The Getty's free sunset concert series is back for the summer
The museum's annual concert series announced its lineup on Wednesday, and it includes four evenings of eclectic programming. The best part: Tickets—like admission to the Getty Center—are free, though you'll want to try to secure a reservation ahead of time; tickets tend to open up about two to three weeks before each show.
The locally beloved Off the 405 series has been drawing crowds to the Getty's courtyard since 2009 (besides taking a couple years off during the pandemic). With past headliners including Moses Sumney, Allah-Las, Chicano Batman and Shannon and the Clams, each year the series' curated lineup spans a range of genres and regularly showcases some of the most exciting up-and-comers in the independent music scene.
Each performance starts at 7:30pm and will be preceded by a DJ set at 6pm. Listening to free live music while watching the sun set over the L.A. skyline in one of the city's most beautiful venues—what could be better?
And now for the lineup: First up on May 31 is SML. No, they're not an outlet for songs from Saturday Night Live, but rather an L.A.-based quintet of musicians who've worked with the likes of Phoebe Bridgers, Leon Bridges and Perfume Genius. The band, who recently played a sold-out show at the Lodge Room, blends jazz, Afrobeat, kosmische (electronic Krautrock) and ambient influences. Jeff Parker and Scottie McNiece will DJ before the performance. Tickets are available starting today, May 8.
As of the time of writing, there's no show scheduled in June, but on July 12, Nashville-based singer, songwriter and guitarist Madi Diaz will take the stage. Diaz, who's collaborated with Harry Styles and Kacey Musgraves and toured with Angel Olsen and Waxahatchee, is also a recent Grammy nominee for best folk album. Tickets are available starting Thursday, June 26.
Two weeks later on July 26 is Empress Of, the musical project of Honduran-American L.A.-based singer-songwriter Lorely Rodriguez. Her bold, bilingual music blends electronic, R&B and dream pop. Tickets are available starting Thursday, July 3.
And last but not least, L.A.-based composer, singer and songwriter Emile Mosseri will perform on August 23. You've likely heard Mosseri's work before—he composed the scores for films including The Last Black Man in San Francisco and Minari, which earned him an Oscar nomination. His songwriting shows a more personal side of the artist, and his live performances combine both sides of his repertoire. Tickets are available starting Thursday, July 31.
Note that even though tickets are free, they're still required and will serve as your museum reservation. Oh, and as always, you'll still have to pay for parking (normally $25, it's $15 after 3pm and only $10 if you show up after 6pm). If a show is sold-out, walk-ups will be admitted day-of if any spots end up being available, if you want to try your luck. Either way, we recommend arriving early to check out the galleries and gardens before the show and making a day of it.
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The National
5 hours ago
- The National
Scottish crew 'excluded from Spider Man 4 filming in Glasgow'
Filming for Marvel's upcoming blockbuster is set to begin this month as fake construction sites, prop vehicles and American flags have appeared in the city centre. Despite Scotland being chosen as the preferred filming location by Hollywood, with actors Tom Holland and Zendaya featuring in the film, the head of one of the largest talent agencies in the country has claimed that Scottish workers have been shut out from working on the production. Iain Wilkie, owner of BBB Talent Agency – which represents more than 10,500 actors, extras and stunt specialists – has claimed that a London-based talent firm has been chosen to provide talent and that no Scottish crew is working on the film. READ MORE: James McAvoy does the most Scottish thing in London – and Martin Compston loves it Wilkie, who is a veteran actor and body double for Sam Heughan in Outlander, told The National that very few Scottish facilities had also been chosen while the film is shot in Glasgow. He also claimed that it was the same story with the last four Hollywood blockbusters which were filmed in the country. He said while the film industry looks like it is thriving on the surface, few in Scotland is benefiting from these large-scale filming activities. 'You see these Hollywood red carpets, and it's all glitz and pure glamor, and you see these ordinary-looking actors with supermodels. Well, that's Scotland right now,' he explained. 'We're turning up at these events and hiring a supermodel. It looks glamorous but there's just no substance to it. 'On the surface, we look absolutely amazing. We look like we're booming with these major Hollywood productions all over Scotland, but there's no benefit to us. 'There's absolutely no benefit. Nobody in Scotland benefited from this. 'When these production companies are coming to Scotland, they are wiping their feet on their way out.' (Image: Supplied) Wilkie (middle) said that the London-based firm Entertainment Partners was chosen to provide talent for Spider-Man: Brand New Day. He also claimed that Scottish firms weren't even given the opportunity to speak with either Sony or Marvel, who are the main forces behind the film, about working on it. 