
What the dead have to say to the living: Lessons from a psychic reading
'There's a lot of spirit here already,' she says. Her audience grows quiet. 'So I hope you're starting to feel that too. As the atmosphere changes, it gets a little buzzy.'
When Rose speaks of spirit, she is not talking about something metaphoric or symbolic; there's nothing gauzy in this invocation. When Rose speaks of spirit, she is speaking of the dead, though she would never use that word. Dead is lifeless and gone, but spirit, which she courts, is animated, full of love and loved. The room holds onto her words with reverence.
'Connecting with your loved ones is a passion of mine,' she says. 'I get to make friends every time I do it — over there and over here.'
A few late arrivals find the last remaining seats in the clubhouse. Nearly 80 in total, they have come here on a gray Saturday morning for a reading, as has been practiced in America going back to at least 1849 when the Fox sisters, Kate and Maggie, packed a hall in Rochester, New York, for a public demonstration of spiritualism.
Rose, a self-described spiritual evidential psychic medium and spiritual healer, is considered by many in the room as one of the best, and they should know. They are the members of the Life After Life Club, one of the many social clubs in the Orange County community once known as Leisure World, whose majority of residents are in their mid-70s.
For almost 20 years, they have gathered to learn about the healing power of UFOs, trance channeling, the power of animal communication and near-death experiences. Their sessions are recorded, and their YouTube channel has almost 30,000 subscribers with more than 3.5 million visitors.
This day they have assembled to hear what the dead have to say to the living, and a little later Rose will attempt to communicate with the dead.
Her lecture is called 'Lessons from the Spirit World,' and for those who are of an age when grief, loss and their own mortality are near and prevalent, the lessons are welcome. Among these men and women, all seniors, lies the hope, if not the belief, that there is something beyond this world.
Skeptics will cast a jaundiced eye on what is about to take place, dismiss Rose's lessons as hooey. Spiritualism has long drawn critics. Houdini delighted in exposing some psychics as frauds, and in 2002, federal regulators targeted 900 lines that charged for readings over the phone. Decades after she and her sister had become sensations, Maggie Fox admitted it had all been a hoax — only to recant the confession later.
But some still believe — or hope — and remain willing to consider the allure of seances, Ouija boards, communications beyond the grave.
'What happens when we pass over?' Rose asks. 'As a medium, I bring a lot of people together in reuniting, and I deliver a lot of apologies too.'
Whether the dead actually speak to the living may not be the point. What matters more is the burden the living carry, the grief, the hurt, the guilt and regret — all that we've done, all that we hadn't done.
For those willing to receive the message, Rose's presence and words are balm, and the dead apparently are happy to oblige. They are, it seems, sorry for the hurt, pain or neglect they might have caused, and they hope they'll be forgiven.
'They have no problem at all taking responsibility for what they have done in this lifetime. It is much harder for us to do that,' Rose continues.
Flanked by two bamboo plants, standing behind a lectern, she speaks without notes or props. Her claim on this knowledge is helped by the faith that her audience has experienced enough love and loss for a message of hope to take hold. Her voice and charm draw the audience close.
One woman, who doesn't want to give her name, confides that she'd like to hear from her brother, who recently died. They were close, she says, until his last year when he 'lost his mind to cirrhosis' and they fell apart. She'd like to believe they could patch things up.
Another woman, also wishing anonymity, describes herself as a believer, and says she has been 'studying death since she was 27.' She'd like to stay and talk afterwards, but needs to get home to her husband who is ill and may be in his final days.
Rose delivers her lessons, which are filled with such positivity — you continue on, the soul is infinite, everyone is forgiven, you are perfect the way you are — that only a die-hard cynic would take them apart.
'Our time here, while it may feel long, it's just like that. It's a split second,' Rose says, 'and what we take with us when we pass over to that place is love and our memories.'
One woman raises her hand with a story and a question. Her husband, she said, passed almost five years ago, and the first year she felt him constantly.
'The TV came on. The lights came on. We'd start talking, and the clock would go crazy. But then after a year and a half, I woke up and I almost felt him pull from me, and he was gone. Do they move on after so long?'
Rose alights upon the question. 'That's a gift that you got all that,' she says. 'I love all that stuff,' the knocks and taps, the banging on walls, the sudden changes of temperature in a room. She doesn't believe in negative spirits. All she's experienced is 'pure, unconditional, extreme love.'
