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Churches in once Catholic-dominated Quebec get new secular roles as restaurants, gyms and theaters

Churches in once Catholic-dominated Quebec get new secular roles as restaurants, gyms and theaters

Independenta day ago
On a Friday night, families danced under pink and purple neon lights to the beat of an African band playing where the altar used to stand at a Catholic church in Montreal.
Notre-Dame-du-Perpetuel-Secours, built between 1914-1920, was renovated and repurposed in 2014, becoming Theatre Paradox. The concert hall has hosted meditation, Zumba lessons, even a fetish party that organizers touted as 'Montreal's most kinky, freaky and sexy Halloween event.'
In the once Catholic-dominated province of Quebec, it's just one of many churches that have been deconsecrated and transformed into everything from gyms, restaurants and museums to luxury apartments, auction houses and a university reading room.
For most of Quebec's history, the Catholic Church was the most powerful force in the French-speaking province, with a firm grip over schools, health care and politics. But its influence faded during the so-called Quiet Revolution of the 1960s, when the provincial government took control as part of a campaign to reduce the church's power.
The rate of regular church attendance among Quebec's Catholics plunged from one of the highest in Canada to the one of the lowest. That happened to Notre-Dame-du-Perpetuel-Secours.
Over the course of a century, thousands of worshippers filled its pews. But attendance had dwindled to a few when the event management company Groupe Paradoxe bought it in 2010, said its director, Gérald St-Georges. He believes that even in a deconsecrated secular setting, the former church continues what he describes as a sacred mission.
Today, it offers training and paid work for young adults, including those with prior addiction issues and juvenile records, in theater and stage management to help them land jobs in the entertainment industry.
'When I started the project, I said to myself, 'That's the kind of work the church should do, not only Mass,'' said St-Georges, who is a Catholic. 'I practice my faith with what I do every day, helping people.'
Wood from the pews was used to build a bar. On a recent summer day, concertgoers ordered cold beers in front of stained glass illuminated by neon lights under a silver disco ball that hung from its soaring ceilings.
An opportunity to gather for believers and non-believers
In the historic neighborhood of Old Montreal, tourists formed a snaking line outside the Gothic-style Notre-Dame Basilica — Montreal's still-active mother church that also hosts secular events — to attend a popular show that uses projectors and lasers to illuminate the building.
Mateus Vassalo, a Brazilian tourist who visited the show with his family, said it's an incredible opportunity for believers and nonbelievers to gather in such a setting outside of worship services.
'You see people from other religions, Muslims, people who sometimes don't even believe in God, coming here to the church,' he said in Portuguese.
'Even if they come specifically for the show, they end up having a contact, and who knows, maybe there's a door for God to enter. There's curiosity. There's questioning.'
Following Catholic values in a church turned restaurant
Just a few miles north, in the neighborhood of Hochelaga-Maisonneuve, the sky is dotted with crosses atop church steeples, many of them unused or repurposed.
For decades, factory and port workers worshipped at Saint-Mathias-Apotre Church. Today it's a restaurant that serves affordable meals daily for up to 600 residents.
The manager of Le Chic Resto Pop also grew up Catholic and, like many of his staff, now identifies as religiously unaffiliated. But he still feels close to core values of Catholicism that he tries to extol at the nonprofit restaurant that keeps the original wooden doors and even the confessional booths.
'There's less faith, but the values are really much the same: It's values of respect, values of well-being, of wanting to help each other,' Marc-André Simard said during a lunch break, sitting near what used to be the altar.
'There's still space to be together, to have some sort of communion, but it's around food, not around faith.'
'I vote for you!' Marie-Frédérik Gagnon, one of the restaurant employees, said laughingly next to him. She also grew up Catholic but is now part of the so-called 'nones' — people who are religiously unaffiliated.
Today, she values how Quebec grants people the right to live free from religious impositions, while protecting the right to religious freedom.
'In the restaurant, we have a bunch of people that are Spanish-speakers, that come from African countries, and they're still big believers, and everybody sits at the same tables. There's a big acceptance of all.'
'It's such a beautiful place,' she said. 'People are very calm and quiet when they come here. The environment, all the lights, all the open space, I think it's helping people to feel good. So it's nice to have the chance to work in an open-space environment like this.'
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Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
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Inside the real-life town that Disneyland Paris built – with Italian-copycat homes and no rubbish on the streets
Inside the real-life town that Disneyland Paris built – with Italian-copycat homes and no rubbish on the streets

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time2 hours ago

  • Scottish Sun

Inside the real-life town that Disneyland Paris built – with Italian-copycat homes and no rubbish on the streets