'The state of Scotland's creative industries is that unless you have a London-based agent, you're not going to get it if you're an actor,' he said. 'Unless you've got a London-based agent, you're not going to get any work in Scotland.' Wilkie said he has decided to speak out about Scottish firms being overlooked by film projects, as he said after eight years of the 'biggest talent platform' in the country, he has seen his opportunities, along with his colleagues from other agencies, become fewer. He said: 'We never moaned. We just got on. But now we were not even given the opportunity.' Wilkie has now called on Screen Scotland, a national body set up to support Scotland's film and TV industry, to do more to champion the industry. Screen Scotland says its purpose is to drive development of all aspects of Scotland's film and TV industry, through funding and strategic support, which includes improving employment opportunities in the sector. However, Wilkie argues that the government agency has lost sight of one of its core commitments to help improve employment opportunities for Scots in favour of over-focusing on promoting the country to the world. He said: 'Their function, they believe, is to promote Scotland. And I'll tell you what, I'll give them ten out of ten for it, because they are seriously promoting Scotland. 'There's some great productions coming to Scotland, but there's nobody in Scotland benefiting from that.' Wilkie added: 'They are bringing work to Scotland, but for who?' The agency boss said he would like Screen Scotland to understand what it's like working in the industry and how it is 'impossible' for Scots to reach all the 'amazing productions' that are coming to the country to film. He added: 'I would love there to be a facility in Scotland for people that work in TV and film in Scotland to access these productions. 'Right now, it's a closed shop, and Screen Scotland are helping keep it closed' Wilkie said that Screen Scotland is good at supporting Scots if they 'tick the right boxes' but there is no follow-up. He said that young first-time writers or directors who are given some money to make the content they want are left with no support or help from the government agency. He added that Screen Scotland should be trying to get Scots practical experience on the big productions that are coming to Scotland in a bid to help cultivate the country's own talent pool, and has called for them to create a branch to develop the industry's opportunities. (Image: Supplied) 'The key to Screen Scotland is to get back to basics. Remember why they're here,' Wilkie (above) said. 'They've done a phenomenal job of promoting Scotland. If they were to put the same energy into the people in Scotland working within TV and film, that's where the success will lie. 'What they need to do is create a branch within Creative Scotland that is only there to promote us.' Wilkie said along with establishing a branch in Screen Scotland to promote Scottish workers, there should also be a legislative change in how production companies can recruit. He said that there should be an introduction of some form of quota of Scottish people to work on productions shot in Scotland, or that people with Scottish postcodes should take priority over those outside the country. 'I'm not saying every job should be filled with people from Scotland on average,' Wilkie said. 'I'm just saying I think we should be scooping up the talent in Scotland first and then when that talent runs out, look to the bigger pools that are in England.' Wilkie also said the Scottish Government should take note of how Wales and Northern Ireland prioritise homegrown talent and incentivise productions to hire from inside the country instead of looking to London. One example is the Foot in the Door initiative by Ffilm Cymru, which aims to connect people with opportunities in the creative sector, regardless of their background. Wilkie added: 'There's just no support for us out here. There's just no support from Screen Scotland at all.' Earlier this week, John Swinney said more needs to be done to increase the number of Scots benefitting from Scotland's screen industry. The First Minister said that the [[Scottish Government]] needs to 'make sure' that there is better access to screen infrastructure for Scots, adding that there needs to be more recognition of the 'economic benefits' the sector brings. A Screen Scotland spokesperson said: 'Screen Scotland is committed to supporting Scotland-based film and TV talent as well as maximising the benefits that filming creates across the wider Scottish economy. We encourage incoming productions to utilise local crews and services. 'That said, the majority of our production funding remains focused on films and [[TV]] programmes from Scotland, which regularly hire local crew and facilities. Recent projects from Scotland developed and produced with Screen Scotland's support include Only Child, Mayflies and Dinosaur for BBC Scotland, An t Eilean (The Island) for BBC Alba, Summerwater for Channel 4, The Rig for Amazon Prime, and the feature films The Outrun, Aftersun, My Old School, Janey, On Falling, California Schemin' and Tornado.' Entertainment Partners and Sony have been approached for comment.