She attributes his sudden departure to the questioner's healing and need for new experiences. 'But that doesn't mean he can't return,' she says.
Across the room another question comes up. 'If we are in a stage of prolonged grief, will that affect the person who's passed on — in their own development, their soul development?'
'That's a good question,' Rose says. 'Thank you.'
Death does not loosen the ties of our relationships, she says. If anything, they grow stronger, more loving and generous. Those who have died still care for us, she says, and try to provide healing.
'They want us to feel joy,' she says. 'But still, grief takes as long as it takes. It is a sacred process.'
As the questions draw to a close, Rose shifts to the main event: time now to see just how buzzy this room is. No one gets up to leave.
'OK,' she says, shaking her head and her shoulders like an athlete being called up by the coach. 'I'm just going to get in that power mode here.'
She scans the room.
'I feel drawn to the lady in the green cap in the back here,' she says. 'Hello.'
Valerie Young-Williams, 82, nods. She just finished treatment for cancer and wears a green beanie to hide her hair loss.
'Is it OK if I work with you? Are you OK?' Sensitive, empathetic, Rose proceeds carefully, mindful of how intimate these vulnerable moments can become.
Valerie nods tentatively and begins to cry. She is accompanied by her sister, Diane Young, who sits beside her. Valerie had hoped that her husband, David, might show up. They were married for 35 years. He died almost two years ago.
'Part of the reason you're feeling emotional right now is because there's spirit here,' says Rose, asking if anyone has a tissue to spare. A woman nearby finds her one.
Diane, 77, had seen Rose before and was impressed by her readings, divining certain aspects of her life that Rose could not have known.
Now Rose is sensing someone, but it's not David. It's a father or a father figure drawing near.
'It could be a stepdad or a father-in-law or somebody who is like a father,' Rose says. 'I don't always get that perfect distinction, but I do feel a father figure for you coming in.'
The sisters nod, and soon Rose confirms their father — Kenneth George Young — is with them.
Contact with spirit, as Rose describes it, is like experiencing 'a high frequency of love.' She calls the sensation 'sitting in power,' and like a mediation, it requires a quiet mind, a calm body, time, dedication and perseverance 'so you feel spirit's love.'
Then she develops the connection, enough to convince the sisters that Kenneth is here.
'And do you understand, either symbolically or literally, a connection to a boat? Because that's one of the first visuals I'm getting. So, any love of boats or near the water or something like that?'
The women nod. Kenneth, who died in 2006 at the age of 97, loved the ocean very much, they say. 'We grew up in front of the ocean.'
Rose works with this. In these moments, she says she sees, feels, hears and is made aware of 'things' for which she must be a translator.
'That you were able to pick that up that quickly means we're connected right now,' she says. 'The three of us — you, me and dad — are all connected.'
But Valerie is looking for her husband. Only Rose can't be sure if he's there. Kenneth, however, comes across more clearly: his personality — protective ('standing behind you, placing his hands on your shoulders') — and even his love for board games, played during the summer 'when you had all the time in the world.'
Rose describes his briefcase. The sisters recognize it; he carried it to work each day.
'He does feel fairly good with numbers and figures. He's got that kind of analytical mind.'
He was an engineer, they say.
'He was kind of pull-your-bootstraps-up, kind of keep-moving-forward kind of man, too. Because he feels very purpose driven: I get up, I go to work, I take care of my family, I do this. He's a very hardworking, ethical man.'
Working in Rose's favor is the desire for death not to be final and for this moment to be real, so that close enough is close enough. In Valerie and Diane, Rose has found two allies. Adherents of the Baháʼí faith, they believe this world is but a shadow of a spiritual world, which is more brilliant, more dimensional, a place where the soul goes but is never very far away, a place that can't be described with language.
Then, Rose says, the image shifts.
'I see bottles of medication and things that he had. Do you understand this?'
The sisters are puzzled but find the answer. David, not Kenneth, was ill before he died, they say. He must now be here.
Rose confirms it.
'It feels like they tried to treat him this way, and then they tried to treat him that way,' she says. 'And I still feel like there are some questions. Had we done this differently, would we have had more time?'
Valerie nods, and Rose continues.
'Because I hear him say, 'Baby, no. It was my time to go. You didn't do anything wrong. You didn't make a mistake.''
Valerie eases into the chair where she sits, the relief so great, as if the guilt and misgivings she felt over David's final months had just washed away. She thought he would be angry with her for not coping well during that time. She felt unworthy of his love, but now sees it differently.
