to learn that the square blobs on the right of at least two of Cezanne's Gardanne paintings are windmills, which still stand. We climb north up Cativel hill and find three mills, one still with its sails, and the date 1567 over the door. They're on a gorgeous rolling hillside glowing in Cezanne colours, with interlocking shadows of umbrella pines completing the painterly scene. Aix may be all about Cezanne this year, but closer encounters may well be found off the main tourist trail. Cezanne at Jas de Bouffan opens 28 June and runs until 12 October at Musée Granet. The trip was provided by Aix-en-Provence tourism

Robert De Niro, 81, reveals number one parenting rule after admitting he doesn't change baby's diapers
Robert De Niro, 81, reveals number one parenting rule after admitting he doesn't change baby's diapers

Daily Mail​

time6 hours ago

  • Daily Mail​

Robert De Niro, 81, reveals number one parenting rule after admitting he doesn't change baby's diapers

Robert De Niro has revealed what he thinks the most important rule of parenting is. The 81-year-old Hollywood icon is dad to seven kids — his youngest being two-year-old daughter Gia, whom he shares with girlfriend Tiffany Chen, 45. 'The main thing is to support your kids,' the seasoned parent — who just attended Cannes Film Festival — said. He reiterated while speaking to Entertainment Tonight: 'As long as they're not hurting themselves, doing anything destructive or anything like that, you have to support them — period.' The A Bronx Tale star added, 'Even if you don't go with it or think that they… you have to support them. And they have to know that you support them. Always.' During his ET interview, the seasoned entertainer also opened up about his youngest child, whom he and Chen welcomed in April 2023. 'She's just pure joy,' the proud father gushed. 'She's two now, so as they get older and older then… you know? But it's always wonderful. Pure joy, what can I say?' It comes after he admitted that he does not change his baby's diapers. 'No, no, but I used to,' he told Sunday Times in January. 'I spend my mornings watching Miss Rachel with her, and I give her her bottle.' In addition to Gia, the actor is a parent to Drena, 57, Raphael, 48, twins Julian and Aaron, 29, Elliot, 27, and Helen, 14. His first two children came from his marriage to Diahnne Abbott. He went on to welcome twins with girlfriend Toukie Smith. Elliot and Helen are shared with ex-wife Grace Hightower — the two married in 1997 and separated in 2018. On the Today show in 2023, De Niro said about becoming a father for the seventh time: 'It feels great.' In regards to how he has changed as a father, the star told host Hoda Kotb, 'I have certain awareness — when you're older you have awareness of certain things in life, dynamics, everything, family dynamics.' The Goodfellas sensation added, 'You can't avoid learning certain things and how you can deal with those and manage them and this and that, the usual. 'It's amazing, but I'm very happy about it.' Shortly after the news of his new family addition came to light, the actor told Page Six that welcoming his youngest child was 'planned' and questioned 'how you could not plan that kind of thing.' Meanwhile, he told The Guardian in October 2023, '[Having children] doesn't get easier. It is what it is. It's OK. I mean, I don't do the heavy lifting. 'I'm there, I support my girlfriend. But she does the work. And we have help, which is so important.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store