The National
6 hours ago
- The National
Spider-Man 4 uses no Scottish crew during Glasgow filming
Filming for Marvel's upcoming blockbuster is set to begin this month as fake construction sites, prop vehicles and American flags have appeared in the city centre. Despite Scotland being chosen as the preferred filming location by Hollywood, with actors Tom Holland and Zendaya featuring in the film, the head of one of the largest talent agencies in the country has claimed that Scottish workers have been shut out from working on the production. Iain Wilkie, owner of BBB Talent Agency, which represents more than 10,500 actors, extras and stunt specialists, has claimed that a London-based talent firm has been chosen to provide talent and that no Scottish crew is working on the film. READ MORE: James McAvoy does the most Scottish thing in London – and Martin Compston loves it Wilkie, who is a veteran actor and body double for Sam Heughan in Outlander, told The National that very few Scottish facilities had also been chosen while the film is shot in Glasgow. He also claimed that it was the same story with the last four Hollywood blockbusters, which were filmed in the country, claiming that despite the film industry looking like it is thriving on the surface, nobody in Scotland is benefiting from them. 'You see these Hollywood red carpets, and it's all glitz and pure glamor, and you see these ordinary-looking actors with supermodels. Well, that's Scotland right now,' he explained. 'We're turning up at these events and hiring a supermodel. It looks glamorous but there's just no substance to it. 'On the surface, we look absolutely amazing. We look like we're booming with these major Hollywood productions all over Scotland, but there's no benefit to us. 'There's absolutely no benefit. Nobody in Scotland benefited from this. 'When these production companies are coming to Scotland, they are wiping their feet on their way out.' (Image: Supplied) Wilkie (middle) has claimed that the London-based firm Entertainment Partners was chosen to provide talent for Spider-Man: Brand New Day. He also claimed that Scottish firms weren't even given the opportunity to speak with either Sony or Marvel, who are the main forces behind the film, about working on it. 'The state of Scotland's Creative Industries is that unless you have a London-based agent, you're not going to get it if you're an actor,' he said. 'Unless you've got a London-based agent, you're not going to get any work in Scotland.' Wilkie said he has decided to speak out about Scottish firms being overlooked by film projects, as he said after eight years of the 'biggest talent platform' in the country, he has seen his opportunities, along with his colleagues from other agencies, become fewer. He said: 'We never moaned. We just got on. But now we were not even given the opportunity.' Wilkie has now called on Screen Scotland, a national body set up to support Scotland's film and TV industry, to do more to champion the industry. Screen Scotland says its purpose is to drive development of all aspects of Scotland's film and tv industry, through funding and strategic support, which includes improving employment opportunities in the sector. However, Wilkie argues that the government agency has lost sight of one of its core commitments to help improve employment opportunities for Scots in favour of over-focusing on promoting the country to the world. He said: 'Their function, they believe, is to promote Scotland. And I'll tell you what, I'll give them ten out of ten for it, because they are seriously promoting Scotland. 'There's some great productions coming to Scotland, but there's nobody in Scotland benefiting from that.' Wilkie added: 'They are bringing work to Scotland, but for who?' The agency boss said he would like Screen Scotland to understand what it's like working in the industry and how it is 'impossible' for Scots to reach all the 'amazing productions' that are coming to the country to film. He added: 'I would love there to be a facility in Scotland for people that work in TV and film in Scotland to access these productions. 'Right now, it's a closed shop, and Screen Scotland are helping keep it closed' Wilkie said that Screen Scotland is good at supporting Scots if they 'tick the right boxes' but there is no follow-up. He said that young first-time writers or directors who are given some money to make the content they want are left with no support or help from the government agency. He added that Screen Scotland should be trying to get Scots practical experience on the big productions that are coming to Scotland in a bid to help cultivate the country's own talent pool and has called for them to create a branch to develop the industry's opportunities. (Image: Supplied) 'The key to Screen Scotland is to get back to basics. Remember why they're here,' Wilkie (above) said. 'They've done a phenomenal job of promoting Scotland. If they were to put the same energy into the people in Scotland working within TV and film, that's where the success will lie. 'What they need to do is create a branch within creative Scotland that is only there to promote us.' Wilkie said along with establishing a branch in Screen Scotland to promote Scottish workers, there should also be a legislative change in how production companies can recruit. He said that there should be an introduction of some form of quota of Scottish people to work on productions shot in Scotland, or that people with Scottish postcodes should take priority over those outside the country. 