'There's still grief that's being worked out,' says Rose, who now sees Kenneth again. He wants the sisters to stay close. They nod they will.
He's smiling. In fact, he's humming. He used to sing in college, they tell her.
'That's why I'm getting so much music,' Rose says.
Kenneth is showing her, Rose says, what music in the spirit world is like: notes beyond notes, sounds beyond sounds, colors and notes blending together.
'It's very beautiful, very harmonic convergence of light and sound that have come together, as dad is showing it to me. It's super cool,' she says.
But then Rose senses it's time to end their communication.
'Dad's very polite,' she says. 'He wants to make room for a few other communicators to come in. But I leave you with love from dad and from your beautiful husband too. He really is always around you.'
Rose shifts her focus. 'Let me see whom I'm drawn to now.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Epoch Times
39 minutes ago
- Epoch Times
C.S. Lewis in the Age of Bleakness
In the age of modernity, we find ourselves confronting a familiar affliction: bleakness. Our lives are marked by disillusionment. We doom-scroll, our eyes glazed over, while once useful dopamine receptors quietly shoot their last remaining endorphins. The YouTube rabbit hole is not so much an experience in enjoyment as much as it is a reflex of our current era. We watch videos of others cosplaying luxurious livelihoods all while sitting in a darkened room hoping for something more. And then what few icons we may look to as heroes the world often tells us are evil. To put it simply: in the era of algorithms and digital experiences we have become bored and uninspired.
Yahoo
4 hours ago
- Yahoo
Expert sounds off on problematic feature of city landscaping: 'I found out the hard way'
Expert sounds off on problematic feature of city landscaping: 'I found out the hard way' A tree specialist posted a YouTube short about taking care of trees planted incorrectly in a major U.S. city. The short, posted by YouTuber Andrew the Arborist (@Andrew_the_Arborist), shows the problems that come with trees planted suboptimally in Philadelphia. He explains that the two main issues stem from improper planting and soil compaction. "Some of these trees were planted too deep, below grade," he says. He then points out that there are multiple potential causes of soil compaction. These include the impact of foot traffic and vibrations from the road and the subway. This makes it difficult for the tree to get the water and oxygen the roots need. "Thanks to the seven National Park Service employees who manage the 60 acres here in Philadelphia," the short concludes. Trees in cities are highly beneficial to residents and urban wildlife. The EPA reports that just a 10% increase in tree cover in New York City would save thousands of lives. Trees provide shade, help filter the air, and have a natural cooling effect. However, these benefits can only come if they're properly managed. As an article by Eos noted, trees won't do well in an urban environment without help. The expertise shown in the video is an excellent example of the importance of proper care for trees. Of course, even less populated, more spacious locales are still prone to tree-killing errors. The dreaded mulch volcano has claimed more than a few suburban trees. Similarly, a tree planted too deeply has the odds stacked against it. However, landscaping doesn't have to be complicated. Rewilding a yard means working with native plants and eliminating the need for excess water and harmful pesticides — creating a yard that is both good for the environment and low-maintenance. The comments were appreciative, and a few expressed some envy about the expert's occupation. One said, "You have a dream job, congrats!" What's the hardest thing about taking care of your yard? Mowing the lawn Controlling weeds Keeping pests at bay I don't have a yard Click your choice to see results and speak your mind. One commenter was motivated to take action in their community, saying, "Thanks for that. The trees next to our farmer's market look like that. I'll bring it up with the city." Another commenter was all too familiar with the problems shown in the video. "I found out the hard way about what happens when tree roots get buried too deeply… I lost a 3 year old American chestnut sapling because of it." Join our free newsletter for good news and useful tips, and don't miss this cool list of easy ways to help yourself while helping the planet. Solve the daily Crossword


Los Angeles Times
5 hours ago
- Los Angeles Times
Thanks to a $5,000 rebate and DIY skills, their L.A. yard has it all — except grass