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Henry Naylor on the dark 1980s inspirations behind his new play Monstering the Rocketman
Henry Naylor on the dark 1980s inspirations behind his new play Monstering the Rocketman

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time4 hours ago

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Henry Naylor on the dark 1980s inspirations behind his new play Monstering the Rocketman

Monstering the Rocketman | Rosalind Furlong The playwright reflects upon the horrific tabloid homophobia of the 1980s in his latest work, which involves Elton John, Princess Diana and a pair of 'devil dogs'. Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... It's human to remember the best bits of the past, and edit out the worst. Currently there's a lot of nostalgia for the 1980s. But beneath the gaudy clothes, the big hair and even bigger shoulder pads was a darker, more scary, more violent country. There was football hooliganism, race riots, IRA bombs, the Poll Tax revolts, lengthy dole queues and crippling, brutal strikes. It was a time of massive social upheaval, as Britain strove to define itself. Advertisement Hide Ad Advertisement Hide Ad I've been wanting to write a series of plays about the decade for a while, if nothing else, to contradict the demagogues selling us a romanticised view of the past. For research, I spent four months in the British library reading back issues of the tabloids, to revisit and understand the mindset of the 1980s. This was a golden era for the tabloids and The Sun was the backdrop of our lives. As the biggest selling daily newspaper in the English-speaking world, it sold nearly five million copies a day, with a readership of 12 million. It was seen on every train carriage, on every bus, and it was impossible to avoid its bold, provocative, sometimes hilarious, often offensive headlines. Reading those papers today is alarming. We often lambast the society of today for being intolerant but we've come a long way. Intolerance and hate speech were mainstream in the 1980s and racist terms were commonplace. The French were 'Frogs,' the Germans 'Krauts' and the Japanese 'Japs.' Black faces rarely appeared on the front pages and when they did, they were usually those of criminals. Monstering the Rocketman | Rosalind Furlong But the greatest invective was reserved for the gay community. When the Chief Constable of Greater Manchester, James Anderton, an evangelical Christian, spoke to a national conference about how the police should deal with AIDS, he said: 'Everywhere I go I see evidence of people swirling around in the cesspool of their own making. Why do homosexuals freely engage in sodomy and other obnoxious sexual practices knowing the dangers involved?' He was dismissed as a crank by the broadsheets. Not so by The Sun. In an editorial it declared, that it 'hopes Mr Anderton will treat these perverts with the contempt they deserve.' Coverage was relentless and overwhelmingly negative, with headlines that are shocking to modern eyes: 'Gays are Plague In Our Midst', 'MI6 Boss was Poof', etc. Furthermore, it seemed the tabloids thought it a moral duty to 'out' gay celebrities and portray them as sexual deviants. There was a particular fascination with celebrity/rent-boy stories. Russell Harty had his career destroyed in such a way, and Harvey Proctor too. Advertisement Hide Ad Advertisement Hide Ad And then came Elton John. You could almost smell the glee of Sun editor Kelvin MacKenzie when he was offered the 'confessions' of a male prostitute known as 'American Barry'. Mackenzie has admitted some stories were 'too good to check', and this was one of them. He published. Disastrously, he was to discover that 'Barry' was a liar. He was neither American, nor called 'Barry'. 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But we, the public, played our part. We were willing to pay for thrilling stories, regardless of whether they were true or not. How else to explain the phenomenon of the Sunday Sport, known for headlines like 'World War II Bomber Found on the Moon'. Its readers surely knew they were being lied to, but they didn't seem to mind just so long as the storylines were compelling. So who would blame the 1980s popular press editors for 'hyping up' and even 'making up' stories? That was what we, the public, seemed to be demanding. Advertisement Hide Ad Advertisement Hide Ad In a time of screaming TikTok influencers, vacuous OnlyFans narcissists and demagogues with orange faces, we need a strong, trustworthy source of truth. If nothing else, to dismiss the 'alternative facts' and 'firehose of falsehoods' corroding our democracy, and to stop us from retweeting the B.S. fed to us by bots. The Free Press is surely the answer. It needs to be powerful, have free rein, but above all be responsible. Above all, trust has to be rebuilt. That can only be achieved by acknowledging the mistakes of the past, and by examining where the trust was lost: in the mid-1980ss, when profits were placed before truth. It can be done, but as Elton has said, sorry seems to be the hardest word.

The world's largest Pierre Hermé store opens in Singapore on August 1 – here's what to expect
The world's largest Pierre Hermé store opens in Singapore on August 1 – here's what to expect

Time Out

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  • Time Out

The world's largest Pierre Hermé store opens in Singapore on August 1 – here's what to expect

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