'I'm not saying every job should be filled with people from Scotland on average,' Wilkie said. 'I'm just saying I think we should be scooping up the talent in Scotland first and then when that talent runs out, look to the bigger pools that are in England.' Wilkie also said the Scottish Government should take note of how Wales and Northern Ireland prioritise homegrown talent and incentivise productions to hire from inside the country instead of looking to London. One example is the Foot in the Door initiative by Ffilm Cymru, which aims to connect people with opportunities in the creative sector, regardless of their background. Wilkie added: 'There's just no support for us out here. There's just no support from Screen Scotland at all.' Earlier this week, John Swinney said more needs to be done to increase the number of Scots benefitting from Scotland's screen industry. The First Minister said that the [[Scottish Government]] needs to 'make sure' that there is better access to screen infrastructure for Scots, adding that there needs to be more recognition of the 'economic benefits' the sector brings. A Screen Scotland spokesperson said: 'Screen Scotland is committed to supporting Scotland-based film and TV talent as well as maximising the benefits that filming creates across the wider Scottish economy. We encourage incoming productions to utilise local crews and services. 'That said, the majority of our production funding remains focused on films and [[TV]] programmes from Scotland, which regularly hire local crew and facilities. Recent projects from Scotland developed and produced with Screen Scotland's support include Only Child, Mayflies and Dinosaur for BBC Scotland, An t Eilean (The Island) for BBC Alba, Summerwater for Channel 4, The Rig for Amazon Prime, and the feature films The Outrun, Aftersun, My Old School, Janey, On Falling, California Schemin' and Tornado.' Entertainment Partners and Sony have been approached for comment.
Daily Mail
7 hours ago
- Daily Mail
Country singer Conner Smith admits to 'dark moments' at first show since car accident that killed elderly woman
Country star Conner Smith has admitted to enduring 'dark moments' since his fatal car accident involving an elderly woman. The 24-year-old singer opened up on Wednesday about the accident during his first performance back on stage since the June crash. Conner hit Dorothy Dobbins, 77, with his Chevrolet Silverado pickup truck in Nashville - hours after he performed at CMA Fest - while she was walking on a marked crosswalk. Dorothy was rushed to Vanderbilt Medical Center, where she was pronounced dead. Conner has since been issued a misdemeanor citation and is to appear for booking on the citation on August 7. And during his recent performance at the Grand Ole Opry in Nashville, Tennessee, the singer candidly spoke to the crowd about the aftermath. 'I've found in the darkest of moments, the Lord is so much closer than ever before. He was better than I could ever imagine every step of the way,' Conner said, according to a video obtained by Fox News. 'He was kinder than I could ever imagine. He was more of a defender than I could ever imagine in my heart.' In the last two months following the accident, Conner has canceled multiple shows on his tour to take a step back and reflect on what happened. Before taking the stage, Conner posted an emotional blog post to his Substack titled The First Steps where he opened up about his emotional journey after the crash. 'What was once routine is now a great contrast to the two months of hiddenness my heart has needed,' Conner wrote. 'Tonight, I am going to perform again, and the truth is, in the very first moments of tragedy, I found it hard to imagine ever stepping on a stage again. 'The moment tragedy came, I knew that my heart had no way to process it. 'Surrounded by an incredible community, my wife, family, friends, pastors, for the first 30 days, I stayed isolated from the world. I spent most of my time with friends who had stopped by the house, or just me and Jesus. 'I turned off my phone, and the world, and simply guarded my mind, processing the pain with the people around me.' He also thanked his fans for 'standing by me' and 'protecting me.' Conner concluded by revealing his first night back on stage felt like a 'new beginning in every way.' 'A restart, a second chance, an opportunity for purpose through the trials I've now known. My heart is filled with thankfulness because of that truth,' he added. 'The truth that I now get a chance to begin again, having seen the things that truly matter in life.' During his performance at the Grand Ole Opry, the Christian singer performed emotional songs about worship and even debuted a new song called Songs of David, which he called a 'version of a prayer' he had been writing over the past two months. He also touched on his hiatus to focus on healing, saying: 'Out of respect for everyone involved and to give space for grieving, I made the decision to step away from shows these past few weeks. 'I have always found that making music and playing shows is a place of healing for me – but for this moment, it was important for me to take time away.' Conner is a recording artist for Big Machine Records' sub-label Valory. He's best known for the viral hit I Hate Alabama, which was released in late 2021 and became a sensation with TikTok users. Buzz from the song led to his record deal, which he inaugurated with his 2022 EP Didn't Go Too Far.