Water-hungry lawns are symbols of Los Angeles' past. In this series, we spotlight yards with alternative, low-water landscaping built for the future. When it's hot in Los Angeles, hummingbirds, butterflies and bees flock to the gardens that Lexie Glass and her husband, Evan Hursley, have been building in Harvard Park for the past three years. 'Their garden is a good example of how your landscape can be a universe for wildlife,' says Katie Tilford, development director at Theodore Payne Foundation for Wild Flowers and Native Plants, which has featured Glass and Hursley's garden on its annual Native Plant Garden Tour. For Glass, the gardens are not just 'their space,' but an environment to be shared with the natural world. 'The [COVID-19] pandemic really stressed the importance we hold for the landscape around Southern California,' says Glass, who is originally from Arkansas, 'so creating our own around our house was an exciting opportunity.' When the couple purchased the 900-square-foot Craftsman in late 2021, their front and back lawn were primarily brown and dead, and concrete was prevalent. A creative couple — Glass is a designer and Hursley is an architect — the 31-year-olds were accustomed to creating plans and managing projects. So when they learned that the Los Angeles Department of Water and Power's turf replacement program would pay them to convert their grass into a low-water landscape with California-friendly plants, they were excited to spearhead a DIY project for themselves and use the rebate to cover their expenses. Soon after the two bought the property, they started their yard project by removing the L-shaped strip of concrete in the backyard with a sledgehammer. Next, they dug a pathway through the back and side yards, installing the broken pieces of concrete to form 'sinuous paths that would lead to moments of discovery,' Glass says. After laying the groundwork for their paths, the couple removed a gnarled fig tree stump and covered the grass and weeds with leftover cardboard boxes from their move. This process, known as sheet mulching, involves layering cardboard or newspaper over the grass and weeds to smother them, creating a natural compost that enriches the soil and suppresses weed growth. Despite their initial lack of gardening knowledge, Glass and Hursley caught on quickly by watching YouTube videos on how to plant a native garden in Los Angeles by filmmaker Loren Johnson, who had torn out his lawn. They also attended online lectures on the Waterwise Community Center and California Native Plant Society channels. Similarly, they taught themselves how to install drip irrigation, select native plants and design their garden using resources such as the Waterwise Garden Planner and Calscape websites. 'Evan and I spent many Saturday mornings, eating breakfast and watching the native garden design lectures during our planning phase,' Glass says. Given the compact size of their bungalow, the couple saw their garden as more than just a wildlife habitat. It was an extension of their home. In the backyard, where they planned to spend most of their time, they included a lounge area next to a fire pit, complete with Adirondack-style chairs they built with redwood. They also added an outdoor dining area, a birdbath and an alcove with a bench, all situated in the shade of fragrant natives. The backyard is anchored around an open-air pavilion that serves as a dining room, which was created from existing four steel columns and steel beams installed on a concrete pad. To give it a more streamlined look, they removed the corrugated sheet metal roof and added 2-by-8 foot wood members across the beams, painting both the wood and steel black. Next, they attached string lights along the bottom of the wooden members and installed tension cables from the ground to the end members in a zigzag pattern, allowing the five morning glory plants they planted to climb up the wires and over the trellis. Working on weekends, the couple installed the pathways and mulched the soil after it had decomposed under the weight of the sheet mulching. To add rocks to their design, the couple transported them on a stretcher. 'That was a lot of work,' Hursley says. They then moved on to planting, sourcing primarily from Theodore Payne, Plant Material and Artemisia native plant nurseries in Los Angeles. When it came to choosing the plants, the couple aimed to create a dynamic garden by varying the heights and widths of the plants to achieve a visually appealing effect. They strategically placed some of the tall plants to screen unsightly views and create shady moments. 'You have to walk around the plants, which helps to create intrigue,' Glass says. 'This was a tip we learned while watching the lecture series held by the California Native Plant Society on YouTube.' According to Tilford, the couple chose a plant palette that is easy to maintain and recommended in Theodore Payne's 'Easy Native Plants for Southern California' list, which includes several varieties of sage, apricot mallow, De La Mina lilac verbena and bush sunflower, with California native wildflower seeds filling in the gaps. The couple chose these plants not only for their low-maintenance requirements but also for their leaf textures, flower colors and the timing of when the plants will flower or go dormant. In the front yard, where they installed a dry creek bed that collects stormwater, the couple was inspired by Cues to Care, landscape architect Joan Nassauer's theory that visible human care for a landscape can effect change in the neighborhood. 'We added lots of fragrant varieties to the front yard to greet us and our guests home, but also to hopefully spark intrigue with neighbors as they walk by,' Glass says. 'We hoped they would enjoy both the site and the smells of native plants and begin to appreciate native plants if they didn't already.' Glass and Hursley planted 250 mostly one-gallon plants, 80% of which are native to California, while the others are drought-tolerant plants from countries with similar climates. Three years in, they admit they made mistakes along the way. 'Everything grew much larger than the literature we read predicted,' Hursley says. 'Coyote mint is taking over our creek bed.' Also, some plants didn't survive. Trial and error is to be expected in a garden, Tilford says. 'That's part of the experience. Allowing yourself to fail is a way of permitting yourself to learn something new. That is a valuable lesson: Everything is going to get bigger than you think, especially if it's next to a path or sidewalk.' After submitting Glass and Hursley plans to the LADWP's replacement program, which currently offers a $5-per-square-foot rebate, the $5,100 they received covered all their material expenses. 'All we had to supply was the labor,' Glass says. When nearly 300 tour-goers visited the garden in the spring, they were treated to bright orange California poppies, cobalt-blue ceanothus flowers — a fan favorite, the couple says — yellow bush sunflowers and the bold pink flowers of hummingbird sage. Come summer, some plants are dormant, but the wildlife, and in some instances, flowers like De La Mina verbena continue to bloom. Although they added plants to nearly half the property, the couple likes that the garden feels much larger than it did before. 'Our theory is that our brains soak in all these new layers of visual interest and perceive multiple outdoor rooms,' Glass says. At one point, when the front yard was covered in mulch and the plants were going in, some neighbors questioned the project, saying the grass looked better. But as the plants started coming in and colorful native plants lined the sidewalks, their neighbors were charmed. 'It gives you a reason to explore the garden,' Hursley says, smiling. 'We can walk around for hours.' 'We hope that everyone can see that you can do it yourself,' adds Glass. 'You do not need ample space to create your oasis — just a bit of planning and an appetite for experimentation.' Peppermint Tree, Agonis flexuosa Desert Museum Palo Verde, Cercidium 'Desert Museum' 'Eureka' Semi Dwarf Lemon, Citrus X Limon 'Eureka' Washington Navel Dwarf Orange, Citrus Sinensis, Washington Dwarf Bartlett Pear, Pyrus Communis Morning Glory, Calystegia purpurata Howard McMinn Manzanita, Arctostaphylos 'Howard McMinn' Concha Ceanothus, Ceanothus 'Concha' Firecracker Penstemon, Penstemon Eatonii Desert Spoon, Dasylirion Wheeleri 'Desert Spoon' California Buckwheat, Eriogonum fasciculatum Scarlet Columbine, Aquilegia formosa Moonshine Yarrow, Achillea 'Moonshine' Desert globemallow, Sphaeralcea ambigua Coyote Mint, Monardella Villosa Parry's Agave, Agave Parryi California Fuchsia, Epilobium canum Star Jasmine, Jasminum multiflorum Narrow Leaf Milkweed, Asclepias fascicularis Margarita BOP Penstemon, Penstemon heterophyllus 'Margarita BOP' White Sage, Salvia Apiana De La Mina Verbena, Verbena lilacina 'De La Mina' Bush Sunflower, Encelia californica Common Yarrow, Achillea millefolium Everett's Choice California Fuchsia, Epilobium canum 'Everett's Choice' Hummingbird Sage, Salvia Spathacea California Poppy, Eschscholzia Californica Brittlebush, Encelia farinosa Allen Chickering Sage, Salvia 'Allen Chickering' Palmer's Indian Mallow, Abutilon palmeri Elegant Clarkia, Clarkia unguiculata Bird's Eyes, Gilia tricolor Iris Pacific Coast Hybrids Wendy Alumroot, Heuchera 'Wendy' Coral Bells, Heuchera Yerba Buena, Clinopodium douglasii Seaside Daisy, Erigeron glaucus Catalina Currant, Ribes viburnifolium Safari Sunset Conebush, Leucadendron 'Safari Sunset' San Miguel Island Buckwheat and Red Buckwheat, Eriogonum grande var. rubescens Germander Sage, Salvia chamaedryoides Cow's Horn Cactus, Euphorbia grandicornis Variegated African Candelabra, Euphorbia ammak variegata Blue Flax, Linum lewisii Turf Replacement Rebate Program Planting a Native Garden in Los Angeles Waterwise Garden Planner Green Gardens Group Education California Friendly and Native Landscape Training California Native Plant Society Theodore Payne Foundation for Wildflowers and Native Plants Plant Material Artemisa Nursery